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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 85 56.2 200.6 it is the complementary color RGB 170 198.8 54.4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 85 56.2 200.6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 85 56.2 200.6 shade: RGB 90 56.2 195.6, RGB 107 74.2 214.6, RGB 124 92.2 233.6, RGB 141 110.2 252.6 and RGB 158 128.2 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 85 56.2 200.6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 85 56.2 200.6 shade: RGB 85 56.2 200.6, RGB 68 38.2 181.6, RGB 51 20.2 162.6, RGB 34 2.2 143.6 and RGB 17 0 124.6

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 85 56.2 200.6 shade: RGB 84 55 200, RGB 123 55 200, RGB 162 55 200, RGB 200 55 199 and RGB 200 55 160

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 85 56.2 200.6 shade: RGB 84 55 200 and RGB 55 55 200

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 85 56.2 200.6 shade matches the following richer shades: RGB 84 55 200, RGB 71 34 221 and RGB 59 14 241

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 85 56.2 200.6 shade: RGB 84 55 200, RGB 96 75 180, RGB 109 96 159, RGB 121 117 138 and RGB 133 137 118

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 85 56.2 200.6 shade: RGB 55 106 200, RGB 55 67 200, RGB 81 55 200, RGB 120 55 200 and RGB 159 55 200

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 85 56.2 200.6 shade: RGB 57 37 135, RGB 70 46 168, RGB 84 55 200, RGB 112 87 209 and RGB 139 120 218

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 85 56.2 200.6 shade: RGB 85 56.2 200.6, RGB 200 55 144 and RGB 86 200 55

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 85 56.2 200.6 shade: RGB 85 56.2 200.6, RGB 200 81 55 and RGB 55 200 81

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 85 56.2 200.6 shade: RGB 85 56.2 200.6, RGB 200 55 144, RGB 174 200 55 and RGB 55 200 111

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 85 56.2 200.6 shade: RGB 85 56.2 200.6, RGB 200 55 101, RGB 174 200 55 and RGB 55 200 154

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 58 / 72 / 0 / 21

HEX #5538C8

RGB 85 56.2 200.6

HSL 251.97, 0.57%, 0.5%

LAB 35.94, 50.26, -70.61

 

Complementary color

CMYK 14 / 0 / 73 / 22

HEX #AAC636

RGB 170 198.8 54.4

HSL 71.97, 0.57%, 0.5%

LAB 75.81, -28.57, 64.79

 

CMYK 54 / 71 / 0 / 23

HEX #5A38C3

RGB 90 56.2 195.6

HSL 254.55, 0.55%, 0.49%

LAB 35.96, 49.54, -67.64

 

CMYK 50 / 65 / 0 / 16

HEX #6B4AD6

RGB 107 74.2 214.6

HSL 254.02, 0.63%, 0.57%

LAB 42.67, 48.15, -67.62

 

CMYK 47 / 61 / 0 / 8

HEX #7C5CE9

RGB 124 92.2 233.6

HSL 253.49, 0.77%, 0.64%

LAB 49.36, 46.74, -67.45

 

CMYK 44 / 56 / 0 / 1

HEX #8D6EFC

RGB 141 110.2 252.6

HSL 252.98, 0.97%, 0.71%

LAB 56.01, 45.4, -67.23

 

CMYK 38 / 50 / 0 / 0

HEX #9E80FF

RGB 158 128.2 255

HSL 254.1, 1%, 0.75%

LAB 61.64, 39.73, -59.44

 

CMYK 58 / 72 / 0 / 21

HEX #5538C8

RGB 85 56.2 200.6

HSL 251.97, 0.57%, 0.5%

LAB 35.94, 50.26, -70.61

 

CMYK 63 / 79 / 0 / 29

HEX #4426B5

RGB 68 38.2 181.6

HSL 252.47, 0.65%, 0.43%

LAB 29.38, 51.57, -70.27

 

CMYK 69 / 88 / 0 / 36

HEX #3314A2

RGB 51 20.2 162.6

HSL 252.98, 0.78%, 0.36%

LAB 23.14, 52.18, -69.22

 

