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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 89 142 151 it is the complementary color RGB 166 113 104. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 89 142 151. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 89 142 151 shade: RGB 94 142 146, RGB 111 160 165, RGB 128 178 184, RGB 145 196 203 and RGB 162 214 222

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 89 142 151. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 89 142 151 shade: RGB 89 142 151, RGB 72 124 132, RGB 55 106 113, RGB 38 88 94 and RGB 21 70 75

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 89 142 151 shade: RGB 89 142 151, RGB 89 125 151, RGB 89 108 151, RGB 89 92 151 and RGB 103 89 151

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 89 142 151 shade: RGB 89 142 151, RGB 89 125 151, RGB 89 108 151, RGB 89 92 151 and RGB 89 89 151

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 89 142 151 shade matches the following richer shades: RGB 89 142 151, RGB 69 156 170, RGB 50 169 190, RGB 31 183 209 and RGB 11 197 229

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 89 142 151 shade: RGB 89 142 151, RGB 108 128 132, RGB 127 114 112, RGB 147 101 93 and RGB 166 87 73

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 89 142 151 shade: RGB 89 151 126, RGB 89 151 143, RGB 89 143 151, RGB 89 126 151 and RGB 89 109 151

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 89 142 151 shade: RGB 58 93 99, RGB 73 118 125, RGB 89 142 151, RGB 111 162 170 and RGB 137 178 186

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 89 142 151 shade: RGB 89 142 151, RGB 109 89 151 and RGB 151 134 89

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 89 142 151 shade: RGB 89 142 151, RGB 151 89 143 and RGB 143 151 89

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 89 142 151 shade: RGB 89 142 151, RGB 109 89 151, RGB 151 97 89 and RGB 130 151 89

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 89 142 151 shade: RGB 89 142 151, RGB 128 89 151, RGB 151 97 89 and RGB 112 151 89

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 41 / 6 / 0 / 41

HEX #598E97

RGB 89 142 151

HSL 188.71, 0.26%, 0.47%

LAB 55.79, -15.16, -10.34

 

Complementary color

CMYK 0 / 32 / 37 / 35

HEX #A67168

RGB 166 113 104

HSL 8.71, 0.26%, 0.53%

LAB 52.86, 19.8, 13.48

 

CMYK 36 / 3 / 0 / 43

HEX #5E8E92

RGB 94 142 146

HSL 184.62, 0.22%, 0.47%

LAB 55.89, -15.08, -7.29

 

CMYK 33 / 3 / 0 / 35

HEX #6FA0A5

RGB 111 160 165

HSL 185.56, 0.23%, 0.54%

LAB 62.71, -15.02, -7.85

 

CMYK 30 / 3 / 0 / 28

HEX #80B2B8

RGB 128 178 184

HSL 186.43, 0.28%, 0.61%

LAB 69.39, -14.97, -8.38

 

CMYK 29 / 3 / 0 / 20

HEX #91C4CB

RGB 145 196 203

HSL 187.24, 0.36%, 0.68%

LAB 75.95, -14.92, -8.9

 

CMYK 27 / 4 / 0 / 13

HEX #A2D6DE

RGB 162 214 222

HSL 188, 0.48%, 0.75%

LAB 82.4, -14.87, -9.4

 

CMYK 41 / 6 / 0 / 41

HEX #598E97

RGB 89 142 151

HSL 188.71, 0.26%, 0.47%

LAB 55.79, -15.16, -10.34

 

CMYK 45 / 6 / 0 / 48

HEX #487C84

RGB 72 124 132

HSL 188, 0.29%, 0.4%

LAB 48.83, -15.11, -9.8

 

CMYK 51 / 6 / 0 / 56

HEX #376A71

RGB 55 106 113

HSL 187.24, 0.35%, 0.33%

LAB 41.71, -15, -9.22

 

CMYK 60 / 6 / 0 / 63

HEX #26585E

RGB 38 88 94

HSL 186.43, 0.42%, 0.26%

LAB 34.4, -14.77, -8.57

 

CMYK 72 / 7 / 0 / 71

HEX #15464B

RGB 21 70 75

HSL 185.56, 0.56%, 0.19%

LAB 26.87, -14.28, -7.82

 

CMYK 41 / 6 / 0 / 41

HEX #598E97

RGB 89 142 151

HSL 188.71, 0.26%, 0.47%

LAB 55.79, -15.16, -10.34

 

