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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 85 72.4 216.4 it is the complementary color RGB 170 182.6 38.6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 85 72.4 216.4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 85 72.4 216.4 shade: RGB 90 72.4 211.4, RGB 107 90.4 230.4, RGB 124 108.4 249.4, RGB 141 126.4 255 and RGB 158 144.4 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 85 72.4 216.4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 85 72.4 216.4 shade: RGB 85 72.4 216.4, RGB 68 54.4 197.4, RGB 51 36.4 178.4, RGB 34 18.4 159.4 and RGB 17 0.40000000000001 140.4

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 85 72.4 216.4 shade: RGB 87 74 217, RGB 125 74 217, RGB 163 74 217, RGB 202 74 217 and RGB 217 74 193

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 85 72.4 216.4 shade: RGB 87 74 217 and RGB 74 74 217

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 85 72.4 216.4 shade matches the following richer shades: RGB 87 74 217, RGB 72 56 234 and RGB 57 39 252

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 85 72.4 216.4 shade: RGB 87 74 217, RGB 101 92 199, RGB 116 110 181, RGB 130 127 163 and RGB 145 145 146

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 85 72.4 216.4 shade: RGB 74 138 217, RGB 74 100 217, RGB 86 74 217, RGB 124 74 217 and RGB 162 74 217

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 85 72.4 216.4 shade: RGB 48 36 172, RGB 58 44 206, RGB 87 74 217, RGB 118 108 224 and RGB 150 142 231

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 85 72.4 216.4 shade: RGB 85 72.4 216.4, RGB 217 74 176 and RGB 119 217 74

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 85 72.4 216.4 shade: RGB 85 72.4 216.4, RGB 217 86 74 and RGB 74 217 86

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 85 72.4 216.4 shade: RGB 85 72.4 216.4, RGB 217 74 176, RGB 205 217 74 and RGB 74 217 114

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 85 72.4 216.4 shade: RGB 85 72.4 216.4, RGB 217 74 133, RGB 205 217 74 and RGB 74 217 157

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 61 / 67 / 0 / 15

HEX #5548D8

RGB 85 72.4 216.4

HSL 245.25, 0.65%, 0.57%

LAB 40.57, 46.13, -72.16

 

Complementary color

CMYK 7 / 0 / 79 / 28

HEX #AAB626

RGB 170 182.6 38.6

HSL 65.25, 0.65%, 0.43%

LAB 71.14, -21.41, 65.49

 

CMYK 57 / 66 / 0 / 17

HEX #5A48D3

RGB 90 72.4 211.4

HSL 247.6, 0.61%, 0.56%

LAB 40.55, 45.34, -69.3

 

CMYK 54 / 61 / 0 / 10

HEX #6B5AE6

RGB 107 90.4 230.4

HSL 247.11, 0.74%, 0.63%

LAB 47.29, 43.63, -69.08

 

CMYK 50 / 57 / 0 / 2

HEX #7C6CF9

RGB 124 108.4 249.4

HSL 246.64, 0.93%, 0.7%

LAB 53.98, 42.07, -68.8

 

CMYK 45 / 50 / 0 / 0

HEX #8D7EFF

RGB 141 126.4 255

HSL 246.81, 1%, 0.75%

LAB 59.8, 36.84, -62.45

 

CMYK 38 / 43 / 0 / 0

HEX #9E90FF

RGB 158 144.4 255

HSL 247.38, 1%, 0.78%

LAB 65.4, 30.52, -53.44

 

CMYK 61 / 67 / 0 / 15

HEX #5548D8

RGB 85 72.4 216.4

HSL 245.25, 0.65%, 0.57%

LAB 40.57, 46.13, -72.16

 

CMYK 66 / 72 / 0 / 23

HEX #4436C5

RGB 68 54.4 197.4

HSL 245.71, 0.57%, 0.49%

LAB 33.89, 48.05, -72.17

 

CMYK 71 / 80 / 0 / 30

HEX #3324B2

RGB 51 36.4 178.4

HSL 246.17, 0.66%, 0.42%

LAB 27.35, 49.84, -71.77

 

