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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 85 53 209 it is the complementary color RGB 170 202 46. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 85 53 209. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 85 53 209 shade: RGB 90 53 204, RGB 107 71 223, RGB 124 89 242, RGB 141 107 255 and RGB 158 125 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 85 53 209. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 85 53 209 shade: RGB 85 53 209, RGB 68 35 190, RGB 51 17 171, RGB 34 0 152 and RGB 17 0 133

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 85 53 209 shade: RGB 84 51 209, RGB 126 51 209, RGB 169 51 209, RGB 209 51 207 and RGB 209 51 164

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 85 53 209 shade: RGB 84 51 209 and RGB 51 51 209

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 85 53 209 shade matches the following richer shades: RGB 84 51 209, RGB 72 31 229 and RGB 60 11 249

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 85 53 209 shade: RGB 84 51 209, RGB 96 72 189, RGB 107 92 168, RGB 119 112 148 and RGB 131 132 128

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 85 53 209 shade: RGB 51 104 209, RGB 51 62 209, RGB 83 51 209, RGB 125 51 209 and RGB 167 51 209

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 85 53 209 shade: RGB 56 33 145, RGB 69 40 178, RGB 84 51 209, RGB 112 85 216 and RGB 140 119 224

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 85 53 209 shade: RGB 85 53 209, RGB 209 51 146 and RGB 83 209 51

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 85 53 209 shade: RGB 85 53 209, RGB 209 83 51 and RGB 51 209 83

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 85 53 209 shade: RGB 85 53 209, RGB 209 51 146, RGB 177 209 51 and RGB 51 209 114

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 85 53 209 shade: RGB 85 53 209, RGB 209 51 99, RGB 177 209 51 and RGB 51 209 162

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 59 / 75 / 0 / 18

HEX #5535D1

RGB 85 53 209

HSL 252.31, 0.63%, 0.51%

LAB 36.14, 54.34, -75.16

 

Complementary color

CMYK 16 / 0 / 77 / 21

HEX #AACA2E

RGB 170 202 46

HSL 72.31, 0.63%, 0.49%

LAB 76.67, -30.48, 68.31

 

CMYK 56 / 74 / 0 / 20

HEX #5A35CC

RGB 90 53 204

HSL 254.7, 0.6%, 0.5%

LAB 36.14, 53.57, -72.25

 

CMYK 52 / 68 / 0 / 13

HEX #6B47DF

RGB 107 71 223

HSL 254.21, 0.7%, 0.58%

LAB 42.7, 52.26, -72.36

 

CMYK 49 / 63 / 0 / 5

HEX #7C59F2

RGB 124 89 242

HSL 253.73, 0.85%, 0.65%

LAB 49.3, 50.87, -72.27

 

CMYK 45 / 58 / 0 / 0

HEX #8D6BFF

RGB 141 107 255

HSL 253.78, 1%, 0.71%

LAB 55.48, 47.85, -69.41

 

CMYK 38 / 51 / 0 / 0

HEX #9E7DFF

RGB 158 125 255

HSL 255.23, 1%, 0.75%

LAB 60.92, 41.53, -60.58

 

CMYK 59 / 75 / 0 / 18

HEX #5535D1

RGB 85 53 209

HSL 252.31, 0.63%, 0.51%

LAB 36.14, 54.34, -75.16

 

CMYK 64 / 82 / 0 / 25

HEX #4423BE

RGB 68 35 190

HSL 252.77, 0.69%, 0.44%

LAB 29.78, 55.42, -74.59

 

CMYK 70 / 90 / 0 / 33

HEX #3311AB

RGB 51 17 171

HSL 253.25, 0.82%, 0.37%

LAB 23.82, 55.55, -73.19

 

CMYK 78 / 100 / 0 / 40

HEX #220098

RGB 34 0 152

HSL 253.42, 1%, 0.3%

LAB 18.4, 54.38, -70.66

 

