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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 88.7 110.6 118 it is the complementary color RGB 166.3 144.4 137. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 88.7 110.6 118. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 88.7 110.6 118 shade: RGB 93.7 110.6 113, RGB 110.7 128.6 132, RGB 127.7 146.6 151, RGB 144.7 164.6 170 and RGB 161.7 182.6 189

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 88.7 110.6 118. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 88.7 110.6 118 shade: RGB 88.7 110.6 118, RGB 71.7 92.6 99, RGB 54.7 74.6 80, RGB 37.7 56.6 61 and RGB 20.7 38.6 42

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 88.7 110.6 118 shade: RGB 90 112 119, RGB 90 104 119, RGB 90 96 119, RGB 92 90 119 and RGB 100 90 119

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 88.7 110.6 118 shade: RGB 90 112 119, RGB 90 104 119, RGB 90 96 119 and RGB 90 90 119

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 88.7 110.6 118 shade matches the following richer shades: RGB 90 112 119, RGB 73 120 136, RGB 56 129 153, RGB 39 137 170 and RGB 22 145 187

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 88.7 110.6 118 shade: RGB 90 112 119, RGB 107 103 102, RGB 124 95 85, RGB 141 87 68 and RGB 158 78 52

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 88.7 110.6 118 shade: RGB 90 119 111, RGB 90 119 119, RGB 90 112 119, RGB 90 104 119 and RGB 90 96 119

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 88.7 110.6 118 shade: RGB 54 68 72, RGB 72 90 96, RGB 90 112 119, RGB 108 134 143 and RGB 131 153 161

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 88.7 110.6 118 shade: RGB 88.7 110.6 118, RGB 103 90 119 and RGB 119 115 90

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 88.7 110.6 118 shade: RGB 88.7 110.6 118, RGB 119 90 112 and RGB 112 119 90

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 88.7 110.6 118 shade: RGB 88.7 110.6 118, RGB 103 90 119, RGB 119 97 90 and RGB 106 119 90

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 88.7 110.6 118 shade: RGB 88.7 110.6 118, RGB 112 90 119, RGB 119 97 90 and RGB 97 119 90

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 25 / 6 / 0 / 54

HEX #586E76

RGB 88.7 110.6 118

HSL 195.15, 0.14%, 0.41%

LAB 45.22, -6.25, -6.78

 

Complementary color

CMYK 0 / 13 / 18 / 35

HEX #A69089

RGB 166.3 144.4 137

HSL 15.15, 0.14%, 0.59%

LAB 61.67, 6.94, 6.93

 

CMYK 17 / 2 / 0 / 56

HEX #5D6E71

RGB 93.7 110.6 113

HSL 187.46, 0.09%, 0.41%

LAB 45.41, -5.73, -3.46

 

CMYK 16 / 3 / 0 / 48

HEX #6E8084

RGB 110.7 128.6 132

HSL 189.58, 0.09%, 0.48%

LAB 52.53, -5.74, -4.04

 

CMYK 15 / 3 / 0 / 41

HEX #7F9297

RGB 127.7 146.6 151

HSL 191.33, 0.1%, 0.55%

LAB 59.47, -5.75, -4.6

 

CMYK 15 / 3 / 0 / 33

HEX #90A4AA

RGB 144.7 164.6 170

HSL 192.81, 0.13%, 0.62%

LAB 66.26, -5.78, -5.15

 

CMYK 14 / 3 / 0 / 26

HEX #A1B6BD

RGB 161.7 182.6 189

HSL 194.07, 0.17%, 0.69%

LAB 72.91, -5.82, -5.68

 

CMYK 25 / 6 / 0 / 54

HEX #586E76

RGB 88.7 110.6 118

HSL 195.15, 0.14%, 0.41%

LAB 45.22, -6.25, -6.78

 

CMYK 28 / 6 / 0 / 61

HEX #475C63

RGB 71.7 92.6 99

HSL 194.07, 0.16%, 0.33%

LAB 37.89, -6.24, -6.26

 

CMYK 32 / 7 / 0 / 69

HEX #364A50

RGB 54.7 74.6 80

HSL 192.81, 0.19%, 0.26%

LAB 30.31, -6.24, -5.73

 

CMYK 38 / 7 / 0 / 76

HEX #25383D

RGB 37.7 56.6 61

HSL 191.33, 0.24%, 0.19%

LAB 22.41, -6.25, -5.17

 

