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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 87 53 7 it is the complementary color RGB 168 202 248. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 87 53 7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 87 53 7 shade: RGB 92 53 2, RGB 109 71 21, RGB 126 89 40, RGB 143 107 59 and RGB 160 125 78

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 87 53 7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 87 53 7 shade: RGB 87 53 7, RGB 70 35 0, RGB 53 17 0, RGB 36 0 0 and RGB 19 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 87 53 7 shade: RGB 85 52 7, RGB 85 31 7, RGB 85 10 7 and RGB 85 7 7

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 87 53 7 shade: RGB 85 52 7, RGB 85 73 7, RGB 76 85 7, RGB 55 85 7 and RGB 34 85 7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 87 53 7 shade matches the following richer shades: RGB 85 52 7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 87 53 7 shade: RGB 85 52 7, RGB 77 51 14, RGB 70 50 22, RGB 63 48 29 and RGB 55 47 37

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 87 53 7 shade: RGB 85 9 7, RGB 85 30 7, RGB 85 51 7, RGB 85 72 7 and RGB 77 85 7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 87 53 7 shade: RGB 9 5 1, RGB 47 28 4, RGB 85 52 7, RGB 123 75 10 and RGB 161 98 13

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 87 53 7 shade: RGB 87 53 7, RGB 25 85 7 and RGB 20 7 85

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 87 53 7 shade: RGB 87 53 7, RGB 7 85 51 and RGB 51 7 85

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 87 53 7 shade: RGB 87 53 7, RGB 25 85 7, RGB 7 41 85 and RGB 67 7 85

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 87 53 7 shade: RGB 87 53 7, RGB 7 85 12, RGB 7 41 85 and RGB 85 7 80

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 39 / 92 / 66

HEX #573507

RGB 87 53 7

HSL 34.5, 0.85%, 0.18%

LAB 25.53, 11.33, 32.42

 

Complementary color

CMYK 32 / 19 / 0 / 3

HEX #A8CAF8

RGB 168 202 248

HSL 214.5, 0.85%, 0.82%

LAB 80.37, -0.74, -26.3

 

CMYK 0 / 42 / 98 / 64

HEX #5C3502

RGB 92 53 2

HSL 34, 0.96%, 0.18%

LAB 26.23, 13.65, 35.38

 

CMYK 0 / 35 / 81 / 57

HEX #6D4715

RGB 109 71 21

HSL 34.09, 0.68%, 0.25%

LAB 33.59, 11.55, 34.94

 

CMYK 0 / 29 / 68 / 51

HEX #7E5928

RGB 126 89 40

HSL 34.19, 0.52%, 0.33%

LAB 40.79, 9.89, 33.66

 

CMYK 0 / 25 / 59 / 44

HEX #8F6B3B

RGB 143 107 59

HSL 34.29, 0.42%, 0.4%

LAB 47.84, 8.58, 32.15

 

CMYK 0 / 22 / 51 / 37

HEX #A07D4E

RGB 160 125 78

HSL 34.39, 0.34%, 0.47%

LAB 54.75, 7.54, 30.67

 

CMYK 0 / 39 / 92 / 66

HEX #573507

RGB 87 53 7

HSL 34.5, 0.85%, 0.18%

LAB 25.53, 11.33, 32.42

 

CMYK 0 / 50 / 100 / 73

HEX #462300

RGB 70 35 0

HSL 30, 1%, 0.14%

LAB 17.94, 13.93, 26.37

 

CMYK 0 / 68 / 100 / 79

HEX #351100

RGB 53 17 0

HSL 19.25, 1%, 0.1%

LAB 10.24, 16.84, 15.72

 

CMYK 0 / 100 / 100 / 86

HEX #240000

RGB 36 0 0

HSL 0, 1%, 0.07%

LAB 3.39, 15.2, 5.35

 

