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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 86.7 92.6 7 it is the complementary color RGB 168.3 162.4 248. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 86.7 92.6 7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 86.7 92.6 7 shade: RGB 91.7 92.6 2, RGB 108.7 110.6 21, RGB 125.7 128.6 40, RGB 142.7 146.6 59 and RGB 159.7 164.6 78

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 86.7 92.6 7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 86.7 92.6 7 shade: RGB 86.7 92.6 7, RGB 69.7 74.6 0, RGB 52.7 56.6 0, RGB 35.7 38.6 0 and RGB 18.7 20.6 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 86.7 92.6 7 shade: RGB 89 95 7, RGB 95 77 7, RGB 95 54 7, RGB 95 30 7 and RGB 95 7 7

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 86.7 92.6 7 shade: RGB 89 95 7, RGB 65 95 7, RGB 41 95 7, RGB 18 95 7 and RGB 7 95 20

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 86.7 92.6 7 shade matches the following richer shades: RGB 89 95 7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 86.7 92.6 7 shade: RGB 89 95 7, RGB 82 87 15, RGB 75 78 24, RGB 67 70 32 and RGB 60 62 40

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 86.7 92.6 7 shade: RGB 95 54 7, RGB 95 77 7, RGB 89 95 7, RGB 66 95 7 and RGB 42 95 7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 86.7 92.6 7 shade: RGB 17 18 1, RGB 53 56 4, RGB 89 95 7, RGB 125 133 10 and RGB 161 172 13

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 86.7 92.6 7 shade: RGB 86.7 92.6 7, RGB 7 95 31 and RGB 66 7 95

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 86.7 92.6 7 shade: RGB 86.7 92.6 7, RGB 7 89 95 and RGB 95 7 89

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 86.7 92.6 7 shade: RGB 86.7 92.6 7, RGB 7 95 31, RGB 13 7 95 and RGB 95 7 71

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 86.7 92.6 7 shade: RGB 86.7 92.6 7, RGB 7 95 57, RGB 13 7 95 and RGB 95 7 45

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 0 / 92 / 64

HEX #565C07

RGB 86.7 92.6 7

HSL 64.14, 0.86%, 0.2%

LAB 37.46, -12.94, 42.4

 

Complementary color

CMYK 32 / 35 / 0 / 3

HEX #A8A2F8

RGB 168.3 162.4 248

HSL 244.14, 0.86%, 0.8%

LAB 70.26, 21.18, -41.93

 

CMYK 1 / 0 / 98 / 64

HEX #5B5C02

RGB 91.7 92.6 2

HSL 60.6, 0.96%, 0.19%

LAB 37.88, -10.66, 44.37

 

CMYK 2 / 0 / 81 / 57

HEX #6C6E15

RGB 108.7 110.6 21

HSL 61.27, 0.68%, 0.26%

LAB 45.04, -11.94, 45.6

 

CMYK 2 / 0 / 69 / 50

HEX #7D8028

RGB 125.7 128.6 40

HSL 61.96, 0.53%, 0.33%

LAB 52.02, -12.91, 45.58

 

CMYK 3 / 0 / 60 / 43

HEX #8E923B

RGB 142.7 146.6 59

HSL 62.67, 0.43%, 0.4%

LAB 58.86, -13.64, 44.8

 

CMYK 3 / 0 / 53 / 35

HEX #9FA44E

RGB 159.7 164.6 78

HSL 63.39, 0.36%, 0.48%

LAB 65.56, -14.19, 43.74

 

CMYK 6 / 0 / 92 / 64

HEX #565C07

RGB 86.7 92.6 7

HSL 64.14, 0.86%, 0.2%

LAB 37.46, -12.94, 42.4

 

CMYK 7 / 0 / 100 / 71

HEX #454A00

RGB 69.7 74.6 0

HSL 63.94, 1%, 0.15%

LAB 30.08, -11.36, 38.32

 

CMYK 7 / 0 / 100 / 78

HEX #343800

RGB 52.7 56.6 0

HSL 64.13, 1%, 0.11%

LAB 22.43, -9.47, 30.82

 

CMYK 8 / 0 / 100 / 85

HEX #232600

RGB 35.7 38.6 0

HSL 64.51, 1%, 0.08%

LAB 14.37, -7.48, 20.9

 

