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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 88.5 162 150 it is the complementary color RGB 166.5 93 105. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 88.5 162 150. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 88.5 162 150 shade: RGB 93.5 162 145, RGB 110.5 180 164, RGB 127.5 198 183, RGB 144.5 216 202 and RGB 161.5 234 221

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 88.5 162 150. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 88.5 162 150 shade: RGB 88.5 162 150, RGB 71.5 144 131, RGB 54.5 126 112, RGB 37.5 108 93 and RGB 20.5 90 74

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 88.5 162 150 shade: RGB 89 161 149, RGB 89 161 130, RGB 89 161 110, RGB 89 161 91 and RGB 106 161 89

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 88.5 162 150 shade: RGB 89 161 149, RGB 89 153 161, RGB 89 134 161, RGB 89 114 161 and RGB 89 95 161

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 88.5 162 150 shade matches the following richer shades: RGB 89 161 149, RGB 68 181 163, RGB 48 202 177, RGB 28 222 190 and RGB 8 242 204

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 88.5 162 150 shade: RGB 89 161 149, RGB 109 141 136, RGB 129 121 122, RGB 149 101 109 and RGB 170 80 95

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 88.5 162 150 shade: RGB 89 161 110, RGB 89 161 130, RGB 89 161 149, RGB 89 154 161 and RGB 89 135 161

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 88.5 162 150 shade: RGB 59 108 100, RGB 74 135 125, RGB 89 161 149, RGB 114 177 167 and RGB 140 192 184

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 88.5 162 150 shade: RGB 88.5 162 150, RGB 91 89 161 and RGB 161 120 89

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 88.5 162 150 shade: RGB 88.5 162 150, RGB 149 89 161 and RGB 161 149 89

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 88.5 162 150 shade: RGB 88.5 162 150, RGB 91 89 161, RGB 161 89 101 and RGB 159 161 89

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 88.5 162 150 shade: RGB 88.5 162 150, RGB 113 89 161, RGB 161 89 101 and RGB 137 161 89

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 45 / 0 / 7 / 36

HEX #58A296

RGB 88.5 162 150

HSL 170.2, 0.29%, 0.49%

LAB 61.78, -25.95, -0.9

 

Complementary color

CMYK 0 / 44 / 37 / 35

HEX #A65D69

RGB 166.5 93 105

HSL 350.2, 0.29%, 0.51%

LAB 48.27, 31.33, 6.45

 

CMYK 42 / 0 / 10 / 36

HEX #5DA291

RGB 93.5 162 145

HSL 165.11, 0.27%, 0.5%

LAB 61.86, -25.86, 2.06

 

CMYK 39 / 0 / 9 / 29

HEX #6EB4A4

RGB 110.5 180 164

HSL 166.19, 0.32%, 0.57%

LAB 68.51, -25.69, 1.25

 

CMYK 36 / 0 / 8 / 22

HEX #7FC6B7

RGB 127.5 198 183

HSL 167.23, 0.38%, 0.64%

LAB 75.05, -25.51, 0.5

 

CMYK 33 / 0 / 6 / 15

HEX #90D8CA

RGB 144.5 216 202

HSL 168.25, 0.48%, 0.71%

LAB 81.48, -25.35, -0.21

 

CMYK 31 / 0 / 6 / 8

HEX #A1EADD

RGB 161.5 234 221

HSL 169.24, 0.63%, 0.78%

LAB 87.82, -25.19, -0.88

 

CMYK 45 / 0 / 7 / 36

HEX #58A296

RGB 88.5 162 150

HSL 170.2, 0.29%, 0.49%

LAB 61.78, -25.95, -0.9

 

CMYK 50 / 0 / 9 / 44

HEX #479083

RGB 71.5 144 131

HSL 169.24, 0.34%, 0.42%

LAB 55.01, -26.02, -0.06

 

CMYK 57 / 0 / 11 / 51

HEX #367E70

RGB 54.5 126 112

HSL 168.25, 0.4%, 0.35%

LAB 48.12, -26.01, 0.87

 

CMYK 65 / 0 / 14 / 58

HEX #256C5D

RGB 37.5 108 93

HSL 167.23, 0.48%, 0.29%

LAB 41.09, -25.85, 1.93

 

CMYK 77 / 0 / 18 / 65

HEX #145A4A

RGB 20.5 90 74

HSL 166.19, 0.63%, 0.22%

LAB 33.9, -25.39, 3.18

 

