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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 83 209 0 it is the complementary color RGB 172 46 255. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 83 209 0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 83 209 0 shade: RGB 88 209 0, RGB 105 227 14, RGB 122 245 33, RGB 139 255 52 and RGB 156 255 71

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 83 209 0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 83 209 0 shade: RGB 83 209 0, RGB 66 191 0, RGB 49 173 0, RGB 32 155 0 and RGB 15 137 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 83 209 0 shade: RGB 83 209 0, RGB 139 209 0, RGB 195 209 0, RGB 209 165 0 and RGB 209 109 0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 83 209 0 shade: RGB 83 209 0, RGB 26 209 0, RGB 0 209 29, RGB 0 209 86 and RGB 0 209 142

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 83 209 0 shade matches the following richer shades: RGB 83 209 0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 83 209 0 shade: RGB 83 209 0, RGB 86 192 16, RGB 90 175 33, RGB 93 158 50 and RGB 96 141 67

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 83 209 0 shade: RGB 195 209 0, RGB 139 209 0, RGB 83 209 0, RGB 27 209 0 and RGB 0 209 27

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 83 209 0 shade: RGB 50 126 0, RGB 66 167 0, RGB 83 209 0, RGB 99 250 0 and RGB 123 255 36

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 83 209 0 shade: RGB 83 209 0, RGB 0 209 167 and RGB 209 0 167

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 83 209 0 shade: RGB 83 209 0, RGB 0 83 209 and RGB 209 0 83

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 83 209 0 shade: RGB 83 209 0, RGB 0 209 167, RGB 125 0 209 and RGB 209 0 41

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 83 209 0 shade: RGB 83 209 0, RGB 0 188 209, RGB 125 0 209 and RGB 209 20 0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 60 / 0 / 100 / 18

HEX #53D100

RGB 83 209 0

HSL 96.17, 1%, 0.41%

LAB 74.47, -63.86, 73.04

 

Complementary color

CMYK 33 / 82 / 0 / 0

HEX #AC2EFF

RGB 172 46 255

HSL 276.17, 1%, 0.59%

LAB 49.43, 79.88, -79.08

 

CMYK 58 / 0 / 100 / 18

HEX #58D100

RGB 88 209 0

HSL 94.74, 1%, 0.41%

LAB 74.62, -62.63, 73.22

 

CMYK 54 / 0 / 94 / 11

HEX #69E30E

RGB 105 227 14

HSL 94.37, 0.88%, 0.47%

LAB 80.72, -64.17, 76.99

 

CMYK 50 / 0 / 87 / 4

HEX #7AF521

RGB 122 245 33

HSL 94.81, 0.91%, 0.55%

LAB 86.78, -65.36, 79.47

 

CMYK 45 / 0 / 80 / 0

HEX #8BFF34

RGB 139 255 52

HSL 94.29, 1%, 0.6%

LAB 90.44, -63.33, 78.68

 

CMYK 39 / 0 / 72 / 0

HEX #9CFF47

RGB 156 255 71

HSL 92.28, 1%, 0.64%

LAB 91.25, -57.04, 74.05

 

CMYK 60 / 0 / 100 / 18

HEX #53D100

RGB 83 209 0

HSL 96.17, 1%, 0.41%

LAB 74.47, -63.86, 73.04

 

CMYK 65 / 0 / 100 / 25

HEX #42BF00

RGB 66 191 0

HSL 99.27, 1%, 0.37%

LAB 68.33, -61.8, 67.98

 

CMYK 72 / 0 / 100 / 32

HEX #31AD00

RGB 49 173 0

HSL 103.01, 1%, 0.34%

LAB 62.12, -59.43, 62.87

 

CMYK 79 / 0 / 100 / 39

HEX #209B00

RGB 32 155 0

HSL 107.61, 1%, 0.3%

LAB 55.84, -56.62, 57.73

 

CMYK 89 / 0 / 100 / 46

HEX #0F8900

RGB 15 137 0

HSL 113.43, 1%, 0.27%

LAB 49.49, -53.18, 52.56

 

