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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 83 53 169 it is the complementary color RGB 172 202 86. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 83 53 169. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 83 53 169 shade: RGB 88 53 164, RGB 105 71 183, RGB 122 89 202, RGB 139 107 221 and RGB 156 125 240

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 83 53 169. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 83 53 169 shade: RGB 83 53 169, RGB 66 35 150, RGB 49 17 131, RGB 32 0 112 and RGB 15 0 93

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 83 53 169 shade: RGB 84 54 171, RGB 116 54 171, RGB 147 54 171, RGB 171 54 163 and RGB 171 54 131

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 83 53 169 shade: RGB 84 54 171 and RGB 54 54 171

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 83 53 169 shade matches the following richer shades: RGB 84 54 171, RGB 75 36 189 and RGB 67 18 207

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 83 53 169 shade: RGB 84 54 171, RGB 93 72 152, RGB 102 90 134, RGB 110 108 116 and RGB 119 126 98

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 83 53 169 shade: RGB 54 87 171, RGB 54 56 171, RGB 83 54 171, RGB 114 54 171 and RGB 145 54 171

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 83 53 169 shade: RGB 53 34 108, RGB 69 44 139, RGB 84 54 171, RGB 102 69 196 and RGB 128 101 206

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 83 53 169 shade: RGB 83 53 169, RGB 171 54 118 and RGB 71 171 54

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 83 53 169 shade: RGB 83 53 169, RGB 171 83 54 and RGB 54 171 83

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 83 53 169 shade: RGB 83 53 169, RGB 171 54 118, RGB 141 171 54 and RGB 54 171 106

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 83 53 169 shade: RGB 83 53 169, RGB 171 54 83, RGB 141 171 54 and RGB 54 171 141

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 51 / 69 / 0 / 34

HEX #5335A9

RGB 83 53 169

HSL 255.52, 0.52%, 0.44%

LAB 32.37, 42.36, -57.79

 

Complementary color

CMYK 15 / 0 / 57 / 21

HEX #ACCA56

RGB 172 202 86

HSL 75.52, 0.52%, 0.56%

LAB 77.09, -27.14, 53.48

 

CMYK 46 / 68 / 0 / 36

HEX #5835A4

RGB 88 53 164

HSL 258.92, 0.51%, 0.43%

LAB 32.48, 41.84, -54.58

 

CMYK 43 / 61 / 0 / 28

HEX #6947B7

RGB 105 71 183

HSL 258.21, 0.44%, 0.5%

LAB 39.46, 40.58, -54.49

 

CMYK 40 / 56 / 0 / 21

HEX #7A59CA

RGB 122 89 202

HSL 257.52, 0.52%, 0.57%

LAB 46.37, 39.34, -54.31

 

CMYK 37 / 52 / 0 / 13

HEX #8B6BDD

RGB 139 107 221

HSL 256.84, 0.63%, 0.64%

LAB 53.19, 38.19, -54.11

 

CMYK 35 / 48 / 0 / 6

HEX #9C7DF0

RGB 156 125 240

HSL 256.17, 0.79%, 0.72%

LAB 59.91, 37.12, -53.93

 

CMYK 51 / 69 / 0 / 34

HEX #5335A9

RGB 83 53 169

HSL 255.52, 0.52%, 0.44%

LAB 32.37, 42.36, -57.79

 

CMYK 56 / 77 / 0 / 41

HEX #422396

RGB 66 35 150

HSL 256.17, 0.62%, 0.36%

LAB 25.45, 43.64, -57.65

 

CMYK 63 / 87 / 0 / 49

HEX #311183

RGB 49 17 131

HSL 256.84, 0.77%, 0.29%

LAB 18.77, 44.28, -56.88

 

CMYK 71 / 100 / 0 / 56

HEX #200070

RGB 32 0 112

HSL 257.14, 1%, 0.22%

LAB 12.46, 43.99, -55.2

 

CMYK 84 / 100 / 0 / 64

HEX #0F005D

RGB 15 0 93

HSL 249.68, 1%, 0.18%

LAB 8.06, 38.21, -49.99

 

