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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 85.1 216.8 211 it is the complementary color RGB 169.9 38.2 44. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 85.1 216.8 211. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 85.1 216.8 211 shade: RGB 90.1 216.8 206, RGB 107.1 234.8 225, RGB 124.1 252.8 244, RGB 141.1 255 255 and RGB 158.1 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 85.1 216.8 211. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 85.1 216.8 211 shade: RGB 85.1 216.8 211, RGB 68.1 198.8 192, RGB 51.1 180.8 173, RGB 34.1 162.8 154 and RGB 17.1 144.8 135

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 85.1 216.8 211 shade: RGB 85 216 211, RGB 85 216 175, RGB 85 216 139, RGB 85 216 104 and RGB 101 216 85

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 85.1 216.8 211 shade: RGB 85 216 211, RGB 85 187 216, RGB 85 151 216, RGB 85 116 216 and RGB 85 85 216

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 85.1 216.8 211 shade matches the following richer shades: RGB 85 216 211, RGB 68 233 226 and RGB 51 250 241

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 85.1 216.8 211 shade: RGB 85 216 211, RGB 101 199 195, RGB 118 182 180, RGB 135 166 164 and RGB 152 149 149

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 85.1 216.8 211 shade: RGB 85 216 139, RGB 85 216 175, RGB 85 216 210, RGB 85 188 216 and RGB 85 153 216

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 85.1 216.8 211 shade: RGB 40 178 172, RGB 51 209 202, RGB 85 216 211, RGB 118 224 219 and RGB 152 232 228

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 85.1 216.8 211 shade: RGB 85.1 216.8 211, RGB 104 85 216 and RGB 216 157 85

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 85.1 216.8 211 shade: RGB 85.1 216.8 211, RGB 210 85 216 and RGB 216 210 85

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 85.1 216.8 211 shade: RGB 85.1 216.8 211, RGB 104 85 216, RGB 216 85 91 and RGB 197 216 85

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 85.1 216.8 211 shade: RGB 85.1 216.8 211, RGB 144 85 216, RGB 216 85 91 and RGB 157 216 85

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 61 / 0 / 3 / 15

HEX #55D8D3

RGB 85.1 216.8 211

HSL 177.36, 0.63%, 0.59%

LAB 79.71, -36.98, -7.89

 

Complementary color

CMYK 0 / 78 / 74 / 33

HEX #A9262C

RGB 169.9 38.2 44

HSL 357.36, 0.63%, 0.41%

LAB 38.05, 52.61, 30.2

 

CMYK 58 / 0 / 5 / 15

HEX #5AD8CE

RGB 90.1 216.8 206

HSL 174.89, 0.62%, 0.6%

LAB 79.7, -37.42, -5.21

 

CMYK 54 / 0 / 4 / 8

HEX #6BEAE1

RGB 107.1 234.8 225

HSL 175.4, 0.76%, 0.67%

LAB 85.94, -37.62, -6

 

CMYK 51 / 0 / 3 / 1

HEX #7CFCF4

RGB 124.1 252.8 244

HSL 175.9, 0.97%, 0.74%

LAB 92.11, -37.74, -6.75

 

CMYK 45 / 0 / 0 / 0

HEX #8DFFFF

RGB 141.1 255 255

HSL 180, 1%, 0.78%

LAB 93.63, -32.45, -10.12

 

CMYK 38 / 0 / 0 / 0

HEX #9EFFFF

RGB 158.1 255 255

HSL 180, 1%, 0.81%

LAB 94.32, -28.48, -9.02

 

CMYK 61 / 0 / 3 / 15

HEX #55D8D3

RGB 85.1 216.8 211

HSL 177.36, 0.63%, 0.59%

LAB 79.71, -36.98, -7.89

 

CMYK 66 / 0 / 3 / 22

HEX #44C6C0

RGB 68.1 198.8 192

HSL 176.88, 0.54%, 0.52%

LAB 73.41, -36.54, -7.04

 

CMYK 72 / 0 / 4 / 29

HEX #33B4AD

RGB 51.1 180.8 173

HSL 176.39, 0.56%, 0.45%

LAB 67.04, -35.9, -6.1

 

CMYK 79 / 0 / 5 / 36

HEX #22A29A

RGB 34.1 162.8 154

HSL 175.9, 0.65%, 0.39%

LAB 60.6, -35, -5.06

 

