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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 84 56 49 it is the complementary color RGB 171 199 206. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 84 56 49. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 84 56 49 shade: RGB 89 56 44, RGB 106 74 63, RGB 123 92 82, RGB 140 110 101 and RGB 157 128 120

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 84 56 49. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 84 56 49 shade: RGB 84 56 49, RGB 67 38 30, RGB 50 20 11, RGB 33 2 0 and RGB 16 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 84 56 49 shade: RGB 84 56 49 and RGB 84 49 49

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 84 56 49 shade: RGB 84 56 49, RGB 84 65 49, RGB 84 75 49, RGB 83 84 49 and RGB 74 84 49

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 84 56 49 shade matches the following richer shades: RGB 84 56 49, RGB 94 50 38, RGB 105 43 28, RGB 116 37 17 and RGB 126 30 6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 84 56 49 shade: RGB 84 56 49, RGB 73 62 60, RGB 62 69 71, RGB 51 75 81 and RGB 41 82 92

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 84 56 49 shade: RGB 84 49 61, RGB 84 49 51, RGB 84 56 49, RGB 84 65 49 and RGB 84 74 49

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 84 56 49 shade: RGB 32 21 19, RGB 58 39 34, RGB 84 56 49, RGB 110 73 64 and RGB 136 91 80

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 84 56 49 shade: RGB 84 56 49, RGB 70 84 49 and RGB 49 56 84

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 84 56 49 shade: RGB 84 56 49, RGB 49 84 56 and RGB 56 49 84

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 84 56 49 shade: RGB 84 56 49, RGB 70 84 49, RGB 49 77 84 and RGB 63 49 84

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 84 56 49 shade: RGB 84 56 49, RGB 59 84 49, RGB 49 77 84 and RGB 73 49 84

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 33 / 42 / 67

HEX #543831

RGB 84 56 49

HSL 12, 0.26%, 0.26%

LAB 26.55, 11.45, 9.4

 

Complementary color

CMYK 17 / 3 / 0 / 19

HEX #ABC7CE

RGB 171 199 206

HSL 192, 0.26%, 0.74%

LAB 78.44, -7.9, -6.66

 

CMYK 0 / 37 / 51 / 65

HEX #59382C

RGB 89 56 44

HSL 16, 0.34%, 0.26%

LAB 27.11, 13.13, 13.54

 

CMYK 0 / 30 / 41 / 58

HEX #6A4A3F

RGB 106 74 63

HSL 15.35, 0.25%, 0.33%

LAB 34.64, 12.03, 11.98

 

CMYK 0 / 25 / 33 / 52

HEX #7B5C52

RGB 123 92 82

HSL 14.63, 0.2%, 0.4%

LAB 41.96, 11.17, 10.68

 

CMYK 0 / 21 / 28 / 45

HEX #8C6E65

RGB 140 110 101

HSL 13.85, 0.16%, 0.47%

LAB 49.09, 10.46, 9.54

 

CMYK 0 / 18 / 24 / 38

HEX #9D8078

RGB 157 128 120

HSL 12.97, 0.16%, 0.54%

LAB 56.05, 9.86, 8.53

 

CMYK 0 / 33 / 42 / 67

HEX #543831

RGB 84 56 49

HSL 12, 0.26%, 0.26%

LAB 26.55, 11.45, 9.4

 

CMYK 0 / 43 / 55 / 74

HEX #43261E

RGB 67 38 30

HSL 12.97, 0.38%, 0.19%

LAB 18.68, 12.65, 11.09

 

CMYK 0 / 60 / 78 / 80

HEX #32140B

RGB 50 20 11

HSL 13.85, 0.64%, 0.12%

LAB 10.58, 14.28, 11.61

 

CMYK 0 / 94 / 100 / 87

HEX #210200

RGB 33 2 0

HSL 3.64, 1%, 0.06%

LAB 3.31, 12.3, 5.19

 

CMYK 0 / 100 / 100 / 94

HEX #100000

RGB 16 0 0

HSL 0, 1%, 0.03%

LAB 1, 4.46, 1.57

 

