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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 85 72.8 16.4 it is the complementary color RGB 170 182.2 238.6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 85 72.8 16.4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 85 72.8 16.4 shade: RGB 90 72.8 11.4, RGB 107 90.8 30.4, RGB 124 108.8 49.4, RGB 141 126.8 68.4 and RGB 158 144.8 87.4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 85 72.8 16.4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 85 72.8 16.4 shade: RGB 85 72.8 16.4, RGB 68 54.8 0, RGB 51 36.8 0, RGB 34 18.8 0 and RGB 17 0.8 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 85 72.8 16.4 shade: RGB 86 73 16, RGB 86 55 16, RGB 86 36 16, RGB 86 17 16 and RGB 86 16 16

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 85 72.8 16.4 shade: RGB 86 73 16, RGB 79 86 16, RGB 61 86 16, RGB 42 86 16 and RGB 23 86 16

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 85 72.8 16.4 shade matches the following richer shades: RGB 86 73 16 and RGB 94 79 8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 85 72.8 16.4 shade: RGB 86 73 16, RGB 77 68 25, RGB 69 63 33, RGB 61 57 41 and RGB 53 52 49

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 85 72.8 16.4 shade: RGB 86 36 16, RGB 86 54 16, RGB 86 73 16, RGB 80 86 16 and RGB 61 86 16

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 85 72.8 16.4 shade: RGB 16 14 3, RGB 51 44 10, RGB 86 73 16, RGB 120 103 23 and RGB 155 133 30

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 85 72.8 16.4 shade: RGB 85 72.8 16.4, RGB 16 86 17 and RGB 45 16 86

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 85 72.8 16.4 shade: RGB 85 72.8 16.4, RGB 16 86 73 and RGB 73 16 86

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 85 72.8 16.4 shade: RGB 85 72.8 16.4, RGB 16 86 17, RGB 16 29 86 and RGB 86 16 85

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 85 72.8 16.4 shade: RGB 85 72.8 16.4, RGB 16 86 38, RGB 16 29 86 and RGB 86 16 64

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 14 / 81 / 67

HEX #554810

RGB 85 72.8 16.4

HSL 49.33, 0.68%, 0.2%

LAB 31.13, -1.76, 33.61

 

Complementary color

CMYK 29 / 24 / 0 / 6

HEX #AAB6EE

RGB 170 182.2 238.6

HSL 229.33, 0.68%, 0.8%

LAB 75.01, 8.28, -29.45

 

CMYK 0 / 19 / 87 / 65

HEX #5A480B

RGB 90 72.8 11.4

HSL 46.87, 0.78%, 0.2%

LAB 31.66, 0.57, 36.26

 

CMYK 0 / 15 / 72 / 58

HEX #6B5A1E

RGB 107 90.8 30.4

HSL 47.31, 0.56%, 0.27%

LAB 39.02, -0.89, 35.92

 

CMYK 0 / 12 / 60 / 51

HEX #7C6C31

RGB 124 108.8 49.4

HSL 47.77, 0.43%, 0.34%

LAB 46.18, -1.96, 34.8

 

CMYK 0 / 10 / 51 / 45

HEX #8D7E44

RGB 141 126.8 68.4

HSL 48.26, 0.35%, 0.41%

LAB 53.18, -2.78, 33.49

 

CMYK 0 / 8 / 45 / 38

HEX #9E9057

RGB 158 144.8 87.4

HSL 48.78, 0.29%, 0.48%

LAB 60.03, -3.41, 32.17

 

CMYK 0 / 14 / 81 / 67

HEX #554810

RGB 85 72.8 16.4

HSL 49.33, 0.68%, 0.2%

LAB 31.13, -1.76, 33.61

 

CMYK 0 / 19 / 100 / 73

HEX #443600

RGB 68 54.8 0

HSL 48.35, 1%, 0.13%

LAB 23.48, -0.1, 32.42

 

CMYK 0 / 28 / 100 / 80

HEX #332400

RGB 51 36.8 0

HSL 43.29, 1%, 0.1%

LAB 15.56, 2.46, 22.79

 

CMYK 0 / 45 / 100 / 87

HEX #221200

RGB 34 18.8 0

HSL 33.18, 1%, 0.07%

LAB 7.22, 5.28, 10.91

 