CMYK 88 / 0 / 7 / 43

HEX #119087

RGB 17.1 144.8 135

HSL 175.4, 0.79%, 0.32%

LAB 54.09, -33.72, -3.88

 

CMYK 61 / 0 / 2 / 15

HEX #55D8D3

RGB 85 216 211

HSL 177.71, 0.63%, 0.59%

LAB 79.47, -36.62, -8.24

 

CMYK 61 / 0 / 19 / 15

HEX #55D8AF

RGB 85 216 175

HSL 161.22, 0.63%, 0.59%

LAB 78.54, -45.61, 9.63

 

CMYK 61 / 0 / 36 / 15

HEX #55D88B

RGB 85 216 139

HSL 144.73, 0.63%, 0.59%

LAB 77.82, -53.11, 27.55

 

CMYK 61 / 0 / 52 / 15

HEX #55D868

RGB 85 216 104

HSL 128.7, 0.63%, 0.59%

LAB 77.31, -58.75, 44.38

 

CMYK 53 / 0 / 61 / 15

HEX #65D855

RGB 101 216 85

HSL 112.67, 0.63%, 0.59%

LAB 77.6, -57.2, 53.53

 

CMYK 61 / 0 / 2 / 15

HEX #55D8D3

RGB 85 216 211

HSL 177.71, 0.63%, 0.59%

LAB 79.47, -36.62, -8.24

 

CMYK 61 / 13 / 0 / 15

HEX #55BBD8

RGB 85 187 216

HSL 193.28, 0.63%, 0.59%

LAB 71.17, -21.09, -23.44

 

CMYK 61 / 30 / 0 / 15

HEX #5597D8

RGB 85 151 216

HSL 209.77, 0.63%, 0.59%

LAB 60.8, -1.52, -39.48

 

CMYK 61 / 46 / 0 / 15

HEX #5574D8

RGB 85 116 216

HSL 225.8, 0.63%, 0.59%

LAB 51.13, 19.43, -54.82

 

CMYK 61 / 61 / 0 / 15

HEX #5555D8

RGB 85 85 216

HSL 240, 0.63%, 0.59%

LAB 43.34, 38.56, -67.4

 

CMYK 61 / 0 / 2 / 15

HEX #55D8D3

RGB 85 216 211

HSL 177.71, 0.63%, 0.59%

LAB 79.47, -36.62, -8.24

 

CMYK 71 / 0 / 3 / 9

HEX #44E9E2

RGB 68 233 226

HSL 177.45, 0.79%, 0.59%

LAB 84.48, -42.7, -8.8

 

CMYK 80 / 0 / 4 / 2

HEX #33FAF1

RGB 51 250 241

HSL 177.29, 0.95%, 0.59%

LAB 89.59, -47.7, -9.1

 

CMYK 61 / 0 / 2 / 15

HEX #55D8D3

RGB 85 216 211

HSL 177.71, 0.63%, 0.59%

LAB 79.47, -36.62, -8.24

 

CMYK 49 / 0 / 2 / 22

HEX #65C7C3

RGB 101 199 195

HSL 177.55, 0.47%, 0.59%

LAB 74.54, -29.71, -6.88

 

CMYK 35 / 0 / 1 / 29

HEX #76B6B4

RGB 118 182 180

HSL 178.13, 0.3%, 0.59%

LAB 69.9, -20.83, -5.49

 

CMYK 19 / 0 / 1 / 35

HEX #87A6A4

RGB 135 166 164

HSL 176.13, 0.15%, 0.59%

LAB 65.83, -11.04, -2.51

 

CMYK 0 / 2 / 2 / 40

HEX #989595

RGB 152 149 149

HSL 0, 0.01%, 0.59%

LAB 61.95, 1.1, 0.38

 

CMYK 61 / 0 / 36 / 15

HEX #55D88B

RGB 85 216 139

HSL 144.73, 0.63%, 0.59%

LAB 77.82, -53.11, 27.55

 

CMYK 61 / 0 / 19 / 15

HEX #55D8AF

RGB 85 216 175

HSL 161.22, 0.63%, 0.59%

LAB 78.54, -45.61, 9.63

 

CMYK 61 / 0 / 3 / 15

HEX #55D8D2

RGB 85 216 210

HSL 177.25, 0.63%, 0.59%

LAB 79.44, -36.89, -7.75

 

