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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 89 197 50 it is the complementary color RGB 166 58 205. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 89 197 50. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 89 197 50 shade: RGB 94 197 45, RGB 111 215 64, RGB 128 233 83, RGB 145 251 102 and RGB 162 255 121

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 89 197 50. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 89 197 50 shade: RGB 89 197 50, RGB 72 179 31, RGB 55 161 12, RGB 38 143 0 and RGB 21 125 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 89 197 50 shade: RGB 88 196 49, RGB 128 196 49, RGB 167 196 49, RGB 196 185 49 and RGB 196 145 49

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 89 197 50 shade: RGB 88 196 49, RGB 49 196 50, RGB 49 196 89, RGB 49 196 129 and RGB 49 196 168

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 89 197 50 shade matches the following richer shades: RGB 88 196 49, RGB 79 216 29 and RGB 69 235 9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 89 197 50 shade: RGB 88 196 49, RGB 97 176 69, RGB 107 156 89, RGB 116 136 108 and RGB 125 117 128

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 89 197 50 shade: RGB 166 196 49, RGB 127 196 49, RGB 88 196 49, RGB 49 196 49 and RGB 49 196 88

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 89 197 50 shade: RGB 58 130 32, RGB 73 163 41, RGB 88 196 49, RGB 111 210 76 and RGB 138 218 109

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 89 197 50 shade: RGB 89 197 50, RGB 49 196 186 and RGB 196 49 147

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 89 197 50 shade: RGB 89 197 50, RGB 49 88 196 and RGB 196 49 88

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 89 197 50 shade: RGB 89 197 50, RGB 49 196 186, RGB 157 49 196 and RGB 196 49 59

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 89 197 50 shade: RGB 89 197 50, RGB 49 162 196, RGB 157 49 196 and RGB 196 83 49

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 55 / 0 / 75 / 23

HEX #59C532

RGB 89 197 50

HSL 104.08, 0.6%, 0.48%

LAB 71.07, -56.39, 60.24

 

Complementary color

CMYK 19 / 72 / 0 / 20

HEX #A63ACD

RGB 166 58 205

HSL 284.08, 0.6%, 0.52%

LAB 46.37, 64.89, -55.77

 

CMYK 52 / 0 / 77 / 23

HEX #5EC52D

RGB 94 197 45

HSL 100.66, 0.63%, 0.47%

LAB 71.22, -55.33, 62.09

 

CMYK 48 / 0 / 70 / 16

HEX #6FD740

RGB 111 215 64

HSL 101.32, 0.65%, 0.55%

LAB 77.49, -55.93, 62.01

 

CMYK 45 / 0 / 64 / 9

HEX #80E953

RGB 128 233 83

HSL 102, 0.77%, 0.62%

LAB 83.7, -56.29, 61.42

 

CMYK 42 / 0 / 59 / 2

HEX #91FB66

RGB 145 251 102

HSL 102.68, 0.95%, 0.69%

LAB 89.85, -56.49, 60.56

 

CMYK 36 / 0 / 53 / 0

HEX #A2FF79

RGB 162 255 121

HSL 101.64, 1%, 0.74%

LAB 91.95, -50.88, 54.84

 

CMYK 55 / 0 / 75 / 23

HEX #59C532

RGB 89 197 50

HSL 104.08, 0.6%, 0.48%

LAB 71.07, -56.39, 60.24

 

CMYK 60 / 0 / 83 / 30

HEX #48B31F

RGB 72 179 31

HSL 103.38, 0.7%, 0.41%

LAB 64.74, -55.45, 59.85

 

CMYK 66 / 0 / 93 / 37

HEX #37A10C

RGB 55 161 12

HSL 102.68, 0.86%, 0.34%

LAB 58.35, -54, 58.17

 

CMYK 73 / 0 / 100 / 44

HEX #268F00

RGB 38 143 0

HSL 104.06, 1%, 0.28%

LAB 51.9, -51.84, 54.64

 

CMYK 83 / 0 / 100 / 51

HEX #157D00

RGB 21 125 0

HSL 109.92, 1%, 0.25%

LAB 45.4, -48.83, 49.32

 

