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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 87.1 54.8 215 it is the complementary color RGB 167.9 200.2 40. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 87.1 54.8 215. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 87.1 54.8 215 shade: RGB 92.1 54.8 210, RGB 109.1 72.8 229, RGB 126.1 90.8 248, RGB 143.1 108.8 255 and RGB 160.1 126.8 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 87.1 54.8 215. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 87.1 54.8 215 shade: RGB 87.1 54.8 215, RGB 70.1 36.8 196, RGB 53.1 18.8 177, RGB 36.1 0.8 158 and RGB 19.1 0 139

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 87.1 54.8 215 shade: RGB 87 55 215, RGB 131 55 215, RGB 174 55 215, RGB 215 55 214 and RGB 215 55 170

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 87.1 54.8 215 shade: RGB 87 55 215 and RGB 55 55 215

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 87.1 54.8 215 shade matches the following richer shades: RGB 87 55 215, RGB 76 35 235 and RGB 64 16 254

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 87.1 54.8 215 shade: RGB 87 55 215, RGB 99 74 196, RGB 110 94 177, RGB 122 113 157 and RGB 134 132 138

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 87.1 54.8 215 shade: RGB 55 108 215, RGB 55 66 215, RGB 87 55 215, RGB 130 55 215 and RGB 173 55 215

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 87.1 54.8 215 shade: RGB 56 31 157, RGB 69 38 191, RGB 87 55 215, RGB 116 89 222 and RGB 145 124 229

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 87.1 54.8 215 shade: RGB 87.1 54.8 215, RGB 215 55 151 and RGB 87 215 55

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 87.1 54.8 215 shade: RGB 87.1 54.8 215, RGB 215 87 55 and RGB 55 215 87

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 87.1 54.8 215 shade: RGB 87.1 54.8 215, RGB 215 55 151, RGB 183 215 55 and RGB 55 215 119

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 87.1 54.8 215 shade: RGB 87.1 54.8 215, RGB 215 55 103, RGB 183 215 55 and RGB 55 215 167

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 59 / 75 / 0 / 16

HEX #5736D7

RGB 87.1 54.8 215

HSL 252.1, 0.67%, 0.53%

LAB 37.21, 55.44, -76.86

 

Complementary color

CMYK 16 / 0 / 80 / 21

HEX #A7C828

RGB 167.9 200.2 40

HSL 72.1, 0.67%, 0.47%

LAB 75.99, -30.73, 69.36

 

CMYK 56 / 74 / 0 / 18

HEX #5C36D2

RGB 92.1 54.8 210

HSL 254.42, 0.63%, 0.52%

LAB 37.2, 54.66, -73.97

 

CMYK 52 / 68 / 0 / 10

HEX #6D48E5

RGB 109.1 72.8 229

HSL 253.94, 0.75%, 0.59%

LAB 43.73, 53.35, -74.08

 

CMYK 49 / 63 / 0 / 3

HEX #7E5AF8

RGB 126.1 90.8 248

HSL 253.47, 0.92%, 0.66%

LAB 50.3, 51.95, -73.99

 

CMYK 44 / 57 / 0 / 0

HEX #8F6CFF

RGB 143.1 108.8 255

HSL 254.08, 1%, 0.71%

LAB 56.05, 47.28, -68.48

 

CMYK 37 / 50 / 0 / 0

HEX #A07EFF

RGB 160.1 126.8 255

HSL 255.59, 1%, 0.75%

LAB 61.51, 41.02, -59.63

 

CMYK 59 / 75 / 0 / 16

HEX #5736D7

RGB 87.1 54.8 215

HSL 252.1, 0.67%, 0.53%

LAB 37.21, 55.44, -76.86

 

CMYK 64 / 81 / 0 / 23

HEX #4624C4

RGB 70.1 36.8 196

HSL 252.55, 0.68%, 0.46%

LAB 30.88, 56.53, -76.3

 

CMYK 70 / 89 / 0 / 31

HEX #3512B1

RGB 53.1 18.8 177

HSL 253.01, 0.81%, 0.38%

LAB 24.93, 56.74, -74.94

 

