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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 83.3 72.4 191 it is the complementary color RGB 171.7 182.6 64. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 83.3 72.4 191. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 83.3 72.4 191 shade: RGB 88.3 72.4 186, RGB 105.3 90.4 205, RGB 122.3 108.4 224, RGB 139.3 126.4 243 and RGB 156.3 144.4 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 83.3 72.4 191. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 83.3 72.4 191 shade: RGB 83.3 72.4 191, RGB 66.3 54.4 172, RGB 49.3 36.4 153, RGB 32.3 18.4 134 and RGB 15.3 0.40000000000001 115

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 83.3 72.4 191 shade: RGB 85 74 191, RGB 116 74 191, RGB 148 74 191, RGB 180 74 191 and RGB 191 74 171

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 83.3 72.4 191 shade: RGB 85 74 191 and RGB 74 74 191

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 83.3 72.4 191 shade matches the following richer shades: RGB 85 74 191, RGB 68 54 211, RGB 52 34 231 and RGB 36 14 251

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 83.3 72.4 191 shade: RGB 85 74 191, RGB 101 94 172, RGB 117 113 152, RGB 133 133 132 and RGB 149 153 112

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 83.3 72.4 191 shade: RGB 74 127 191, RGB 74 95 191, RGB 84 74 191, RGB 115 74 191 and RGB 146 74 191

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 83.3 72.4 191 shade: RGB 56 47 135, RGB 68 58 166, RGB 85 74 191, RGB 113 104 202 and RGB 142 135 213

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 83.3 72.4 191 shade: RGB 83.3 72.4 191, RGB 191 74 158 and RGB 111 191 74

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 83.3 72.4 191 shade: RGB 83.3 72.4 191, RGB 191 84 74 and RGB 74 191 84

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 83.3 72.4 191 shade: RGB 83.3 72.4 191, RGB 191 74 158, RGB 182 191 74 and RGB 74 191 107

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 83.3 72.4 191 shade: RGB 83.3 72.4 191, RGB 191 74 123, RGB 182 191 74 and RGB 74 191 142

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 56 / 62 / 0 / 25

HEX #5348BF

RGB 83.3 72.4 191

HSL 245.51, 0.48%, 0.52%

LAB 38.38, 37.85, -61.03

 

Complementary color

CMYK 6 / 0 / 65 / 28

HEX #ABB640

RGB 171.7 182.6 64

HSL 65.51, 0.48%, 0.48%

LAB 71.43, -19.4, 56.79

 

CMYK 53 / 61 / 0 / 27

HEX #5848BA

RGB 88.3 72.4 186

HSL 248.4, 0.45%, 0.51%

LAB 38.41, 37.21, -58.02

 

CMYK 49 / 56 / 0 / 20

HEX #695ACD

RGB 105.3 90.4 205

HSL 247.8, 0.53%, 0.58%

LAB 45.37, 35.66, -57.73

 

CMYK 45 / 52 / 0 / 12

HEX #7A6CE0

RGB 122.3 108.4 224

HSL 247.21, 0.65%, 0.65%

LAB 52.23, 34.29, -57.43

 

CMYK 43 / 48 / 0 / 5

HEX #8B7EF3

RGB 139.3 126.4 243

HSL 246.64, 0.83%, 0.72%

LAB 58.98, 33.07, -57.15

 

CMYK 39 / 43 / 0 / 0

HEX #9C90FF

RGB 156.3 144.4 255

HSL 246.46, 1%, 0.78%

LAB 65.27, 30.1, -53.66

 

CMYK 56 / 62 / 0 / 25

HEX #5348BF

RGB 83.3 72.4 191

HSL 245.51, 0.48%, 0.52%

LAB 38.38, 37.85, -61.03

 

CMYK 61 / 68 / 0 / 33

HEX #4236AC

RGB 66.3 54.4 172

HSL 246.07, 0.52%, 0.44%

LAB 31.4, 39.73, -61.23

 

CMYK 68 / 76 / 0 / 40

HEX #312499

RGB 49.3 36.4 153

HSL 246.64, 0.62%, 0.37%

LAB 24.47, 41.66, -61.16

 

CMYK 76 / 86 / 0 / 47

HEX #201286

RGB 32.3 18.4 134

HSL 247.21, 0.76%, 0.3%

LAB 17.82, 43.18, -60.38

 

CMYK 87 / 100 / 0 / 55

HEX #0F0073

RGB 15.3 0.40000000000001 115

HSL 247.8, 0.99%, 0.23%

LAB 11.62, 44.06, -58.58

 

CMYK 55 / 61 / 0 / 25

HEX #554ABF

RGB 85 74 191

HSL 245.64, 0.48%, 0.52%

LAB 38.88, 37.19, -60.2

 

CMYK 39 / 61 / 0 / 25

HEX #744ABF

RGB 116 74 191

HSL 261.54, 0.48%, 0.52%

LAB 41.8, 43.49, -55.33

 

CMYK 23 / 61 / 0 / 25

HEX #944ABF

RGB 148 74 191

HSL 277.95, 0.48%, 0.52%

LAB 45.57, 50.92, -49.07

 