CMYK 55 / 0 / 75 / 23

HEX #58C431

RGB 88 196 49

HSL 104.08, 0.6%, 0.48%

LAB 70.72, -56.36, 60.23

 

CMYK 35 / 0 / 75 / 23

HEX #80C431

RGB 128 196 49

HSL 87.76, 0.6%, 0.48%

LAB 72.42, -43.77, 62.47

 

CMYK 15 / 0 / 75 / 23

HEX #A7C431

RGB 167 196 49

HSL 71.84, 0.6%, 0.48%

LAB 74.77, -28.73, 65.54

 

CMYK 0 / 6 / 75 / 23

HEX #C4B931

RGB 196 185 49

HSL 55.51, 0.6%, 0.48%

LAB 73.97, -11.03, 65.59

 

CMYK 0 / 26 / 75 / 23

HEX #C49131

RGB 196 145 49

HSL 39.18, 0.6%, 0.48%

LAB 63.51, 10.26, 55.62

 

CMYK 55 / 0 / 75 / 23

HEX #58C431

RGB 88 196 49

HSL 104.08, 0.6%, 0.48%

LAB 70.72, -56.36, 60.23

 

CMYK 75 / 0 / 74 / 23

HEX #31C432

RGB 49 196 50

HSL 120.41, 0.6%, 0.48%

LAB 69.73, -64.47, 58.57

 

CMYK 75 / 0 / 55 / 23

HEX #31C459

RGB 49 196 89

HSL 136.33, 0.6%, 0.48%

LAB 70.07, -60.29, 42.57

 

CMYK 75 / 0 / 34 / 23

HEX #31C481

RGB 49 196 129

HSL 152.65, 0.6%, 0.48%

LAB 70.68, -53.38, 23.01

 

CMYK 75 / 0 / 14 / 23

HEX #31C4A8

RGB 49 196 168

HSL 168.57, 0.6%, 0.48%

LAB 71.53, -44.29, 3.21

 

CMYK 55 / 0 / 75 / 23

HEX #58C431

RGB 88 196 49

HSL 104.08, 0.6%, 0.48%

LAB 70.72, -56.36, 60.23

 

CMYK 63 / 0 / 87 / 15

HEX #4FD81D

RGB 79 216 29

HSL 103.96, 0.76%, 0.48%

LAB 76.6, -66.42, 70.93

 

CMYK 71 / 0 / 96 / 8

HEX #45EB09

RGB 69 235 9

HSL 104.07, 0.93%, 0.48%

LAB 82.22, -74.75, 78.28

 

CMYK 55 / 0 / 75 / 23

HEX #58C431

RGB 88 196 49

HSL 104.08, 0.6%, 0.48%

LAB 70.72, -56.36, 60.23

 

CMYK 45 / 0 / 61 / 31

HEX #61B045

RGB 97 176 69

HSL 104.3, 0.44%, 0.48%

LAB 64.98, -44.26, 46.3

 

CMYK 31 / 0 / 43 / 39

HEX #6B9C59

RGB 107 156 89

HSL 103.88, 0.27%, 0.48%

LAB 59.55, -29.46, 29.93

 

CMYK 15 / 0 / 21 / 47

HEX #74886C

RGB 116 136 108

HSL 102.86, 0.11%, 0.48%

LAB 54.45, -12.8, 12.68

 

CMYK 2 / 9 / 0 / 50

HEX #7D7580

RGB 125 117 128

HSL 283.64, 0.04%, 0.48%

LAB 50.26, 5.26, -4.92

 

CMYK 15 / 0 / 75 / 23

HEX #A6C431

RGB 166 196 49

HSL 72.24, 0.6%, 0.48%

LAB 74.7, -29.13, 65.45

 

CMYK 35 / 0 / 75 / 23

HEX #7FC431

RGB 127 196 49

HSL 88.16, 0.6%, 0.48%

LAB 72.37, -44.12, 62.4

 

CMYK 55 / 0 / 75 / 23

HEX #58C431

RGB 88 196 49

HSL 104.08, 0.6%, 0.48%

LAB 70.72, -56.36, 60.23

 

CMYK 75 / 0 / 75 / 23

HEX #31C431

RGB 49 196 49

HSL 120, 0.6%, 0.48%

LAB 69.72, -64.55, 58.91

 

