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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 85.7 218.6 216 it is the complementary color RGB 169.3 36.4 39. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 85.7 218.6 216. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 85.7 218.6 216 shade: RGB 90.7 218.6 211, RGB 107.7 236.6 230, RGB 124.7 254.6 249, RGB 141.7 255 255 and RGB 158.7 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 85.7 218.6 216. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 85.7 218.6 216 shade: RGB 85.7 218.6 216, RGB 68.7 200.6 197, RGB 51.7 182.6 178, RGB 34.7 164.6 159 and RGB 17.7 146.6 140

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 85.7 218.6 216 shade: RGB 87 219 217, RGB 87 219 181, RGB 87 219 145, RGB 87 219 109 and RGB 100 219 87

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 85.7 218.6 216 shade: RGB 87 219 217, RGB 87 186 219, RGB 87 150 219, RGB 87 115 219 and RGB 87 87 219

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 85.7 218.6 216 shade matches the following richer shades: RGB 87 219 217, RGB 70 236 233 and RGB 54 252 248

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 85.7 218.6 216 shade: RGB 87 219 217, RGB 103 203 201, RGB 120 186 185, RGB 136 170 169 and RGB 153 153 153

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 85.7 218.6 216 shade: RGB 87 219 144, RGB 87 219 180, RGB 87 219 215, RGB 87 188 219 and RGB 87 153 219

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 85.7 218.6 216 shade: RGB 39 184 182, RGB 53 212 209, RGB 87 219 217, RGB 121 227 224 and RGB 155 234 232

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 85.7 218.6 216 shade: RGB 85.7 218.6 216, RGB 109 87 219 and RGB 219 162 87

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 85.7 218.6 216 shade: RGB 85.7 218.6 216, RGB 215 87 219 and RGB 219 215 87

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 85.7 218.6 216 shade: RGB 85.7 218.6 216, RGB 109 87 219, RGB 219 87 91 and RGB 197 219 87

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 85.7 218.6 216 shade: RGB 85.7 218.6 216, RGB 149 87 219, RGB 219 87 91 and RGB 157 219 87

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 61 / 0 / 1 / 14

HEX #55DAD8

RGB 85.7 218.6 216

HSL 178.83, 0.65%, 0.6%

LAB 80.39, -36.36, -9.54

 

Complementary color

CMYK 0 / 78 / 77 / 34

HEX #A92427

RGB 169.3 36.4 39

HSL 358.83, 0.65%, 0.4%

LAB 37.66, 52.79, 32.72

 

CMYK 59 / 0 / 3 / 14

HEX #5ADAD3

RGB 90.7 218.6 211

HSL 176.43, 0.64%, 0.61%

LAB 80.39, -36.84, -6.86

 

CMYK 54 / 0 / 3 / 7

HEX #6BECE6

RGB 107.7 236.6 230

HSL 176.93, 0.78%, 0.68%

LAB 86.61, -37.06, -7.64

 

CMYK 51 / 0 / 2 / 0

HEX #7CFEF9

RGB 124.7 254.6 249

HSL 177.41, 0.99%, 0.74%

LAB 92.77, -37.2, -8.36

 

CMYK 44 / 0 / 0 / 0

HEX #8DFFFF

RGB 141.7 255 255

HSL 180, 1%, 0.78%

LAB 93.65, -32.32, -10.09

 

CMYK 38 / 0 / 0 / 0

HEX #9EFFFF

RGB 158.7 255 255

HSL 180, 1%, 0.81%

LAB 94.35, -28.33, -8.98

 

CMYK 61 / 0 / 1 / 14

HEX #55DAD8

RGB 85.7 218.6 216

HSL 178.83, 0.65%, 0.6%

LAB 80.39, -36.36, -9.54

 

CMYK 66 / 0 / 2 / 21

HEX #44C8C5

RGB 68.7 200.6 197

HSL 178.36, 0.55%, 0.53%

LAB 74.11, -35.9, -8.71

 

CMYK 72 / 0 / 3 / 28

HEX #33B6B2

RGB 51.7 182.6 178

HSL 177.89, 0.56%, 0.46%

LAB 67.75, -35.24, -7.81

 

CMYK 79 / 0 / 3 / 35

HEX #22A49F

RGB 34.7 164.6 159

HSL 177.41, 0.65%, 0.39%

LAB 61.33, -34.31, -6.8

 