CMYK 76 / 98 / 0 / 44

HEX #22028F

RGB 34 2.2 143.6

HSL 253.49, 0.97%, 0.29%

LAB 17.41, 51.55, -67.09

 

CMYK 86 / 100 / 0 / 51

HEX #11007C

RGB 17 0 124.6

HSL 248.19, 1%, 0.24%

LAB 13.17, 46.84, -62.19

 

CMYK 58 / 73 / 0 / 22

HEX #5437C8

RGB 84 55 200

HSL 252, 0.57%, 0.5%

LAB 35.57, 50.57, -70.87

 

CMYK 39 / 73 / 0 / 22

HEX #7B37C8

RGB 123 55 200

HSL 268.14, 0.57%, 0.5%

LAB 39.77, 56.8, -63.83

 

CMYK 19 / 73 / 0 / 22

HEX #A237C8

RGB 162 55 200

HSL 284.28, 0.57%, 0.5%

LAB 45.06, 64.24, -55.02

 

CMYK 0 / 73 / 0 / 22

HEX #C837C7

RGB 200 55 199

HSL 300.41, 0.57%, 0.5%

LAB 50.85, 71.94, -44.85

 

CMYK 0 / 73 / 20 / 22

HEX #C837A0

RGB 200 55 160

HSL 316.55, 0.57%, 0.5%

LAB 48.95, 66.19, -25.01

 

CMYK 58 / 73 / 0 / 22

HEX #5437C8

RGB 84 55 200

HSL 252, 0.57%, 0.5%

LAB 35.57, 50.57, -70.87

 

CMYK 73 / 73 / 0 / 22

HEX #3737C8

RGB 55 55 200

HSL 240, 0.57%, 0.5%

LAB 33.38, 47.17, -74.55

 

CMYK 58 / 73 / 0 / 22

HEX #5437C8

RGB 84 55 200

HSL 252, 0.57%, 0.5%

LAB 35.57, 50.57, -70.87

 

CMYK 68 / 85 / 0 / 13

HEX #4722DD

RGB 71 34 221

HSL 251.87, 0.73%, 0.5%

LAB 33.36, 64.59, -86.72

 

CMYK 76 / 94 / 0 / 5

HEX #3B0EF1

RGB 59 14 241

HSL 251.89, 0.89%, 0.5%

LAB 33.12, 74.52, -98.55

 

CMYK 58 / 73 / 0 / 22

HEX #5437C8

RGB 84 55 200

HSL 252, 0.57%, 0.5%

LAB 35.57, 50.57, -70.87

 

CMYK 47 / 58 / 0 / 29

HEX #604BB4

RGB 96 75 180

HSL 252, 0.41%, 0.5%

LAB 39.27, 35.41, -53.08

 

CMYK 31 / 40 / 0 / 38

HEX #6D609F

RGB 109 96 159

HSL 252.38, 0.25%, 0.5%

LAB 44.4, 19.95, -32.39

 

CMYK 12 / 15 / 0 / 46

HEX #79758A

RGB 121 117 138

HSL 251.43, 0.08%, 0.5%

LAB 50.24, 5.97, -10.89

 

CMYK 3 / 0 / 14 / 46

HEX #858976

RGB 133 137 118

HSL 72.63, 0.07%, 0.5%

LAB 56.27, -5.05, 9.69

 

CMYK 73 / 47 / 0 / 22

HEX #376AC8

RGB 55 106 200

HSL 218.9, 0.57%, 0.5%

LAB 46.03, 15.2, -53.95

 

CMYK 73 / 67 / 0 / 22

HEX #3743C8

RGB 55 67 200

HSL 235.03, 0.57%, 0.5%

LAB 35.98, 40.07, -70.28

 

CMYK 60 / 73 / 0 / 22

HEX #5137C8

RGB 81 55 200

HSL 250.76, 0.57%, 0.5%

LAB 35.31, 50.16, -71.32

 

CMYK 40 / 73 / 0 / 22

HEX #7837C8

RGB 120 55 200

HSL 266.9, 0.57%, 0.5%

LAB 39.4, 56.27, -64.45

 

