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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 85 128.2 181.6 it is the complementary color RGB 170 126.8 73.4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 85 128.2 181.6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 85 128.2 181.6 shade: RGB 90 128.2 176.6, RGB 107 146.2 195.6, RGB 124 164.2 214.6, RGB 141 182.2 233.6 and RGB 158 200.2 252.6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 85 128.2 181.6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 85 128.2 181.6 shade: RGB 85 128.2 181.6, RGB 68 110.2 162.6, RGB 51 92.2 143.6, RGB 34 74.2 124.6 and RGB 17 56.2 105.6

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 85 128.2 181.6 shade: RGB 84 127 182, RGB 84 101 182, RGB 93 84 182, RGB 119 84 182 and RGB 145 84 182

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 85 128.2 181.6 shade: RGB 84 127 182, RGB 84 101 182 and RGB 84 84 182

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 85 128.2 181.6 shade matches the following richer shades: RGB 84 127 182, RGB 64 125 201, RGB 44 123 221 and RGB 24 121 241

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 85 128.2 181.6 shade: RGB 84 127 182, RGB 103 130 162, RGB 123 132 142, RGB 143 134 122 and RGB 163 136 102

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 85 128.2 181.6 shade: RGB 84 180 182, RGB 84 154 182, RGB 84 128 182, RGB 84 102 182 and RGB 92 84 182

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 85 128.2 181.6 shade: RGB 55 87 128, RGB 67 107 157, RGB 84 127 182, RGB 113 149 194 and RGB 141 170 206

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 85 128.2 181.6 shade: RGB 85 128.2 181.6, RGB 157 84 182 and RGB 167 182 84

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 85 128.2 181.6 shade: RGB 85 128.2 181.6, RGB 182 84 128 and RGB 128 182 84

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 85 128.2 181.6 shade: RGB 85 128.2 181.6, RGB 157 84 182, RGB 182 137 84 and RGB 108 182 84

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 85 128.2 181.6 shade: RGB 85 128.2 181.6, RGB 182 84 177, RGB 182 137 84 and RGB 84 182 89

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 53 / 29 / 0 / 29

HEX #5580B5

RGB 85 128.2 181.6

HSL 213.17, 0.4%, 0.52%

LAB 52.71, 0.7, -32.69

 

Complementary color

CMYK 0 / 25 / 57 / 33

HEX #AA7E49

RGB 170 126.8 73.4

HSL 33.17, 0.4%, 0.48%

LAB 56.25, 10.47, 35.24

 

CMYK 49 / 27 / 0 / 31

HEX #5A80B0

RGB 90 128.2 176.6

HSL 213.53, 0.36%, 0.52%

LAB 52.75, 0.33, -29.72

 

CMYK 45 / 25 / 0 / 23

HEX #6B92C3

RGB 107 146.2 195.6

HSL 213.45, 0.43%, 0.59%

LAB 59.63, -0.2, -29.8

 

CMYK 42 / 23 / 0 / 16

HEX #7CA4D6

RGB 124 164.2 214.6

HSL 213.38, 0.53%, 0.66%

LAB 66.36, -0.64, -29.91

 

CMYK 40 / 22 / 0 / 8

HEX #8DB6E9

RGB 141 182.2 233.6

HSL 213.3, 0.68%, 0.73%

LAB 72.97, -1, -30.04

 

CMYK 37 / 21 / 0 / 1

HEX #9EC8FC

RGB 158 200.2 252.6

HSL 213.23, 0.95%, 0.81%

LAB 79.46, -1.32, -30.19

 

CMYK 53 / 29 / 0 / 29

HEX #5580B5

RGB 85 128.2 181.6

HSL 213.17, 0.4%, 0.52%

LAB 52.71, 0.7, -32.69

 

CMYK 58 / 32 / 0 / 36

HEX #446EA2

RGB 68 110.2 162.6

HSL 213.23, 0.41%, 0.45%

LAB 45.71, 1.53, -32.67

 

CMYK 64 / 36 / 0 / 44

HEX #335C8F

RGB 51 92.2 143.6

HSL 213.3, 0.48%, 0.38%

LAB 38.54, 2.62, -32.68

 

CMYK 73 / 40 / 0 / 51

HEX #224A7C

RGB 34 74.2 124.6

HSL 213.38, 0.57%, 0.31%

LAB 31.2, 4.12, -32.71

 