CMYK 87 / 100 / 0 / 48

HEX #110085

RGB 17 0 133

HSL 247.67, 1%, 0.26%

LAB 14.47, 49.07, -65.36

 

CMYK 60 / 76 / 0 / 18

HEX #5433D1

RGB 84 51 209

HSL 252.53, 0.63%, 0.51%

LAB 35.71, 55.2, -75.88

 

CMYK 40 / 76 / 0 / 18

HEX #7E33D1

RGB 126 51 209

HSL 268.48, 0.63%, 0.51%

LAB 40.26, 61.2, -68.24

 

CMYK 19 / 76 / 0 / 18

HEX #A933D1

RGB 169 51 209

HSL 284.81, 0.63%, 0.51%

LAB 46.19, 68.78, -58.34

 

CMYK 0 / 76 / 1 / 18

HEX #D133CF

RGB 209 51 207

HSL 300.76, 0.63%, 0.51%

LAB 52.32, 76.25, -47.02

 

CMYK 0 / 76 / 22 / 18

HEX #D133A4

RGB 209 51 164

HSL 317.09, 0.63%, 0.51%

LAB 50.22, 70.13, -25.28

 

CMYK 60 / 76 / 0 / 18

HEX #5433D1

RGB 84 51 209

HSL 252.53, 0.63%, 0.51%

LAB 35.71, 55.2, -75.88

 

CMYK 76 / 76 / 0 / 18

HEX #3333D1

RGB 51 51 209

HSL 240, 0.63%, 0.51%

LAB 33.3, 51.94, -79.94

 

CMYK 60 / 76 / 0 / 18

HEX #5433D1

RGB 84 51 209

HSL 252.53, 0.63%, 0.51%

LAB 35.71, 55.2, -75.88

 

CMYK 69 / 86 / 0 / 10

HEX #481FE5

RGB 72 31 229

HSL 252.42, 0.79%, 0.51%

LAB 34.01, 67.81, -90.21

 

CMYK 76 / 96 / 0 / 2

HEX #3C0BF9

RGB 60 11 249

HSL 252.35, 0.95%, 0.51%

LAB 34.07, 76.98, -101.49

 

CMYK 60 / 76 / 0 / 18

HEX #5433D1

RGB 84 51 209

HSL 252.53, 0.63%, 0.51%

LAB 35.71, 55.2, -75.88

 

CMYK 49 / 62 / 0 / 26

HEX #6048BD

RGB 96 72 189

HSL 252.31, 0.47%, 0.51%

LAB 39.23, 39.86, -58.42

 

CMYK 36 / 45 / 0 / 34

HEX #6B5CA8

RGB 107 92 168

HSL 251.84, 0.3%, 0.51%

LAB 43.66, 24.31, -38.9

 

CMYK 20 / 24 / 0 / 42

HEX #777094

RGB 119 112 148

HSL 251.67, 0.14%, 0.51%

LAB 49.07, 10.59, -18.58

 

CMYK 1 / 0 / 3 / 48

HEX #838480

RGB 131 132 128

HSL 75, 0.02%, 0.51%

LAB 54.96, -1.15, 2.02

 

CMYK 76 / 50 / 0 / 18

HEX #3368D1

RGB 51 104 209

HSL 219.87, 0.63%, 0.51%

LAB 45.92, 19.31, -59.3

 

CMYK 76 / 70 / 0 / 18

HEX #333ED1

RGB 51 62 209

HSL 235.82, 0.63%, 0.51%

LAB 35.5, 45.76, -76.29

 

CMYK 60 / 76 / 0 / 18

HEX #5333D1

RGB 83 51 209

HSL 252.15, 0.63%, 0.51%

LAB 35.62, 55.08, -76.03

 

CMYK 40 / 76 / 0 / 18

HEX #7D33D1

RGB 125 51 209

HSL 268.1, 0.63%, 0.51%

LAB 40.13, 61.04, -68.45

 

CMYK 20 / 76 / 0 / 18

HEX #A733D1

RGB 167 51 209

HSL 284.05, 0.63%, 0.51%

LAB 45.89, 68.4, -58.84

 