CMYK 61 / 13 / 0 / 15

HEX #55BCD8

RGB 85 188 216

HSL 192.82, 0.63%, 0.59%

LAB 71.46, -21.6, -23

 

CMYK 61 / 29 / 0 / 15

HEX #5599D8

RGB 85 153 216

HSL 208.85, 0.63%, 0.59%

LAB 61.37, -2.66, -38.59

 

CMYK 78 / 0 / 3 / 30

HEX #28B2AC

RGB 40 178 172

HSL 177.39, 0.63%, 0.43%

LAB 65.96, -36.18, -7.18

 

CMYK 76 / 0 / 3 / 18

HEX #33D1CA

RGB 51 209 202

HSL 177.34, 0.63%, 0.51%

LAB 76.42, -40.56, -8.02

 

CMYK 61 / 0 / 2 / 15

HEX #55D8D3

RGB 85 216 211

HSL 177.71, 0.63%, 0.59%

LAB 79.47, -36.62, -8.24

 

CMYK 47 / 0 / 2 / 12

HEX #76E0DB

RGB 118 224 219

HSL 177.17, 0.63%, 0.67%

LAB 83.06, -31.84, -7.06

 

CMYK 34 / 0 / 2 / 9

HEX #98E8E4

RGB 152 232 228

HSL 177, 0.63%, 0.75%

LAB 86.99, -25.24, -5.83

 

CMYK 61 / 0 / 3 / 15

HEX #55D8D3

RGB 85.1 216.8 211

HSL 177.36, 0.63%, 0.59%

LAB 79.71, -36.98, -7.89

 

CMYK 52 / 61 / 0 / 15

HEX #6855D8

RGB 104 85 216

HSL 248.7, 0.63%, 0.59%

LAB 44.8, 41.89, -64.96

 

CMYK 0 / 27 / 61 / 15

HEX #D89D55

RGB 216 157 85

HSL 32.98, 0.63%, 0.59%

LAB 69.02, 14.43, 45.69

 

CMYK 61 / 0 / 3 / 15

HEX #55D8D3

RGB 85.1 216.8 211

HSL 177.36, 0.63%, 0.59%

LAB 79.71, -36.98, -7.89

 

CMYK 3 / 61 / 0 / 15

HEX #D255D8

RGB 210 85 216

HSL 297.25, 0.63%, 0.59%

LAB 57.23, 65.87, -44.36

 

CMYK 0 / 3 / 61 / 15

HEX #D8D255

RGB 216 210 85

HSL 57.25, 0.63%, 0.59%

LAB 82.57, -13.29, 60.91

 

CMYK 61 / 0 / 3 / 15

HEX #55D8D3

RGB 85.1 216.8 211

HSL 177.36, 0.63%, 0.59%

LAB 79.71, -36.98, -7.89

 

CMYK 52 / 61 / 0 / 15

HEX #6855D8

RGB 104 85 216

HSL 248.7, 0.63%, 0.59%

LAB 44.8, 41.89, -64.96

 

CMYK 0 / 61 / 58 / 15

HEX #D8555B

RGB 216 85 91

HSL 357.25, 0.63%, 0.59%

LAB 53.87, 51.87, 23.65

 

CMYK 9 / 0 / 61 / 15

HEX #C5D855

RGB 197 216 85

HSL 68.7, 0.63%, 0.59%

LAB 82.72, -24, 60.65

 

CMYK 61 / 0 / 3 / 15

HEX #55D8D3

RGB 85.1 216.8 211

HSL 177.36, 0.63%, 0.59%

LAB 79.71, -36.98, -7.89

 

CMYK 33 / 61 / 0 / 15

HEX #9055D8

RGB 144 85 216

HSL 267.02, 0.63%, 0.59%

LAB 48.74, 50.22, -58.4

 

CMYK 0 / 61 / 58 / 15

HEX #D8555B

RGB 216 85 91

HSL 357.25, 0.63%, 0.59%

LAB 53.87, 51.87, 23.65

 

CMYK 27 / 0 / 61 / 15

HEX #9DD855

RGB 157 216 85

HSL 87.02, 0.63%, 0.59%

LAB 80.14, -39.4, 57.09

 

Description

Color code: RGB 85.1 216.8 211 | qconv.com Color code: RGB 85.1 216.8 211 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 85.1 red, 216.8 green and 211 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
85.1 216.8 211 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 61 cyan, none magenta, 3 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
61% 0% 3% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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