CMYK 60 / 0 / 100 / 18

HEX #53D100

RGB 83 209 0

HSL 96.17, 1%, 0.41%

LAB 74.47, -63.86, 73.04

 

CMYK 33 / 0 / 100 / 18

HEX #8BD100

RGB 139 209 0

HSL 80.1, 1%, 0.41%

LAB 76.73, -46.71, 75.78

 

CMYK 7 / 0 / 100 / 18

HEX #C3D100

RGB 195 209 0

HSL 64.02, 1%, 0.41%

LAB 80.29, -24.48, 80.04

 

CMYK 0 / 21 / 100 / 18

HEX #D1A500

RGB 209 165 0

HSL 47.37, 1%, 0.41%

LAB 69.8, 4.08, 73.05

 

CMYK 0 / 48 / 100 / 18

HEX #D16D00

RGB 209 109 0

HSL 31.29, 1%, 0.41%

LAB 56.58, 34.14, 64.37

 

CMYK 60 / 0 / 100 / 18

HEX #53D100

RGB 83 209 0

HSL 96.17, 1%, 0.41%

LAB 74.47, -63.86, 73.04

 

CMYK 88 / 0 / 100 / 18

HEX #1AD100

RGB 26 209 0

HSL 112.54, 1%, 0.41%

LAB 73.43, -72.87, 71.77

 

CMYK 100 / 0 / 86 / 18

HEX #00D11D

RGB 0 209 29

HSL 128.33, 1%, 0.41%

LAB 73.34, -73.42, 67.67

 

CMYK 100 / 0 / 59 / 18

HEX #00D156

RGB 0 209 86

HSL 144.69, 1%, 0.41%

LAB 73.72, -68.61, 48.18

 

CMYK 100 / 0 / 32 / 18

HEX #00D18E

RGB 0 209 142

HSL 160.77, 1%, 0.41%

LAB 74.54, -58.84, 21.34

 

CMYK 60 / 0 / 100 / 18

HEX #53D100

RGB 83 209 0

HSL 96.17, 1%, 0.41%

LAB 74.47, -63.86, 73.04

 

CMYK 60 / 0 / 100 / 18

HEX #53D100

RGB 83 209 0

HSL 96.17, 1%, 0.41%

LAB 74.47, -63.86, 73.04

 

CMYK 55 / 0 / 92 / 25

HEX #56C010

RGB 86 192 16

HSL 96.14, 0.85%, 0.41%

LAB 69.27, -56.94, 67.06

 

CMYK 49 / 0 / 81 / 31

HEX #5AAF21

RGB 90 175 33

HSL 95.92, 0.68%, 0.41%

LAB 64.12, -48.82, 58.96

 

CMYK 41 / 0 / 68 / 38

HEX #5D9E32

RGB 93 158 50

HSL 96.11, 0.52%, 0.41%

LAB 58.98, -39.76, 47.97

 

CMYK 32 / 0 / 52 / 45

HEX #608D43

RGB 96 141 67

HSL 96.49, 0.36%, 0.41%

LAB 53.97, -29.22, 34.37

 

CMYK 7 / 0 / 100 / 18

HEX #C3D100

RGB 195 209 0

HSL 64.02, 1%, 0.41%

LAB 80.29, -24.48, 80.04

 

CMYK 33 / 0 / 100 / 18

HEX #8BD100

RGB 139 209 0

HSL 80.1, 1%, 0.41%

LAB 76.73, -46.71, 75.78

 

CMYK 60 / 0 / 100 / 18

HEX #53D100

RGB 83 209 0

HSL 96.17, 1%, 0.41%

LAB 74.47, -63.86, 73.04

 

CMYK 87 / 0 / 100 / 18

HEX #1BD100

RGB 27 209 0

HSL 112.25, 1%, 0.41%

LAB 73.44, -72.79, 71.78

 

CMYK 100 / 0 / 87 / 18

HEX #00D11B

RGB 0 209 27

HSL 127.75, 1%, 0.41%

LAB 73.34, -73.51, 68.08

 

