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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 89 23 213 it is the complementary color RGB 166 232 42. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 89 23 213. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 89 23 213 shade: RGB 94 23 208, RGB 111 41 227, RGB 128 59 246, RGB 145 77 255 and RGB 162 95 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 89 23 213. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 89 23 213 shade: RGB 89 23 213, RGB 72 5 194, RGB 55 0 175, RGB 38 0 156 and RGB 21 0 137

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 89 23 213 shade: RGB 88 22 212, RGB 140 22 212, RGB 191 22 212, RGB 212 22 183 and RGB 212 22 131

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 89 23 213 shade: RGB 88 22 212, RGB 37 22 212 and RGB 22 22 212

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 89 23 213 shade matches the following richer shades: RGB 88 22 212 and RGB 82 3 231

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 89 23 213 shade: RGB 88 22 212, RGB 94 41 193, RGB 100 60 174, RGB 106 79 155 and RGB 111 98 136

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 89 23 213 shade: RGB 22 60 212, RGB 35 22 212, RGB 86 22 212, RGB 136 22 212 and RGB 187 22 212

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 89 23 213 shade: RGB 57 14 138, RGB 73 18 175, RGB 88 22 212, RGB 109 43 233 and RGB 135 80 237

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 89 23 213 shade: RGB 89 23 213, RGB 212 22 111 and RGB 35 212 22

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 89 23 213 shade: RGB 89 23 213, RGB 212 86 22 and RGB 22 212 86

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 89 23 213 shade: RGB 89 23 213, RGB 212 22 111, RGB 149 212 22 and RGB 22 212 124

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 89 23 213 shade: RGB 89 23 213, RGB 212 22 54, RGB 149 212 22 and RGB 22 212 181

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 58 / 89 / 0 / 16

HEX #5917D5

RGB 89 23 213

HSL 260.84, 0.81%, 0.46%

LAB 33.01, 67.33, -82.64

 

Complementary color

CMYK 28 / 0 / 82 / 9

HEX #A6E82A

RGB 166 232 42

HSL 80.84, 0.81%, 0.54%

LAB 84.99, -45.6, 76.77

 

CMYK 55 / 89 / 0 / 18

HEX #5E17D0

RGB 94 23 208

HSL 263.03, 0.8%, 0.45%

LAB 33.02, 66.54, -79.7

 

CMYK 51 / 82 / 0 / 11

HEX #6F29E3

RGB 111 41 227

HSL 262.58, 0.77%, 0.53%

LAB 38.75, 67.32, -81.12

 

CMYK 48 / 76 / 0 / 4

HEX #803BF6

RGB 128 59 246

HSL 262.14, 0.91%, 0.6%

LAB 44.76, 67.19, -81.91

 

CMYK 43 / 70 / 0 / 0

HEX #914DFF

RGB 145 77 255

HSL 262.92, 1%, 0.65%

LAB 50.15, 64.07, -78.04

 

CMYK 36 / 63 / 0 / 0

HEX #A25FFF

RGB 162 95 255

HSL 265.13, 1%, 0.69%

LAB 55.16, 58.5, -69.83

 

CMYK 58 / 89 / 0 / 16

HEX #5917D5

RGB 89 23 213

HSL 260.84, 0.81%, 0.46%

LAB 33.01, 67.33, -82.64

 

CMYK 63 / 97 / 0 / 24

HEX #4805C2

RGB 72 5 194

HSL 261.27, 0.95%, 0.39%

LAB 27.79, 65.26, -80.24

 

CMYK 69 / 100 / 0 / 31

HEX #3700AF

RGB 55 0 175

HSL 258.86, 1%, 0.34%

LAB 23.36, 60.84, -76.35

 

CMYK 76 / 100 / 0 / 39

HEX #26009C

RGB 38 0 156

HSL 254.62, 1%, 0.31%

LAB 19.28, 55.52, -71.65

 

CMYK 85 / 100 / 0 / 46

HEX #150089

RGB 21 0 137

HSL 249.2, 1%, 0.27%

LAB 15.31, 50.19, -66.49

 