CMYK 79 / 88 / 0 / 37

HEX #22129F

RGB 34 18.4 159.4

HSL 246.64, 0.79%, 0.35%

LAB 21.22, 50.9, -70.5

 

CMYK 88 / 100 / 0 / 45

HEX #11008C

RGB 17 0.40000000000001 140.4

HSL 247.11, 0.99%, 0.28%

LAB 15.66, 50.86, -68.04

 

CMYK 60 / 66 / 0 / 15

HEX #574AD9

RGB 87 74 217

HSL 245.45, 0.65%, 0.57%

LAB 41.11, 45.69, -71.61

 

CMYK 42 / 66 / 0 / 15

HEX #7D4AD9

RGB 125 74 217

HSL 261.4, 0.65%, 0.57%

LAB 44.61, 52.24, -65.74

 

CMYK 25 / 66 / 0 / 15

HEX #A34AD9

RGB 163 74 217

HSL 277.34, 0.65%, 0.57%

LAB 49.12, 60.02, -58.23

 

CMYK 7 / 66 / 0 / 15

HEX #CA4AD9

RGB 202 74 217

HSL 293.71, 0.65%, 0.57%

LAB 54.52, 68.64, -49.3

 

CMYK 0 / 66 / 11 / 15

HEX #D94AC1

RGB 217 74 193

HSL 310.07, 0.65%, 0.57%

LAB 55.58, 68.29, -33.75

 

CMYK 60 / 66 / 0 / 15

HEX #574AD9

RGB 87 74 217

HSL 245.45, 0.65%, 0.57%

LAB 41.11, 45.69, -71.61

 

CMYK 66 / 66 / 0 / 15

HEX #4A4AD9

RGB 74 74 217

HSL 240, 0.65%, 0.57%

LAB 40.19, 43.87, -73.16

 

CMYK 60 / 66 / 0 / 15

HEX #574AD9

RGB 87 74 217

HSL 245.45, 0.65%, 0.57%

LAB 41.11, 45.69, -71.61

 

CMYK 69 / 76 / 0 / 8

HEX #4838EA

RGB 72 56 234

HSL 245.39, 0.81%, 0.57%

LAB 38.1, 58.83, -86.28

 

CMYK 77 / 85 / 0 / 1

HEX #3927FC

RGB 57 39 252

HSL 245.07, 0.97%, 0.57%

LAB 36.65, 70.38, -98.88

 

CMYK 60 / 66 / 0 / 15

HEX #574AD9

RGB 87 74 217

HSL 245.45, 0.65%, 0.57%

LAB 41.11, 45.69, -71.61

 

CMYK 49 / 54 / 0 / 22

HEX #655CC7

RGB 101 92 199

HSL 245.05, 0.49%, 0.57%

LAB 45, 31.96, -54.88

 

CMYK 36 / 39 / 0 / 29

HEX #746EB5

RGB 116 110 181

HSL 245.07, 0.32%, 0.57%

LAB 49.74, 19.48, -36.85

 

CMYK 20 / 22 / 0 / 36

HEX #827FA3

RGB 130 127 163

HSL 245, 0.16%, 0.57%

LAB 54.63, 8.98, -18.76

 

CMYK 1 / 1 / 0 / 43

HEX #919192

RGB 145 145 146

HSL 240, 0%, 0.57%

LAB 60.2, 0.2, -0.54

 

CMYK 66 / 36 / 0 / 15

HEX #4A8AD9

RGB 74 138 217

HSL 213.15, 0.65%, 0.57%

LAB 56.73, 4.46, -46.49

 

CMYK 66 / 54 / 0 / 15

HEX #4A64D9

RGB 74 100 217

HSL 229.09, 0.65%, 0.57%

LAB 46.42, 27.88, -63

 

CMYK 60 / 66 / 0 / 15

HEX #564AD9

RGB 86 74 217

HSL 245.03, 0.65%, 0.57%

LAB 41.03, 45.54, -71.73

 

CMYK 43 / 66 / 0 / 15

HEX #7C4AD9

RGB 124 74 217

HSL 260.98, 0.65%, 0.57%

LAB 44.51, 52.05, -65.92

 

CMYK 25 / 66 / 0 / 15

HEX #A24AD9

RGB 162 74 217

HSL 276.92, 0.65%, 0.57%

LAB 48.99, 59.81, -58.45

 