CMYK 9 / 0 / 100 / 92

HEX #121400

RGB 18.7 20.6 0

HSL 65.53, 1%, 0.04%

LAB 5.94, -4.14, 8.82

 

CMYK 6 / 0 / 93 / 63

HEX #595F07

RGB 89 95 7

HSL 64.09, 0.86%, 0.2%

LAB 38.42, -13.17, 43.27

 

CMYK 0 / 19 / 93 / 63

HEX #5F4D07

RGB 95 77 7

HSL 47.73, 0.86%, 0.2%

LAB 33.47, 0.38, 39.49

 

CMYK 0 / 43 / 93 / 63

HEX #5F3607

RGB 95 54 7

HSL 32.05, 0.86%, 0.2%

LAB 26.98, 14.67, 34.18

 

CMYK 0 / 68 / 93 / 63

HEX #5F1E07

RGB 95 30 7

HSL 15.68, 0.86%, 0.2%

LAB 21.49, 28.47, 28.8

 

CMYK 0 / 93 / 93 / 63

HEX #5F0707

RGB 95 7 7

HSL 0, 0.86%, 0.2%

LAB 18.37, 37.12, 25.26

 

CMYK 6 / 0 / 93 / 63

HEX #595F07

RGB 89 95 7

HSL 64.09, 0.86%, 0.2%

LAB 38.42, -13.17, 43.27

 

CMYK 32 / 0 / 93 / 63

HEX #415F07

RGB 65 95 7

HSL 80.45, 0.86%, 0.2%

LAB 36.6, -24.26, 41.02

 

CMYK 57 / 0 / 93 / 63

HEX #295F07

RGB 41 95 7

HSL 96.82, 0.86%, 0.2%

LAB 35.34, -33.4, 39.45

 

CMYK 81 / 0 / 93 / 63

HEX #125F07

RGB 18 95 7

HSL 112.5, 0.86%, 0.2%

LAB 34.66, -39.09, 38.58

 

CMYK 93 / 0 / 79 / 63

HEX #075F14

RGB 7 95 20

HSL 128.86, 0.86%, 0.2%

LAB 34.56, -39.68, 34.11

 

CMYK 6 / 0 / 93 / 63

HEX #595F07

RGB 89 95 7

HSL 64.09, 0.86%, 0.2%

LAB 38.42, -13.17, 43.27

 

CMYK 6 / 0 / 93 / 63

HEX #595F07

RGB 89 95 7

HSL 64.09, 0.86%, 0.2%

LAB 38.42, -13.17, 43.27

 

CMYK 6 / 0 / 83 / 66

HEX #52570F

RGB 82 87 15

HSL 64.17, 0.71%, 0.2%

LAB 35.29, -11.76, 37.93

 

CMYK 4 / 0 / 69 / 69

HEX #4B4E18

RGB 75 78 24

HSL 63.33, 0.53%, 0.2%

LAB 31.83, -9.42, 30.48

 

CMYK 4 / 0 / 54 / 73

HEX #434620

RGB 67 70 32

HSL 64.74, 0.37%, 0.2%

LAB 28.58, -7.8, 22.3

 

CMYK 3 / 0 / 35 / 76

HEX #3C3E28

RGB 60 62 40

HSL 65.45, 0.22%, 0.2%

LAB 25.44, -5.15, 13.28

 

CMYK 0 / 43 / 93 / 63

HEX #5F3607

RGB 95 54 7

HSL 32.05, 0.86%, 0.2%

LAB 26.98, 14.67, 34.18

 

CMYK 0 / 19 / 93 / 63

HEX #5F4D07

RGB 95 77 7

HSL 47.73, 0.86%, 0.2%

LAB 33.47, 0.38, 39.49

 

CMYK 6 / 0 / 93 / 63

HEX #595F07

RGB 89 95 7

HSL 64.09, 0.86%, 0.2%

LAB 38.42, -13.17, 43.27

 

CMYK 31 / 0 / 93 / 63

HEX #425F07

RGB 66 95 7

HSL 79.77, 0.86%, 0.2%

LAB 36.66, -23.83, 41.1

 