CMYK 77 / 99 / 0 / 38

HEX #24009E

RGB 36.1 0.8 158

HSL 253.47, 0.99%, 0.31%

LAB 19.49, 55.74, -72.53

 

CMYK 86 / 100 / 0 / 45

HEX #13008B

RGB 19.1 0 139

HSL 248.24, 1%, 0.27%

LAB 15.51, 50.68, -67.41

 

CMYK 60 / 74 / 0 / 16

HEX #5737D7

RGB 87 55 215

HSL 252, 0.67%, 0.53%

LAB 37.23, 55.33, -76.82

 

CMYK 39 / 74 / 0 / 16

HEX #8337D7

RGB 131 55 215

HSL 268.5, 0.67%, 0.53%

LAB 41.94, 61.78, -68.92

 

CMYK 19 / 74 / 0 / 16

HEX #AE37D7

RGB 174 55 215

HSL 284.63, 0.67%, 0.53%

LAB 47.8, 69.5, -59.14

 

CMYK 0 / 74 / 0 / 16

HEX #D737D6

RGB 215 55 214

HSL 300.38, 0.67%, 0.53%

LAB 54.06, 77.41, -48.19

 

CMYK 0 / 74 / 21 / 16

HEX #D737AA

RGB 215 55 170

HSL 316.88, 0.67%, 0.53%

LAB 51.93, 71.12, -26.09

 

CMYK 60 / 74 / 0 / 16

HEX #5737D7

RGB 87 55 215

HSL 252, 0.67%, 0.53%

LAB 37.23, 55.33, -76.82

 

CMYK 74 / 74 / 0 / 16

HEX #3737D7

RGB 55 55 215

HSL 240, 0.67%, 0.53%

LAB 34.9, 52.02, -80.74

 

CMYK 60 / 74 / 0 / 16

HEX #5737D7

RGB 87 55 215

HSL 252, 0.67%, 0.53%

LAB 37.23, 55.33, -76.82

 

CMYK 68 / 85 / 0 / 8

HEX #4C23EB

RGB 76 35 235

HSL 252.3, 0.83%, 0.53%

LAB 35.47, 68.3, -91.2

 

CMYK 75 / 94 / 0 / 0

HEX #4010FE

RGB 64 16 254

HSL 252.1, 0.99%, 0.53%

LAB 35.23, 77.49, -102.35

 

CMYK 60 / 74 / 0 / 16

HEX #5737D7

RGB 87 55 215

HSL 252, 0.67%, 0.53%

LAB 37.23, 55.33, -76.82

 

CMYK 49 / 62 / 0 / 23

HEX #634AC4

RGB 99 74 196

HSL 252.3, 0.51%, 0.53%

LAB 40.47, 41.36, -60.49

 

CMYK 38 / 47 / 0 / 31

HEX #6E5EB1

RGB 110 94 177

HSL 251.57, 0.35%, 0.53%

LAB 44.93, 26.43, -42.16

 

CMYK 22 / 28 / 0 / 38

HEX #7A719D

RGB 122 113 157

HSL 252.27, 0.18%, 0.53%

LAB 49.96, 13.18, -22.49

 

CMYK 3 / 4 / 0 / 46

HEX #86848A

RGB 134 132 138

HSL 260, 0.02%, 0.53%

LAB 55.49, 1.94, -2.96

 

CMYK 74 / 50 / 0 / 16

HEX #376CD7

RGB 55 108 215

HSL 220.13, 0.67%, 0.53%

LAB 47.55, 19.47, -60.08

 

CMYK 74 / 69 / 0 / 16

HEX #3742D7

RGB 55 66 215

HSL 235.88, 0.67%, 0.53%

LAB 37.14, 45.8, -77.05

 

CMYK 60 / 74 / 0 / 16

HEX #5737D7

RGB 87 55 215

HSL 252, 0.67%, 0.53%

LAB 37.23, 55.33, -76.82

 

CMYK 40 / 74 / 0 / 16

HEX #8237D7

RGB 130 55 215

HSL 268.13, 0.67%, 0.53%

LAB 41.82, 61.62, -69.12

 

