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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 83 177 198 it is the complementary color RGB 172 78 57. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 83 177 198. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 83 177 198 shade: RGB 88 177 193, RGB 105 195 212, RGB 122 213 231, RGB 139 231 250 and RGB 156 249 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 83 177 198. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 83 177 198 shade: RGB 83 177 198, RGB 66 159 179, RGB 49 141 160, RGB 32 123 141 and RGB 15 105 122

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 83 177 198 shade: RGB 83 177 198, RGB 83 146 198, RGB 83 115 198, RGB 83 84 198 and RGB 113 83 198

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 83 177 198 shade: RGB 83 177 198, RGB 83 146 198, RGB 83 115 198, RGB 83 84 198 and RGB 83 83 198

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 83 177 198 shade matches the following richer shades: RGB 83 177 198, RGB 64 188 216, RGB 46 200 235 and RGB 27 212 253

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 83 177 198 shade: RGB 83 177 198, RGB 101 165 179, RGB 120 153 160, RGB 139 141 142 and RGB 157 130 123

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 83 177 198 shade: RGB 83 198 156, RGB 83 198 186, RGB 83 179 198, RGB 83 148 198 and RGB 83 117 198

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 83 177 198 shade: RGB 49 130 148, RGB 60 158 179, RGB 83 177 198, RGB 114 191 208 and RGB 145 205 218

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 83 177 198 shade: RGB 83 177 198, RGB 125 83 198 and RGB 198 171 83

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 83 177 198 shade: RGB 83 177 198, RGB 198 83 179 and RGB 179 198 83

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 83 177 198 shade: RGB 83 177 198, RGB 125 83 198, RGB 198 102 83 and RGB 156 198 83

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 83 177 198 shade: RGB 83 177 198, RGB 159 83 198, RGB 198 102 83 and RGB 121 198 83

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 58 / 11 / 0 / 22

HEX #53B1C6

RGB 83 177 198

HSL 190.96, 0.5%, 0.55%

LAB 67.55, -21.65, -19.08

 

Complementary color

CMYK 0 / 55 / 67 / 33

HEX #AC4E39

RGB 172 78 57

HSL 10.96, 0.5%, 0.45%

LAB 44.96, 36.97, 30.76

 

CMYK 54 / 8 / 0 / 24

HEX #58B1C1

RGB 88 177 193

HSL 189.14, 0.46%, 0.55%

LAB 67.55, -22.1, -16.29

 

CMYK 50 / 8 / 0 / 17

HEX #69C3D4

RGB 105 195 212

HSL 189.53, 0.55%, 0.62%

LAB 74.05, -22.34, -16.82

 

CMYK 47 / 8 / 0 / 9

HEX #7AD5E7

RGB 122 213 231

HSL 189.91, 0.69%, 0.69%

LAB 80.46, -22.51, -17.31

 

CMYK 44 / 8 / 0 / 2

HEX #8BE7FA

RGB 139 231 250

HSL 190.27, 0.92%, 0.76%

LAB 86.77, -22.63, -17.79

 

CMYK 39 / 2 / 0 / 0

HEX #9CF9FF

RGB 156 249 255

HSL 183.64, 1%, 0.81%

LAB 92.59, -26.12, -11.6

 

CMYK 58 / 11 / 0 / 22

HEX #53B1C6

RGB 83 177 198

HSL 190.96, 0.5%, 0.55%

LAB 67.55, -21.65, -19.08

 

CMYK 63 / 11 / 0 / 30

HEX #429FB3

RGB 66 159 179

HSL 190.62, 0.46%, 0.48%

LAB 60.97, -21.16, -18.54

 

CMYK 69 / 12 / 0 / 37

HEX #318DA0

RGB 49 141 160

HSL 190.27, 0.53%, 0.41%

LAB 54.28, -20.47, -17.95

 

CMYK 77 / 13 / 0 / 45

HEX #207B8D

RGB 32 123 141

HSL 189.91, 0.63%, 0.34%

LAB 47.49, -19.49, -17.27

 

CMYK 88 / 14 / 0 / 52

HEX #0F697A

RGB 15 105 122

HSL 189.53, 0.78%, 0.27%

LAB 40.59, -18.05, -16.48

 

CMYK 58 / 11 / 0 / 22

HEX #53B1C6

RGB 83 177 198

HSL 190.96, 0.5%, 0.55%

LAB 67.55, -21.65, -19.08

 