CMYK 21 / 73 / 0 / 22

HEX #9F37C8

RGB 159 55 200

HSL 283.03, 0.57%, 0.5%

LAB 44.62, 63.64, -55.74

 

CMYK 58 / 73 / 0 / 47

HEX #392587

RGB 57 37 135

HSL 252.24, 0.57%, 0.34%

LAB 23.48, 36.6, -51.61

 

CMYK 58 / 73 / 0 / 34

HEX #462EA8

RGB 70 46 168

HSL 251.8, 0.57%, 0.42%

LAB 29.62, 43.81, -61.74

 

CMYK 58 / 73 / 0 / 22

HEX #5437C8

RGB 84 55 200

HSL 252, 0.57%, 0.5%

LAB 35.57, 50.57, -70.87

 

CMYK 46 / 58 / 0 / 18

HEX #7057D1

RGB 112 87 209

HSL 252.3, 0.57%, 0.58%

LAB 45.45, 40.26, -59.87

 

CMYK 36 / 45 / 0 / 15

HEX #8B78DA

RGB 139 120 218

HSL 251.63, 0.57%, 0.66%

LAB 56.07, 29.85, -47.84

 

CMYK 58 / 72 / 0 / 21

HEX #5538C8

RGB 85 56.2 200.6

HSL 251.97, 0.57%, 0.5%

LAB 35.94, 50.26, -70.61

 

CMYK 0 / 73 / 28 / 22

HEX #C83790

RGB 200 55 144

HSL 323.17, 0.57%, 0.5%

LAB 48.29, 64.14, -16.45

 

CMYK 57 / 0 / 73 / 22

HEX #56C837

RGB 86 200 55

HSL 107.17, 0.57%, 0.5%

LAB 71.94, -57.9, 59.33

 

CMYK 58 / 72 / 0 / 21

HEX #5538C8

RGB 85 56.2 200.6

HSL 251.97, 0.57%, 0.5%

LAB 35.94, 50.26, -70.61

 

CMYK 0 / 60 / 73 / 22

HEX #C85137

RGB 200 81 55

HSL 10.76, 0.57%, 0.5%

LAB 50.03, 45.91, 38.9

 

CMYK 73 / 0 / 60 / 22

HEX #37C851

RGB 55 200 81

HSL 130.76, 0.57%, 0.5%

LAB 71.36, -61.78, 47.84

 

CMYK 58 / 72 / 0 / 21

HEX #5538C8

RGB 85 56.2 200.6

HSL 251.97, 0.57%, 0.5%

LAB 35.94, 50.26, -70.61

 

CMYK 0 / 73 / 28 / 22

HEX #C83790

RGB 200 55 144

HSL 323.17, 0.57%, 0.5%

LAB 48.29, 64.14, -16.45

 

CMYK 13 / 0 / 73 / 22

HEX #AEC837

RGB 174 200 55

HSL 70.76, 0.57%, 0.5%

LAB 76.43, -27.48, 65.28

 

CMYK 73 / 0 / 45 / 22

HEX #37C86F

RGB 55 200 111

HSL 143.17, 0.57%, 0.5%

LAB 71.74, -57.39, 33.79

 

CMYK 58 / 72 / 0 / 21

HEX #5538C8

RGB 85 56.2 200.6

HSL 251.97, 0.57%, 0.5%

LAB 35.94, 50.26, -70.61

 

CMYK 0 / 73 / 50 / 22

HEX #C83765

RGB 200 55 101

HSL 340.97, 0.57%, 0.5%

LAB 46.91, 59.67, 7.67

 

CMYK 13 / 0 / 73 / 22

HEX #AEC837

RGB 174 200 55

HSL 70.76, 0.57%, 0.5%

LAB 76.43, -27.48, 65.28

 

CMYK 73 / 0 / 23 / 22

HEX #37C89A

RGB 55 200 154

HSL 160.97, 0.57%, 0.5%

LAB 72.53, -48.66, 12.23

 

Description

Color code: RGB 85 56.2 200.6 | qconv.com Color code: RGB 85 56.2 200.6 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 85 red, 56.2 green and 200.6 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
85 56.2 200.6 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 58 cyan, 72 magenta, none yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
58% 72% 0% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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