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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 84 24 68 it is the complementary color RGB 171 231 187. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 84 24 68. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 84 24 68 shade: RGB 89 24 63, RGB 106 42 82, RGB 123 60 101, RGB 140 78 120 and RGB 157 96 139

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 84 24 68. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 84 24 68 shade: RGB 84 24 68, RGB 67 6 49, RGB 50 0 30, RGB 33 0 11 and RGB 16 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 84 24 68 shade: RGB 84 24 68, RGB 84 24 51, RGB 84 24 35 and RGB 84 24 24

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 84 24 68 shade: RGB 84 24 68, RGB 83 24 84, RGB 67 24 84, RGB 51 24 84 and RGB 35 24 84

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 84 24 68 shade matches the following richer shades: RGB 84 24 68, RGB 92 15 72 and RGB 101 6 76

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 84 24 68 shade: RGB 84 24 68, RGB 75 32 64, RGB 66 41 59, RGB 58 50 55 and RGB 49 58 51

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 84 24 68 shade: RGB 68 24 84, RGB 84 24 84, RGB 84 24 68, RGB 84 24 52 and RGB 84 24 36

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 84 24 68 shade: RGB 19 5 16, RGB 51 14 42, RGB 84 24 68, RGB 116 33 94 and RGB 148 42 120

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 84 24 68 shade: RGB 84 24 68, RGB 84 52 24 and RGB 24 84 76

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 84 24 68 shade: RGB 84 24 68, RGB 68 84 24 and RGB 24 68 84

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 84 24 68 shade: RGB 84 24 68, RGB 84 52 24, RGB 24 84 40 and RGB 24 56 84

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 84 24 68 shade: RGB 84 24 68, RGB 84 70 24, RGB 24 84 40 and RGB 24 38 84

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 71 / 19 / 67

HEX #541844

RGB 84 24 68

HSL 316, 0.56%, 0.21%

LAB 19.86, 33.09, -13.31

 

Complementary color

CMYK 26 / 0 / 19 / 9

HEX #ABE7BB

RGB 171 231 187

HSL 136, 0.56%, 0.79%

LAB 86.7, -27.69, 15.37

 

CMYK 0 / 73 / 29 / 65

HEX #59183F

RGB 89 24 63

HSL 324, 0.58%, 0.22%

LAB 20.58, 33.87, -8.68

 

CMYK 0 / 60 / 23 / 58

HEX #6A2A52

RGB 106 42 82

HSL 322.5, 0.43%, 0.29%

LAB 27.65, 33.62, -10.46

 

CMYK 0 / 51 / 18 / 52

HEX #7B3C65

RGB 123 60 101

HSL 320.95, 0.34%, 0.36%

LAB 34.77, 32.94, -11.68

 

CMYK 0 / 44 / 14 / 45

HEX #8C4E78

RGB 140 78 120

HSL 319.35, 0.28%, 0.43%

LAB 41.81, 32.13, -12.6

 

CMYK 0 / 39 / 11 / 38

HEX #9D608B

RGB 157 96 139

HSL 317.7, 0.24%, 0.5%

LAB 48.76, 31.31, -13.35

 

CMYK 0 / 71 / 19 / 67

HEX #541844

RGB 84 24 68

HSL 316, 0.56%, 0.21%

LAB 19.86, 33.09, -13.31

 

CMYK 0 / 91 / 27 / 74

HEX #430631

RGB 67 6 49

HSL 317.7, 0.84%, 0.14%

LAB 12.89, 32.31, -10.92

 

CMYK 0 / 100 / 40 / 80

HEX #32001E

RGB 50 0 30

HSL 324, 1%, 0.1%

LAB 6.97, 27.77, -6.05

 

CMYK 0 / 100 / 67 / 87

HEX #21000B

RGB 33 0 11

HSL 340, 1%, 0.06%

LAB 3.14, 14.64, 0.44

 

CMYK 0 / 100 / 100 / 94

HEX #100000

RGB 16 0 0

HSL 0, 1%, 0.03%

LAB 1, 4.46, 1.57

 

