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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 85 240 140 it is the complementary color RGB 170 15 115. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 85 240 140. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 85 240 140 shade: RGB 90 240 135, RGB 107 255 154, RGB 124 255 173, RGB 141 255 192 and RGB 158 255 211

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 85 240 140. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 85 240 140 shade: RGB 85 240 140, RGB 68 222 121, RGB 51 204 102, RGB 34 186 83 and RGB 17 168 64

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 85 240 140 shade: RGB 86 240 141, RGB 86 240 99, RGB 115 240 86, RGB 156 240 86 and RGB 198 240 86

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 85 240 140 shade: RGB 86 240 141, RGB 86 240 182, RGB 86 240 224, RGB 86 215 240 and RGB 86 173 240

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 85 240 140 shade matches the following richer shades: RGB 86 240 141

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 85 240 140 shade: RGB 86 240 141, RGB 101 225 145, RGB 116 211 149, RGB 131 196 154 and RGB 146 181 158

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 85 240 140 shade: RGB 114 240 86, RGB 86 240 99, RGB 86 240 140, RGB 86 240 181 and RGB 86 240 222

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 85 240 140 shade: RGB 20 224 92, RGB 48 237 115, RGB 86 240 141, RGB 124 244 166 and RGB 162 247 192

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 85 240 140 shade: RGB 85 240 140, RGB 86 155 240 and RGB 240 86 94

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 85 240 140 shade: RGB 85 240 140, RGB 140 86 240 and RGB 240 140 86

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 85 240 140 shade: RGB 85 240 140, RGB 86 155 240, RGB 240 86 186 and RGB 240 171 86

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 85 240 140 shade: RGB 85 240 140, RGB 86 109 240, RGB 240 86 186 and RGB 240 217 86

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 65 / 0 / 42 / 6

HEX #55F08C

RGB 85 240 140

HSL 141.29, 0.84%, 0.64%

LAB 85.07, -62.08, 36.62

 

Complementary color

CMYK 0 / 91 / 32 / 33

HEX #AA0F73

RGB 170 15 115

HSL 321.29, 0.84%, 0.36%

LAB 38.07, 63.57, -14.75

 

CMYK 63 / 0 / 44 / 6

HEX #5AF087

RGB 90 240 135

HSL 138, 0.83%, 0.65%

LAB 85.12, -61.95, 39.18

 

CMYK 58 / 0 / 40 / 0

HEX #6BFF9A

RGB 107 255 154

HSL 139.05, 1%, 0.71%

LAB 90.31, -61.02, 36.65

 

CMYK 51 / 0 / 32 / 0

HEX #7CFFAD

RGB 124 255 173

HSL 142.44, 1%, 0.74%

LAB 91.15, -53.94, 28.39

 

CMYK 45 / 0 / 25 / 0

HEX #8DFFC0

RGB 141 255 192

HSL 146.84, 1%, 0.78%

LAB 92.13, -46.25, 20.18

 

CMYK 38 / 0 / 17 / 0

HEX #9EFFD3

RGB 158 255 211

HSL 152.78, 1%, 0.81%

LAB 93.23, -38.08, 12.09

 

CMYK 65 / 0 / 42 / 6

HEX #55F08C

RGB 85 240 140

HSL 141.29, 0.84%, 0.64%

LAB 85.07, -62.08, 36.62

 

CMYK 69 / 0 / 45 / 13

HEX #44DE79

RGB 68 222 121

HSL 140.65, 0.7%, 0.57%

LAB 78.96, -61.62, 38.08

 

CMYK 75 / 0 / 50 / 20

HEX #33CC66

RGB 51 204 102

HSL 140, 0.6%, 0.5%

LAB 72.79, -60.85, 39.61

 

CMYK 82 / 0 / 55 / 27

HEX #22BA53

RGB 34 186 83

HSL 139.34, 0.69%, 0.43%

LAB 66.58, -59.66, 41.19

 

CMYK 90 / 0 / 62 / 34

HEX #11A840

RGB 17 168 64

HSL 138.68, 0.82%, 0.36%

LAB 60.33, -57.87, 42.74

 