CMYK 88 / 0 / 5 / 43

HEX #11928C

RGB 17.7 146.6 140

HSL 176.93, 0.78%, 0.32%

LAB 54.83, -33.01, -5.66

 

CMYK 60 / 0 / 1 / 14

HEX #57DBD9

RGB 87 219 217

HSL 179.09, 0.65%, 0.6%

LAB 80.57, -36.06, -9.8

 

CMYK 60 / 0 / 17 / 14

HEX #57DBB5

RGB 87 219 181

HSL 162.73, 0.65%, 0.6%

LAB 79.63, -45.14, 8

 

CMYK 60 / 0 / 34 / 14

HEX #57DB91

RGB 87 219 145

HSL 146.36, 0.65%, 0.6%

LAB 78.89, -52.77, 25.89

 

CMYK 60 / 0 / 50 / 14

HEX #57DB6D

RGB 87 219 109

HSL 130, 0.65%, 0.6%

LAB 78.34, -58.73, 43.26

 

CMYK 54 / 0 / 60 / 14

HEX #64DB57

RGB 100 219 87

HSL 114.09, 0.65%, 0.6%

LAB 78.5, -58.37, 53.67

 

CMYK 60 / 0 / 1 / 14

HEX #57DBD9

RGB 87 219 217

HSL 179.09, 0.65%, 0.6%

LAB 80.57, -36.06, -9.8

 

CMYK 60 / 15 / 0 / 14

HEX #57BADB

RGB 87 186 219

HSL 195, 0.65%, 0.6%

LAB 71.05, -19.32, -25.26

 

CMYK 60 / 32 / 0 / 14

HEX #5796DB

RGB 87 150 219

HSL 211.36, 0.65%, 0.6%

LAB 60.74, 0.41, -41.24

 

CMYK 60 / 47 / 0 / 14

HEX #5773DB

RGB 87 115 219

HSL 227.27, 0.65%, 0.6%

LAB 51.15, 21.43, -56.47

 

CMYK 60 / 60 / 0 / 14

HEX #5757DB

RGB 87 87 219

HSL 240, 0.65%, 0.6%

LAB 44.17, 38.65, -67.75

 

CMYK 60 / 0 / 1 / 14

HEX #57DBD9

RGB 87 219 217

HSL 179.09, 0.65%, 0.6%

LAB 80.57, -36.06, -9.8

 

CMYK 70 / 0 / 1 / 7

HEX #46ECE9

RGB 70 236 233

HSL 178.92, 0.81%, 0.6%

LAB 85.59, -41.87, -10.83

 

CMYK 79 / 0 / 2 / 1

HEX #36FCF8

RGB 54 252 248

HSL 178.79, 0.97%, 0.6%

LAB 90.41, -46.39, -11.53

 

CMYK 60 / 0 / 1 / 14

HEX #57DBD9

RGB 87 219 217

HSL 179.09, 0.65%, 0.6%

LAB 80.57, -36.06, -9.8

 

CMYK 49 / 0 / 1 / 20

HEX #67CBC9

RGB 103 203 201

HSL 178.8, 0.49%, 0.6%

LAB 75.95, -29.66, -8.02

 

CMYK 35 / 0 / 1 / 27

HEX #78BAB9

RGB 120 186 185

HSL 179.09, 0.32%, 0.6%

LAB 71.29, -21.11, -6.16

 

CMYK 20 / 0 / 1 / 33

HEX #88AAA9

RGB 136 170 169

HSL 178.24, 0.17%, 0.6%

LAB 67.16, -11.75, -3.33

 

CMYK 0 / 0 / 0 / 40

HEX #999999

RGB 153 153 153

HSL 0, 0%, 0.6%

LAB 63.22, 0, -0.01

 

CMYK 60 / 0 / 34 / 14

HEX #57DB90

RGB 87 219 144

HSL 145.91, 0.65%, 0.6%

LAB 78.87, -52.96, 26.39

 

CMYK 60 / 0 / 18 / 14

HEX #57DBB4

RGB 87 219 180

HSL 162.27, 0.65%, 0.6%

LAB 79.61, -45.37, 8.5

 

CMYK 60 / 0 / 2 / 14

HEX #57DBD7

RGB 87 219 215

HSL 178.18, 0.65%, 0.6%

LAB 80.51, -36.6, -8.82

 

