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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 84 110.2 147.6 it is the complementary color RGB 171 144.8 107.4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 84 110.2 147.6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 84 110.2 147.6 shade: RGB 89 110.2 142.6, RGB 106 128.2 161.6, RGB 123 146.2 180.6, RGB 140 164.2 199.6 and RGB 157 182.2 218.6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 84 110.2 147.6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 84 110.2 147.6 shade: RGB 84 110.2 147.6, RGB 67 92.2 128.6, RGB 50 74.2 109.6, RGB 33 56.2 90.6 and RGB 16 38.2 71.6

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 84 110.2 147.6 shade: RGB 84 109 146, RGB 84 93 146, RGB 92 84 146, RGB 108 84 146 and RGB 125 84 146

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 84 110.2 147.6 shade: RGB 84 109 146, RGB 84 93 146 and RGB 84 84 146

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 84 110.2 147.6 shade matches the following richer shades: RGB 84 109 146, RGB 65 106 164, RGB 47 103 183, RGB 28 99 201 and RGB 10 96 220

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 84 110.2 147.6 shade: RGB 84 109 146, RGB 102 113 127, RGB 121 116 109, RGB 139 119 90 and RGB 158 122 71

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 84 110.2 147.6 shade: RGB 84 143 146, RGB 84 126 146, RGB 84 110 146, RGB 84 93 146 and RGB 91 84 146

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 84 110.2 147.6 shade: RGB 54 70 93, RGB 69 90 120, RGB 84 109 146, RGB 103 130 168 and RGB 129 151 183

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 84 110.2 147.6 shade: RGB 84 110.2 147.6, RGB 132 84 146 and RGB 134 146 84

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 84 110.2 147.6 shade: RGB 84 110.2 147.6, RGB 146 84 110 and RGB 110 146 84

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 84 110.2 147.6 shade: RGB 84 110.2 147.6, RGB 132 84 146, RGB 146 120 84 and RGB 97 146 84

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 84 110.2 147.6 shade: RGB 84 110.2 147.6, RGB 146 84 141, RGB 146 120 84 and RGB 84 146 89

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 43 / 25 / 0 / 42

HEX #546E93

RGB 84 110.2 147.6

HSL 215.28, 0.27%, 0.45%

LAB 45.91, 0.71, -23.42

 

Complementary color

CMYK 0 / 15 / 37 / 33

HEX #AB906B

RGB 171 144.8 107.4

HSL 35.28, 0.27%, 0.55%

LAB 61.58, 4.37, 23.52

 

CMYK 38 / 23 / 0 / 44

HEX #596E8E

RGB 89 110.2 142.6

HSL 216.27, 0.23%, 0.45%

LAB 46.03, 0.69, -20.25

 

CMYK 34 / 21 / 0 / 37

HEX #6A80A1

RGB 106 128.2 161.6

HSL 216.04, 0.23%, 0.52%

LAB 53.11, 0.36, -20.43

 

CMYK 32 / 19 / 0 / 29

HEX #7B92B4

RGB 123 146.2 180.6

HSL 215.83, 0.28%, 0.6%

LAB 60.02, 0.09, -20.63

 

CMYK 30 / 18 / 0 / 22

HEX #8CA4C7

RGB 140 164.2 199.6

HSL 215.64, 0.35%, 0.67%

LAB 66.79, -0.15, -20.87

 

CMYK 28 / 17 / 0 / 14

HEX #9DB6DA

RGB 157 182.2 218.6

HSL 215.45, 0.46%, 0.74%

LAB 73.42, -0.37, -21.12

 

CMYK 43 / 25 / 0 / 42

HEX #546E93

RGB 84 110.2 147.6

HSL 215.28, 0.27%, 0.45%

LAB 45.91, 0.71, -23.42

 

CMYK 48 / 28 / 0 / 50

HEX #435C80

RGB 67 92.2 128.6

HSL 215.45, 0.31%, 0.38%

LAB 38.65, 1.23, -23.34

 

CMYK 54 / 32 / 0 / 57

HEX #324A6D

RGB 50 74.2 109.6

HSL 215.64, 0.37%, 0.31%

LAB 31.16, 1.93, -23.32

 

CMYK 64 / 38 / 0 / 64

HEX #21385A

RGB 33 56.2 90.6

HSL 215.83, 0.47%, 0.24%

LAB 23.4, 2.94, -23.36

 

