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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 83 72.8 160 it is the complementary color RGB 172 182.2 95. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 83 72.8 160. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 83 72.8 160 shade: RGB 88 72.8 155, RGB 105 90.8 174, RGB 122 108.8 193, RGB 139 126.8 212 and RGB 156 144.8 231

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 83 72.8 160. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 83 72.8 160 shade: RGB 83 72.8 160, RGB 66 54.8 141, RGB 49 36.8 122, RGB 32 18.8 103 and RGB 15 0.8 84

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 83 72.8 160 shade: RGB 84 73 160, RGB 107 73 160, RGB 130 73 160, RGB 154 73 160 and RGB 160 73 143

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 83 72.8 160 shade: RGB 84 73 160 and RGB 73 73 160

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 83 72.8 160 shade matches the following richer shades: RGB 84 73 160, RGB 69 54 179, RGB 54 35 198 and RGB 40 16 217

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 83 72.8 160 shade: RGB 84 73 160, RGB 98 92 141, RGB 113 111 122, RGB 127 130 103 and RGB 142 149 84

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 83 72.8 160 shade: RGB 73 110 160, RGB 73 86 160, RGB 84 73 160, RGB 107 73 160 and RGB 130 73 160

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 83 72.8 160 shade: RGB 54 47 104, RGB 69 60 132, RGB 84 73 160, RGB 104 94 181 and RGB 131 122 194

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 83 72.8 160 shade: RGB 83 72.8 160, RGB 160 73 133 and RGB 98 160 73

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 83 72.8 160 shade: RGB 83 72.8 160, RGB 160 84 73 and RGB 73 160 84

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 83 72.8 160 shade: RGB 83 72.8 160, RGB 160 73 133, RGB 150 160 73 and RGB 73 160 101

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 83 72.8 160 shade: RGB 83 72.8 160, RGB 160 73 107, RGB 150 160 73 and RGB 73 160 127

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 48 / 55 / 0 / 37

HEX #5348A0

RGB 83 72.8 160

HSL 247.02, 0.37%, 0.46%

LAB 36.21, 27.75, -46.17

 

Complementary color

CMYK 6 / 0 / 48 / 29

HEX #ACB65F

RGB 172 182.2 95

HSL 67.02, 0.37%, 0.54%

LAB 71.65, -16.53, 42.87

 

CMYK 43 / 53 / 0 / 39

HEX #58489B

RGB 88 72.8 155

HSL 251.09, 0.36%, 0.45%

LAB 36.33, 27.42, -42.93

 

CMYK 40 / 48 / 0 / 32

HEX #695AAE

RGB 105 90.8 174

HSL 250.24, 0.34%, 0.52%

LAB 43.52, 26.21, -42.68

 

CMYK 37 / 44 / 0 / 24

HEX #7A6CC1

RGB 122 108.8 193

HSL 249.41, 0.4%, 0.59%

LAB 50.55, 25.17, -42.47

 

CMYK 34 / 40 / 0 / 17

HEX #8B7ED4

RGB 139 126.8 212

HSL 248.59, 0.5%, 0.66%

LAB 57.43, 24.27, -42.31

 

CMYK 32 / 37 / 0 / 9

HEX #9C90E7

RGB 156 144.8 231

HSL 247.8, 0.64%, 0.74%

LAB 64.18, 23.46, -42.2

 

CMYK 48 / 55 / 0 / 37

HEX #5348A0

RGB 83 72.8 160

HSL 247.02, 0.37%, 0.46%

LAB 36.21, 27.75, -46.17

 

CMYK 53 / 61 / 0 / 45

HEX #42368D

RGB 66 54.8 141

HSL 247.8, 0.44%, 0.38%

LAB 28.89, 29.33, -46.49

 

CMYK 60 / 70 / 0 / 52

HEX #31247A

RGB 49 36.8 122

HSL 248.59, 0.54%, 0.31%

LAB 21.46, 31.14, -46.73

 

CMYK 69 / 82 / 0 / 60

HEX #201267

RGB 32 18.8 103

HSL 249.41, 0.69%, 0.24%

LAB 14.09, 32.98, -46.59

 