CMYK 84 / 47 / 0 / 59

HEX #113869

RGB 17 56.2 105.6

HSL 213.45, 0.72%, 0.24%

LAB 23.67, 6.28, -32.73

 

CMYK 54 / 30 / 0 / 29

HEX #547FB6

RGB 84 127 182

HSL 213.67, 0.4%, 0.52%

LAB 52.33, 1.31, -33.51

 

CMYK 54 / 45 / 0 / 29

HEX #5465B6

RGB 84 101 182

HSL 229.59, 0.4%, 0.52%

LAB 45.04, 17.24, -45.03

 

CMYK 49 / 54 / 0 / 29

HEX #5D54B6

RGB 93 84 182

HSL 245.51, 0.4%, 0.52%

LAB 41.29, 29.88, -51.01

 

CMYK 35 / 54 / 0 / 29

HEX #7754B6

RGB 119 84 182

HSL 261.43, 0.4%, 0.52%

LAB 43.71, 36.11, -46.98

 

CMYK 20 / 54 / 0 / 29

HEX #9154B6

RGB 145 84 182

HSL 277.35, 0.4%, 0.52%

LAB 46.63, 42.93, -42.16

 

CMYK 54 / 30 / 0 / 29

HEX #547FB6

RGB 84 127 182

HSL 213.67, 0.4%, 0.52%

LAB 52.33, 1.31, -33.51

 

CMYK 54 / 45 / 0 / 29

HEX #5465B6

RGB 84 101 182

HSL 229.59, 0.4%, 0.52%

LAB 45.04, 17.24, -45.03

 

CMYK 54 / 54 / 0 / 29

HEX #5454B6

RGB 84 84 182

HSL 240, 0.4%, 0.52%

LAB 40.58, 27.94, -52.19

 

CMYK 54 / 30 / 0 / 29

HEX #547FB6

RGB 84 127 182

HSL 213.67, 0.4%, 0.52%

LAB 52.33, 1.31, -33.51

 

CMYK 68 / 38 / 0 / 21

HEX #407DC9

RGB 64 125 201

HSL 213.28, 0.56%, 0.52%

LAB 51.81, 5.07, -45.27

 

CMYK 80 / 44 / 0 / 13

HEX #2C7BDD

RGB 44 123 221

HSL 213.22, 0.72%, 0.52%

LAB 51.75, 11.08, -56.73

 

CMYK 90 / 50 / 0 / 5

HEX #1879F1

RGB 24 121 241

HSL 213.18, 0.89%, 0.52%

LAB 52.08, 18.52, -67.42

 

CMYK 54 / 30 / 0 / 29

HEX #547FB6

RGB 84 127 182

HSL 213.67, 0.4%, 0.52%

LAB 52.33, 1.31, -33.51

 

CMYK 36 / 20 / 0 / 36

HEX #6782A2

RGB 103 130 162

HSL 212.54, 0.24%, 0.52%

LAB 53.45, -1.46, -20.16

 

CMYK 13 / 7 / 0 / 44

HEX #7B848E

RGB 123 132 142

HSL 211.58, 0.08%, 0.52%

LAB 54.73, -1.14, -6.5

 

CMYK 0 / 6 / 15 / 44

HEX #8F867A

RGB 143 134 122

HSL 34.29, 0.09%, 0.52%

LAB 56.38, 1.23, 7.67

 

CMYK 0 / 17 / 37 / 36

HEX #A38866

RGB 163 136 102

HSL 33.44, 0.25%, 0.52%

LAB 58.37, 5.28, 22.1

 

CMYK 54 / 1 / 0 / 29

HEX #54B4B6

RGB 84 180 182

HSL 181.22, 0.4%, 0.52%

LAB 67.95, -27.5, -9.63

 

CMYK 54 / 15 / 0 / 29

HEX #549AB6

RGB 84 154 182

HSL 197.14, 0.4%, 0.52%

LAB 60.22, -14.05, -21.3

 

CMYK 54 / 30 / 0 / 29

HEX #5480B6

RGB 84 128 182

HSL 213.06, 0.4%, 0.52%

LAB 52.62, 0.72, -33.06

 

CMYK 54 / 44 / 0 / 29

HEX #5466B6

RGB 84 102 182

HSL 228.98, 0.4%, 0.52%

LAB 45.31, 16.62, -44.6

 