CMYK 0 / 95 / 100 / 93

HEX #110000

RGB 17 0.8 0

HSL 2.82, 1%, 0.03%

LAB 1.23, 4.51, 1.93

 

CMYK 0 / 15 / 81 / 66

HEX #564910

RGB 86 73 16

HSL 48.86, 0.69%, 0.2%

LAB 31.3, -1.39, 33.97

 

CMYK 0 / 36 / 81 / 66

HEX #563710

RGB 86 55 16

HSL 33.43, 0.69%, 0.2%

LAB 26.01, 9.93, 28.83

 

CMYK 0 / 58 / 81 / 66

HEX #562410

RGB 86 36 16

HSL 17.14, 0.69%, 0.2%

LAB 21.12, 21.7, 23.8

 

CMYK 0 / 80 / 81 / 66

HEX #561110

RGB 86 17 16

HSL 0.86, 0.69%, 0.2%

LAB 17.54, 31.25, 19.67

 

CMYK 0 / 81 / 81 / 66

HEX #561010

RGB 86 16 16

HSL 0, 0.69%, 0.2%

LAB 17.4, 31.64, 19.5

 

CMYK 0 / 15 / 81 / 66

HEX #564910

RGB 86 73 16

HSL 48.86, 0.69%, 0.2%

LAB 31.3, -1.39, 33.97

 

CMYK 8 / 0 / 81 / 66

HEX #4F5610

RGB 79 86 16

HSL 66, 0.69%, 0.2%

LAB 34.71, -12.6, 36.94

 

CMYK 29 / 0 / 81 / 66

HEX #3D5610

RGB 61 86 16

HSL 81.43, 0.69%, 0.2%

LAB 33.32, -21.01, 35.12

 

CMYK 51 / 0 / 81 / 66

HEX #2A5610

RGB 42 86 16

HSL 97.71, 0.69%, 0.2%

LAB 32.22, -28.66, 33.69

 

CMYK 73 / 0 / 81 / 66

HEX #175610

RGB 23 86 16

HSL 114, 0.69%, 0.2%

LAB 31.52, -34.24, 32.76

 

CMYK 0 / 15 / 81 / 66

HEX #564910

RGB 86 73 16

HSL 48.86, 0.69%, 0.2%

LAB 31.3, -1.39, 33.97

 

CMYK 0 / 16 / 91 / 63

HEX #5E4F08

RGB 94 79 8

HSL 49.53, 0.84%, 0.2%

LAB 33.96, -1.31, 39.52

 

CMYK 0 / 15 / 81 / 66

HEX #564910

RGB 86 73 16

HSL 48.86, 0.69%, 0.2%

LAB 31.3, -1.39, 33.97

 

CMYK 0 / 12 / 68 / 70

HEX #4D4419

RGB 77 68 25

HSL 49.62, 0.51%, 0.2%

LAB 28.86, -2.29, 26.81

 

CMYK 0 / 9 / 52 / 73

HEX #453F21

RGB 69 63 33

HSL 50, 0.35%, 0.2%

LAB 26.53, -2.37, 19.25

 

CMYK 0 / 7 / 33 / 76

HEX #3D3929

RGB 61 57 41

HSL 48, 0.2%, 0.2%

LAB 23.93, -1.32, 10.63

 

CMYK 0 / 2 / 8 / 79

HEX #353431

RGB 53 52 49

HSL 45, 0.04%, 0.2%

LAB 21.71, -0.23, 2.05

 

CMYK 0 / 58 / 81 / 66

HEX #562410

RGB 86 36 16

HSL 17.14, 0.69%, 0.2%

LAB 21.12, 21.7, 23.8

 

CMYK 0 / 37 / 81 / 66

HEX #563610

RGB 86 54 16

HSL 32.57, 0.69%, 0.2%

LAB 25.73, 10.57, 28.55

 

CMYK 0 / 15 / 81 / 66

HEX #564910

RGB 86 73 16

HSL 48.86, 0.69%, 0.2%

LAB 31.3, -1.39, 33.97

 

CMYK 7 / 0 / 81 / 66

HEX #505610

RGB 80 86 16

HSL 65.14, 0.69%, 0.2%

LAB 34.8, -12.11, 37.05

 