CMYK 51 / 8 / 0 / 84

HEX #14262A

RGB 20.7 38.6 42

HSL 189.58, 0.34%, 0.12%

LAB 14.11, -6.24, -4.57

 

CMYK 24 / 6 / 0 / 53

HEX #5A7077

RGB 90 112 119

HSL 194.48, 0.14%, 0.41%

LAB 45.76, -6.37, -6.56

 

CMYK 24 / 13 / 0 / 53

HEX #5A6877

RGB 90 104 119

HSL 211.03, 0.14%, 0.41%

LAB 43.37, -1.66, -10.15

 

CMYK 24 / 19 / 0 / 53

HEX #5A6077

RGB 90 96 119

HSL 227.59, 0.14%, 0.41%

LAB 41.01, 3.19, -13.71

 

CMYK 23 / 24 / 0 / 53

HEX #5C5A77

RGB 92 90 119

HSL 244.14, 0.14%, 0.41%

LAB 39.44, 7.59, -16.09

 

CMYK 16 / 24 / 0 / 53

HEX #645A77

RGB 100 90 119

HSL 260.69, 0.14%, 0.41%

LAB 40.17, 10.39, -14.92

 

CMYK 24 / 6 / 0 / 53

HEX #5A7077

RGB 90 112 119

HSL 194.48, 0.14%, 0.41%

LAB 45.76, -6.37, -6.56

 

CMYK 24 / 13 / 0 / 53

HEX #5A6877

RGB 90 104 119

HSL 211.03, 0.14%, 0.41%

LAB 43.37, -1.66, -10.15

 

CMYK 24 / 19 / 0 / 53

HEX #5A6077

RGB 90 96 119

HSL 227.59, 0.14%, 0.41%

LAB 41.01, 3.19, -13.71

 

CMYK 24 / 24 / 0 / 53

HEX #5A5A77

RGB 90 90 119

HSL 240, 0.14%, 0.41%

LAB 39.27, 6.91, -16.37

 

CMYK 24 / 6 / 0 / 53

HEX #5A7077

RGB 90 112 119

HSL 194.48, 0.14%, 0.41%

LAB 45.76, -6.37, -6.56

 

CMYK 46 / 12 / 0 / 47

HEX #497888

RGB 73 120 136

HSL 195.24, 0.3%, 0.41%

LAB 47.79, -11.46, -13.73

 

CMYK 63 / 16 / 0 / 40

HEX #388199

RGB 56 129 153

HSL 194.85, 0.46%, 0.41%

LAB 50.5, -15.06, -19.65

 

CMYK 77 / 19 / 0 / 33

HEX #2789AA

RGB 39 137 170

HSL 195.11, 0.63%, 0.41%

LAB 53.19, -16.33, -25.39

 

CMYK 88 / 22 / 0 / 27

HEX #1691BB

RGB 22 145 187

HSL 195.27, 0.79%, 0.41%

LAB 56.1, -16.24, -30.63

 

CMYK 24 / 6 / 0 / 53

HEX #5A7077

RGB 90 112 119

HSL 194.48, 0.14%, 0.41%

LAB 45.76, -6.37, -6.56

 

CMYK 0 / 4 / 5 / 58

HEX #6B6766

RGB 107 103 102

HSL 12, 0.02%, 0.41%

LAB 43.92, 1.37, 1.11

 

CMYK 0 / 23 / 31 / 51

HEX #7C5F55

RGB 124 95 85

HSL 15.38, 0.19%, 0.41%

LAB 42.95, 10.23, 10.25

 

CMYK 0 / 38 / 52 / 45

HEX #8D5744

RGB 141 87 68

HSL 15.62, 0.35%, 0.41%

LAB 42.61, 20.18, 20.38

 

CMYK 0 / 51 / 67 / 38

HEX #9E4E34

RGB 158 78 52

HSL 14.72, 0.5%, 0.41%

LAB 42.71, 31.08, 30.42

 

CMYK 24 / 0 / 7 / 53

HEX #5A776F

RGB 90 119 111

HSL 163.45, 0.14%, 0.41%

LAB 47.64, -12.28, 0.98

 

CMYK 24 / 0 / 0 / 53

HEX #5A7777

RGB 90 119 119

HSL 180, 0.14%, 0.41%

LAB 47.88, -10.38, -3.42

 

CMYK 24 / 6 / 0 / 53

HEX #5A7077

RGB 90 112 119

HSL 194.48, 0.14%, 0.41%

LAB 45.76, -6.37, -6.56

 

