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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 85 102 164 it is the complementary color RGB 170 153 91. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 85 102 164. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 85 102 164: RGB 90 102 159, RGB 107 120 178, RGB 124 138 197, RGB 141 156 216 and RGB 158 174 235

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 85 102 164. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 85 102 164: RGB 85 102 164, RGB 68 84 145, RGB 51 66 126, RGB 34 48 107 and RGB 17 30 88

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 48 / 38 / 0 / 36

HEX #5566A4

RGB 85 102 164

HSL 227.09, 0.32%, 0.49%

LAB 44.4, 11.06, -35.49

 

Complementary color

CMYK 0 / 10 / 46 / 33

HEX #AA995B

RGB 170 153 91

HSL 47.09, 0.32%, 0.51%

LAB 63.41, -2.4, 34.75

 

CMYK 43 / 36 / 0 / 38

HEX #5A669F

RGB 90 102 159

HSL 229.57, 0.28%, 0.49%

LAB 44.49, 10.82, -32.37

 

CMYK 40 / 33 / 0 / 30

HEX #6B78B2

RGB 107 120 178

HSL 229.01, 0.32%, 0.56%

LAB 51.58, 10.09, -32.28

 

CMYK 37 / 30 / 0 / 23

HEX #7C8AC5

RGB 124 138 197

HSL 228.49, 0.39%, 0.63%

LAB 58.5, 9.48, -32.25

 

CMYK 35 / 28 / 0 / 15

HEX #8D9CD8

RGB 141 156 216

HSL 228, 0.49%, 0.7%

LAB 65.28, 8.96, -32.27

 

CMYK 33 / 26 / 0 / 8

HEX #9EAEEB

RGB 158 174 235

HSL 227.53, 0.66%, 0.77%

LAB 71.92, 8.5, -32.33

 

CMYK 48 / 38 / 0 / 36

HEX #5566A4

RGB 85 102 164

HSL 227.09, 0.32%, 0.49%

LAB 44.4, 11.06, -35.49

HKS® 45

CMYK 53 / 42 / 0 / 43

HEX #445491

RGB 68 84 145

HSL 227.53, 0.36%, 0.42%

LAB 37.14, 12.11, -35.69

 

CMYK 60 / 48 / 0 / 51

HEX #33427E

RGB 51 66 126

HSL 228, 0.42%, 0.35%

LAB 29.68, 13.48, -35.95

 

CMYK 68 / 55 / 0 / 58

HEX #22306B

RGB 34 48 107

HSL 228.49, 0.52%, 0.28%

LAB 22, 15.33, -36.28

 

CMYK 81 / 66 / 0 / 65

HEX #111E58

RGB 17 30 88

HSL 229.01, 0.68%, 0.21%

LAB 14.13, 17.97, -36.57

 

CMYK 48 / 38 / 0 / 36

HEX #5566A4

RGB 85 102 164

HSL 227.09, 0.32%, 0.49%

LAB 44.4, 11.06, -35.49

HKS® 45

CMYK 49 / 46 / 0 / 36

HEX #5458A4

RGB 84 88 164

HSL 237, 0.32%, 0.49%

LAB 40.48, 19.63, -41.7

 

CMYK 43 / 49 / 0 / 36

HEX #5E54A4

RGB 94 84 164

HSL 247.5, 0.32%, 0.49%

LAB 40.25, 24.64, -42.03

 

CMYK 35 / 49 / 0 / 36

HEX #6B54A4

RGB 107 84 164

HSL 257.25, 0.32%, 0.49%

LAB 41.45, 28.08, -40.05

 

CMYK 27 / 49 / 0 / 36

HEX #7854A4

RGB 120 84 164

HSL 267, 0.32%, 0.49%

LAB 42.78, 31.7, -37.84

 