CMYK 58 / 90 / 0 / 17

HEX #5816D4

RGB 88 22 212

HSL 260.84, 0.81%, 0.46%

LAB 32.71, 67.26, -82.56

 

CMYK 34 / 90 / 0 / 17

HEX #8C16D4

RGB 140 22 212

HSL 277.26, 0.81%, 0.46%

LAB 39.42, 72.65, -71.27

 

CMYK 10 / 90 / 0 / 17

HEX #BF16D4

RGB 191 22 212

HSL 293.37, 0.81%, 0.46%

LAB 47.5, 80.03, -57.77

 

CMYK 0 / 90 / 14 / 17

HEX #D416B7

RGB 212 22 183

HSL 309.16, 0.81%, 0.46%

LAB 49.48, 79.46, -37.57

 

CMYK 0 / 90 / 38 / 17

HEX #D41683

RGB 212 22 131

HSL 325.58, 0.81%, 0.46%

LAB 47.25, 73.52, -9.96

 

CMYK 58 / 90 / 0 / 17

HEX #5816D4

RGB 88 22 212

HSL 260.84, 0.81%, 0.46%

LAB 32.71, 67.26, -82.56

 

CMYK 83 / 90 / 0 / 17

HEX #2516D4

RGB 37 22 212

HSL 244.74, 0.81%, 0.46%

LAB 28.7, 64.52, -89.34

 

CMYK 90 / 90 / 0 / 17

HEX #1616D4

RGB 22 22 212

HSL 240, 0.81%, 0.46%

LAB 28.11, 64.16, -90.33

 

CMYK 58 / 90 / 0 / 17

HEX #5816D4

RGB 88 22 212

HSL 260.84, 0.81%, 0.46%

LAB 32.71, 67.26, -82.56

 

CMYK 65 / 99 / 0 / 9

HEX #5203E7

RGB 82 3 231

HSL 260.79, 0.97%, 0.46%

LAB 33.2, 74.74, -92.69

 

CMYK 58 / 90 / 0 / 17

HEX #5816D4

RGB 88 22 212

HSL 260.84, 0.81%, 0.46%

LAB 32.71, 67.26, -82.56

 

CMYK 51 / 79 / 0 / 24

HEX #5E29C1

RGB 94 41 193

HSL 260.92, 0.65%, 0.46%

LAB 33.6, 56.63, -69.98

 

CMYK 43 / 66 / 0 / 32

HEX #643CAE

RGB 100 60 174

HSL 261.05, 0.49%, 0.46%

LAB 35.98, 43.19, -54.82

 

CMYK 32 / 49 / 0 / 39

HEX #6A4F9B

RGB 106 79 155

HSL 261.32, 0.32%, 0.46%

LAB 39.62, 28.39, -37.58

 

CMYK 18 / 28 / 0 / 47

HEX #6F6288

RGB 111 98 136

HSL 260.53, 0.16%, 0.46%

LAB 44.08, 13.43, -19.15

 

CMYK 90 / 72 / 0 / 17

HEX #163CD4

RGB 22 60 212

HSL 228, 0.81%, 0.46%

LAB 34.31, 46.16, -80.04

 

CMYK 83 / 90 / 0 / 17

HEX #2316D4

RGB 35 22 212

HSL 244.11, 0.81%, 0.46%

LAB 28.6, 64.46, -89.5

 

CMYK 59 / 90 / 0 / 17

HEX #5616D4

RGB 86 22 212

HSL 260.21, 0.81%, 0.46%

LAB 32.49, 67.1, -82.92

 

CMYK 36 / 90 / 0 / 17

HEX #8816D4

RGB 136 22 212

HSL 276, 0.81%, 0.46%

LAB 38.83, 72.15, -72.25

 

CMYK 12 / 90 / 0 / 17

HEX #BB16D4

RGB 187 22 212

HSL 292.11, 0.81%, 0.46%

LAB 46.83, 79.4, -58.88

 