CMYK 51 / 68 / 0 / 33

HEX #5436AB

RGB 84 54 171

HSL 255.38, 0.52%, 0.44%

LAB 32.84, 42.57, -58.22

 

CMYK 32 / 68 / 0 / 33

HEX #7436AB

RGB 116 54 171

HSL 271.79, 0.52%, 0.44%

LAB 36.54, 48.88, -52.04

 

CMYK 14 / 68 / 0 / 33

HEX #9336AB

RGB 147 54 171

HSL 287.69, 0.52%, 0.44%

LAB 40.87, 55.72, -44.85

 

CMYK 0 / 68 / 5 / 33

HEX #AB36A3

RGB 171 54 163

HSL 304.1, 0.52%, 0.44%

LAB 44.15, 59.92, -34.64

 

CMYK 0 / 68 / 23 / 33

HEX #AB3683

RGB 171 54 131

HSL 320.51, 0.52%, 0.44%

LAB 42.67, 55.1, -17.62

 

CMYK 51 / 68 / 0 / 33

HEX #5436AB

RGB 84 54 171

HSL 255.38, 0.52%, 0.44%

LAB 32.84, 42.57, -58.22

 

CMYK 68 / 68 / 0 / 33

HEX #3636AB

RGB 54 54 171

HSL 240, 0.52%, 0.44%

LAB 30.31, 37.92, -62.46

 

CMYK 51 / 68 / 0 / 33

HEX #5436AB

RGB 84 54 171

HSL 255.38, 0.52%, 0.44%

LAB 32.84, 42.57, -58.22

 

CMYK 60 / 81 / 0 / 26

HEX #4B24BD

RGB 75 36 189

HSL 255.29, 0.68%, 0.44%

LAB 30.48, 55.41, -72.84

 

CMYK 68 / 91 / 0 / 19

HEX #4312CF

RGB 67 18 207

HSL 255.56, 0.84%, 0.44%

LAB 29.74, 65.6, -84.64

 

CMYK 51 / 68 / 0 / 33

HEX #5436AB

RGB 84 54 171

HSL 255.38, 0.52%, 0.44%

LAB 32.84, 42.57, -58.22

 

CMYK 39 / 53 / 0 / 40

HEX #5D4898

RGB 93 72 152

HSL 255.75, 0.36%, 0.44%

LAB 36.42, 28.31, -40.95

 

CMYK 24 / 33 / 0 / 47

HEX #665A86

RGB 102 90 134

HSL 256.36, 0.2%, 0.44%

LAB 40.99, 14.83, -22.78

 

CMYK 5 / 7 / 0 / 55

HEX #6E6C74

RGB 110 108 116

HSL 255, 0.04%, 0.44%

LAB 46.04, 2.44, -4.18

 

CMYK 6 / 0 / 22 / 51

HEX #777E62

RGB 119 126 98

HSL 75, 0.13%, 0.44%

LAB 51.53, -7.84, 14.4

 

CMYK 68 / 49 / 0 / 33

HEX #3657AB

RGB 54 87 171

HSL 223.08, 0.52%, 0.44%

LAB 38.8, 16.58, -48.66

 

CMYK 68 / 67 / 0 / 33

HEX #3638AB

RGB 54 56 171

HSL 238.97, 0.52%, 0.44%

LAB 30.77, 36.69, -61.71

 

CMYK 51 / 68 / 0 / 33

HEX #5336AB

RGB 83 54 171

HSL 254.87, 0.52%, 0.44%

LAB 32.74, 42.39, -58.38

 

CMYK 33 / 68 / 0 / 33

HEX #7236AB

RGB 114 54 171

HSL 270.77, 0.52%, 0.44%

LAB 36.28, 48.45, -52.46

 

CMYK 15 / 68 / 0 / 33

HEX #9136AB

RGB 145 54 171

HSL 286.67, 0.52%, 0.44%

LAB 40.57, 55.27, -45.34

 