CMYK 49 / 54 / 0 / 29

HEX #5C54B6

RGB 92 84 182

HSL 244.9, 0.4%, 0.52%

LAB 41.21, 29.66, -51.14

 

CMYK 57 / 32 / 0 / 50

HEX #375780

RGB 55 87 128

HSL 213.7, 0.4%, 0.36%

LAB 36.34, 1.27, -26.63

 

CMYK 57 / 32 / 0 / 38

HEX #436B9D

RGB 67 107 157

HSL 213.33, 0.4%, 0.44%

LAB 44.44, 1.39, -31.36

 

CMYK 54 / 30 / 0 / 29

HEX #547FB6

RGB 84 127 182

HSL 213.67, 0.4%, 0.52%

LAB 52.33, 1.31, -33.51

 

CMYK 42 / 23 / 0 / 24

HEX #7195C2

RGB 113 149 194

HSL 213.33, 0.4%, 0.6%

LAB 60.69, -0.7, -27.22

 

CMYK 32 / 17 / 0 / 19

HEX #8DAACE

RGB 141 170 206

HSL 213.23, 0.4%, 0.68%

LAB 68.66, -1.47, -21.55

 

CMYK 53 / 29 / 0 / 29

HEX #5580B5

RGB 85 128.2 181.6

HSL 213.17, 0.4%, 0.52%

LAB 52.71, 0.7, -32.69

 

CMYK 14 / 54 / 0 / 29

HEX #9D54B6

RGB 157 84 182

HSL 284.69, 0.4%, 0.52%

LAB 48.12, 46.2, -39.71

 

CMYK 8 / 0 / 54 / 29

HEX #A7B654

RGB 167 182 84

HSL 69.18, 0.4%, 0.52%

LAB 71.09, -19.51, 47.43

 

CMYK 53 / 29 / 0 / 29

HEX #5580B5

RGB 85 128.2 181.6

HSL 213.17, 0.4%, 0.52%

LAB 52.71, 0.7, -32.69

 

CMYK 0 / 54 / 30 / 29

HEX #B65480

RGB 182 84 128

HSL 333.06, 0.4%, 0.52%

LAB 49.31, 44.56, -5.6

 

CMYK 30 / 0 / 54 / 29

HEX #80B654

RGB 128 182 84

HSL 93.06, 0.4%, 0.52%

LAB 68.52, -34.71, 43.79

 

CMYK 53 / 29 / 0 / 29

HEX #5580B5

RGB 85 128.2 181.6

HSL 213.17, 0.4%, 0.52%

LAB 52.71, 0.7, -32.69

 

CMYK 14 / 54 / 0 / 29

HEX #9D54B6

RGB 157 84 182

HSL 284.69, 0.4%, 0.52%

LAB 48.12, 46.2, -39.71

 

CMYK 0 / 25 / 54 / 29

HEX #B68954

RGB 182 137 84

HSL 32.45, 0.4%, 0.52%

LAB 60.32, 10.86, 34.87

 

CMYK 41 / 0 / 54 / 29

HEX #6CB654

RGB 108 182 84

HSL 105.31, 0.4%, 0.52%

LAB 67.49, -41.61, 42.31

 

CMYK 53 / 29 / 0 / 29

HEX #5580B5

RGB 85 128.2 181.6

HSL 213.17, 0.4%, 0.52%

LAB 52.71, 0.7, -32.69

 

CMYK 0 / 54 / 3 / 29

HEX #B654B1

RGB 182 84 177

HSL 303.06, 0.4%, 0.52%

LAB 51.22, 52.18, -31.68

 

CMYK 0 / 25 / 54 / 29

HEX #B68954

RGB 182 137 84

HSL 32.45, 0.4%, 0.52%

LAB 60.32, 10.86, 34.87

 

CMYK 54 / 0 / 51 / 29

HEX #54B659

RGB 84 182 89

HSL 123.06, 0.4%, 0.52%

LAB 66.57, -48.03, 38.51

 

Description

Color code: RGB 85 128.2 181.6 | qconv.com Color code: RGB 85 128.2 181.6 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 85 red, 128.2 green and 181.6 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
85 128.2 181.6 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 53 cyan, 29 magenta, none yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
53% 29% 0% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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