CMYK 72 / 79 / 0 / 33

HEX #3024AC

RGB 48 36 172

HSL 245.29, 0.65%, 0.41%

LAB 26.36, 47.8, -69.59

 

CMYK 72 / 79 / 0 / 19

HEX #3A2CCE

RGB 58 44 206

HSL 245.19, 0.65%, 0.49%

LAB 32.16, 55.11, -80.06

 

CMYK 60 / 66 / 0 / 15

HEX #574AD9

RGB 87 74 217

HSL 245.45, 0.65%, 0.57%

LAB 41.11, 45.69, -71.61

 

CMYK 47 / 52 / 0 / 12

HEX #766CE0

RGB 118 108 224

HSL 245.17, 0.65%, 0.65%

LAB 51.79, 33.57, -58.16

 

CMYK 35 / 39 / 0 / 9

HEX #968EE7

RGB 150 142 231

HSL 245.39, 0.65%, 0.73%

LAB 63.01, 23.45, -44.07

 

CMYK 61 / 67 / 0 / 15

HEX #5548D8

RGB 85 72.4 216.4

HSL 245.25, 0.65%, 0.57%

LAB 40.57, 46.13, -72.16

 

CMYK 0 / 66 / 19 / 15

HEX #D94AB0

RGB 217 74 176

HSL 317.2, 0.65%, 0.57%

LAB 54.85, 65.85, -25.06

 

CMYK 45 / 0 / 66 / 15

HEX #77D94A

RGB 119 217 74

HSL 101.12, 0.65%, 0.57%

LAB 78.49, -53.53, 59.3

 

CMYK 61 / 67 / 0 / 15

HEX #5548D8

RGB 85 72.4 216.4

HSL 245.25, 0.65%, 0.57%

LAB 40.57, 46.13, -72.16

 

CMYK 0 / 60 / 66 / 15

HEX #D9564A

RGB 217 86 74

HSL 5.03, 0.65%, 0.57%

LAB 53.92, 50.67, 33.57

 

CMYK 66 / 0 / 60 / 15

HEX #4AD956

RGB 74 217 86

HSL 125.03, 0.65%, 0.57%

LAB 77.13, -63.61, 52.36

 

CMYK 61 / 67 / 0 / 15

HEX #5548D8

RGB 85 72.4 216.4

HSL 245.25, 0.65%, 0.57%

LAB 40.57, 46.13, -72.16

 

CMYK 0 / 66 / 19 / 15

HEX #D94AB0

RGB 217 74 176

HSL 317.2, 0.65%, 0.57%

LAB 54.85, 65.85, -25.06

 

CMYK 6 / 0 / 66 / 15

HEX #CDD94A

RGB 205 217 74

HSL 65.03, 0.65%, 0.57%

LAB 83.49, -21.96, 66.09

 

CMYK 66 / 0 / 47 / 15

HEX #4AD972

RGB 74 217 114

HSL 136.78, 0.65%, 0.57%

LAB 77.46, -59.87, 39.66

 

CMYK 61 / 67 / 0 / 15

HEX #5548D8

RGB 85 72.4 216.4

HSL 245.25, 0.65%, 0.57%

LAB 40.57, 46.13, -72.16

 

CMYK 0 / 66 / 39 / 15

HEX #D94A85

RGB 217 74 133

HSL 335.24, 0.65%, 0.57%

LAB 53.32, 60.59, -2.04

 

CMYK 6 / 0 / 66 / 15

HEX #CDD94A

RGB 205 217 74

HSL 65.03, 0.65%, 0.57%

LAB 83.49, -21.96, 66.09

 

CMYK 66 / 0 / 28 / 15

HEX #4AD99D

RGB 74 217 157

HSL 154.83, 0.65%, 0.57%

LAB 78.18, -51.97, 18.6

 

Description

Color code: RGB 85 72.4 216.4 | qconv.com Color code: RGB 85 72.4 216.4 | qconv.com - big

Blue clearly dominates: the blue value surpasses the others. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 85 red, 72.4 green and 216.4 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
85 72.4 216.4 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 61 cyan, 67 magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
61% 67% 0% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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