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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 87 162.4 226.4 it is the complementary color RGB 168 92.6 28.6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 87 162.4 226.4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 87 162.4 226.4 shade: RGB 92 162.4 221.4, RGB 109 180.4 240.4, RGB 126 198.4 255, RGB 143 216.4 255 and RGB 160 234.4 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 87 162.4 226.4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 87 162.4 226.4 shade: RGB 87 162.4 226.4, RGB 70 144.4 207.4, RGB 53 126.4 188.4, RGB 36 108.4 169.4 and RGB 19 90.4 150.4

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 87 162.4 226.4 shade: RGB 85 161 226, RGB 85 123 226, RGB 85 85 226, RGB 123 85 226 and RGB 161 85 226

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 87 162.4 226.4 shade: RGB 85 161 226, RGB 85 123 226 and RGB 85 85 226

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 87 162.4 226.4 shade matches the following richer shades: RGB 85 161 226 and RGB 69 163 242

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 87 162.4 226.4 shade: RGB 85 161 226, RGB 101 160 210, RGB 117 159 194, RGB 133 157 178 and RGB 149 156 162

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 87 162.4 226.4 shade: RGB 85 226 214, RGB 85 200 226, RGB 85 163 226, RGB 85 125 226 and RGB 85 87 226

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 87 162.4 226.4 shade: RGB 33 121 195, RGB 50 142 220, RGB 85 161 226, RGB 120 181 232 and RGB 155 200 238

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 87 162.4 226.4 shade: RGB 87 162.4 226.4, RGB 177 85 226 and RGB 219 226 85

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 87 162.4 226.4 shade: RGB 87 162.4 226.4, RGB 226 85 163 and RGB 163 226 85

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 87 162.4 226.4 shade: RGB 87 162.4 226.4, RGB 177 85 226, RGB 226 148 85 and RGB 134 226 85

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 87 162.4 226.4 shade: RGB 87 162.4 226.4, RGB 219 85 226, RGB 226 148 85 and RGB 92 226 85

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 62 / 28 / 0 / 11

HEX #57A2E2

RGB 87 162.4 226.4

HSL 207.55, 0.71%, 0.61%

LAB 64.58, -4.26, -39.32

 

Complementary color

CMYK 0 / 45 / 83 / 34

HEX #A85C1C

RGB 168 92.6 28.6

HSL 27.55, 0.71%, 0.39%

LAB 47.2, 26.2, 47.3

 

CMYK 58 / 27 / 0 / 13

HEX #5CA2DD

RGB 92 162.4 221.4

HSL 207.36, 0.66%, 0.61%

LAB 64.56, -4.91, -36.58

 

CMYK 55 / 25 / 0 / 6

HEX #6DB4F0

RGB 109 180.4 240.4

HSL 207.4, 0.82%, 0.69%

LAB 71.13, -5.6, -36.71

 

CMYK 51 / 22 / 0 / 0

HEX #7EC6FF

RGB 126 198.4 255

HSL 206.33, 1%, 0.75%

LAB 77.42, -7.44, -34.77

 

CMYK 44 / 15 / 0 / 0

HEX #8FD8FF

RGB 143 216.4 255

HSL 200.68, 1%, 0.78%

LAB 83.11, -13, -25.95

 

CMYK 37 / 8 / 0 / 0

HEX #A0EAFF

RGB 160 234.4 255

HSL 193.01, 1%, 0.81%

LAB 88.81, -17.95, -17.24

 

CMYK 62 / 28 / 0 / 11

HEX #57A2E2

RGB 87 162.4 226.4

HSL 207.55, 0.71%, 0.61%

LAB 64.58, -4.26, -39.32

 

CMYK 66 / 30 / 0 / 19

HEX #4690CF

RGB 70 144.4 207.4

HSL 207.51, 0.59%, 0.54%

LAB 57.94, -3.23, -39.2

 

CMYK 72 / 33 / 0 / 26

HEX #357EBC

RGB 53 126.4 188.4

HSL 207.47, 0.56%, 0.47%

LAB 51.19, -1.93, -39.08

 