CMYK 45 / 0 / 7 / 37

HEX #59A195

RGB 89 161 149

HSL 170, 0.29%, 0.49%

LAB 61.47, -25.57, -0.79

 

CMYK 45 / 0 / 19 / 37

HEX #59A182

RGB 89 161 130

HSL 154.17, 0.29%, 0.49%

LAB 60.98, -30.05, 9.19

 

CMYK 45 / 0 / 32 / 37

HEX #59A16E

RGB 89 161 110

HSL 137.5, 0.29%, 0.49%

LAB 60.55, -34.16, 19.71

 

CMYK 45 / 0 / 43 / 37

HEX #59A15B

RGB 89 161 91

HSL 121.67, 0.29%, 0.49%

LAB 60.22, -37.46, 29.55

 

CMYK 34 / 0 / 45 / 37

HEX #6AA159

RGB 106 161 89

HSL 105.83, 0.29%, 0.49%

LAB 61.02, -32.19, 31.8

 

CMYK 45 / 0 / 7 / 37

HEX #59A195

RGB 89 161 149

HSL 170, 0.29%, 0.49%

LAB 61.47, -25.57, -0.79

 

CMYK 45 / 5 / 0 / 37

HEX #5999A1

RGB 89 153 161

HSL 186.67, 0.29%, 0.49%

LAB 59.42, -18.33, -10.62

 

CMYK 45 / 17 / 0 / 37

HEX #5986A1

RGB 89 134 161

HSL 202.5, 0.29%, 0.49%

LAB 53.76, -7.93, -19.18

 

CMYK 45 / 29 / 0 / 37

HEX #5972A1

RGB 89 114 161

HSL 219.17, 0.29%, 0.49%

LAB 47.92, 3.8, -28.18

 

CMYK 45 / 41 / 0 / 37

HEX #595FA1

RGB 89 95 161

HSL 235, 0.29%, 0.49%

LAB 42.58, 15.54, -36.56

 

CMYK 45 / 0 / 7 / 37

HEX #59A195

RGB 89 161 149

HSL 170, 0.29%, 0.49%

LAB 61.47, -25.57, -0.79

 

CMYK 62 / 0 / 10 / 29

HEX #44B5A3

RGB 68 181 163

HSL 170.44, 0.45%, 0.49%

LAB 67.22, -36.14, -0.27

 

CMYK 76 / 0 / 12 / 21

HEX #30CAB1

RGB 48 202 177

HSL 170.26, 0.62%, 0.49%

LAB 73.57, -44.62, 1.29

 

CMYK 87 / 0 / 14 / 13

HEX #1CDEBE

RGB 28 222 190

HSL 170.1, 0.78%, 0.49%

LAB 79.73, -51.23, 3.23

 

CMYK 97 / 0 / 16 / 5

HEX #08F2CC

RGB 8 242 204

HSL 170.26, 0.94%, 0.49%

LAB 85.96, -56.41, 4.86

 

CMYK 45 / 0 / 7 / 37

HEX #59A195

RGB 89 161 149

HSL 170, 0.29%, 0.49%

LAB 61.47, -25.57, -0.79

 

CMYK 23 / 0 / 4 / 45

HEX #6D8D88

RGB 109 141 136

HSL 170.63, 0.13%, 0.49%

LAB 56.17, -12.31, -1.03

 

CMYK 0 / 6 / 5 / 49

HEX #81797A

RGB 129 121 122

HSL 352.5, 0.03%, 0.49%

LAB 51.55, 3.24, 0.54

 

CMYK 0 / 32 / 27 / 42

HEX #95656D

RGB 149 101 109

HSL 350, 0.19%, 0.49%

LAB 48.01, 20.54, 3.37

 

CMYK 0 / 53 / 44 / 33

HEX #AA505F

RGB 170 80 95

HSL 350, 0.36%, 0.49%

LAB 45.78, 38.4, 9.04

 

CMYK 45 / 0 / 32 / 37

HEX #59A16E

RGB 89 161 110

HSL 137.5, 0.29%, 0.49%

LAB 60.55, -34.16, 19.71

 

CMYK 45 / 0 / 19 / 37

HEX #59A182

RGB 89 161 130

HSL 154.17, 0.29%, 0.49%

LAB 60.98, -30.05, 9.19

 

CMYK 45 / 0 / 7 / 37

HEX #59A195

RGB 89 161 149

HSL 170, 0.29%, 0.49%

LAB 61.47, -25.57, -0.79

 