CMYK 0 / 33 / 42 / 67

HEX #543831

RGB 84 56 49

HSL 12, 0.26%, 0.26%

LAB 26.55, 11.45, 9.4

 

CMYK 0 / 42 / 42 / 67

HEX #543131

RGB 84 49 49

HSL 0, 0.26%, 0.26%

LAB 24.65, 15.91, 6.76

 

CMYK 0 / 33 / 42 / 67

HEX #543831

RGB 84 56 49

HSL 12, 0.26%, 0.26%

LAB 26.55, 11.45, 9.4

 

CMYK 0 / 23 / 42 / 67

HEX #544131

RGB 84 65 49

HSL 27.43, 0.26%, 0.26%

LAB 29.13, 5.69, 12.9

 

CMYK 0 / 11 / 42 / 67

HEX #544B31

RGB 84 75 49

HSL 44.57, 0.26%, 0.26%

LAB 32.12, -0.6, 16.88

 

CMYK 1 / 0 / 42 / 67

HEX #535431

RGB 83 84 49

HSL 61.71, 0.26%, 0.26%

LAB 34.81, -6.53, 20.33

 

CMYK 12 / 0 / 42 / 67

HEX #4A5431

RGB 74 84 49

HSL 77.14, 0.26%, 0.26%

LAB 34.02, -10.63, 19.16

 

CMYK 0 / 33 / 42 / 67

HEX #543831

RGB 84 56 49

HSL 12, 0.26%, 0.26%

LAB 26.55, 11.45, 9.4

 

CMYK 0 / 47 / 60 / 63

HEX #5E3226

RGB 94 50 38

HSL 12.86, 0.42%, 0.26%

LAB 26.16, 18.54, 16.31

 

CMYK 0 / 59 / 73 / 59

HEX #692B1C

RGB 105 43 28

HSL 11.69, 0.58%, 0.26%

LAB 26.2, 26.67, 23.12

 

CMYK 0 / 68 / 85 / 55

HEX #742511

RGB 116 37 17

HSL 12.12, 0.74%, 0.26%

LAB 26.95, 33.67, 30.95

 

CMYK 0 / 76 / 95 / 51

HEX #7E1E06

RGB 126 30 6

HSL 12, 0.91%, 0.26%

LAB 27.78, 40.03, 37.45

 

CMYK 0 / 33 / 42 / 67

HEX #543831

RGB 84 56 49

HSL 12, 0.26%, 0.26%

LAB 26.55, 11.45, 9.4

 

CMYK 0 / 15 / 18 / 71

HEX #493E3C

RGB 73 62 60

HSL 9.23, 0.1%, 0.26%

LAB 27.26, 4.37, 2.98

 

CMYK 13 / 3 / 0 / 72

HEX #3E4547

RGB 62 69 71

HSL 193.33, 0.07%, 0.26%

LAB 28.73, -2.38, -2.19

 

CMYK 37 / 7 / 0 / 68

HEX #334B51

RGB 51 75 81

HSL 192, 0.23%, 0.26%

LAB 30.23, -7.45, -6.51

 

CMYK 55 / 11 / 0 / 64

HEX #29525C

RGB 41 82 92

HSL 191.76, 0.38%, 0.26%

LAB 32.43, -11.2, -10.26

 

CMYK 0 / 42 / 27 / 67

HEX #54313D

RGB 84 49 61

HSL 339.43, 0.26%, 0.26%

LAB 25.01, 17.76, -0.78

 

CMYK 0 / 42 / 39 / 67

HEX #543133

RGB 84 49 51

HSL 356.57, 0.26%, 0.26%

LAB 24.7, 16.2, 5.49

 

CMYK 0 / 33 / 42 / 67

HEX #543831

RGB 84 56 49

HSL 12, 0.26%, 0.26%

LAB 26.55, 11.45, 9.4

 

CMYK 0 / 23 / 42 / 67

HEX #544131

RGB 84 65 49

HSL 27.43, 0.26%, 0.26%

LAB 29.13, 5.69, 12.9

 

