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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 85 198 138 it is the complementary color RGB 170 57 117. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 85 198 138. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 85 198 138 shade: RGB 90 198 133, RGB 107 216 152, RGB 124 234 171, RGB 141 252 190 and RGB 158 255 209

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 85 198 138. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 85 198 138 shade: RGB 85 198 138, RGB 68 180 119, RGB 51 162 100, RGB 34 144 81 and RGB 17 126 62

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 85 198 138 shade: RGB 83 198 137, RGB 83 198 106, RGB 91 198 83, RGB 122 198 83 and RGB 153 198 83

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 85 198 138 shade: RGB 83 198 137, RGB 83 198 168, RGB 83 197 198, RGB 83 166 198 and RGB 83 135 198

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 85 198 138 shade matches the following richer shades: RGB 83 198 137, RGB 64 216 136, RGB 46 235 134 and RGB 27 253 133

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 85 198 138 shade: RGB 83 198 137, RGB 101 179 138, RGB 120 160 139, RGB 139 142 140 and RGB 157 123 141

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 85 198 138 shade: RGB 91 198 83, RGB 83 198 106, RGB 83 198 136, RGB 83 198 167 and RGB 83 198 198

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 85 198 138 shade: RGB 49 148 96, RGB 60 179 116, RGB 83 198 137, RGB 114 208 158 and RGB 145 218 179

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 85 198 138 shade: RGB 85 198 138, RGB 83 121 198 and RGB 198 91 83

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 85 198 138 shade: RGB 85 198 138, RGB 136 83 198 and RGB 198 136 83

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 85 198 138 shade: RGB 85 198 138, RGB 83 121 198, RGB 198 83 144 and RGB 198 159 83

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 85 198 138 shade: RGB 85 198 138, RGB 83 87 198, RGB 198 83 144 and RGB 198 194 83

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 57 / 0 / 30 / 22

HEX #55C68A

RGB 85 198 138

HSL 148.14, 0.5%, 0.55%

LAB 72.33, -45.97, 20.63

 

Complementary color

CMYK 0 / 66 / 31 / 33

HEX #AA3975

RGB 170 57 117

HSL 328.14, 0.5%, 0.45%

LAB 42.39, 51.77, -9.43

 

CMYK 55 / 0 / 33 / 22

HEX #5AC685

RGB 90 198 133

HSL 143.89, 0.49%, 0.56%

LAB 72.4, -45.8, 23.4

 

CMYK 50 / 0 / 30 / 15

HEX #6BD898

RGB 107 216 152

HSL 144.77, 0.58%, 0.63%

LAB 78.76, -45.71, 22.17

 

CMYK 47 / 0 / 27 / 8

HEX #7CEAAB

RGB 124 234 171

HSL 145.64, 0.72%, 0.7%

LAB 85.03, -45.54, 21.03

 

CMYK 44 / 0 / 25 / 1

HEX #8DFCBE

RGB 141 252 190

HSL 146.49, 0.95%, 0.77%

LAB 91.23, -45.34, 19.96

 

CMYK 38 / 0 / 18 / 0

HEX #9EFFD1

RGB 158 255 209

HSL 151.55, 1%, 0.81%

LAB 93.19, -38.47, 13.06

 

CMYK 57 / 0 / 30 / 22

HEX #55C68A

RGB 85 198 138

HSL 148.14, 0.5%, 0.55%

LAB 72.33, -45.97, 20.63

 

CMYK 62 / 0 / 34 / 29

HEX #44B477

RGB 68 180 119

HSL 147.32, 0.45%, 0.49%

LAB 65.91, -45.89, 21.96

 

CMYK 69 / 0 / 38 / 36

HEX #33A264

RGB 51 162 100

HSL 146.49, 0.52%, 0.42%

LAB 59.4, -45.6, 23.41

 

CMYK 76 / 0 / 44 / 44

HEX #229051

RGB 34 144 81

HSL 145.64, 0.62%, 0.35%

LAB 52.82, -44.98, 25.01

 

CMYK 87 / 0 / 51 / 51

HEX #117E3E

RGB 17 126 62

HSL 144.77, 0.76%, 0.28%

LAB 46.16, -43.81, 26.76

 