CMYK 0 / 71 / 19 / 67

HEX #541844

RGB 84 24 68

HSL 316, 0.56%, 0.21%

LAB 19.86, 33.09, -13.31

 

CMYK 0 / 71 / 39 / 67

HEX #541833

RGB 84 24 51

HSL 333, 0.56%, 0.21%

LAB 19.13, 30.54, -2.58

 

CMYK 0 / 71 / 58 / 67

HEX #541823

RGB 84 24 35

HSL 349, 0.56%, 0.21%

LAB 18.62, 28.72, 8.03

 

CMYK 0 / 71 / 71 / 67

HEX #541818

RGB 84 24 24

HSL 0, 0.56%, 0.21%

LAB 18.38, 27.83, 15.42

 

CMYK 0 / 71 / 19 / 67

HEX #541844

RGB 84 24 68

HSL 316, 0.56%, 0.21%

LAB 19.86, 33.09, -13.31

 

CMYK 1 / 71 / 0 / 67

HEX #531854

RGB 83 24 84

HSL 299, 0.56%, 0.21%

LAB 20.57, 35.71, -23.11

 

CMYK 20 / 71 / 0 / 67

HEX #431854

RGB 67 24 84

HSL 283, 0.56%, 0.21%

LAB 17.86, 31.41, -27.58

 

CMYK 39 / 71 / 0 / 67

HEX #331854

RGB 51 24 84

HSL 267, 0.56%, 0.21%

LAB 15.47, 27.33, -31.55

 

CMYK 58 / 71 / 0 / 67

HEX #231854

RGB 35 24 84

HSL 251, 0.56%, 0.21%

LAB 13.54, 23.73, -34.78

 

CMYK 0 / 71 / 19 / 67

HEX #541844

RGB 84 24 68

HSL 316, 0.56%, 0.21%

LAB 19.86, 33.09, -13.31

 

CMYK 0 / 84 / 22 / 64

HEX #5C0F48

RGB 92 15 72

HSL 315.58, 0.72%, 0.21%

LAB 20.38, 39.52, -15.13

 

CMYK 0 / 94 / 25 / 60

HEX #65064C

RGB 101 6 76

HSL 315.79, 0.89%, 0.21%

LAB 21.65, 44.64, -15.75

 

CMYK 0 / 71 / 19 / 67

HEX #541844

RGB 84 24 68

HSL 316, 0.56%, 0.21%

LAB 19.86, 33.09, -13.31

 

CMYK 0 / 57 / 15 / 71

HEX #4B2040

RGB 75 32 64

HSL 315.35, 0.4%, 0.21%

LAB 19.63, 25.16, -11.03

 

CMYK 0 / 38 / 11 / 74

HEX #42293B

RGB 66 41 59

HSL 316.8, 0.23%, 0.21%

LAB 20.28, 15.02, -6.73

 

CMYK 0 / 14 / 5 / 77

HEX #3A3237

RGB 58 50 55

HSL 322.5, 0.07%, 0.21%

LAB 21.79, 4.65, -1.85

 

CMYK 16 / 0 / 12 / 77

HEX #313A33

RGB 49 58 51

HSL 133.33, 0.08%, 0.21%

LAB 23.4, -5.44, 3.09

 

CMYK 19 / 71 / 0 / 67

HEX #441854

RGB 68 24 84

HSL 284, 0.56%, 0.21%

LAB 18.02, 31.68, -27.31

 

CMYK 0 / 71 / 0 / 67

HEX #541854

RGB 84 24 84

HSL 300, 0.56%, 0.21%

LAB 20.74, 35.98, -22.81

 

CMYK 0 / 71 / 19 / 67

HEX #541844

RGB 84 24 68

HSL 316, 0.56%, 0.21%

LAB 19.86, 33.09, -13.31

 

CMYK 0 / 71 / 38 / 67

HEX #541834

RGB 84 24 52

HSL 332, 0.56%, 0.21%

LAB 19.17, 30.67, -3.23

 

