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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 85 156 138 it is the complementary color RGB 170 99 117. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 85 156 138. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 85 156 138 shade: RGB 90 156 133, RGB 107 174 152, RGB 124 192 171, RGB 141 210 190 and RGB 158 228 209

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 85 156 138. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 85 156 138 shade: RGB 85 156 138, RGB 68 138 119, RGB 51 120 100, RGB 34 102 81 and RGB 17 84 62

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 85 156 138 shade: RGB 85 155 137, RGB 85 155 118, RGB 85 155 99, RGB 89 155 85 and RGB 108 155 85

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 85 156 138 shade: RGB 85 155 137, RGB 85 153 155, RGB 85 135 155, RGB 85 116 155 and RGB 85 97 155

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 85 156 138 shade matches the following richer shades: RGB 85 155 137, RGB 66 174 147, RGB 46 193 156, RGB 27 213 166 and RGB 8 232 175

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 85 156 138 shade: RGB 85 155 137, RGB 104 135 127, RGB 124 116 118, RGB 143 96 108 and RGB 163 77 99

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 85 156 138 shade: RGB 85 155 99, RGB 85 155 118, RGB 85 155 136, RGB 85 155 155 and RGB 85 136 155

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 85 156 138 shade: RGB 56 101 90, RGB 70 128 113, RGB 85 155 137, RGB 107 174 157 and RGB 134 188 175

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 85 156 138 shade: RGB 85 156 138, RGB 85 90 155 and RGB 155 108 85

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 85 156 138 shade: RGB 85 156 138, RGB 136 85 155 and RGB 155 136 85

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 85 156 138 shade: RGB 85 156 138, RGB 85 90 155, RGB 155 85 104 and RGB 155 150 85

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 85 156 138 shade: RGB 85 156 138, RGB 101 85 155, RGB 155 85 104 and RGB 138 155 85

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 46 / 0 / 12 / 39

HEX #559C8A

RGB 85 156 138

HSL 164.79, 0.29%, 0.47%

LAB 59.47, -26.83, 2.5

 

Complementary color

CMYK 0 / 42 / 31 / 33

HEX #AA6375

RGB 170 99 117

HSL 344.79, 0.29%, 0.53%

LAB 50.4, 30.92, 2.38

 

CMYK 42 / 0 / 15 / 39

HEX #5A9C85

RGB 90 156 133

HSL 159.09, 0.27%, 0.48%

LAB 59.57, -26.65, 5.49

 

CMYK 39 / 0 / 13 / 32

HEX #6BAE98

RGB 107 174 152

HSL 160.3, 0.29%, 0.55%

LAB 66.26, -26.44, 4.6

 

CMYK 35 / 0 / 11 / 25

HEX #7CC0AB

RGB 124 192 171

HSL 161.47, 0.35%, 0.62%

LAB 72.84, -26.23, 3.78

 

CMYK 33 / 0 / 10 / 18

HEX #8DD2BE

RGB 141 210 190

HSL 162.61, 0.43%, 0.69%

LAB 79.31, -26.03, 3.01

 

CMYK 31 / 0 / 8 / 11

HEX #9EE4D1

RGB 158 228 209

HSL 163.71, 0.56%, 0.76%

LAB 85.69, -25.84, 2.29

 

CMYK 46 / 0 / 12 / 39

HEX #559C8A

RGB 85 156 138

HSL 164.79, 0.29%, 0.47%

LAB 59.47, -26.83, 2.5

 

CMYK 51 / 0 / 14 / 46

HEX #448A77

RGB 68 138 119

HSL 163.71, 0.34%, 0.4%

LAB 52.66, -26.95, 3.43

 

CMYK 58 / 0 / 17 / 53

HEX #337864

RGB 51 120 100

HSL 162.61, 0.4%, 0.34%

LAB 45.71, -26.99, 4.47

 

CMYK 67 / 0 / 21 / 60

HEX #226651

RGB 34 102 81

HSL 161.47, 0.5%, 0.27%

LAB 38.62, -26.87, 5.66

 

CMYK 80 / 0 / 26 / 67

HEX #11543E

RGB 17 84 62

HSL 160.3, 0.66%, 0.2%

LAB 31.36, -26.4, 7.08

 

CMYK 45 / 0 / 12 / 39

HEX #559B89

RGB 85 155 137

HSL 164.57, 0.29%, 0.47%

LAB 59.14, -26.57, 2.58

 