CMYK 29 / 0 / 81 / 66

HEX #3D5610

RGB 61 86 16

HSL 81.43, 0.69%, 0.2%

LAB 33.32, -21.01, 35.12

 

CMYK 0 / 13 / 81 / 94

HEX #100E03

RGB 16 14 3

HSL 50.77, 0.68%, 0.04%

LAB 3.89, -0.91, 4.58

 

CMYK 0 / 14 / 80 / 80

HEX #332C0A

RGB 51 44 10

HSL 49.76, 0.67%, 0.12%

LAB 18.04, -1.67, 21.77

 

CMYK 0 / 15 / 81 / 66

HEX #564910

RGB 86 73 16

HSL 48.86, 0.69%, 0.2%

LAB 31.3, -1.39, 33.97

 

CMYK 0 / 14 / 81 / 53

HEX #786717

RGB 120 103 23

HSL 49.48, 0.68%, 0.28%

LAB 43.88, -2.15, 44.25

 

CMYK 0 / 14 / 81 / 39

HEX #9B851E

RGB 155 133 30

HSL 49.44, 0.68%, 0.36%

LAB 55.92, -2.38, 54.04

 

CMYK 0 / 14 / 81 / 67

HEX #554810

RGB 85 72.8 16.4

HSL 49.33, 0.68%, 0.2%

LAB 31.13, -1.76, 33.61

 

CMYK 81 / 0 / 80 / 66

HEX #105611

RGB 16 86 17

HSL 120.86, 0.69%, 0.2%

LAB 31.36, -35.57, 32.15

 

CMYK 48 / 81 / 0 / 66

HEX #2D1056

RGB 45 16 86

HSL 264.86, 0.69%, 0.2%

LAB 13.23, 31.08, -36.58

 

CMYK 0 / 14 / 81 / 67

HEX #554810

RGB 85 72.8 16.4

HSL 49.33, 0.68%, 0.2%

LAB 31.13, -1.76, 33.61

 

CMYK 81 / 0 / 15 / 66

HEX #105649

RGB 16 86 73

HSL 168.86, 0.69%, 0.2%

LAB 32.36, -24.36, 1.57

 

CMYK 15 / 81 / 0 / 66

HEX #491056

RGB 73 16 86

HSL 288.86, 0.69%, 0.2%

LAB 17.73, 36.98, -29.08

 

CMYK 0 / 14 / 81 / 67

HEX #554810

RGB 85 72.8 16.4

HSL 49.33, 0.68%, 0.2%

LAB 31.13, -1.76, 33.61

 

CMYK 81 / 0 / 80 / 66

HEX #105611

RGB 16 86 17

HSL 120.86, 0.69%, 0.2%

LAB 31.36, -35.57, 32.15

 

CMYK 81 / 66 / 0 / 66

HEX #101D56

RGB 16 29 86

HSL 228.86, 0.69%, 0.2%

LAB 13.6, 17.74, -36.1

 

CMYK 0 / 81 / 1 / 66

HEX #561055

RGB 86 16 85

HSL 300.86, 0.69%, 0.2%

LAB 20.06, 39.84, -24.54

 

CMYK 0 / 14 / 81 / 67

HEX #554810

RGB 85 72.8 16.4

HSL 49.33, 0.68%, 0.2%

LAB 31.13, -1.76, 33.61

 

CMYK 81 / 0 / 56 / 66

HEX #105626

RGB 16 86 38

HSL 138.86, 0.69%, 0.2%

LAB 31.59, -32.81, 21.91

 

CMYK 81 / 66 / 0 / 66

HEX #101D56

RGB 16 29 86

HSL 228.86, 0.69%, 0.2%

LAB 13.6, 17.74, -36.1

 

CMYK 0 / 81 / 26 / 66

HEX #561040

RGB 86 16 64

HSL 318.86, 0.69%, 0.2%

LAB 18.88, 36.35, -12.02

 

Description

Color code: RGB 85 72.8 16.4 | qconv.com Color code: RGB 85 72.8 16.4 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 85 red, 72.8 green and 16.4 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
85 72.8 16.4 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 14 magenta, 81 yellow and 67 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 14% 81% 67% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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