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Color name
RGB 87.1 144.8 59

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 87.1 144.8 59 it is the complementary color RGB 167.9 110.2 196. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 87.1 144.8 59. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 87.1 144.8 59 shade: RGB 92.1 144.8 54, RGB 109.1 162.8 73, RGB 126.1 180.8 92, RGB 143.1 198.8 111 and RGB 160.1 216.8 130

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 87.1 144.8 59. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 87.1 144.8 59 shade: RGB 87.1 144.8 59, RGB 70.1 126.8 40, RGB 53.1 108.8 21, RGB 36.1 90.8 2 and RGB 19.1 72.8 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 87.1 144.8 59 shade: RGB 87 145 59, RGB 110 145 59, RGB 133 145 59, RGB 145 133 59 and RGB 145 110 59

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 87.1 144.8 59 shade: RGB 87 145 59, RGB 64 145 59, RGB 59 145 77, RGB 59 145 100 and RGB 59 145 124

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 87.1 144.8 59 shade matches the following richer shades: RGB 87 145 59, RGB 82 161 43, RGB 76 178 26 and RGB 70 194 10

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 87.1 144.8 59 shade: RGB 87 145 59, RGB 93 128 76, RGB 99 112 92, RGB 104 95 109 and RGB 110 79 125

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 87.1 144.8 59 shade: RGB 133 145 59, RGB 111 145 59, RGB 88 145 59, RGB 65 145 59 and RGB 59 145 76

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 87.1 144.8 59 shade: RGB 52 86 35, RGB 70 116 47, RGB 87 145 59, RGB 105 174 71 and RGB 127 190 96

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 87.1 144.8 59 shade: RGB 87.1 144.8 59, RGB 59 145 133 and RGB 145 59 122

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 87.1 144.8 59 shade: RGB 87.1 144.8 59, RGB 59 88 145 and RGB 145 59 88

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 87.1 144.8 59 shade: RGB 87.1 144.8 59, RGB 59 145 133, RGB 116 59 145 and RGB 145 59 71

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 87.1 144.8 59 shade: RGB 87.1 144.8 59, RGB 59 131 145, RGB 116 59 145 and RGB 145 73 59

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 40 / 0 / 59 / 43

HEX #57903B

RGB 87.1 144.8 59

HSL 100.35, 0.42%, 0.4%

LAB 54.59, -35.13, 38.98

 

Complementary color

CMYK 14 / 44 / 0 / 23

HEX #A76EC4

RGB 167.9 110.2 196

HSL 280.35, 0.42%, 0.6%

LAB 55.58, 38.18, -35.96

 

CMYK 36 / 0 / 63 / 43

HEX #5C9036

RGB 92.1 144.8 54

HSL 94.82, 0.46%, 0.39%

LAB 54.8, -33.87, 41.65

 

CMYK 33 / 0 / 55 / 36

HEX #6DA249

RGB 109.1 162.8 73

HSL 95.88, 0.38%, 0.46%

LAB 61.53, -33.94, 40.58

 

CMYK 30 / 0 / 49 / 29

HEX #7EB45C

RGB 126.1 180.8 92

HSL 96.96, 0.37%, 0.53%

LAB 68.15, -33.91, 39.4

 

CMYK 28 / 0 / 44 / 22

HEX #8FC66F

RGB 143.1 198.8 111

HSL 98.06, 0.44%, 0.61%

LAB 74.67, -33.83, 38.2

 

CMYK 26 / 0 / 40 / 15

HEX #A0D882

RGB 160.1 216.8 130

HSL 99.19, 0.53%, 0.68%

LAB 81.08, -33.7, 37.02

 

CMYK 40 / 0 / 59 / 43

HEX #57903B

RGB 87.1 144.8 59

HSL 100.35, 0.42%, 0.4%

LAB 54.59, -35.13, 38.98

 

CMYK 45 / 0 / 68 / 50

HEX #467E28

RGB 70.1 126.8 40

HSL 99.19, 0.52%, 0.33%

LAB 47.73, -34.96, 39.95

 

CMYK 51 / 0 / 81 / 57

HEX #356C15

RGB 53.1 108.8 21

HSL 98.06, 0.68%, 0.25%

LAB 40.75, -34.47, 40.27

 

CMYK 60 / 0 / 98 / 64

HEX #245A02

RGB 36.1 90.8 2

HSL 96.96, 0.96%, 0.18%

LAB 33.62, -33.47, 39.46

 