CMYK 0 / 100 / 100 / 93

HEX #130000

RGB 19 0 0

HSL 0, 1%, 0.04%

LAB 1.25, 5.61, 1.98

 

CMYK 0 / 39 / 92 / 67

HEX #553407

RGB 85 52 7

HSL 34.62, 0.85%, 0.18%

LAB 24.96, 10.95, 31.78

 

CMYK 0 / 64 / 92 / 67

HEX #551F07

RGB 85 31 7

HSL 18.46, 0.85%, 0.18%

LAB 19.75, 23.73, 26.31

 

CMYK 0 / 88 / 92 / 67

HEX #550A07

RGB 85 10 7

HSL 2.31, 0.85%, 0.18%

LAB 16.32, 33.03, 22.23

 

CMYK 0 / 92 / 92 / 67

HEX #550707

RGB 85 7 7

HSL 0, 0.85%, 0.18%

LAB 16, 33.96, 21.82

 

CMYK 0 / 39 / 92 / 67

HEX #553407

RGB 85 52 7

HSL 34.62, 0.85%, 0.18%

LAB 24.96, 10.95, 31.78

 

CMYK 0 / 14 / 92 / 67

HEX #554907

RGB 85 73 7

HSL 50.77, 0.85%, 0.18%

LAB 31.14, -2.28, 37.13

 

CMYK 11 / 0 / 92 / 67

HEX #4C5507

RGB 76 85 7

HSL 66.92, 0.85%, 0.18%

LAB 34.08, -13.88, 39.23

 

CMYK 35 / 0 / 92 / 67

HEX #375507

RGB 55 85 7

HSL 83.08, 0.85%, 0.18%

LAB 32.53, -23.59, 37.29

 

CMYK 60 / 0 / 92 / 67

HEX #225507

RGB 34 85 7

HSL 99.23, 0.85%, 0.18%

LAB 31.47, -31.47, 35.95

 

CMYK 0 / 39 / 92 / 67

HEX #553407

RGB 85 52 7

HSL 34.62, 0.85%, 0.18%

LAB 24.96, 10.95, 31.78

 

CMYK 0 / 39 / 92 / 67

HEX #553407

RGB 85 52 7

HSL 34.62, 0.85%, 0.18%

LAB 24.96, 10.95, 31.78

 

CMYK 0 / 34 / 82 / 70

HEX #4D330E

RGB 77 51 14

HSL 35.24, 0.69%, 0.18%

LAB 23.6, 7.82, 27.02

 

CMYK 0 / 29 / 69 / 73

HEX #463216

RGB 70 50 22

HSL 35, 0.52%, 0.18%

LAB 22.45, 5.41, 21.04

 

CMYK 0 / 24 / 54 / 75

HEX #3F301D

RGB 63 48 29

HSL 33.53, 0.37%, 0.18%

LAB 21.05, 3.87, 14.74

 

CMYK 0 / 15 / 33 / 78

HEX #372F25

RGB 55 47 37

HSL 33.33, 0.2%, 0.18%

LAB 19.96, 1.71, 7.76

 

CMYK 0 / 89 / 92 / 67

HEX #550907

RGB 85 9 7

HSL 1.54, 0.85%, 0.18%

LAB 16.22, 33.34, 22.1

 

CMYK 0 / 65 / 92 / 67

HEX #551E07

RGB 85 30 7

HSL 17.69, 0.85%, 0.18%

LAB 19.54, 24.28, 26.07

 

CMYK 0 / 40 / 92 / 67

HEX #553307

RGB 85 51 7

HSL 33.85, 0.85%, 0.18%

LAB 24.68, 11.59, 31.52

 

CMYK 0 / 15 / 92 / 67

HEX #554807

RGB 85 72 7

HSL 50, 0.85%, 0.18%

LAB 30.83, -1.66, 36.87

 

CMYK 9 / 0 / 92 / 67

HEX #4D5507

RGB 77 85 7

HSL 66.15, 0.85%, 0.18%

LAB 34.17, -13.39, 39.33

 