CMYK 82 / 99 / 0 / 67

HEX #0F0054

RGB 15 0.8 84

HSL 250.24, 0.98%, 0.17%

LAB 6.86, 34.9, -45.86

 

CMYK 48 / 54 / 0 / 37

HEX #5449A0

RGB 84 73 160

HSL 247.59, 0.37%, 0.46%

LAB 36.34, 27.86, -45.94

 

CMYK 33 / 54 / 0 / 37

HEX #6B49A0

RGB 107 73 160

HSL 263.45, 0.37%, 0.46%

LAB 38.6, 33.59, -42.2

 

CMYK 19 / 54 / 0 / 37

HEX #8249A0

RGB 130 73 160

HSL 279.31, 0.37%, 0.46%

LAB 41.29, 39.82, -37.75

 

CMYK 4 / 54 / 0 / 37

HEX #9A49A0

RGB 154 73 160

HSL 295.86, 0.37%, 0.46%

LAB 44.48, 46.56, -32.51

 

CMYK 0 / 54 / 11 / 37

HEX #A0498F

RGB 160 73 143

HSL 311.72, 0.37%, 0.46%

LAB 44.55, 45.25, -22.15

 

CMYK 48 / 54 / 0 / 37

HEX #5449A0

RGB 84 73 160

HSL 247.59, 0.37%, 0.46%

LAB 36.34, 27.86, -45.94

 

CMYK 54 / 54 / 0 / 37

HEX #4949A0

RGB 73 73 160

HSL 240, 0.37%, 0.46%

LAB 35.44, 25.4, -47.44

 

CMYK 48 / 54 / 0 / 37

HEX #5449A0

RGB 84 73 160

HSL 247.59, 0.37%, 0.46%

LAB 36.34, 27.86, -45.94

 

CMYK 61 / 70 / 0 / 30

HEX #4536B3

RGB 69 54 179

HSL 247.2, 0.54%, 0.46%

LAB 32.16, 42.6, -64.15

 

CMYK 73 / 82 / 0 / 22

HEX #3623C6

RGB 54 35 198

HSL 246.99, 0.7%, 0.46%

LAB 29.57, 56.58, -79.69

 

CMYK 82 / 93 / 0 / 15

HEX #2810D9

RGB 40 16 217

HSL 247.16, 0.86%, 0.46%

LAB 28.98, 67.53, -91.75

 

CMYK 48 / 54 / 0 / 37

HEX #5449A0

RGB 84 73 160

HSL 247.59, 0.37%, 0.46%

LAB 36.34, 27.86, -45.94

 

CMYK 30 / 35 / 0 / 45

HEX #625C8D

RGB 98 92 141

HSL 247.35, 0.21%, 0.46%

LAB 41.49, 14.17, -26.26

 

CMYK 7 / 9 / 0 / 52

HEX #716F7A

RGB 113 111 122

HSL 250.91, 0.05%, 0.46%

LAB 47.35, 3.08, -5.81

 

CMYK 2 / 0 / 21 / 49

HEX #7F8267

RGB 127 130 103

HSL 66.67, 0.12%, 0.46%

LAB 53.45, -6.04, 14.28

 

CMYK 5 / 0 / 44 / 42

HEX #8E9554

RGB 142 149 84

HSL 66.46, 0.28%, 0.46%

LAB 59.79, -12.83, 33.38

 

CMYK 54 / 31 / 0 / 37

HEX #496EA0

RGB 73 110 160

HSL 214.48, 0.37%, 0.46%

LAB 45.78, 1.91, -31.01

 

CMYK 54 / 46 / 0 / 37

HEX #4956A0

RGB 73 86 160

HSL 231.03, 0.37%, 0.46%

LAB 38.92, 17.02, -41.86

 

CMYK 48 / 54 / 0 / 37

HEX #5449A0

RGB 84 73 160

HSL 247.59, 0.37%, 0.46%

LAB 36.34, 27.86, -45.94

 

CMYK 33 / 54 / 0 / 37

HEX #6B49A0

RGB 107 73 160

HSL 263.45, 0.37%, 0.46%

LAB 38.6, 33.59, -42.2

 