CMYK 58 / 26 / 0 / 22

HEX #5392C6

RGB 83 146 198

HSL 207.13, 0.5%, 0.55%

LAB 58.48, -4.85, -33.02

 

CMYK 58 / 42 / 0 / 22

HEX #5373C6

RGB 83 115 198

HSL 223.3, 0.5%, 0.55%

LAB 49.71, 13.62, -46.84

 

CMYK 58 / 58 / 0 / 22

HEX #5354C6

RGB 83 84 198

HSL 239.48, 0.5%, 0.55%

LAB 41.62, 32.96, -59.84

 

CMYK 43 / 58 / 0 / 22

HEX #7153C6

RGB 113 83 198

HSL 255.65, 0.5%, 0.55%

LAB 43.91, 39.65, -56.02

 

CMYK 58 / 11 / 0 / 22

HEX #53B1C6

RGB 83 177 198

HSL 190.96, 0.5%, 0.55%

LAB 67.55, -21.65, -19.08

 

CMYK 58 / 26 / 0 / 22

HEX #5392C6

RGB 83 146 198

HSL 207.13, 0.5%, 0.55%

LAB 58.48, -4.85, -33.02

 

CMYK 58 / 42 / 0 / 22

HEX #5373C6

RGB 83 115 198

HSL 223.3, 0.5%, 0.55%

LAB 49.71, 13.62, -46.84

 

CMYK 58 / 58 / 0 / 22

HEX #5354C6

RGB 83 84 198

HSL 239.48, 0.5%, 0.55%

LAB 41.62, 32.96, -59.84

 

CMYK 58 / 58 / 0 / 22

HEX #5353C6

RGB 83 83 198

HSL 240, 0.5%, 0.55%

LAB 41.38, 33.58, -60.23

 

CMYK 58 / 11 / 0 / 22

HEX #53B1C6

RGB 83 177 198

HSL 190.96, 0.5%, 0.55%

LAB 67.55, -21.65, -19.08

 

CMYK 70 / 13 / 0 / 15

HEX #40BCD8

RGB 64 188 216

HSL 191.05, 0.66%, 0.55%

LAB 70.88, -24.88, -23.93

 

CMYK 80 / 15 / 0 / 8

HEX #2EC8EB

RGB 46 200 235

HSL 191.11, 0.83%, 0.55%

LAB 74.75, -26.84, -28.33

 

CMYK 89 / 16 / 0 / 1

HEX #1BD4FD

RGB 27 212 253

HSL 190.88, 0.98%, 0.55%

LAB 78.7, -28.19, -31.92

 

CMYK 58 / 11 / 0 / 22

HEX #53B1C6

RGB 83 177 198

HSL 190.96, 0.5%, 0.55%

LAB 67.55, -21.65, -19.08

 

CMYK 44 / 8 / 0 / 30

HEX #65A5B3

RGB 101 165 179

HSL 190.77, 0.34%, 0.55%

LAB 64.11, -16.77, -13.66

 

CMYK 25 / 4 / 0 / 37

HEX #7899A0

RGB 120 153 160

HSL 190.5, 0.17%, 0.55%

LAB 61.06, -9.74, -7.42

 

CMYK 2 / 1 / 0 / 44

HEX #8B8D8E

RGB 139 141 142

HSL 200, 0.01%, 0.55%

LAB 58.5, -0.53, -0.8

 

CMYK 0 / 17 / 22 / 38

HEX #9D827B

RGB 157 130 123

HSL 12.35, 0.15%, 0.55%

LAB 56.65, 9.19, 7.65

 

CMYK 58 / 0 / 21 / 22

HEX #53C69C

RGB 83 198 156

HSL 158.09, 0.5%, 0.55%

LAB 72.65, -42.56, 11.41

 

CMYK 58 / 0 / 6 / 22

HEX #53C6BA

RGB 83 198 186

HSL 173.74, 0.5%, 0.55%

LAB 73.4, -35.25, -3.75

 

CMYK 58 / 10 / 0 / 22

HEX #53B3C6

RGB 83 179 198

HSL 189.91, 0.5%, 0.55%

LAB 68.14, -22.67, -18.19

 

CMYK 58 / 25 / 0 / 22

HEX #5394C6

RGB 83 148 198

HSL 206.09, 0.5%, 0.55%

LAB 59.06, -5.99, -32.12

 