CMYK 45 / 4 / 0 / 37

HEX #599AA1

RGB 89 154 161

HSL 185.83, 0.29%, 0.49%

LAB 59.72, -18.86, -10.17

 

CMYK 45 / 16 / 0 / 37

HEX #5987A1

RGB 89 135 161

HSL 201.67, 0.29%, 0.49%

LAB 54.05, -8.49, -18.73

 

CMYK 45 / 0 / 7 / 58

HEX #3B6C64

RGB 59 108 100

HSL 170.2, 0.29%, 0.33%

LAB 42.12, -18.73, -0.71

 

CMYK 45 / 0 / 7 / 47

HEX #4A877D

RGB 74 135 125

HSL 170.16, 0.29%, 0.41%

LAB 52.13, -22.35, -0.79

 

CMYK 45 / 0 / 7 / 37

HEX #59A195

RGB 89 161 149

HSL 170, 0.29%, 0.49%

LAB 61.47, -25.57, -0.79

 

CMYK 36 / 0 / 6 / 31

HEX #72B1A7

RGB 114 177 167

HSL 170.48, 0.29%, 0.57%

LAB 67.88, -22.51, -1.31

 

CMYK 27 / 0 / 4 / 25

HEX #8CC0B8

RGB 140 192 184

HSL 170.77, 0.29%, 0.65%

LAB 74.02, -18.66, -1.47

 

CMYK 45 / 0 / 7 / 36

HEX #58A296

RGB 88.5 162 150

HSL 170.2, 0.29%, 0.49%

LAB 61.78, -25.95, -0.9

 

CMYK 43 / 45 / 0 / 37

HEX #5B59A1

RGB 91 89 161

HSL 241.67, 0.29%, 0.49%

LAB 41.12, 19.83, -38.86

 

CMYK 0 / 25 / 45 / 37

HEX #A17859

RGB 161 120 89

HSL 25.83, 0.29%, 0.49%

LAB 53.74, 11.95, 23.24

 

CMYK 45 / 0 / 7 / 36

HEX #58A296

RGB 88.5 162 150

HSL 170.2, 0.29%, 0.49%

LAB 61.78, -25.95, -0.9

 

CMYK 7 / 45 / 0 / 37

HEX #9559A1

RGB 149 89 161

HSL 290, 0.29%, 0.49%

LAB 47.12, 36.8, -29.02

 

CMYK 0 / 7 / 45 / 37

HEX #A19559

RGB 161 149 89

HSL 50, 0.29%, 0.49%

LAB 61.48, -4.26, 33.2

 

CMYK 45 / 0 / 7 / 36

HEX #58A296

RGB 88.5 162 150

HSL 170.2, 0.29%, 0.49%

LAB 61.78, -25.95, -0.9

 

CMYK 43 / 45 / 0 / 37

HEX #5B59A1

RGB 91 89 161

HSL 241.67, 0.29%, 0.49%

LAB 41.12, 19.83, -38.86

 

CMYK 0 / 45 / 37 / 37

HEX #A15965

RGB 161 89 101

HSL 350, 0.29%, 0.49%

LAB 46.53, 30.92, 6.27

 

CMYK 1 / 0 / 45 / 37

HEX #9FA159

RGB 159 161 89

HSL 61.67, 0.29%, 0.49%

LAB 64.63, -11.53, 37.09

 

CMYK 45 / 0 / 7 / 36

HEX #58A296

RGB 88.5 162 150

HSL 170.2, 0.29%, 0.49%

LAB 61.78, -25.95, -0.9

 

CMYK 30 / 45 / 0 / 37

HEX #7159A1

RGB 113 89 161

HSL 260, 0.29%, 0.49%

LAB 43.11, 25.92, -35.6

 

CMYK 0 / 45 / 37 / 37

HEX #A15965

RGB 161 89 101

HSL 350, 0.29%, 0.49%

LAB 46.53, 30.92, 6.27

 

CMYK 15 / 0 / 45 / 37

HEX #89A159

RGB 137 161 89

HSL 80, 0.29%, 0.49%

LAB 62.95, -20.53, 34.64

 

Description

Color code: RGB 88.5 162 150 | qconv.com Color code: RGB 88.5 162 150 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 88.5 red, 162 green and 150 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
88.5 162 150 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 45 cyan, none magenta, 7 yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
45% 0% 7% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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