CMYK 45 / 0 / 24 / 39

HEX #559B76

RGB 85 155 118

HSL 148.29, 0.29%, 0.47%

LAB 58.68, -30.89, 12.65

 

CMYK 45 / 0 / 36 / 39

HEX #559B63

RGB 85 155 99

HSL 132, 0.29%, 0.47%

LAB 58.3, -34.61, 22.69

 

CMYK 43 / 0 / 45 / 39

HEX #599B55

RGB 89 155 85

HSL 116.57, 0.29%, 0.47%

LAB 58.25, -35.69, 30.21

 

CMYK 30 / 0 / 45 / 39

HEX #6C9B55

RGB 108 155 85

HSL 100.29, 0.29%, 0.47%

LAB 59.24, -29.18, 31.67

 

CMYK 45 / 0 / 12 / 39

HEX #559B89

RGB 85 155 137

HSL 164.57, 0.29%, 0.47%

LAB 59.14, -26.57, 2.58

 

CMYK 45 / 1 / 0 / 39

HEX #55999B

RGB 85 153 155

HSL 181.71, 0.29%, 0.47%

LAB 59.05, -20.96, -7.78

 

CMYK 45 / 13 / 0 / 39

HEX #55879B

RGB 85 135 155

HSL 197.14, 0.29%, 0.47%

LAB 53.63, -11.26, -15.93

 

CMYK 45 / 25 / 0 / 39

HEX #55749B

RGB 85 116 155

HSL 213.43, 0.29%, 0.47%

LAB 47.99, -0.28, -24.57

 

CMYK 45 / 37 / 0 / 39

HEX #55619B

RGB 85 97 155

HSL 229.71, 0.29%, 0.47%

LAB 42.53, 11.37, -33.09

 

CMYK 45 / 0 / 12 / 39

HEX #559B89

RGB 85 155 137

HSL 164.57, 0.29%, 0.47%

LAB 59.14, -26.57, 2.58

 

CMYK 62 / 0 / 16 / 32

HEX #42AE93

RGB 66 174 147

HSL 165, 0.45%, 0.47%

LAB 64.59, -37.4, 4.77

 

CMYK 76 / 0 / 19 / 24

HEX #2EC19C

RGB 46 193 156

HSL 164.9, 0.62%, 0.47%

LAB 70.26, -46.42, 7.9

 

CMYK 87 / 0 / 22 / 16

HEX #1BD5A6

RGB 27 213 166

HSL 164.84, 0.78%, 0.47%

LAB 76.42, -53.71, 11.26

 

CMYK 97 / 0 / 25 / 9

HEX #08E8AF

RGB 8 232 175

HSL 164.73, 0.93%, 0.47%

LAB 82.3, -59.65, 14.81

 

CMYK 45 / 0 / 12 / 39

HEX #559B89

RGB 85 155 137

HSL 164.57, 0.29%, 0.47%

LAB 59.14, -26.57, 2.58

 

CMYK 23 / 0 / 6 / 47

HEX #68877F

RGB 104 135 127

HSL 164.52, 0.13%, 0.47%

LAB 53.82, -12.73, 0.7

 

CMYK 0 / 6 / 5 / 51

HEX #7C7476

RGB 124 116 118

HSL 345, 0.03%, 0.47%

LAB 49.6, 3.46, -0

 

CMYK 0 / 33 / 24 / 44

HEX #8F606C

RGB 143 96 108

HSL 344.68, 0.2%, 0.47%

LAB 46.03, 20.93, 1.01

 

CMYK 0 / 53 / 39 / 36

HEX #A34D63

RGB 163 77 99

HSL 344.65, 0.36%, 0.47%

LAB 44.23, 37.85, 4.23

 

CMYK 45 / 0 / 36 / 39

HEX #559B63

RGB 85 155 99

HSL 132, 0.29%, 0.47%

LAB 58.3, -34.61, 22.69

 

CMYK 45 / 0 / 24 / 39

HEX #559B76

RGB 85 155 118

HSL 148.29, 0.29%, 0.47%

LAB 58.68, -30.89, 12.65

 

CMYK 45 / 0 / 12 / 39

HEX #559B88

RGB 85 155 136

HSL 163.71, 0.29%, 0.47%

LAB 59.11, -26.81, 3.11

 