CMYK 58 / 41 / 0 / 22

HEX #5375C6

RGB 83 117 198

HSL 222.26, 0.5%, 0.55%

LAB 50.26, 12.39, -45.96

 

CMYK 67 / 12 / 0 / 42

HEX #318294

RGB 49 130 148

HSL 190.91, 0.5%, 0.39%

LAB 50.4, -18.47, -16.9

 

CMYK 66 / 12 / 0 / 30

HEX #3C9EB3

RGB 60 158 179

HSL 190.59, 0.5%, 0.47%

LAB 60.49, -21.64, -19.28

 

CMYK 58 / 11 / 0 / 22

HEX #53B1C6

RGB 83 177 198

HSL 190.96, 0.5%, 0.55%

LAB 67.55, -21.65, -19.08

 

CMYK 45 / 8 / 0 / 18

HEX #72BFD0

RGB 114 191 208

HSL 190.85, 0.5%, 0.63%

LAB 73.15, -19.33, -15.97

 

CMYK 33 / 6 / 0 / 15

HEX #91CDDA

RGB 145 205 218

HSL 190.68, 0.5%, 0.71%

LAB 78.89, -16, -12.6

 

CMYK 58 / 11 / 0 / 22

HEX #53B1C6

RGB 83 177 198

HSL 190.96, 0.5%, 0.55%

LAB 67.55, -21.65, -19.08

 

CMYK 37 / 58 / 0 / 22

HEX #7D53C6

RGB 125 83 198

HSL 261.91, 0.5%, 0.55%

LAB 45.11, 42.37, -54.01

 

CMYK 0 / 14 / 58 / 22

HEX #C6AB53

RGB 198 171 83

HSL 45.91, 0.5%, 0.55%

LAB 70.7, -0.87, 48.14

 

CMYK 58 / 11 / 0 / 22

HEX #53B1C6

RGB 83 177 198

HSL 190.96, 0.5%, 0.55%

LAB 67.55, -21.65, -19.08

 

CMYK 0 / 58 / 10 / 22

HEX #C653B3

RGB 198 83 179

HSL 309.91, 0.5%, 0.55%

LAB 53.44, 57.44, -29.22

 

CMYK 10 / 0 / 58 / 22

HEX #B3C653

RGB 179 198 83

HSL 69.91, 0.5%, 0.55%

LAB 76.43, -22.65, 54.22

 

CMYK 58 / 11 / 0 / 22

HEX #53B1C6

RGB 83 177 198

HSL 190.96, 0.5%, 0.55%

LAB 67.55, -21.65, -19.08

 

CMYK 37 / 58 / 0 / 22

HEX #7D53C6

RGB 125 83 198

HSL 261.91, 0.5%, 0.55%

LAB 45.11, 42.37, -54.01

 

CMYK 0 / 48 / 58 / 22

HEX #C66653

RGB 198 102 83

HSL 9.91, 0.5%, 0.55%

LAB 54.17, 36.47, 28.13

 

CMYK 21 / 0 / 58 / 22

HEX #9CC653

RGB 156 198 83

HSL 81.91, 0.5%, 0.55%

LAB 74.88, -31.74, 52.04

 

CMYK 58 / 11 / 0 / 22

HEX #53B1C6

RGB 83 177 198

HSL 190.96, 0.5%, 0.55%

LAB 67.55, -21.65, -19.08

 

CMYK 20 / 58 / 0 / 22

HEX #9F53C6

RGB 159 83 198

HSL 279.65, 0.5%, 0.55%

LAB 49.05, 50.65, -47.49

 

CMYK 0 / 48 / 58 / 22

HEX #C66653

RGB 198 102 83

HSL 9.91, 0.5%, 0.55%

LAB 54.17, 36.47, 28.13

 

CMYK 39 / 0 / 58 / 22

HEX #79C653

RGB 121 198 83

HSL 100.17, 0.5%, 0.55%

LAB 72.94, -44.31, 49.32

 

Description

Color code: RGB 83 177 198 | qconv.com Color code: RGB 83 177 198 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 83 red, 177 green and 198 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
83 177 198 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 58 cyan, 11 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
58% 11% 0% 22% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

21% - 스마트아카데미-중소기업 청년 취업인턴...
Link: http://intern.smarta.co.kr

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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