CMYK 41 / 17 / 0 / 41

HEX #597D97

RGB 89 125 151

HSL 205.16, 0.26%, 0.47%

LAB 50.72, -5.64, -18.02

 

CMYK 41 / 28 / 0 / 41

HEX #596C97

RGB 89 108 151

HSL 221.61, 0.26%, 0.47%

LAB 45.75, 4.46, -25.67

 

CMYK 41 / 39 / 0 / 41

HEX #595C97

RGB 89 92 151

HSL 237.1, 0.26%, 0.47%

LAB 41.24, 14.38, -32.72

 

CMYK 32 / 41 / 0 / 41

HEX #675997

RGB 103 89 151

HSL 253.55, 0.26%, 0.47%

LAB 41.63, 20.3, -32.02

 

CMYK 41 / 6 / 0 / 41

HEX #598E97

RGB 89 142 151

HSL 188.71, 0.26%, 0.47%

LAB 55.79, -15.16, -10.34

 

CMYK 41 / 17 / 0 / 41

HEX #597D97

RGB 89 125 151

HSL 205.16, 0.26%, 0.47%

LAB 50.72, -5.64, -18.02

 

CMYK 41 / 28 / 0 / 41

HEX #596C97

RGB 89 108 151

HSL 221.61, 0.26%, 0.47%

LAB 45.75, 4.46, -25.67

 

CMYK 41 / 39 / 0 / 41

HEX #595C97

RGB 89 92 151

HSL 237.1, 0.26%, 0.47%

LAB 41.24, 14.38, -32.72

 

CMYK 41 / 41 / 0 / 41

HEX #595997

RGB 89 89 151

HSL 240, 0.26%, 0.47%

LAB 40.42, 16.27, -34.02

 

CMYK 41 / 6 / 0 / 41

HEX #598E97

RGB 89 142 151

HSL 188.71, 0.26%, 0.47%

LAB 55.79, -15.16, -10.34

 

CMYK 59 / 8 / 0 / 33

HEX #459CAA

RGB 69 156 170

HSL 188.32, 0.42%, 0.47%

LAB 59.84, -21.77, -15.16

 

CMYK 74 / 11 / 0 / 25

HEX #32A9BE

RGB 50 169 190

HSL 189, 0.58%, 0.47%

LAB 63.98, -25.23, -20.16

 

CMYK 85 / 12 / 0 / 18

HEX #1FB7D1

RGB 31 183 209

HSL 188.76, 0.74%, 0.47%

LAB 68.58, -27.93, -23.67

 

CMYK 95 / 14 / 0 / 10

HEX #0BC5E5

RGB 11 197 229

HSL 188.81, 0.91%, 0.47%

LAB 73.32, -29.23, -27.31

 

CMYK 41 / 6 / 0 / 41

HEX #598E97

RGB 89 142 151

HSL 188.71, 0.26%, 0.47%

LAB 55.79, -15.16, -10.34

 

CMYK 18 / 3 / 0 / 48

HEX #6C8084

RGB 108 128 132

HSL 190, 0.1%, 0.47%

LAB 52.17, -6.33, -4.6

 

CMYK 0 / 10 / 12 / 50

HEX #7F7270

RGB 127 114 112

HSL 8, 0.06%, 0.47%

LAB 49.15, 4.68, 2.94

 

CMYK 0 / 31 / 37 / 42

HEX #93655D

RGB 147 101 93

HSL 8.89, 0.23%, 0.47%

LAB 47.37, 17.48, 12

 

CMYK 0 / 48 / 56 / 35

HEX #A65749

RGB 166 87 73

HSL 9.03, 0.39%, 0.47%

LAB 46.18, 31.02, 22.74

 

CMYK 41 / 0 / 17 / 41

HEX #59977E

RGB 89 151 126

HSL 155.81, 0.26%, 0.47%

LAB 57.81, -26.05, 6.93

 

CMYK 41 / 0 / 5 / 41

HEX #59978F

RGB 89 151 143

HSL 172.26, 0.26%, 0.47%

LAB 58.26, -22, -2.09

 

CMYK 41 / 5 / 0 / 41

HEX #598F97

RGB 89 143 151

HSL 187.74, 0.26%, 0.47%

LAB 56.09, -15.7, -9.89

 