CMYK 60 / 14 / 0 / 14

HEX #57BCDB

RGB 87 188 219

HSL 194.09, 0.65%, 0.6%

LAB 71.63, -20.35, -24.37

 

CMYK 60 / 30 / 0 / 14

HEX #5799DB

RGB 87 153 219

HSL 210, 0.65%, 0.6%

LAB 61.59, -1.31, -39.91

 

CMYK 79 / 0 / 1 / 28

HEX #27B8B6

RGB 39 184 182

HSL 179.17, 0.65%, 0.44%

LAB 68.09, -36.13, -9.54

 

CMYK 75 / 0 / 1 / 17

HEX #35D4D1

RGB 53 212 209

HSL 178.87, 0.65%, 0.52%

LAB 77.55, -39.72, -10.1

 

CMYK 60 / 0 / 1 / 14

HEX #57DBD9

RGB 87 219 217

HSL 179.09, 0.65%, 0.6%

LAB 80.57, -36.06, -9.8

 

CMYK 47 / 0 / 1 / 11

HEX #79E3E0

RGB 121 227 224

HSL 178.3, 0.65%, 0.68%

LAB 84.17, -31.35, -8.05

 

CMYK 34 / 0 / 1 / 8

HEX #9BEAE8

RGB 155 234 232

HSL 178.48, 0.65%, 0.76%

LAB 87.8, -24.5, -6.73

 

CMYK 61 / 0 / 1 / 14

HEX #55DAD8

RGB 85.7 218.6 216

HSL 178.83, 0.65%, 0.6%

LAB 80.39, -36.36, -9.54

 

CMYK 50 / 60 / 0 / 14

HEX #6D57DB

RGB 109 87 219

HSL 250, 0.65%, 0.6%

LAB 45.88, 42.57, -64.9

 

CMYK 0 / 26 / 60 / 14

HEX #DBA257

RGB 219 162 87

HSL 34.09, 0.65%, 0.6%

LAB 70.59, 13.14, 46.61

 

CMYK 61 / 0 / 1 / 14

HEX #55DAD8

RGB 85.7 218.6 216

HSL 178.83, 0.65%, 0.6%

LAB 80.39, -36.36, -9.54

 

CMYK 2 / 60 / 0 / 14

HEX #D757DB

RGB 215 87 219

HSL 298.18, 0.65%, 0.6%

LAB 58.39, 66.77, -44.17

 

CMYK 0 / 2 / 60 / 14

HEX #DBD757

RGB 219 215 87

HSL 58.18, 0.65%, 0.6%

LAB 84.15, -14.42, 61.84

 

CMYK 61 / 0 / 1 / 14

HEX #55DAD8

RGB 85.7 218.6 216

HSL 178.83, 0.65%, 0.6%

LAB 80.39, -36.36, -9.54

 

CMYK 50 / 60 / 0 / 14

HEX #6D57DB

RGB 109 87 219

HSL 250, 0.65%, 0.6%

LAB 45.88, 42.57, -64.9

 

CMYK 0 / 60 / 58 / 14

HEX #DB575B

RGB 219 87 91

HSL 358.18, 0.65%, 0.6%

LAB 54.69, 52, 24.82

 

CMYK 10 / 0 / 60 / 14

HEX #C5DB57

RGB 197 219 87

HSL 70, 0.65%, 0.6%

LAB 83.56, -25.3, 60.72

 

CMYK 61 / 0 / 1 / 14

HEX #55DAD8

RGB 85.7 218.6 216

HSL 178.83, 0.65%, 0.6%

LAB 80.39, -36.36, -9.54

 

CMYK 32 / 60 / 0 / 14

HEX #9557DB

RGB 149 87 219

HSL 268.18, 0.65%, 0.6%

LAB 49.88, 51.03, -58.24

 

CMYK 0 / 60 / 58 / 14

HEX #DB575B

RGB 219 87 91

HSL 358.18, 0.65%, 0.6%

LAB 54.69, 52, 24.82

 

CMYK 28 / 0 / 60 / 14

HEX #9DDB57

RGB 157 219 87

HSL 88.18, 0.65%, 0.6%

LAB 81.03, -40.56, 57.21

 

Description

Color code: RGB 85.7 218.6 216 | qconv.com Color code: RGB 85.7 218.6 216 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 85.7 red, 218.6 green and 216 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
85.7 218.6 216 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 61 cyan, none magenta, 1 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
61% 0% 1% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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