CMYK 64 / 0 / 41 / 6

HEX #56F08D

RGB 86 240 141

HSL 141.43, 0.84%, 0.64%

LAB 85.11, -61.73, 36.18

 

CMYK 64 / 0 / 59 / 6

HEX #56F063

RGB 86 240 99

HSL 125.06, 0.84%, 0.64%

LAB 84.59, -67.66, 55.31

 

CMYK 52 / 0 / 64 / 6

HEX #73F056

RGB 115 240 86

HSL 108.7, 0.84%, 0.64%

LAB 85.32, -62.31, 61.84

 

CMYK 35 / 0 / 64 / 6

HEX #9CF056

RGB 156 240 86

HSL 92.73, 0.84%, 0.64%

LAB 87.03, -49.96, 64.18

 

CMYK 18 / 0 / 64 / 6

HEX #C6F056

RGB 198 240 86

HSL 76.36, 0.84%, 0.64%

LAB 89.39, -34.79, 67.41

 

CMYK 64 / 0 / 41 / 6

HEX #56F08D

RGB 86 240 141

HSL 141.43, 0.84%, 0.64%

LAB 85.11, -61.73, 36.18

 

CMYK 64 / 0 / 24 / 6

HEX #56F0B6

RGB 86 240 182

HSL 157.4, 0.84%, 0.64%

LAB 85.84, -53.84, 16.28

 

CMYK 64 / 0 / 7 / 6

HEX #56F0E0

RGB 86 240 224

HSL 173.77, 0.84%, 0.64%

LAB 86.84, -43.86, -4.22

 

CMYK 64 / 10 / 0 / 6

HEX #56D7F0

RGB 86 215 240

HSL 189.74, 0.84%, 0.64%

LAB 80.11, -27.86, -22.76

 

CMYK 64 / 28 / 0 / 6

HEX #56ADF0

RGB 86 173 240

HSL 206.1, 0.84%, 0.64%

LAB 68.14, -5.96, -41.22

 

CMYK 64 / 0 / 41 / 6

HEX #56F08D

RGB 86 240 141

HSL 141.43, 0.84%, 0.64%

LAB 85.11, -61.73, 36.18

 

CMYK 64 / 0 / 41 / 6

HEX #56F08D

RGB 86 240 141

HSL 141.43, 0.84%, 0.64%

LAB 85.11, -61.73, 36.18

 

CMYK 55 / 0 / 36 / 12

HEX #65E191

RGB 101 225 145

HSL 141.29, 0.67%, 0.64%

LAB 81.11, -52.15, 28.95

 

CMYK 45 / 0 / 29 / 17

HEX #74D395

RGB 116 211 149

HSL 140.84, 0.52%, 0.64%

LAB 77.56, -41.78, 22.17

 

CMYK 33 / 0 / 21 / 23

HEX #83C49A

RGB 131 196 154

HSL 141.23, 0.36%, 0.64%

LAB 73.96, -29.6, 14.62

 

CMYK 19 / 0 / 13 / 29

HEX #92B59E

RGB 146 181 158

HSL 140.57, 0.19%, 0.64%

LAB 70.61, -16.49, 7.83

 

CMYK 53 / 0 / 64 / 6

HEX #72F056

RGB 114 240 86

HSL 109.09, 0.84%, 0.64%

LAB 85.29, -62.57, 61.79

 

CMYK 64 / 0 / 59 / 6

HEX #56F063

RGB 86 240 99

HSL 125.06, 0.84%, 0.64%

LAB 84.59, -67.66, 55.31

 

CMYK 64 / 0 / 42 / 6

HEX #56F08C

RGB 86 240 140

HSL 141.04, 0.84%, 0.64%

LAB 85.09, -61.9, 36.66

 

CMYK 64 / 0 / 25 / 6

HEX #56F0B5

RGB 86 240 181

HSL 157.01, 0.84%, 0.64%

LAB 85.82, -54.05, 16.77

 