CMYK 0 / 12 / 42 / 67

HEX #544A31

RGB 84 74 49

HSL 42.86, 0.26%, 0.26%

LAB 31.82, 0.02, 16.48

 

CMYK 0 / 34 / 41 / 87

HEX #201513

RGB 32 21 19

HSL 9.23, 0.25%, 0.1%

LAB 8.04, 5.24, 3.34

 

CMYK 0 / 33 / 41 / 77

HEX #3A2722

RGB 58 39 34

HSL 12.5, 0.26%, 0.18%

LAB 17.76, 8.13, 6.85

 

CMYK 0 / 33 / 42 / 67

HEX #543831

RGB 84 56 49

HSL 12, 0.26%, 0.26%

LAB 26.55, 11.45, 9.4

 

CMYK 0 / 34 / 42 / 57

HEX #6E4940

RGB 110 73 64

HSL 11.74, 0.26%, 0.34%

LAB 34.9, 14.55, 11.79

 

CMYK 0 / 33 / 41 / 47

HEX #885B50

RGB 136 91 80

HSL 11.79, 0.26%, 0.42%

LAB 43.21, 17.05, 13.85

 

CMYK 0 / 33 / 42 / 67

HEX #543831

RGB 84 56 49

HSL 12, 0.26%, 0.26%

LAB 26.55, 11.45, 9.4

 

CMYK 17 / 0 / 42 / 67

HEX #465431

RGB 70 84 49

HSL 84, 0.26%, 0.26%

LAB 33.7, -12.4, 18.68

 

CMYK 42 / 33 / 0 / 67

HEX #313854

RGB 49 56 84

HSL 228, 0.26%, 0.26%

LAB 24.07, 5.19, -17.9

 

CMYK 0 / 33 / 42 / 67

HEX #543831

RGB 84 56 49

HSL 12, 0.26%, 0.26%

LAB 26.55, 11.45, 9.4

 

CMYK 42 / 0 / 33 / 67

HEX #315438

RGB 49 84 56

HSL 132, 0.26%, 0.26%

LAB 32.43, -19.56, 12.49

 

CMYK 33 / 42 / 0 / 67

HEX #383154

RGB 56 49 84

HSL 252, 0.26%, 0.26%

LAB 22.58, 12.29, -20.19

 

CMYK 0 / 33 / 42 / 67

HEX #543831

RGB 84 56 49

HSL 12, 0.26%, 0.26%

LAB 26.55, 11.45, 9.4

 

CMYK 17 / 0 / 42 / 67

HEX #465431

RGB 70 84 49

HSL 84, 0.26%, 0.26%

LAB 33.7, -12.4, 18.68

 

CMYK 42 / 8 / 0 / 67

HEX #314D54

RGB 49 77 84

HSL 192, 0.26%, 0.26%

LAB 30.88, -8.43, -7.47

 

CMYK 25 / 42 / 0 / 67

HEX #3F3154

RGB 63 49 84

HSL 264, 0.26%, 0.26%

LAB 23.32, 14.69, -18.97

 

CMYK 0 / 33 / 42 / 67

HEX #543831

RGB 84 56 49

HSL 12, 0.26%, 0.26%

LAB 26.55, 11.45, 9.4

 

CMYK 30 / 0 / 42 / 67

HEX #3B5431

RGB 59 84 49

HSL 102.86, 0.26%, 0.26%

LAB 32.9, -17.06, 17.49

 

CMYK 42 / 8 / 0 / 67

HEX #314D54

RGB 49 77 84

HSL 192, 0.26%, 0.26%

LAB 30.88, -8.43, -7.47

 

CMYK 13 / 42 / 0 / 67

HEX #493154

RGB 73 49 84

HSL 281.14, 0.26%, 0.26%

LAB 24.49, 18.23, -17.05

 

Description

Color code: RGB 84 56 49 | qconv.com Color code: RGB 84 56 49 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 84 red, 56 green and 49 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
84 56 49 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 33 magenta, 42 yellow and 67 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 33% 42% 67% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

12% - dev906 | Un site uti...
Link: http://dev111-begrafiks.com

24% - El Patio de tu Casa ...
Link: http://www.elpatiodetucasa.es

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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