CMYK 61 / 77 / 0 / 43

HEX #382191

RGB 56 33 145

HSL 252.32, 0.63%, 0.35%

LAB 23.58, 41.79, -57.67

 

CMYK 61 / 78 / 0 / 30

HEX #4528B2

RGB 69 40 178

HSL 252.61, 0.63%, 0.43%

LAB 29.41, 49.77, -68.09

 

CMYK 60 / 76 / 0 / 18

HEX #5433D1

RGB 84 51 209

HSL 252.53, 0.63%, 0.51%

LAB 35.71, 55.2, -75.88

 

CMYK 48 / 61 / 0 / 15

HEX #7055D8

RGB 112 85 216

HSL 252.37, 0.63%, 0.59%

LAB 45.5, 43.43, -63.8

 

CMYK 38 / 47 / 0 / 12

HEX #8C77E0

RGB 140 119 224

HSL 252, 0.63%, 0.67%

LAB 56.24, 32.31, -50.94

 

CMYK 59 / 75 / 0 / 18

HEX #5535D1

RGB 85 53 209

HSL 252.31, 0.63%, 0.51%

LAB 36.14, 54.34, -75.16

 

CMYK 0 / 76 / 30 / 18

HEX #D13392

RGB 209 51 146

HSL 323.92, 0.63%, 0.51%

LAB 49.49, 67.93, -15.68

 

CMYK 60 / 0 / 76 / 18

HEX #53D133

RGB 83 209 51

HSL 107.85, 0.63%, 0.51%

LAB 74.62, -62.07, 63.34

 

CMYK 59 / 75 / 0 / 18

HEX #5535D1

RGB 85 53 209

HSL 252.31, 0.63%, 0.51%

LAB 36.14, 54.34, -75.16

 

CMYK 0 / 60 / 76 / 18

HEX #D15333

RGB 209 83 51

HSL 12.15, 0.63%, 0.51%

LAB 51.82, 48.07, 43.41

 

CMYK 76 / 0 / 60 / 18

HEX #33D153

RGB 51 209 83

HSL 132.15, 0.63%, 0.51%

LAB 74.14, -65.12, 50.13

 

CMYK 59 / 75 / 0 / 18

HEX #5535D1

RGB 85 53 209

HSL 252.31, 0.63%, 0.51%

LAB 36.14, 54.34, -75.16

 

CMYK 0 / 76 / 30 / 18

HEX #D13392

RGB 209 51 146

HSL 323.92, 0.63%, 0.51%

LAB 49.49, 67.93, -15.68

 

CMYK 15 / 0 / 76 / 18

HEX #B1D133

RGB 177 209 51

HSL 72.15, 0.63%, 0.51%

LAB 79.15, -30.71, 69.25

 

CMYK 76 / 0 / 45 / 18

HEX #33D172

RGB 51 209 114

HSL 143.92, 0.63%, 0.51%

LAB 74.52, -60.67, 35.83

 

CMYK 59 / 75 / 0 / 18

HEX #5535D1

RGB 85 53 209

HSL 252.31, 0.63%, 0.51%

LAB 36.14, 54.34, -75.16

 

CMYK 0 / 76 / 53 / 18

HEX #D13363

RGB 209 51 99

HSL 341.77, 0.63%, 0.51%

LAB 48.04, 63.39, 10.72

 

CMYK 15 / 0 / 76 / 18

HEX #B1D133

RGB 177 209 51

HSL 72.15, 0.63%, 0.51%

LAB 79.15, -30.71, 69.25

 

CMYK 76 / 0 / 22 / 18

HEX #33D1A2

RGB 51 209 162

HSL 162.15, 0.63%, 0.51%

LAB 75.4, -50.94, 11.99

 

Description

Color code: RGB 85 53 209 | qconv.com Color code: RGB 85 53 209 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 85 red, 53 green and 209 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
85 53 209 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 59 cyan, 75 magenta, none yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
59% 75% 0% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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