CMYK 58 / 0 / 31 / 22

HEX #53C689

RGB 83 198 137

HSL 148.17, 0.5%, 0.55%

LAB 72.25, -46.61, 21.04

 

CMYK 58 / 0 / 46 / 22

HEX #53C66A

RGB 83 198 106

HSL 132, 0.5%, 0.55%

LAB 71.74, -52.1, 36.46

 

CMYK 54 / 0 / 58 / 22

HEX #5BC653

RGB 91 198 83

HSL 115.83, 0.5%, 0.55%

LAB 71.72, -53.22, 47.58

 

CMYK 38 / 0 / 58 / 22

HEX #7AC653

RGB 122 198 83

HSL 99.65, 0.5%, 0.55%

LAB 72.99, -43.98, 49.39

 

CMYK 23 / 0 / 58 / 22

HEX #99C653

RGB 153 198 83

HSL 83.48, 0.5%, 0.55%

LAB 74.69, -32.89, 51.78

 

CMYK 58 / 0 / 31 / 22

HEX #53C689

RGB 83 198 137

HSL 148.17, 0.5%, 0.55%

LAB 72.25, -46.61, 21.04

 

CMYK 58 / 0 / 15 / 22

HEX #53C6A8

RGB 83 198 168

HSL 164.35, 0.5%, 0.55%

LAB 72.93, -39.77, 5.33

 

CMYK 58 / 1 / 0 / 22

HEX #53C5C6

RGB 83 197 198

HSL 180.52, 0.5%, 0.55%

LAB 73.45, -31.57, -10.2

 

CMYK 58 / 16 / 0 / 22

HEX #53A6C6

RGB 83 166 198

HSL 196.7, 0.5%, 0.55%

LAB 64.31, -15.89, -24.02

 

CMYK 58 / 32 / 0 / 22

HEX #5387C6

RGB 83 135 198

HSL 212.87, 0.5%, 0.55%

LAB 55.32, 1.53, -37.96

 

CMYK 58 / 0 / 31 / 22

HEX #53C689

RGB 83 198 137

HSL 148.17, 0.5%, 0.55%

LAB 72.25, -46.61, 21.04

 

CMYK 70 / 0 / 37 / 15

HEX #40D888

RGB 64 216 136

HSL 148.42, 0.66%, 0.55%

LAB 77.27, -57.42, 28.27

 

CMYK 80 / 0 / 43 / 8

HEX #2EEB86

RGB 46 235 134

HSL 147.94, 0.83%, 0.55%

LAB 82.76, -66.85, 36.46

 

CMYK 89 / 0 / 47 / 1

HEX #1BFD85

RGB 27 253 133

HSL 148.14, 0.98%, 0.55%

LAB 88.05, -74.4, 43.69

 

CMYK 58 / 0 / 31 / 22

HEX #53C689

RGB 83 198 137

HSL 148.17, 0.5%, 0.55%

LAB 72.25, -46.61, 21.04

 

CMYK 44 / 0 / 23 / 30

HEX #65B38A

RGB 101 179 138

HSL 148.46, 0.34%, 0.55%

LAB 67.16, -33.56, 13.55

 

CMYK 25 / 0 / 13 / 37

HEX #78A08B

RGB 120 160 139

HSL 148.5, 0.17%, 0.55%

LAB 62.51, -18.13, 6.54

 

CMYK 2 / 0 / 1 / 44

HEX #8B8E8C

RGB 139 142 140

HSL 140, 0.01%, 0.55%

LAB 58.72, -1.49, 0.67

 

CMYK 0 / 22 / 10 / 38

HEX #9D7B8D

RGB 157 123 141

HSL 328.24, 0.15%, 0.55%

LAB 55.34, 16.24, -4.69

 

CMYK 54 / 0 / 58 / 22

HEX #5BC653

RGB 91 198 83

HSL 115.83, 0.5%, 0.55%

LAB 71.72, -53.22, 47.58

 

CMYK 58 / 0 / 46 / 22

HEX #53C66A

RGB 83 198 106

HSL 132, 0.5%, 0.55%

LAB 71.74, -52.1, 36.46

 

CMYK 58 / 0 / 31 / 22

HEX #53C688

RGB 83 198 136

HSL 147.65, 0.5%, 0.55%

LAB 72.23, -46.81, 21.55

 