CMYK 74 / 0 / 100 / 71

HEX #134800

RGB 19.1 72.8 0

HSL 104.26, 1%, 0.14%

LAB 26.39, -31.27, 34.01

 

CMYK 40 / 0 / 59 / 43

HEX #57913B

RGB 87 145 59

HSL 100.47, 0.42%, 0.4%

LAB 54.65, -35.26, 39.05

 

CMYK 24 / 0 / 59 / 43

HEX #6E913B

RGB 110 145 59

HSL 84.42, 0.42%, 0.4%

LAB 55.97, -26.6, 40.9

 

CMYK 8 / 0 / 59 / 43

HEX #85913B

RGB 133 145 59

HSL 68.37, 0.42%, 0.4%

LAB 57.61, -17.01, 43.2

 

CMYK 0 / 8 / 59 / 43

HEX #91853B

RGB 145 133 59

HSL 51.63, 0.42%, 0.4%

LAB 55.19, -5.27, 40.75

 

CMYK 0 / 24 / 59 / 43

HEX #916E3B

RGB 145 110 59

HSL 35.58, 0.42%, 0.4%

LAB 48.87, 7.75, 33.43

 

CMYK 40 / 0 / 59 / 43

HEX #57913B

RGB 87 145 59

HSL 100.47, 0.42%, 0.4%

LAB 54.65, -35.26, 39.05

 

CMYK 56 / 0 / 59 / 43

HEX #40913B

RGB 64 145 59

HSL 116.51, 0.42%, 0.4%

LAB 53.66, -42.45, 37.65

 

CMYK 59 / 0 / 47 / 43

HEX #3B914D

RGB 59 145 77

HSL 132.56, 0.42%, 0.4%

LAB 53.72, -41.16, 28.46

 

CMYK 59 / 0 / 31 / 43

HEX #3B9164

RGB 59 145 100

HSL 148.6, 0.42%, 0.4%

LAB 54.13, -36.81, 16.33

 

CMYK 59 / 0 / 14 / 43

HEX #3B917C

RGB 59 145 124

HSL 165.35, 0.42%, 0.4%

LAB 54.7, -31.16, 3.44

 

CMYK 40 / 0 / 59 / 43

HEX #57913B

RGB 87 145 59

HSL 100.47, 0.42%, 0.4%

LAB 54.65, -35.26, 39.05

 

CMYK 49 / 0 / 73 / 37

HEX #52A12B

RGB 82 161 43

HSL 100.17, 0.58%, 0.4%

LAB 59.4, -45.16, 51.01

 

CMYK 57 / 0 / 85 / 30

HEX #4CB21A

RGB 76 178 26

HSL 100.26, 0.75%, 0.4%

LAB 64.53, -54.29, 60.96

 

CMYK 64 / 0 / 95 / 24

HEX #46C20A

RGB 70 194 10

HSL 100.43, 0.9%, 0.4%

LAB 69.4, -61.72, 67.75

 

CMYK 40 / 0 / 59 / 43

HEX #57913B

RGB 87 145 59

HSL 100.47, 0.42%, 0.4%

LAB 54.65, -35.26, 39.05

 

CMYK 27 / 0 / 41 / 50

HEX #5D804C

RGB 93 128 76

HSL 100.38, 0.25%, 0.4%

LAB 49.84, -22.68, 24.34

 

CMYK 12 / 0 / 18 / 56

HEX #63705C

RGB 99 112 92

HSL 99, 0.1%, 0.4%

LAB 45.65, -8.98, 9.5

 

CMYK 5 / 13 / 0 / 57

HEX #685F6D

RGB 104 95 109

HSL 278.57, 0.07%, 0.4%

LAB 41.58, 6.49, -6.63

 

CMYK 12 / 37 / 0 / 51

HEX #6E4F7D

RGB 110 79 125

HSL 280.43, 0.23%, 0.4%

LAB 38.53, 22.1, -21.03

 

CMYK 8 / 0 / 59 / 43

HEX #85913B

RGB 133 145 59

HSL 68.37, 0.42%, 0.4%

LAB 57.61, -17.01, 43.2

 

CMYK 23 / 0 / 59 / 43

HEX #6F913B

RGB 111 145 59

HSL 83.72, 0.42%, 0.4%

LAB 56.03, -26.2, 41

 

CMYK 39 / 0 / 59 / 43

HEX #58913B

RGB 88 145 59

HSL 99.77, 0.42%, 0.4%

LAB 54.7, -34.91, 39.12

 