CMYK 0 / 71 / 57 / 67

HEX #541824

RGB 84 24 36

HSL 348, 0.56%, 0.21%

LAB 18.65, 28.82, 7.36

 

CMYK 0 / 74 / 16 / 93

HEX #130510

RGB 19 5 16

HSL 312.86, 0.58%, 0.05%

LAB 2.57, 5.98, -3.05

 

CMYK 0 / 73 / 18 / 80

HEX #330E2A

RGB 51 14 42

HSL 314.59, 0.57%, 0.13%

LAB 10.45, 22.65, -9.82

 

CMYK 0 / 71 / 19 / 67

HEX #541844

RGB 84 24 68

HSL 316, 0.56%, 0.21%

LAB 19.86, 33.09, -13.31

 

CMYK 0 / 72 / 19 / 55

HEX #74215E

RGB 116 33 94

HSL 315.9, 0.56%, 0.29%

LAB 28.4, 42.8, -17.03

 

CMYK 0 / 72 / 19 / 42

HEX #942A78

RGB 148 42 120

HSL 315.85, 0.56%, 0.37%

LAB 36.57, 51.94, -20.53

 

CMYK 0 / 71 / 19 / 67

HEX #541844

RGB 84 24 68

HSL 316, 0.56%, 0.21%

LAB 19.86, 33.09, -13.31

 

CMYK 0 / 38 / 71 / 67

HEX #543418

RGB 84 52 24

HSL 28, 0.56%, 0.21%

LAB 24.97, 11.35, 23.25

 

CMYK 71 / 0 / 10 / 67

HEX #18544C

RGB 24 84 76

HSL 172, 0.56%, 0.21%

LAB 31.94, -21.14, -0.92

 

CMYK 0 / 71 / 19 / 67

HEX #541844

RGB 84 24 68

HSL 316, 0.56%, 0.21%

LAB 19.86, 33.09, -13.31

 

CMYK 19 / 0 / 71 / 67

HEX #445418

RGB 68 84 24

HSL 76, 0.56%, 0.21%

LAB 33.21, -16.19, 31.76

 

CMYK 71 / 19 / 0 / 67

HEX #184454

RGB 24 68 84

HSL 196, 0.56%, 0.21%

LAB 26.64, -9.26, -14.02

 

CMYK 0 / 71 / 19 / 67

HEX #541844

RGB 84 24 68

HSL 316, 0.56%, 0.21%

LAB 19.86, 33.09, -13.31

 

CMYK 0 / 38 / 71 / 67

HEX #543418

RGB 84 52 24

HSL 28, 0.56%, 0.21%

LAB 24.97, 11.35, 23.25

 

CMYK 71 / 0 / 52 / 67

HEX #185428

RGB 24 84 40

HSL 136, 0.56%, 0.21%

LAB 31.09, -30.06, 20.17

 

CMYK 71 / 33 / 0 / 67

HEX #183854

RGB 24 56 84

HSL 208, 0.56%, 0.21%

LAB 22.52, -1.45, -20.43

 

CMYK 0 / 71 / 19 / 67

HEX #541844

RGB 84 24 68

HSL 316, 0.56%, 0.21%

LAB 19.86, 33.09, -13.31

 

CMYK 0 / 17 / 71 / 67

HEX #544618

RGB 84 70 24

HSL 46, 0.56%, 0.21%

LAB 30.23, -0.07, 29.05

 

CMYK 71 / 0 / 52 / 67

HEX #185428

RGB 24 84 40

HSL 136, 0.56%, 0.21%

LAB 31.09, -30.06, 20.17

 

CMYK 71 / 55 / 0 / 67

HEX #182654

RGB 24 38 84

HSL 226, 0.56%, 0.21%

LAB 16.6, 11.46, -29.85

 

Description

Color code: RGB 84 24 68 | qconv.com Color code: RGB 84 24 68 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 84 red, 24 green and 68 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
84 24 68 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 71 magenta, 19 yellow and 67 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 71% 19% 67% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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