CMYK 0 / 44 / 89 / 96

HEX #090501

RGB 9 5 1

HSL 30, 0.8%, 0.02%

LAB 1.52, 0.49, 1.88

 

CMYK 0 / 40 / 91 / 82

HEX #2F1C04

RGB 47 28 4

HSL 33.49, 0.84%, 0.1%

LAB 12.24, 6.65, 16.7

 

CMYK 0 / 39 / 92 / 67

HEX #553407

RGB 85 52 7

HSL 34.62, 0.85%, 0.18%

LAB 24.96, 10.95, 31.78

 

CMYK 0 / 39 / 92 / 52

HEX #7B4B0A

RGB 123 75 10

HSL 34.51, 0.85%, 0.26%

LAB 36.49, 15.47, 42.45

 

CMYK 0 / 39 / 92 / 37

HEX #A1620D

RGB 161 98 13

HSL 34.46, 0.85%, 0.34%

LAB 47.42, 19.7, 52.3

 

CMYK 0 / 39 / 92 / 66

HEX #573507

RGB 87 53 7

HSL 34.5, 0.85%, 0.18%

LAB 25.53, 11.33, 32.42

 

CMYK 71 / 0 / 92 / 67

HEX #195507

RGB 25 85 7

HSL 106.15, 0.85%, 0.18%

LAB 31.16, -34, 35.55

 

CMYK 76 / 92 / 0 / 67

HEX #140755

RGB 20 7 85

HSL 250, 0.85%, 0.18%

LAB 8.62, 32, -43.6

 

CMYK 0 / 39 / 92 / 66

HEX #573507

RGB 87 53 7

HSL 34.5, 0.85%, 0.18%

LAB 25.53, 11.33, 32.42

 

CMYK 92 / 0 / 40 / 67

HEX #075533

RGB 7 85 51

HSL 153.85, 0.85%, 0.18%

LAB 31.3, -30.94, 13.8

 

CMYK 40 / 92 / 0 / 67

HEX #330755

RGB 51 7 85

HSL 273.85, 0.85%, 0.18%

LAB 12.68, 35.79, -36.77

 

CMYK 0 / 39 / 92 / 66

HEX #573507

RGB 87 53 7

HSL 34.5, 0.85%, 0.18%

LAB 25.53, 11.33, 32.42

 

CMYK 71 / 0 / 92 / 67

HEX #195507

RGB 25 85 7

HSL 106.15, 0.85%, 0.18%

LAB 31.16, -34, 35.55

 

CMYK 92 / 52 / 0 / 67

HEX #072955

RGB 7 41 85

HSL 213.85, 0.85%, 0.18%

LAB 16.93, 7.17, -30.04

 

CMYK 21 / 92 / 0 / 67

HEX #430755

RGB 67 7 85

HSL 286.15, 0.85%, 0.18%

LAB 15.49, 38.61, -32.07

 

CMYK 0 / 39 / 92 / 66

HEX #573507

RGB 87 53 7

HSL 34.5, 0.85%, 0.18%

LAB 25.53, 11.33, 32.42

 

CMYK 92 / 0 / 86 / 67

HEX #07550C

RGB 7 85 12

HSL 123.85, 0.85%, 0.18%

LAB 30.8, -36.96, 33.44

 

CMYK 92 / 52 / 0 / 67

HEX #072955

RGB 7 41 85

HSL 213.85, 0.85%, 0.18%

LAB 16.93, 7.17, -30.04

 

CMYK 0 / 92 / 6 / 67

HEX #550750

RGB 85 7 80

HSL 303.85, 0.85%, 0.18%

LAB 18.64, 41.36, -23.43

 

Description

Color code: RGB 87 53 7 | qconv.com Color code: RGB 87 53 7 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 87 red, 53 green and 7 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
87 53 7 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 39 magenta, 92 yellow and 66 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 39% 92% 66% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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