CMYK 75 / 0 / 55 / 23

HEX #31C458

RGB 49 196 88

HSL 135.92, 0.6%, 0.48%

LAB 70.06, -60.43, 43.03

 

CMYK 55 / 0 / 75 / 49

HEX #3A8220

RGB 58 130 32

HSL 104.08, 0.6%, 0.32%

LAB 48.22, -40.86, 43.61

 

CMYK 55 / 0 / 75 / 36

HEX #49A329

RGB 73 163 41

HSL 104.26, 0.6%, 0.4%

LAB 59.68, -48.73, 51.91

 

CMYK 55 / 0 / 75 / 23

HEX #58C431

RGB 88 196 49

HSL 104.08, 0.6%, 0.48%

LAB 70.72, -56.36, 60.23

 

CMYK 47 / 0 / 64 / 18

HEX #6FD24C

RGB 111 210 76

HSL 104.33, 0.6%, 0.56%

LAB 76.07, -53.01, 55.77

 

CMYK 37 / 0 / 50 / 15

HEX #8ADA6D

RGB 138 218 109

HSL 104.04, 0.6%, 0.64%

LAB 79.98, -44.37, 45.72

 

CMYK 55 / 0 / 75 / 23

HEX #59C532

RGB 89 197 50

HSL 104.08, 0.6%, 0.48%

LAB 71.07, -56.39, 60.24

 

CMYK 75 / 0 / 5 / 23

HEX #31C4BA

RGB 49 196 186

HSL 175.92, 0.6%, 0.48%

LAB 72.01, -39.43, -5.89

 

CMYK 0 / 75 / 25 / 23

HEX #C43193

RGB 196 49 147

HSL 320, 0.6%, 0.48%

LAB 47.03, 65.45, -20.26

 

CMYK 55 / 0 / 75 / 23

HEX #59C532

RGB 89 197 50

HSL 104.08, 0.6%, 0.48%

LAB 71.07, -56.39, 60.24

 

CMYK 75 / 55 / 0 / 23

HEX #3158C4

RGB 49 88 196

HSL 224.08, 0.6%, 0.48%

LAB 40.6, 24.53, -60.42

 

CMYK 0 / 75 / 55 / 23

HEX #C43158

RGB 196 49 88

HSL 344.08, 0.6%, 0.48%

LAB 45.13, 59.5, 13.09

 

CMYK 55 / 0 / 75 / 23

HEX #59C532

RGB 89 197 50

HSL 104.08, 0.6%, 0.48%

LAB 71.07, -56.39, 60.24

 

CMYK 75 / 0 / 5 / 23

HEX #31C4BA

RGB 49 196 186

HSL 175.92, 0.6%, 0.48%

LAB 72.01, -39.43, -5.89

 

CMYK 20 / 75 / 0 / 23

HEX #9D31C4

RGB 157 49 196

HSL 284.08, 0.6%, 0.48%

LAB 43.29, 64.67, -55.59

 

CMYK 0 / 75 / 70 / 23

HEX #C4313B

RGB 196 49 59

HSL 355.92, 0.6%, 0.48%

LAB 44.59, 57.72, 30.13

 

CMYK 55 / 0 / 75 / 23

HEX #59C532

RGB 89 197 50

HSL 104.08, 0.6%, 0.48%

LAB 71.07, -56.39, 60.24

 

CMYK 75 / 17 / 0 / 23

HEX #31A2C4

RGB 49 162 196

HSL 193.88, 0.6%, 0.48%

LAB 62.07, -19.8, -26.44

 

CMYK 20 / 75 / 0 / 23

HEX #9D31C4

RGB 157 49 196

HSL 284.08, 0.6%, 0.48%

LAB 43.29, 64.67, -55.59

 

CMYK 0 / 58 / 75 / 23

HEX #C45331

RGB 196 83 49

HSL 13.88, 0.6%, 0.48%

LAB 49.67, 43.22, 41.53

 

Description

Color code: RGB 89 197 50 | qconv.com Color code: RGB 89 197 50 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 89 red, 197 green and 50 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
89 197 50 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 55 cyan, none magenta, 75 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
55% 0% 75% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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