CMYK 60 / 0 / 100 / 51

HEX #327E00

RGB 50 126 0

HSL 96.19, 1%, 0.25%

LAB 46.45, -43.17, 50.45

 

CMYK 60 / 0 / 100 / 35

HEX #42A700

RGB 66 167 0

HSL 96.29, 1%, 0.33%

LAB 60.6, -53.72, 61.86

 

CMYK 60 / 0 / 100 / 18

HEX #53D100

RGB 83 209 0

HSL 96.17, 1%, 0.41%

LAB 74.47, -63.86, 73.04

 

CMYK 60 / 0 / 100 / 2

HEX #63FA00

RGB 99 250 0

HSL 96.24, 1%, 0.49%

LAB 87.5, -73.51, 83.53

 

CMYK 52 / 0 / 86 / 0

HEX #7BFF24

RGB 123 255 36

HSL 96.16, 1%, 0.57%

LAB 89.79, -68.5, 81.51

 

CMYK 60 / 0 / 100 / 18

HEX #53D100

RGB 83 209 0

HSL 96.17, 1%, 0.41%

LAB 74.47, -63.86, 73.04

 

CMYK 100 / 0 / 20 / 18

HEX #00D1A7

RGB 0 209 167

HSL 167.94, 1%, 0.41%

LAB 75.07, -52.97, 8.79

 

CMYK 0 / 100 / 20 / 18

HEX #D100A7

RGB 209 0 167

HSL 312.06, 1%, 0.41%

LAB 47.42, 79, -31.41

 

CMYK 60 / 0 / 100 / 18

HEX #53D100

RGB 83 209 0

HSL 96.17, 1%, 0.41%

LAB 74.47, -63.86, 73.04

 

CMYK 100 / 60 / 0 / 18

HEX #0053D1

RGB 0 83 209

HSL 216.17, 1%, 0.41%

LAB 39.22, 29.75, -70.23

 

CMYK 0 / 100 / 60 / 18

HEX #D10053

RGB 209 0 83

HSL 336.17, 1%, 0.41%

LAB 44.49, 71.39, 15.74

 

CMYK 60 / 0 / 100 / 18

HEX #53D100

RGB 83 209 0

HSL 96.17, 1%, 0.41%

LAB 74.47, -63.86, 73.04

 

CMYK 100 / 0 / 20 / 18

HEX #00D1A7

RGB 0 209 167

HSL 167.94, 1%, 0.41%

LAB 75.07, -52.97, 8.79

 

CMYK 40 / 100 / 0 / 18

HEX #7D00D1

RGB 125 0 209

HSL 275.89, 1%, 0.41%

LAB 35.91, 73.46, -75.37

 

CMYK 0 / 100 / 80 / 18

HEX #D10029

RGB 209 0 41

HSL 348.23, 1%, 0.41%

LAB 43.82, 69.59, 40.55

 

CMYK 60 / 0 / 100 / 18

HEX #53D100

RGB 83 209 0

HSL 96.17, 1%, 0.41%

LAB 74.47, -63.86, 73.04

 

CMYK 100 / 10 / 0 / 18

HEX #00BCD1

RGB 0 188 209

HSL 186.03, 1%, 0.41%

LAB 69.87, -31.65, -21.71

RGB 0 188 209

CMYK 40 / 100 / 0 / 18

HEX #7D00D1

RGB 125 0 209

HSL 275.89, 1%, 0.41%

LAB 35.91, 73.46, -75.37

RGB 125 0 209

CMYK 0 / 90 / 100 / 18

HEX #D11400

RGB 209 20 0

HSL 5.74, 1%, 0.41%

LAB 44.31, 66.86, 58.11

RGB 209 20 0

Description

Color code: RGB 83 209 0 | qconv.com Color code: RGB 83 209 0 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 83 red, 209 green and none blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
83 209 0 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 60 cyan, none magenta, 100 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
60% 0% 100% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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