CMYK 20 / 74 / 0 / 16

HEX #AD37D7

RGB 173 55 215

HSL 284.25, 0.67%, 0.53%

LAB 47.65, 69.31, -59.39

 

CMYK 64 / 80 / 0 / 38

HEX #381F9D

RGB 56 31 157

HSL 251.9, 0.67%, 0.37%

LAB 24.5, 46.44, -63.55

 

CMYK 64 / 80 / 0 / 25

HEX #4526BF

RGB 69 38 191

HSL 252.16, 0.67%, 0.45%

LAB 30.43, 54.48, -74.11

 

CMYK 60 / 74 / 0 / 16

HEX #5737D7

RGB 87 55 215

HSL 252, 0.67%, 0.53%

LAB 37.23, 55.33, -76.82

 

CMYK 48 / 60 / 0 / 13

HEX #7459DE

RGB 116 89 222

HSL 252.18, 0.67%, 0.61%

LAB 47.15, 43.67, -64.52

 

CMYK 37 / 46 / 0 / 10

HEX #917CE5

RGB 145 124 229

HSL 252, 0.67%, 0.69%

LAB 58.12, 32.02, -50.71

 

CMYK 59 / 75 / 0 / 16

HEX #5736D7

RGB 87.1 54.8 215

HSL 252.1, 0.67%, 0.53%

LAB 37.21, 55.44, -76.86

 

CMYK 0 / 74 / 30 / 16

HEX #D73797

RGB 215 55 151

HSL 324, 0.67%, 0.53%

LAB 51.17, 68.79, -16.02

 

CMYK 60 / 0 / 74 / 16

HEX #57D737

RGB 87 215 55

HSL 108, 0.67%, 0.53%

LAB 76.62, -62.93, 64.03

 

CMYK 59 / 75 / 0 / 16

HEX #5736D7

RGB 87.1 54.8 215

HSL 252.1, 0.67%, 0.53%

LAB 37.21, 55.44, -76.86

 

CMYK 0 / 60 / 74 / 16

HEX #D75737

RGB 215 87 55

HSL 12, 0.67%, 0.53%

LAB 53.53, 48.56, 43.45

 

CMYK 74 / 0 / 60 / 16

HEX #37D757

RGB 55 215 87

HSL 132, 0.67%, 0.53%

LAB 76.13, -66.03, 50.66

 

CMYK 59 / 75 / 0 / 16

HEX #5736D7

RGB 87.1 54.8 215

HSL 252.1, 0.67%, 0.53%

LAB 37.21, 55.44, -76.86

 

CMYK 0 / 74 / 30 / 16

HEX #D73797

RGB 215 55 151

HSL 324, 0.67%, 0.53%

LAB 51.17, 68.79, -16.02

 

CMYK 15 / 0 / 74 / 16

HEX #B7D737

RGB 183 215 55

HSL 72, 0.67%, 0.53%

LAB 81.26, -30.92, 70.11

 

CMYK 74 / 0 / 45 / 16

HEX #37D777

RGB 55 215 119

HSL 144, 0.67%, 0.53%

LAB 76.52, -61.41, 35.91

 

CMYK 59 / 75 / 0 / 16

HEX #5736D7

RGB 87.1 54.8 215

HSL 252.1, 0.67%, 0.53%

LAB 37.21, 55.44, -76.86

 

CMYK 0 / 74 / 52 / 16

HEX #D73767

RGB 215 55 103

HSL 342, 0.67%, 0.53%

LAB 49.69, 64.11, 10.75

 

CMYK 15 / 0 / 74 / 16

HEX #B7D737

RGB 183 215 55

HSL 72, 0.67%, 0.53%

LAB 81.26, -30.92, 70.11

 

CMYK 74 / 0 / 22 / 16

HEX #37D7A7

RGB 55 215 167

HSL 162, 0.67%, 0.53%

LAB 77.4, -51.7, 12.17

 

Description

Color code: RGB 87.1 54.8 215 | qconv.com Color code: RGB 87.1 54.8 215 | qconv.com - big

Blue clearly dominates: the blue value surpasses the others. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 87.1 red, 54.8 green and 215 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
87.1 54.8 215 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 59 cyan, 75 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
59% 75% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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