CMYK 24 / 13 / 0 / 53

HEX #5A6877

RGB 90 104 119

HSL 211.03, 0.14%, 0.41%

LAB 43.37, -1.66, -10.15

 

CMYK 24 / 19 / 0 / 53

HEX #5A6077

RGB 90 96 119

HSL 227.59, 0.14%, 0.41%

LAB 41.01, 3.19, -13.71

 

CMYK 25 / 6 / 0 / 72

HEX #364448

RGB 54 68 72

HSL 193.33, 0.14%, 0.25%

LAB 27.81, -4.55, -4.28

 

CMYK 25 / 6 / 0 / 62

HEX #485A60

RGB 72 90 96

HSL 195, 0.14%, 0.33%

LAB 36.99, -5.35, -5.74

 

CMYK 24 / 6 / 0 / 53

HEX #5A7077

RGB 90 112 119

HSL 194.48, 0.14%, 0.41%

LAB 45.76, -6.37, -6.56

 

CMYK 24 / 6 / 0 / 44

HEX #6C868F

RGB 108 134 143

HSL 195.43, 0.14%, 0.49%

LAB 54.26, -7.11, -7.89

 

CMYK 19 / 5 / 0 / 37

HEX #8399A1

RGB 131 153 161

HSL 196, 0.14%, 0.57%

LAB 61.81, -5.96, -6.79

 

CMYK 25 / 6 / 0 / 54

HEX #586E76

RGB 88.7 110.6 118

HSL 195.15, 0.14%, 0.41%

LAB 45.22, -6.25, -6.78

 

CMYK 13 / 24 / 0 / 53

HEX #675A77

RGB 103 90 119

HSL 266.9, 0.14%, 0.41%

LAB 40.46, 11.46, -14.45

 

CMYK 0 / 3 / 24 / 53

HEX #77735A

RGB 119 115 90

HSL 51.72, 0.14%, 0.41%

LAB 48.16, -2.89, 14.42

 

CMYK 25 / 6 / 0 / 54

HEX #586E76

RGB 88.7 110.6 118

HSL 195.15, 0.14%, 0.41%

LAB 45.22, -6.25, -6.78

 

CMYK 0 / 24 / 6 / 53

HEX #775A70

RGB 119 90 112

HSL 314.48, 0.14%, 0.41%

LAB 41.85, 15.88, -7.9

 

CMYK 6 / 0 / 24 / 53

HEX #70775A

RGB 112 119 90

HSL 74.48, 0.14%, 0.41%

LAB 48.73, -8.07, 15.11

 

CMYK 25 / 6 / 0 / 54

HEX #586E76

RGB 88.7 110.6 118

HSL 195.15, 0.14%, 0.41%

LAB 45.22, -6.25, -6.78

 

CMYK 13 / 24 / 0 / 53

HEX #675A77

RGB 103 90 119

HSL 266.9, 0.14%, 0.41%

LAB 40.46, 11.46, -14.45

 

CMYK 0 / 18 / 24 / 53

HEX #77615A

RGB 119 97 90

HSL 14.48, 0.14%, 0.41%

LAB 43.08, 7.69, 7.32

 

CMYK 11 / 0 / 24 / 53

HEX #6A775A

RGB 106 119 90

HSL 86.9, 0.14%, 0.41%

LAB 48.26, -10.5, 14.38

 

CMYK 25 / 6 / 0 / 54

HEX #586E76

RGB 88.7 110.6 118

HSL 195.15, 0.14%, 0.41%

LAB 45.22, -6.25, -6.78

 

CMYK 6 / 24 / 0 / 53

HEX #705A77

RGB 112 90 119

HSL 285.52, 0.14%, 0.41%

LAB 41.36, 14.73, -13

 

CMYK 0 / 18 / 24 / 53

HEX #77615A

RGB 119 97 90

HSL 14.48, 0.14%, 0.41%

LAB 43.08, 7.69, 7.32

 

CMYK 18 / 0 / 24 / 53

HEX #61775A

RGB 97 119 90

HSL 105.52, 0.14%, 0.41%

LAB 47.59, -14.04, 13.36

 

Description

Color code: RGB 88.7 110.6 118 | qconv.com Color code: RGB 88.7 110.6 118 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 88.7 red, 110.6 green and 118 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
88.7 110.6 118 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 25 cyan, 6 magenta, none yellow and 54 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
25% 6% 0% 54% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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