CMYK 55 / 0 / 59 / 43

HEX #41913B

RGB 65 145 59

HSL 115.81, 0.42%, 0.4%

LAB 53.7, -42.18, 37.7

 

CMYK 59 / 0 / 48 / 43

HEX #3B914C

RGB 59 145 76

HSL 131.86, 0.42%, 0.4%

LAB 53.71, -41.32, 28.98

 

CMYK 40 / 0 / 59 / 66

HEX #345623

RGB 52 86 35

HSL 100, 0.42%, 0.24%

LAB 32.93, -22.99, 25.53

 

CMYK 40 / 0 / 59 / 55

HEX #46742F

RGB 70 116 47

HSL 100, 0.42%, 0.32%

LAB 44.23, -29.34, 32.7

 

CMYK 40 / 0 / 59 / 43

HEX #57913B

RGB 87 145 59

HSL 100.47, 0.42%, 0.4%

LAB 54.65, -35.26, 39.05

 

CMYK 40 / 0 / 59 / 32

HEX #69AE47

RGB 105 174 71

HSL 100.19, 0.42%, 0.48%

LAB 64.75, -40.6, 45.21

 

CMYK 33 / 0 / 49 / 25

HEX #7FBE60

RGB 127 190 96

HSL 100.21, 0.42%, 0.56%

LAB 71, -37.31, 40.91

 

CMYK 40 / 0 / 59 / 43

HEX #57903B

RGB 87.1 144.8 59

HSL 100.35, 0.42%, 0.4%

LAB 54.59, -35.13, 38.98

 

CMYK 59 / 0 / 8 / 43

HEX #3B9185

RGB 59 145 133

HSL 171.63, 0.42%, 0.4%

LAB 54.94, -28.78, -1.37

 

CMYK 0 / 59 / 16 / 43

HEX #913B7A

RGB 145 59 122

HSL 316.05, 0.42%, 0.4%

LAB 38.82, 44.07, -18.35

 

CMYK 40 / 0 / 59 / 43

HEX #57903B

RGB 87.1 144.8 59

HSL 100.35, 0.42%, 0.4%

LAB 54.59, -35.13, 38.98

 

CMYK 59 / 39 / 0 / 43

HEX #3B5891

RGB 59 88 145

HSL 219.77, 0.42%, 0.4%

LAB 37.76, 7.46, -34.74

 

CMYK 0 / 59 / 39 / 43

HEX #913B58

RGB 145 59 88

HSL 339.77, 0.42%, 0.4%

LAB 37.58, 39.29, 1.12

 

CMYK 40 / 0 / 59 / 43

HEX #57903B

RGB 87.1 144.8 59

HSL 100.35, 0.42%, 0.4%

LAB 54.59, -35.13, 38.98

 

CMYK 59 / 0 / 8 / 43

HEX #3B9185

RGB 59 145 133

HSL 171.63, 0.42%, 0.4%

LAB 54.94, -28.78, -1.37

 

CMYK 20 / 59 / 0 / 43

HEX #743B91

RGB 116 59 145

HSL 279.77, 0.42%, 0.4%

LAB 35.76, 40.17, -37.59

 

CMYK 0 / 59 / 51 / 43

HEX #913B47

RGB 145 59 71

HSL 351.63, 0.42%, 0.4%

LAB 37.12, 37.45, 11.25

 

CMYK 40 / 0 / 59 / 43

HEX #57903B

RGB 87.1 144.8 59

HSL 100.35, 0.42%, 0.4%

LAB 54.59, -35.13, 38.98

 

CMYK 59 / 10 / 0 / 43

HEX #3B8391

RGB 59 131 145

HSL 189.77, 0.42%, 0.4%

LAB 50.93, -18.1, -14.32

 

CMYK 20 / 59 / 0 / 43

HEX #743B91

RGB 116 59 145

HSL 279.77, 0.42%, 0.4%

LAB 35.76, 40.17, -37.59

 

CMYK 0 / 50 / 59 / 43

HEX #91493B

RGB 145 73 59

HSL 9.77, 0.42%, 0.4%

LAB 39.75, 28.99, 22.2

 

Description

Color code: RGB 87.1 144.8 59 | qconv.com Color code: RGB 87.1 144.8 59 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 87.1 red, 144.8 green and 59 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
87.1 144.8 59 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 40 cyan, none magenta, 59 yellow and 43 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
40% 0% 59% 43% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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