CMYK 45 / 0 / 0 / 39

HEX #559B9B

RGB 85 155 155

HSL 180, 0.29%, 0.47%

LAB 59.65, -21.99, -6.88

 

CMYK 45 / 12 / 0 / 39

HEX #55889B

RGB 85 136 155

HSL 196.29, 0.29%, 0.47%

LAB 53.93, -11.82, -15.47

 

CMYK 45 / 0 / 11 / 60

HEX #38655A

RGB 56 101 90

HSL 165.33, 0.29%, 0.31%

LAB 39.39, -18.44, 1.38

 

CMYK 45 / 0 / 12 / 50

HEX #468071

RGB 70 128 113

HSL 164.48, 0.29%, 0.39%

LAB 49.41, -22.86, 2.24

 

CMYK 45 / 0 / 12 / 39

HEX #559B89

RGB 85 155 137

HSL 164.57, 0.29%, 0.47%

LAB 59.14, -26.57, 2.58

 

CMYK 39 / 0 / 10 / 32

HEX #6BAE9D

RGB 107 174 157

HSL 164.78, 0.29%, 0.55%

LAB 66.39, -25.3, 2.02

 

CMYK 29 / 0 / 7 / 26

HEX #86BCAF

RGB 134 188 175

HSL 165.56, 0.29%, 0.63%

LAB 72.32, -20.41, 0.9

 

CMYK 46 / 0 / 12 / 39

HEX #559C8A

RGB 85 156 138

HSL 164.79, 0.29%, 0.47%

LAB 59.47, -26.83, 2.5

 

CMYK 45 / 42 / 0 / 39

HEX #555A9B

RGB 85 90 155

HSL 235.71, 0.29%, 0.47%

LAB 40.59, 15.78, -36.16

 

CMYK 0 / 30 / 45 / 39

HEX #9B6C55

RGB 155 108 85

HSL 19.71, 0.29%, 0.47%

LAB 49.92, 15.82, 20.35

 

CMYK 46 / 0 / 12 / 39

HEX #559C8A

RGB 85 156 138

HSL 164.79, 0.29%, 0.47%

LAB 59.47, -26.83, 2.5

 

CMYK 12 / 45 / 0 / 39

HEX #88559B

RGB 136 85 155

HSL 283.71, 0.29%, 0.47%

LAB 44.37, 33.75, -29.86

 

CMYK 0 / 12 / 45 / 39

HEX #9B8855

RGB 155 136 85

HSL 43.71, 0.29%, 0.47%

LAB 57.3, -0.09, 29.96

 

CMYK 46 / 0 / 12 / 39

HEX #559C8A

RGB 85 156 138

HSL 164.79, 0.29%, 0.47%

LAB 59.47, -26.83, 2.5

 

CMYK 45 / 42 / 0 / 39

HEX #555A9B

RGB 85 90 155

HSL 235.71, 0.29%, 0.47%

LAB 40.59, 15.78, -36.16

 

CMYK 0 / 45 / 33 / 39

HEX #9B5568

RGB 155 85 104

HSL 343.71, 0.29%, 0.47%

LAB 44.89, 31.24, 1.99

 

CMYK 0 / 3 / 45 / 39

HEX #9B9655

RGB 155 150 85

HSL 55.71, 0.29%, 0.47%

LAB 61.17, -7.77, 34.81

 

CMYK 46 / 0 / 12 / 39

HEX #559C8A

RGB 85 156 138

HSL 164.79, 0.29%, 0.47%

LAB 59.47, -26.83, 2.5

 

CMYK 35 / 45 / 0 / 39

HEX #65559B

RGB 101 85 155

HSL 253.71, 0.29%, 0.47%

LAB 40.62, 23.3, -36.02

 

CMYK 0 / 45 / 33 / 39

HEX #9B5568

RGB 155 85 104

HSL 343.71, 0.29%, 0.47%

LAB 44.89, 31.24, 1.99

 

CMYK 11 / 0 / 45 / 39

HEX #8A9B55

RGB 138 155 85

HSL 74.57, 0.29%, 0.47%

LAB 61.22, -17.52, 34.58

 

Description

Color code: RGB 85 156 138 | qconv.com Color code: RGB 85 156 138 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 85 red, 156 green and 138 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
85 156 138 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 46 cyan, none magenta, 12 yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
46% 0% 12% 39% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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