CMYK 79 / 36 / 0 / 34

HEX #246CA9

RGB 36 108.4 169.4

HSL 207.44, 0.65%, 0.4%

LAB 44.33, -0.24, -38.93

 

CMYK 87 / 40 / 0 / 41

HEX #135A96

RGB 19 90.4 150.4

HSL 207.4, 0.78%, 0.33%

LAB 37.36, 2.01, -38.72

 

CMYK 62 / 29 / 0 / 11

HEX #55A1E2

RGB 85 161 226

HSL 207.66, 0.71%, 0.61%

LAB 64.09, -3.96, -39.88

 

CMYK 62 / 46 / 0 / 11

HEX #557BE2

RGB 85 123 226

HSL 223.83, 0.71%, 0.61%

LAB 53.59, 18.51, -56.51

 

CMYK 62 / 62 / 0 / 11

HEX #5555E2

RGB 85 85 226

HSL 240, 0.71%, 0.61%

LAB 44.12, 41.81, -71.83

 

CMYK 46 / 62 / 0 / 11

HEX #7B55E2

RGB 123 85 226

HSL 256.17, 0.71%, 0.61%

LAB 47.23, 48.41, -66.62

 

CMYK 29 / 62 / 0 / 11

HEX #A155E2

RGB 161 85 226

HSL 272.34, 0.71%, 0.61%

LAB 51.34, 56.38, -59.78

 

CMYK 62 / 29 / 0 / 11

HEX #55A1E2

RGB 85 161 226

HSL 207.66, 0.71%, 0.61%

LAB 64.09, -3.96, -39.88

 

CMYK 62 / 46 / 0 / 11

HEX #557BE2

RGB 85 123 226

HSL 223.83, 0.71%, 0.61%

LAB 53.59, 18.51, -56.51

 

CMYK 62 / 62 / 0 / 11

HEX #5555E2

RGB 85 85 226

HSL 240, 0.71%, 0.61%

LAB 44.12, 41.81, -71.83

 

CMYK 62 / 29 / 0 / 11

HEX #55A1E2

RGB 85 161 226

HSL 207.66, 0.71%, 0.61%

LAB 64.09, -3.96, -39.88

 

CMYK 71 / 33 / 0 / 5

HEX #45A3F2

RGB 69 163 242

HSL 207.4, 0.87%, 0.61%

LAB 64.86, -2.23, -47.5

 

CMYK 62 / 29 / 0 / 11

HEX #55A1E2

RGB 85 161 226

HSL 207.66, 0.71%, 0.61%

LAB 64.09, -3.96, -39.88

 

CMYK 52 / 24 / 0 / 18

HEX #65A0D2

RGB 101 160 210

HSL 207.52, 0.55%, 0.61%

LAB 63.8, -5.18, -31.41

 

CMYK 40 / 18 / 0 / 24

HEX #759FC2

RGB 117 159 194

HSL 207.27, 0.39%, 0.61%

LAB 63.73, -5.25, -22.54

 

CMYK 25 / 12 / 0 / 30

HEX #859DB2

RGB 133 157 178

HSL 208, 0.23%, 0.61%

LAB 63.6, -3.57, -13.68

 

CMYK 8 / 4 / 0 / 36

HEX #959CA2

RGB 149 156 162

HSL 207.69, 0.07%, 0.61%

LAB 63.98, -1.29, -4

 

CMYK 62 / 0 / 5 / 11

HEX #55E2D6

RGB 85 226 214

HSL 174.89, 0.71%, 0.61%

LAB 82.47, -40.39, -5.39

 

CMYK 62 / 12 / 0 / 11

HEX #55C8E2

RGB 85 200 226

HSL 191.06, 0.71%, 0.61%

LAB 75.28, -24.71, -22.59

 

CMYK 62 / 28 / 0 / 11

HEX #55A3E2

RGB 85 163 226

HSL 206.81, 0.71%, 0.61%

LAB 64.66, -5.08, -38.99

 

CMYK 62 / 45 / 0 / 11

HEX #557DE2

RGB 85 125 226

HSL 222.98, 0.71%, 0.61%

LAB 54.12, 17.29, -55.66

 