CMYK 56 / 0 / 93 / 63

HEX #2A5F07

RGB 42 95 7

HSL 96.14, 0.86%, 0.2%

LAB 35.38, -33.08, 39.5

 

CMYK 6 / 0 / 94 / 93

HEX #111201

RGB 17 18 1

HSL 63.53, 0.89%, 0.04%

LAB 5, -3.01, 7.03

 

CMYK 5 / 0 / 93 / 78

HEX #353804

RGB 53 56 4

HSL 63.46, 0.87%, 0.12%

LAB 22.28, -8.69, 29.04

 

CMYK 6 / 0 / 93 / 63

HEX #595F07

RGB 89 95 7

HSL 64.09, 0.86%, 0.2%

LAB 38.42, -13.17, 43.27

 

CMYK 6 / 0 / 92 / 48

HEX #7D850A

RGB 125 133 10

HSL 63.9, 0.86%, 0.28%

LAB 53.12, -16.78, 55.7

 

CMYK 6 / 0 / 92 / 33

HEX #A1AC0D

RGB 161 172 13

HSL 64.15, 0.86%, 0.36%

LAB 67.36, -20.69, 67.67

 

CMYK 6 / 0 / 92 / 64

HEX #565C07

RGB 86.7 92.6 7

HSL 64.14, 0.86%, 0.2%

LAB 37.46, -12.94, 42.4

 

CMYK 93 / 0 / 67 / 63

HEX #075F1F

RGB 7 95 31

HSL 136.36, 0.86%, 0.2%

LAB 34.66, -38.45, 29.23

 

CMYK 31 / 93 / 0 / 63

HEX #42075F

RGB 66 7 95

HSL 280.23, 0.86%, 0.2%

LAB 16.19, 40.63, -37.67

 

CMYK 6 / 0 / 92 / 64

HEX #565C07

RGB 86.7 92.6 7

HSL 64.14, 0.86%, 0.2%

LAB 37.46, -12.94, 42.4

 

CMYK 93 / 6 / 0 / 63

HEX #07595F

RGB 7 89 95

HSL 184.09, 0.86%, 0.2%

LAB 34.02, -19.59, -9.85

 

CMYK 0 / 93 / 6 / 63

HEX #5F0759

RGB 95 7 89

HSL 304.09, 0.86%, 0.2%

LAB 21.23, 45.02, -25.26

 

CMYK 6 / 0 / 92 / 64

HEX #565C07

RGB 86.7 92.6 7

HSL 64.14, 0.86%, 0.2%

LAB 37.46, -12.94, 42.4

 

CMYK 93 / 0 / 67 / 63

HEX #075F1F

RGB 7 95 31

HSL 136.36, 0.86%, 0.2%

LAB 34.66, -38.45, 29.23

 

CMYK 86 / 93 / 0 / 63

HEX #0D075F

RGB 13 7 95

HSL 244.09, 0.86%, 0.2%

LAB 9.51, 34.82, -48.91

 

CMYK 0 / 93 / 25 / 63

HEX #5F0747

RGB 95 7 71

HSL 316.36, 0.86%, 0.2%

LAB 20.2, 42.29, -14.67

 

CMYK 6 / 0 / 92 / 64

HEX #565C07

RGB 86.7 92.6 7

HSL 64.14, 0.86%, 0.2%

LAB 37.46, -12.94, 42.4

 

CMYK 93 / 0 / 40 / 63

HEX #075F39

RGB 7 95 57

HSL 154.09, 0.86%, 0.2%

LAB 35.05, -33.73, 15.2

 

CMYK 86 / 93 / 0 / 63

HEX #0D075F

RGB 13 7 95

HSL 244.09, 0.86%, 0.2%

LAB 9.51, 34.82, -48.91

 

CMYK 0 / 93 / 53 / 63

HEX #5F072D

RGB 95 7 45

HSL 334.09, 0.86%, 0.2%

LAB 19.12, 39.28, 1.93

 

Description

Color code: RGB 86.7 92.6 7 | qconv.com Color code: RGB 86.7 92.6 7 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 86.7 red, 92.6 green and 7 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
86.7 92.6 7 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, none magenta, 92 yellow and 64 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 0% 92% 64% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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