CMYK 58 / 0 / 16 / 22

HEX #53C6A7

RGB 83 198 167

HSL 163.83, 0.5%, 0.55%

LAB 72.9, -40.01, 5.84

 

CMYK 58 / 0 / 0 / 22

HEX #53C6C6

RGB 83 198 198

HSL 180, 0.5%, 0.55%

LAB 73.74, -32.04, -9.76

 

CMYK 67 / 0 / 35 / 42

HEX #319460

RGB 49 148 96

HSL 148.48, 0.5%, 0.39%

LAB 54.74, -41.05, 19.35

 

CMYK 66 / 0 / 35 / 30

HEX #3CB374

RGB 60 179 116

HSL 148.24, 0.5%, 0.47%

LAB 65.33, -47.63, 22.75

 

CMYK 58 / 0 / 31 / 22

HEX #53C689

RGB 83 198 137

HSL 148.17, 0.5%, 0.55%

LAB 72.25, -46.61, 21.04

 

CMYK 45 / 0 / 24 / 18

HEX #72D09E

RGB 114 208 158

HSL 148.09, 0.5%, 0.63%

LAB 76.77, -39.25, 16.31

 

CMYK 33 / 0 / 18 / 15

HEX #91DAB3

RGB 145 218 179

HSL 147.95, 0.5%, 0.71%

LAB 81.52, -30.98, 12.06

 

CMYK 57 / 0 / 30 / 22

HEX #55C68A

RGB 85 198 138

HSL 148.14, 0.5%, 0.55%

LAB 72.33, -45.97, 20.63

 

CMYK 58 / 39 / 0 / 22

HEX #5379C6

RGB 83 121 198

HSL 220.17, 0.5%, 0.55%

LAB 51.37, 9.93, -44.2

 

CMYK 0 / 54 / 58 / 22

HEX #C65B53

RGB 198 91 83

HSL 4.17, 0.5%, 0.55%

LAB 51.96, 42.07, 25.29

 

CMYK 57 / 0 / 30 / 22

HEX #55C68A

RGB 85 198 138

HSL 148.14, 0.5%, 0.55%

LAB 72.33, -45.97, 20.63

 

CMYK 31 / 58 / 0 / 22

HEX #8853C6

RGB 136 83 198

HSL 267.65, 0.5%, 0.55%

LAB 46.31, 44.98, -52.03

 

CMYK 0 / 31 / 58 / 22

HEX #C68853

RGB 198 136 83

HSL 27.65, 0.5%, 0.55%

LAB 61.86, 18.13, 37.7

 

CMYK 57 / 0 / 30 / 22

HEX #55C68A

RGB 85 198 138

HSL 148.14, 0.5%, 0.55%

LAB 72.33, -45.97, 20.63

 

CMYK 58 / 39 / 0 / 22

HEX #5379C6

RGB 83 121 198

HSL 220.17, 0.5%, 0.55%

LAB 51.37, 9.93, -44.2

 

CMYK 0 / 58 / 27 / 22

HEX #C65390

RGB 198 83 144

HSL 328.17, 0.5%, 0.55%

LAB 52.07, 52.3, -10.77

 

CMYK 0 / 20 / 58 / 22

HEX #C69F53

RGB 198 159 83

HSL 39.65, 0.5%, 0.55%

LAB 67.6, 5.57, 44.54

 

CMYK 57 / 0 / 30 / 22

HEX #55C68A

RGB 85 198 138

HSL 148.14, 0.5%, 0.55%

LAB 72.33, -45.97, 20.63

 

CMYK 58 / 56 / 0 / 22

HEX #5357C6

RGB 83 87 198

HSL 237.91, 0.5%, 0.55%

LAB 42.36, 31.1, -58.64

 

CMYK 0 / 58 / 27 / 22

HEX #C65390

RGB 198 83 144

HSL 328.17, 0.5%, 0.55%

LAB 52.07, 52.3, -10.77

 

CMYK 0 / 2 / 58 / 22

HEX #C6C253

RGB 198 194 83

HSL 57.91, 0.5%, 0.55%

LAB 76.81, -12.83, 55.04

 

Description

Color code: RGB 85 198 138 | qconv.com Color code: RGB 85 198 138 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 85 red, 198 green and 138 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
85 198 138 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 57 cyan, none magenta, 30 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
57% 0% 30% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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