CMYK 62 / 62 / 0 / 11

HEX #5557E2

RGB 85 87 226

HSL 239.15, 0.71%, 0.61%

LAB 44.57, 40.61, -71.09

 

CMYK 83 / 38 / 0 / 24

HEX #2179C3

RGB 33 121 195

HSL 207.41, 0.71%, 0.45%

LAB 49.42, 1.45, -45.69

 

CMYK 77 / 35 / 0 / 14

HEX #328EDC

RGB 50 142 220

HSL 207.53, 0.71%, 0.53%

LAB 57.26, -0.16, -47.37

 

CMYK 62 / 29 / 0 / 11

HEX #55A1E2

RGB 85 161 226

HSL 207.66, 0.71%, 0.61%

LAB 64.09, -3.96, -39.88

 

CMYK 48 / 22 / 0 / 9

HEX #78B5E8

RGB 120 181 232

HSL 207.32, 0.71%, 0.69%

LAB 71.46, -5.98, -31.58

 

CMYK 35 / 16 / 0 / 7

HEX #9BC8EE

RGB 155 200 238

HSL 207.47, 0.71%, 0.77%

LAB 78.72, -5.73, -23.53

 

CMYK 62 / 28 / 0 / 11

HEX #57A2E2

RGB 87 162.4 226.4

HSL 207.55, 0.71%, 0.61%

LAB 64.58, -4.26, -39.32

 

CMYK 22 / 62 / 0 / 11

HEX #B155E2

RGB 177 85 226

HSL 279.15, 0.71%, 0.61%

LAB 53.31, 59.98, -56.51

 

CMYK 3 / 0 / 62 / 11

HEX #DBE255

RGB 219 226 85

HSL 62.98, 0.71%, 0.61%

LAB 87.05, -19.96, 65.78

 

CMYK 62 / 28 / 0 / 11

HEX #57A2E2

RGB 87 162.4 226.4

HSL 207.55, 0.71%, 0.61%

LAB 64.58, -4.26, -39.32

 

CMYK 0 / 62 / 28 / 11

HEX #E255A3

RGB 226 85 163

HSL 326.81, 0.71%, 0.61%

LAB 57.38, 62.2, -13.51

 

CMYK 28 / 0 / 62 / 11

HEX #A3E255

RGB 163 226 85

HSL 86.81, 0.71%, 0.61%

LAB 83.36, -41.64, 60.72

 

CMYK 62 / 28 / 0 / 11

HEX #57A2E2

RGB 87 162.4 226.4

HSL 207.55, 0.71%, 0.61%

LAB 64.58, -4.26, -39.32

 

CMYK 22 / 62 / 0 / 11

HEX #B155E2

RGB 177 85 226

HSL 279.15, 0.71%, 0.61%

LAB 53.31, 59.98, -56.51

 

CMYK 0 / 35 / 62 / 11

HEX #E29455

RGB 226 148 85

HSL 26.81, 0.71%, 0.61%

LAB 68.02, 23.42, 44.82

 

CMYK 41 / 0 / 62 / 11

HEX #86E255

RGB 134 226 85

HSL 99.15, 0.71%, 0.61%

LAB 81.9, -51.5, 58.71

 

CMYK 62 / 28 / 0 / 11

HEX #57A2E2

RGB 87 162.4 226.4

HSL 207.55, 0.71%, 0.61%

LAB 64.58, -4.26, -39.32

 

CMYK 3 / 62 / 0 / 11

HEX #DB55E2

RGB 219 85 226

HSL 297.02, 0.71%, 0.61%

LAB 59.02, 69.74, -47.08

 

CMYK 0 / 35 / 62 / 11

HEX #E29455

RGB 226 148 85

HSL 26.81, 0.71%, 0.61%

LAB 68.02, 23.42, 44.82

 

CMYK 59 / 0 / 62 / 11

HEX #5CE255

RGB 92 226 85

HSL 117.02, 0.71%, 0.61%

LAB 80.36, -63.05, 56.56

 

Description

Color code: RGB 87 162.4 226.4 | qconv.com Color code: RGB 87 162.4 226.4 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 87 red, 162.4 green and 226.4 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
87 162.4 226.4 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 62 cyan, 28 magenta, none yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
62% 28% 0% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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