CMYK 48 / 38 / 0 / 36

HEX #5566A4

RGB 85 102 164

HSL 227.09, 0.32%, 0.49%

LAB 44.4, 11.06, -35.49

HKS® 45

CMYK 48 / 38 / 0 / 16

HEX #6F86D7

RGB 111 134 215

HSL 226.73, 0.57%, 0.64%

LAB 57.4, 13.7, -44.18

 

CMYK 45 / 36 / 0 / 96

HEX #06070B

RGB 6 7 11

HSL 228, 0.29%, 0.03%

LAB 1.94, 0.3, -1.62

 

CMYK 48 / 37 / 0 / 76

HEX #20273E

RGB 32 39 62

HSL 226, 0.32%, 0.18%

LAB 16.03, 4.22, -15.66

 

CMYK 48 / 38 / 0 / 56

HEX #3B4671

RGB 59 70 113

HSL 227.78, 0.31%, 0.34%

LAB 30.65, 8.27, -26.23

 

CMYK 48 / 38 / 0 / 36

HEX #5566A4

RGB 85 102 164

HSL 227.09, 0.32%, 0.49%

LAB 44.4, 11.06, -35.49

HKS® 45

CMYK 1 / 49 / 0 / 36

HEX #A354A4

RGB 163 84 164

HSL 299.25, 0.32%, 0.49%

LAB 48.02, 44.32, -29.25

 

CMYK 18 / 0 / 49 / 36

HEX #86A454

RGB 134 164 84

HSL 82.5, 0.32%, 0.49%

LAB 63.56, -23.81, 37.9

 

CMYK 48 / 38 / 0 / 36

HEX #5566A4

RGB 85 102 164

HSL 227.09, 0.32%, 0.49%

LAB 44.4, 11.06, -35.49

HKS® 45

CMYK 0 / 49 / 38 / 36

HEX #A45466

RGB 164 84 102

HSL 346.5, 0.32%, 0.49%

LAB 45.9, 34.89, 4.82

 

CMYK 38 / 0 / 49 / 36

HEX #66A454

RGB 102 164 84

HSL 106.5, 0.32%, 0.49%

LAB 61.67, -35.63, 35.16

 

CMYK 48 / 38 / 0 / 36

HEX #5566A4

RGB 85 102 164

HSL 227.09, 0.32%, 0.49%

LAB 44.4, 11.06, -35.49

HKS® 45

CMYK 1 / 49 / 0 / 36

HEX #A354A4

RGB 163 84 164

HSL 299.25, 0.32%, 0.49%

LAB 48.02, 44.32, -29.25

 

CMYK 0 / 10 / 49 / 36

HEX #A49354

RGB 164 147 84

HSL 47.25, 0.32%, 0.49%

LAB 61.13, -2.4, 35.47

 

CMYK 48 / 0 / 49 / 36

HEX #56A454

RGB 86 164 84

HSL 118.5, 0.32%, 0.49%

LAB 60.93, -40.72, 34.08

 

CMYK 48 / 38 / 0 / 36

HEX #5566A4

RGB 85 102 164

HSL 227.09, 0.32%, 0.49%

LAB 44.4, 11.06, -35.49

HKS® 45

CMYK 0 / 49 / 13 / 36

HEX #A4548E

RGB 164 84 142

HSL 316.5, 0.32%, 0.49%

LAB 47.22, 40.72, -17.4

 

CMYK 0 / 10 / 49 / 36

HEX #A49354

RGB 164 147 84

HSL 47.25, 0.32%, 0.49%

LAB 61.13, -2.4, 35.47

 

CMYK 49 / 0 / 35 / 36

HEX #54A46B

RGB 84 164 107

HSL 137.25, 0.32%, 0.49%

LAB 61.22, -37.51, 22.22

 

Description

Color code: RGB 85 102 164 | qconv.com Color code: RGB 85 102 164 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 85 red, 102 green and 164 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
85 102 164 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 48 cyan, 38 magenta, none yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
48% 38% 0% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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