CMYK 78 / 47 / 0 / 72

HEX #102647

RGB 16 38.2 71.6

HSL 216.04, 0.63%, 0.17%

LAB 15.34, 4.55, -23.46

 

CMYK 42 / 25 / 0 / 43

HEX #546D92

RGB 84 109 146

HSL 215.81, 0.27%, 0.45%

LAB 45.49, 0.95, -23.12

 

CMYK 42 / 36 / 0 / 43

HEX #545D92

RGB 84 93 146

HSL 231.29, 0.27%, 0.45%

LAB 40.88, 10.85, -30.31

 

CMYK 37 / 42 / 0 / 43

HEX #5C5492

RGB 92 84 146

HSL 247.74, 0.27%, 0.45%

LAB 39.06, 18.79, -33.14

 

CMYK 26 / 42 / 0 / 43

HEX #6C5492

RGB 108 84 146

HSL 263.23, 0.27%, 0.45%

LAB 40.58, 23.55, -30.63

 

CMYK 14 / 42 / 0 / 43

HEX #7D5492

RGB 125 84 146

HSL 279.68, 0.27%, 0.45%

LAB 42.42, 28.87, -27.61

 

CMYK 42 / 25 / 0 / 43

HEX #546D92

RGB 84 109 146

HSL 215.81, 0.27%, 0.45%

LAB 45.49, 0.95, -23.12

 

CMYK 42 / 36 / 0 / 43

HEX #545D92

RGB 84 93 146

HSL 231.29, 0.27%, 0.45%

LAB 40.88, 10.85, -30.31

 

CMYK 42 / 42 / 0 / 43

HEX #545492

RGB 84 84 146

HSL 240, 0.27%, 0.45%

LAB 38.38, 16.55, -34.26

 

CMYK 42 / 25 / 0 / 43

HEX #546D92

RGB 84 109 146

HSL 215.81, 0.27%, 0.45%

LAB 45.49, 0.95, -23.12

 

CMYK 60 / 35 / 0 / 36

HEX #416AA4

RGB 65 106 164

HSL 215.15, 0.43%, 0.45%

LAB 44.39, 3.96, -35.57

 

CMYK 74 / 44 / 0 / 28

HEX #2F67B7

RGB 47 103 183

HSL 215.29, 0.59%, 0.45%

LAB 43.83, 9.69, -47.65

 

CMYK 86 / 51 / 0 / 21

HEX #1C63C9

RGB 28 99 201

HSL 215.38, 0.76%, 0.45%

LAB 43.34, 17.29, -58.9

 

CMYK 95 / 56 / 0 / 14

HEX #0A60DC

RGB 10 96 220

HSL 215.43, 0.91%, 0.45%

LAB 43.65, 25.84, -69.3

 

CMYK 42 / 25 / 0 / 43

HEX #546D92

RGB 84 109 146

HSL 215.81, 0.27%, 0.45%

LAB 45.49, 0.95, -23.12

 

CMYK 20 / 11 / 0 / 50

HEX #66717F

RGB 102 113 127

HSL 213.6, 0.11%, 0.45%

LAB 47.19, -0.9, -9.11

 

CMYK 0 / 4 / 10 / 53

HEX #79746D

RGB 121 116 109

HSL 35, 0.05%, 0.45%

LAB 49.08, 0.59, 4.54

 

CMYK 0 / 14 / 35 / 45

HEX #8B775A

RGB 139 119 90

HSL 35.51, 0.21%, 0.45%

LAB 51.18, 3.26, 18.84

 

CMYK 0 / 23 / 55 / 38

HEX #9E7A47

RGB 158 122 71

HSL 35.17, 0.38%, 0.45%

LAB 53.65, 7.71, 33.06

 

CMYK 42 / 2 / 0 / 43

HEX #548F92

RGB 84 143 146

HSL 182.9, 0.27%, 0.45%

LAB 55.69, -18.37, -7.64

 

CMYK 42 / 14 / 0 / 43

HEX #547E92

RGB 84 126 146

HSL 199.35, 0.27%, 0.45%

LAB 50.55, -9.03, -15.37

 

CMYK 42 / 25 / 0 / 43

HEX #546E92

RGB 84 110 146

HSL 214.84, 0.27%, 0.45%

LAB 45.79, 0.35, -22.67

 