CMYK 51 / 69 / 0 / 58

HEX #35226C

RGB 53 34 108

HSL 255.41, 0.52%, 0.28%

LAB 19.98, 29.05, -40.13

 

CMYK 50 / 68 / 0 / 45

HEX #452C8B

RGB 69 44 139

HSL 255.79, 0.52%, 0.36%

LAB 26.54, 35.91, -49.06

 

CMYK 51 / 68 / 0 / 33

HEX #5436AB

RGB 84 54 171

HSL 255.38, 0.52%, 0.44%

LAB 32.84, 42.57, -58.22

 

CMYK 48 / 65 / 0 / 23

HEX #6645C4

RGB 102 69 196

HSL 255.59, 0.52%, 0.52%

LAB 39.69, 44.78, -61.73

 

CMYK 38 / 51 / 0 / 19

HEX #8065CE

RGB 128 101 206

HSL 255.43, 0.52%, 0.6%

LAB 49.92, 34.91, -50.89

 

CMYK 51 / 69 / 0 / 34

HEX #5335A9

RGB 83 53 169

HSL 255.52, 0.52%, 0.44%

LAB 32.37, 42.36, -57.79

 

CMYK 0 / 68 / 31 / 33

HEX #AB3676

RGB 171 54 118

HSL 327.18, 0.52%, 0.44%

LAB 42.16, 53.41, -10.39

 

CMYK 58 / 0 / 68 / 33

HEX #47AB36

RGB 71 171 54

HSL 111.28, 0.52%, 0.44%

LAB 62.28, -51.21, 49.55

 

CMYK 51 / 69 / 0 / 34

HEX #5335A9

RGB 83 53 169

HSL 255.52, 0.52%, 0.44%

LAB 32.37, 42.36, -57.79

 

CMYK 0 / 51 / 68 / 33

HEX #AB5336

RGB 171 83 54

HSL 14.87, 0.52%, 0.44%

LAB 45.79, 33.8, 33.4

 

CMYK 68 / 0 / 51 / 33

HEX #36AB53

RGB 54 171 83

HSL 134.87, 0.52%, 0.44%

LAB 62.11, -51.46, 35.82

 

CMYK 51 / 69 / 0 / 34

HEX #5335A9

RGB 83 53 169

HSL 255.52, 0.52%, 0.44%

LAB 32.37, 42.36, -57.79

 

CMYK 0 / 68 / 31 / 33

HEX #AB3676

RGB 171 54 118

HSL 327.18, 0.52%, 0.44%

LAB 42.16, 53.41, -10.39

 

CMYK 18 / 0 / 68 / 33

HEX #8DAB36

RGB 141 171 54

HSL 75.38, 0.52%, 0.44%

LAB 65.79, -27.09, 54.3

 

CMYK 68 / 0 / 38 / 33

HEX #36AB6A

RGB 54 171 106

HSL 146.67, 0.52%, 0.44%

LAB 62.47, -47.48, 24.26

 

CMYK 51 / 69 / 0 / 34

HEX #5335A9

RGB 83 53 169

HSL 255.52, 0.52%, 0.44%

LAB 32.37, 42.36, -57.79

 

CMYK 0 / 68 / 51 / 33

HEX #AB3653

RGB 171 54 83

HSL 345.13, 0.52%, 0.44%

LAB 41.09, 49.7, 9.89

 

CMYK 18 / 0 / 68 / 33

HEX #8DAB36

RGB 141 171 54

HSL 75.38, 0.52%, 0.44%

LAB 65.79, -27.09, 54.3

 

CMYK 68 / 0 / 18 / 33

HEX #36AB8D

RGB 54 171 141

HSL 164.62, 0.52%, 0.44%

LAB 63.2, -39.65, 6.07

 

Description

Color code: RGB 83 53 169 | qconv.com Color code: RGB 83 53 169 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 83 red, 53 green and 169 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
83 53 169 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 51 cyan, 69 magenta, none yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
51% 69% 0% 34% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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