CMYK 64 / 0 / 8 / 6

HEX #56F0DE

RGB 86 240 222

HSL 172.99, 0.84%, 0.64%

LAB 86.79, -44.37, -3.25

 

CMYK 91 / 0 / 59 / 12

HEX #14E05C

RGB 20 224 92

HSL 141.18, 0.84%, 0.48%

LAB 78.6, -71.62, 51.2

 

CMYK 80 / 0 / 51 / 7

HEX #30ED73

RGB 48 237 115

HSL 141.27, 0.84%, 0.56%

LAB 83.14, -70.34, 46.15

 

CMYK 64 / 0 / 41 / 6

HEX #56F08D

RGB 86 240 141

HSL 141.43, 0.84%, 0.64%

LAB 85.11, -61.73, 36.18

 

CMYK 49 / 0 / 32 / 4

HEX #7CF4A6

RGB 124 244 166

HSL 141, 0.85%, 0.72%

LAB 87.84, -50.69, 27.44

 

CMYK 34 / 0 / 22 / 3

HEX #A2F7C0

RGB 162 247 192

HSL 141.18, 0.84%, 0.8%

LAB 90.78, -36.97, 18.44

 

CMYK 65 / 0 / 42 / 6

HEX #55F08C

RGB 85 240 140

HSL 141.29, 0.84%, 0.64%

LAB 85.07, -62.08, 36.62

 

CMYK 64 / 35 / 0 / 6

HEX #569BF0

RGB 86 155 240

HSL 213.12, 0.84%, 0.64%

LAB 63.1, 4.27, -49.14

 

CMYK 0 / 64 / 61 / 6

HEX #F0565E

RGB 240 86 94

HSL 356.88, 0.84%, 0.64%

LAB 58.03, 59.58, 28.08

 

CMYK 65 / 0 / 42 / 6

HEX #55F08C

RGB 85 240 140

HSL 141.29, 0.84%, 0.64%

LAB 85.07, -62.08, 36.62

 

CMYK 42 / 64 / 0 / 6

HEX #8C56F0

RGB 140 86 240

HSL 261.04, 0.84%, 0.64%

LAB 50.12, 54.93, -69.74

 

CMYK 0 / 42 / 64 / 6

HEX #F08C56

RGB 240 140 86

HSL 21.04, 0.84%, 0.64%

LAB 67.99, 33.36, 44.7

 

CMYK 65 / 0 / 42 / 6

HEX #55F08C

RGB 85 240 140

HSL 141.29, 0.84%, 0.64%

LAB 85.07, -62.08, 36.62

 

CMYK 64 / 35 / 0 / 6

HEX #569BF0

RGB 86 155 240

HSL 213.12, 0.84%, 0.64%

LAB 63.1, 4.27, -49.14

 

CMYK 0 / 64 / 23 / 6

HEX #F056BA

RGB 240 86 186

HSL 321.04, 0.84%, 0.64%

LAB 60.54, 68.61, -21.78

 

CMYK 0 / 29 / 64 / 6

HEX #F0AB56

RGB 240 171 86

HSL 33.12, 0.84%, 0.64%

LAB 75.03, 17.04, 52.78

 

CMYK 65 / 0 / 42 / 6

HEX #55F08C

RGB 85 240 140

HSL 141.29, 0.84%, 0.64%

LAB 85.07, -62.08, 36.62

 

CMYK 64 / 55 / 0 / 6

HEX #566DF0

RGB 86 109 240

HSL 231.04, 0.84%, 0.64%

LAB 50.93, 32.02, -68.64

 

CMYK 0 / 64 / 23 / 6

HEX #F056BA

RGB 240 86 186

HSL 321.04, 0.84%, 0.64%

LAB 60.54, 68.61, -21.78

 

CMYK 0 / 10 / 64 / 6

HEX #F0D956

RGB 240 217 86

HSL 51.04, 0.84%, 0.64%

LAB 86.42, -6.82, 65.22

 

Description

Color code: RGB 85 240 140 | qconv.com Color code: RGB 85 240 140 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 85 red, 240 green and 140 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
85 240 140 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 65 cyan, none magenta, 42 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
65% 0% 42% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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