CMYK 19 / 54 / 0 / 37

HEX #8249A0

RGB 130 73 160

HSL 279.31, 0.37%, 0.46%

LAB 41.29, 39.82, -37.75

 

CMYK 48 / 55 / 0 / 59

HEX #362F68

RGB 54 47 104

HSL 247.37, 0.38%, 0.3%

LAB 23.06, 19.46, -32.56

 

CMYK 48 / 55 / 0 / 48

HEX #453C84

RGB 69 60 132

HSL 247.5, 0.38%, 0.38%

LAB 29.82, 23.75, -39.39

 

CMYK 48 / 54 / 0 / 37

HEX #5449A0

RGB 84 73 160

HSL 247.59, 0.37%, 0.46%

LAB 36.34, 27.86, -45.94

 

CMYK 43 / 48 / 0 / 29

HEX #685EB5

RGB 104 94 181

HSL 246.9, 0.37%, 0.54%

LAB 44.64, 26.04, -45

 

CMYK 32 / 37 / 0 / 24

HEX #837AC2

RGB 131 122 194

HSL 247.5, 0.37%, 0.62%

LAB 54.7, 20.08, -36.45

 

CMYK 48 / 55 / 0 / 37

HEX #5348A0

RGB 83 72.8 160

HSL 247.02, 0.37%, 0.46%

LAB 36.21, 27.75, -46.17

 

CMYK 0 / 54 / 17 / 37

HEX #A04985

RGB 160 73 133

HSL 318.62, 0.37%, 0.46%

LAB 44.14, 43.61, -16.74

 

CMYK 39 / 0 / 54 / 37

HEX #62A049

RGB 98 160 73

HSL 102.76, 0.37%, 0.46%

LAB 60.09, -36.58, 38.72

 

CMYK 48 / 55 / 0 / 37

HEX #5348A0

RGB 83 72.8 160

HSL 247.02, 0.37%, 0.46%

LAB 36.21, 27.75, -46.17

 

CMYK 0 / 48 / 54 / 37

HEX #A05449

RGB 160 84 73

HSL 7.59, 0.37%, 0.46%

LAB 44.65, 30.25, 20.57

 

CMYK 54 / 0 / 48 / 37

HEX #49A054

RGB 73 160 84

HSL 127.59, 0.37%, 0.46%

LAB 59.16, -42.69, 31.75

 

CMYK 48 / 55 / 0 / 37

HEX #5348A0

RGB 83 72.8 160

HSL 247.02, 0.37%, 0.46%

LAB 36.21, 27.75, -46.17

 

CMYK 0 / 54 / 17 / 37

HEX #A04985

RGB 160 73 133

HSL 318.62, 0.37%, 0.46%

LAB 44.14, 43.61, -16.74

 

CMYK 6 / 0 / 54 / 37

HEX #96A049

RGB 150 160 73

HSL 66.9, 0.37%, 0.46%

LAB 63.43, -16.35, 43.49

 

CMYK 54 / 0 / 37 / 37

HEX #49A065

RGB 73 160 101

HSL 139.31, 0.37%, 0.46%

LAB 59.43, -39.79, 23.02

 

CMYK 48 / 55 / 0 / 37

HEX #5348A0

RGB 83 72.8 160

HSL 247.02, 0.37%, 0.46%

LAB 36.21, 27.75, -46.17

 

CMYK 0 / 54 / 33 / 37

HEX #A0496B

RGB 160 73 107

HSL 336.55, 0.37%, 0.46%

LAB 43.21, 39.84, -2.22

 

CMYK 6 / 0 / 54 / 37

HEX #96A049

RGB 150 160 73

HSL 66.9, 0.37%, 0.46%

LAB 63.43, -16.35, 43.49

 

CMYK 54 / 0 / 21 / 37

HEX #49A07F

RGB 73 160 127

HSL 157.24, 0.37%, 0.46%

LAB 59.97, -34.34, 9.35

 

Description

Color code: RGB 83 72.8 160 | qconv.com Color code: RGB 83 72.8 160 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 83 red, 72.8 green and 160 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
83 72.8 160 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 48 cyan, 55 magenta, none yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
48% 55% 0% 37% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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