CMYK 59 / 90 / 0 / 46

HEX #390E8A

RGB 57 14 138

HSL 260.81, 0.82%, 0.3%

LAB 20.12, 48.06, -59.02

 

CMYK 58 / 90 / 0 / 31

HEX #4912AF

RGB 73 18 175

HSL 261.02, 0.81%, 0.38%

LAB 26.58, 57.93, -70.96

 

CMYK 58 / 90 / 0 / 17

HEX #5816D4

RGB 88 22 212

HSL 260.84, 0.81%, 0.46%

LAB 32.71, 67.26, -82.56

 

CMYK 53 / 82 / 0 / 9

HEX #6D2BE9

RGB 109 43 233

HSL 260.84, 0.81%, 0.54%

LAB 39.35, 67.86, -83.55

 

CMYK 43 / 66 / 0 / 7

HEX #8750ED

RGB 135 80 237

HSL 261.02, 0.81%, 0.62%

LAB 48.26, 56.27, -71.1

 

CMYK 58 / 89 / 0 / 16

HEX #5917D5

RGB 89 23 213

HSL 260.84, 0.81%, 0.46%

LAB 33.01, 67.33, -82.64

 

CMYK 0 / 90 / 48 / 17

HEX #D4166F

RGB 212 22 111

HSL 331.89, 0.81%, 0.46%

LAB 46.6, 71.75, 1.36

 

CMYK 83 / 0 / 90 / 17

HEX #23D416

RGB 35 212 22

HSL 115.89, 0.81%, 0.46%

LAB 74.51, -72.43, 70.1

 

CMYK 58 / 89 / 0 / 16

HEX #5917D5

RGB 89 23 213

HSL 260.84, 0.81%, 0.46%

LAB 33.01, 67.33, -82.64

 

CMYK 0 / 59 / 90 / 17

HEX #D45616

RGB 212 86 22

HSL 20.21, 0.81%, 0.46%

LAB 52.63, 46.95, 56.98

 

CMYK 90 / 0 / 59 / 17

HEX #16D456

RGB 22 212 86

HSL 140.21, 0.81%, 0.46%

LAB 74.78, -68.59, 49.44

 

CMYK 58 / 89 / 0 / 16

HEX #5917D5

RGB 89 23 213

HSL 260.84, 0.81%, 0.46%

LAB 33.01, 67.33, -82.64

 

CMYK 0 / 90 / 48 / 17

HEX #D4166F

RGB 212 22 111

HSL 331.89, 0.81%, 0.46%

LAB 46.6, 71.75, 1.36

 

CMYK 30 / 0 / 90 / 17

HEX #95D416

RGB 149 212 22

HSL 79.89, 0.81%, 0.46%

LAB 78.19, -43.95, 74.66

 

CMYK 90 / 0 / 42 / 17

HEX #16D47C

RGB 22 212 124

HSL 152.21, 0.81%, 0.46%

LAB 75.27, -62.66, 31.68

 

CMYK 58 / 89 / 0 / 16

HEX #5917D5

RGB 89 23 213

HSL 260.84, 0.81%, 0.46%

LAB 33.01, 67.33, -82.64

 

CMYK 0 / 90 / 75 / 17

HEX #D41636

RGB 212 22 54

HSL 349.89, 0.81%, 0.46%

LAB 45.41, 68.4, 34.87

 

CMYK 30 / 0 / 90 / 17

HEX #95D416

RGB 149 212 22

HSL 79.89, 0.81%, 0.46%

LAB 78.19, -43.95, 74.66

 

CMYK 90 / 0 / 15 / 17

HEX #16D4B5

RGB 22 212 181

HSL 170.21, 0.81%, 0.46%

LAB 76.43, -49.8, 3.25

 

Description

Color code: RGB 89 23 213 | qconv.com Color code: RGB 89 23 213 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 89 red, 23 green and 213 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
89 23 213 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 58 cyan, 89 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
58% 89% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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