CMYK 42 / 36 / 0 / 43

HEX #545D92

RGB 84 93 146

HSL 231.29, 0.27%, 0.45%

LAB 40.88, 10.85, -30.31

 

CMYK 38 / 42 / 0 / 43

HEX #5B5492

RGB 91 84 146

HSL 246.77, 0.27%, 0.45%

LAB 38.97, 18.51, -33.28

 

CMYK 42 / 25 / 0 / 64

HEX #36465D

RGB 54 70 93

HSL 215.38, 0.27%, 0.29%

LAB 29.3, 0.31, -15.62

 

CMYK 43 / 25 / 0 / 53

HEX #455A78

RGB 69 90 120

HSL 215.29, 0.27%, 0.37%

LAB 37.72, 0.48, -19.5

 

CMYK 42 / 25 / 0 / 43

HEX #546D92

RGB 84 109 146

HSL 215.81, 0.27%, 0.45%

LAB 45.49, 0.95, -23.12

 

CMYK 39 / 23 / 0 / 34

HEX #6782A8

RGB 103 130 168

HSL 215.08, 0.27%, 0.53%

LAB 53.68, 0.2, -23.27

 

CMYK 30 / 17 / 0 / 28

HEX #8197B7

RGB 129 151 183

HSL 215.56, 0.27%, 0.61%

LAB 61.84, -0.22, -19.18

 

CMYK 43 / 25 / 0 / 42

HEX #546E93

RGB 84 110.2 147.6

HSL 215.28, 0.27%, 0.45%

LAB 45.91, 0.71, -23.42

 

CMYK 10 / 42 / 0 / 43

HEX #845492

RGB 132 84 146

HSL 286.45, 0.27%, 0.45%

LAB 43.24, 31.1, -26.27

 

CMYK 8 / 0 / 42 / 43

HEX #869254

RGB 134 146 84

HSL 71.61, 0.27%, 0.45%

LAB 58.29, -14.57, 31.37

 

CMYK 43 / 25 / 0 / 42

HEX #546E93

RGB 84 110.2 147.6

HSL 215.28, 0.27%, 0.45%

LAB 45.91, 0.71, -23.42

 

CMYK 0 / 42 / 25 / 43

HEX #92546E

RGB 146 84 110

HSL 334.84, 0.27%, 0.45%

LAB 43.62, 29.29, -3.69

 

CMYK 25 / 0 / 42 / 43

HEX #6E9254

RGB 110 146 84

HSL 94.84, 0.27%, 0.45%

LAB 56.6, -24.15, 28.87

 

CMYK 43 / 25 / 0 / 42

HEX #546E93

RGB 84 110.2 147.6

HSL 215.28, 0.27%, 0.45%

LAB 45.91, 0.71, -23.42

 

CMYK 10 / 42 / 0 / 43

HEX #845492

RGB 132 84 146

HSL 286.45, 0.27%, 0.45%

LAB 43.24, 31.1, -26.27

 

CMYK 0 / 18 / 42 / 43

HEX #927854

RGB 146 120 84

HSL 34.84, 0.27%, 0.45%

LAB 52.04, 4.94, 23.55

 

CMYK 34 / 0 / 42 / 43

HEX #619254

RGB 97 146 84

HSL 107.42, 0.27%, 0.45%

LAB 55.83, -28.94, 27.73

 

CMYK 43 / 25 / 0 / 42

HEX #546E93

RGB 84 110.2 147.6

HSL 215.28, 0.27%, 0.45%

LAB 45.91, 0.71, -23.42

 

CMYK 0 / 42 / 3 / 43

HEX #92548D

RGB 146 84 141

HSL 304.84, 0.27%, 0.45%

LAB 44.77, 34.64, -20.77

 

CMYK 0 / 18 / 42 / 43

HEX #927854

RGB 146 120 84

HSL 34.84, 0.27%, 0.45%

LAB 52.04, 4.94, 23.55

 

CMYK 42 / 0 / 39 / 43

HEX #549259

RGB 84 146 89

HSL 124.84, 0.27%, 0.45%

LAB 55.24, -32.51, 24.11

 

Description

Color code: RGB 84 110.2 147.6 | qconv.com Color code: RGB 84 110.2 147.6 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 84 red, 110.2 green and 147.6 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
84 110.2 147.6 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 43 cyan, 25 magenta, none yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
43% 25% 0% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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