CMYK 41 / 17 / 0 / 41

HEX #597E97

RGB 89 126 151

HSL 204.19, 0.26%, 0.47%

LAB 51.01, -6.22, -17.56

 

CMYK 41 / 28 / 0 / 41

HEX #596D97

RGB 89 109 151

HSL 220.65, 0.26%, 0.47%

LAB 46.04, 3.85, -25.22

 

CMYK 41 / 6 / 0 / 61

HEX #3A5D63

RGB 58 93 99

HSL 188.78, 0.26%, 0.31%

LAB 37.17, -10.86, -7.43

 

CMYK 42 / 6 / 0 / 51

HEX #49767D

RGB 73 118 125

HSL 188.08, 0.26%, 0.39%

LAB 46.78, -13.48, -8.72

 

CMYK 41 / 6 / 0 / 41

HEX #598E97

RGB 89 142 151

HSL 188.71, 0.26%, 0.47%

LAB 55.79, -15.16, -10.34

 

CMYK 35 / 5 / 0 / 33

HEX #6FA2AA

RGB 111 162 170

HSL 188.14, 0.26%, 0.55%

LAB 63.44, -14.84, -9.56

 

CMYK 26 / 4 / 0 / 27

HEX #89B2BA

RGB 137 178 186

HSL 189.8, 0.26%, 0.63%

LAB 69.97, -11.83, -8.57

 

CMYK 41 / 6 / 0 / 41

HEX #598E97

RGB 89 142 151

HSL 188.71, 0.26%, 0.47%

LAB 55.79, -15.16, -10.34

 

CMYK 28 / 41 / 0 / 41

HEX #6D5997

RGB 109 89 151

HSL 259.35, 0.26%, 0.47%

LAB 42.2, 22.1, -31.09

 

CMYK 0 / 11 / 41 / 41

HEX #978659

RGB 151 134 89

HSL 43.55, 0.26%, 0.47%

LAB 56.44, -0.24, 26.58

 

CMYK 41 / 6 / 0 / 41

HEX #598E97

RGB 89 142 151

HSL 188.71, 0.26%, 0.47%

LAB 55.79, -15.16, -10.34

 

CMYK 0 / 41 / 5 / 41

HEX #97598F

RGB 151 89 143

HSL 307.74, 0.26%, 0.47%

LAB 46.59, 33.89, -19.12

 

CMYK 5 / 0 / 41 / 41

HEX #8F9759

RGB 143 151 89

HSL 67.74, 0.26%, 0.47%

LAB 60.51, -12.89, 31.66

 

CMYK 41 / 6 / 0 / 41

HEX #598E97

RGB 89 142 151

HSL 188.71, 0.26%, 0.47%

LAB 55.79, -15.16, -10.34

 

CMYK 28 / 41 / 0 / 41

HEX #6D5997

RGB 109 89 151

HSL 259.35, 0.26%, 0.47%

LAB 42.2, 22.1, -31.09

 

CMYK 0 / 36 / 41 / 41

HEX #976159

RGB 151 97 89

HSL 7.74, 0.26%, 0.47%

LAB 46.78, 20.94, 13.65

 

CMYK 14 / 0 / 41 / 41

HEX #829759

RGB 130 151 89

HSL 80.32, 0.26%, 0.47%

LAB 59.53, -18.2, 30.21

 

CMYK 41 / 6 / 0 / 41

HEX #598E97

RGB 89 142 151

HSL 188.71, 0.26%, 0.47%

LAB 55.79, -15.16, -10.34

 

CMYK 15 / 41 / 0 / 41

HEX #805997

RGB 128 89 151

HSL 277.74, 0.26%, 0.47%

LAB 44.19, 28.02, -27.83

 

CMYK 0 / 36 / 41 / 41

HEX #976159

RGB 151 97 89

HSL 7.74, 0.26%, 0.47%

LAB 46.78, 20.94, 13.65

 

CMYK 26 / 0 / 41 / 41

HEX #709759

RGB 112 151 89

HSL 97.74, 0.26%, 0.47%

LAB 58.32, -25.19, 28.42

 

Description

Color code: RGB 89 142 151 | qconv.com Color code: RGB 89 142 151 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 89 red, 142 green and 151 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
89 142 151 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 41 cyan, 6 magenta, none yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
41% 6% 0% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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