CMYK 6 / 61 / 0 / 25

HEX #B44ABF

RGB 180 74 191

HSL 294.36, 0.48%, 0.52%

LAB 49.93, 58.77, -41.87

 

CMYK 0 / 61 / 10 / 25

HEX #BF4AAB

RGB 191 74 171

HSL 310.26, 0.48%, 0.52%

LAB 50.59, 58.21, -29.06

 

CMYK 55 / 61 / 0 / 25

HEX #554ABF

RGB 85 74 191

HSL 245.64, 0.48%, 0.52%

LAB 38.88, 37.19, -60.2

 

CMYK 61 / 61 / 0 / 25

HEX #4A4ABF

RGB 74 74 191

HSL 240, 0.48%, 0.52%

LAB 38.05, 35.28, -61.59

 

CMYK 55 / 61 / 0 / 25

HEX #554ABF

RGB 85 74 191

HSL 245.64, 0.48%, 0.52%

LAB 38.88, 37.19, -60.2

 

CMYK 68 / 74 / 0 / 17

HEX #4436D3

RGB 68 54 211

HSL 245.35, 0.64%, 0.52%

LAB 35.14, 52.49, -78.01

 

CMYK 77 / 85 / 0 / 9

HEX #3422E7

RGB 52 34 231

HSL 245.48, 0.8%, 0.52%

LAB 33.23, 66.23, -92.7

 

CMYK 86 / 94 / 0 / 2

HEX #240EFB

RGB 36 14 251

HSL 245.57, 0.97%, 0.52%

LAB 33.25, 76.41, -104.01

 

CMYK 55 / 61 / 0 / 25

HEX #554ABF

RGB 85 74 191

HSL 245.64, 0.48%, 0.52%

LAB 38.88, 37.19, -60.2

 

CMYK 41 / 45 / 0 / 33

HEX #655EAC

RGB 101 94 172

HSL 245.38, 0.32%, 0.52%

LAB 43.87, 22.62, -40.96

 

CMYK 23 / 26 / 0 / 40

HEX #757198

RGB 117 113 152

HSL 246.15, 0.16%, 0.52%

LAB 49.32, 10.31, -20.56

 

CMYK 0 / 0 / 1 / 48

HEX #858584

RGB 133 133 132

HSL 60, 0%, 0.52%

LAB 55.51, -0.19, 0.53

 

CMYK 3 / 0 / 27 / 40

HEX #959970

RGB 149 153 112

HSL 65.85, 0.17%, 0.52%

LAB 61.95, -8.48, 21.13

 

CMYK 61 / 34 / 0 / 25

HEX #4A7FBF

RGB 74 127 191

HSL 212.82, 0.48%, 0.52%

LAB 52.28, 2.17, -38.79

 

CMYK 61 / 50 / 0 / 25

HEX #4A5FBF

RGB 74 95 191

HSL 229.23, 0.48%, 0.52%

LAB 43.36, 22.03, -52.99

 

CMYK 56 / 61 / 0 / 25

HEX #544ABF

RGB 84 74 191

HSL 245.13, 0.48%, 0.52%

LAB 38.8, 37.01, -60.34

 

CMYK 40 / 61 / 0 / 25

HEX #734ABF

RGB 115 74 191

HSL 261.03, 0.48%, 0.52%

LAB 41.7, 43.27, -55.51

 

CMYK 24 / 61 / 0 / 25

HEX #924ABF

RGB 146 74 191

HSL 276.92, 0.48%, 0.52%

LAB 45.32, 50.44, -49.49

 

CMYK 59 / 65 / 0 / 47

HEX #382F87

RGB 56 47 135

HSL 246.14, 0.48%, 0.36%

LAB 25.63, 30.34, -48.09

 

CMYK 59 / 65 / 0 / 35

HEX #443AA6

RGB 68 58 166

HSL 245.56, 0.48%, 0.44%

LAB 31.83, 35.88, -56.93

 

CMYK 55 / 61 / 0 / 25

HEX #554ABF

RGB 85 74 191

HSL 245.64, 0.48%, 0.52%

LAB 38.88, 37.19, -60.2

 

CMYK 44 / 49 / 0 / 21

HEX #7168CA

RGB 113 104 202

HSL 245.51, 0.48%, 0.6%

LAB 49.1, 28.34, -49.98

 

CMYK 33 / 37 / 0 / 16

HEX #8E87D5

RGB 142 135 213

HSL 245.38, 0.48%, 0.68%

LAB 59.78, 20.57, -39.16

 

CMYK 56 / 62 / 0 / 25

HEX #5348BF

RGB 83.3 72.4 191

HSL 245.51, 0.48%, 0.52%

LAB 38.38, 37.85, -61.03

 

CMYK 0 / 61 / 17 / 25

HEX #BF4A9E

RGB 191 74 158

HSL 316.92, 0.48%, 0.52%

LAB 50.03, 56.23, -22.27

 

CMYK 42 / 0 / 61 / 25

HEX #6FBF4A

RGB 111 191 74

HSL 101.03, 0.48%, 0.52%

LAB 70.27, -45.53, 50.2

 

CMYK 56 / 62 / 0 / 25

HEX #5348BF

RGB 83.3 72.4 191

HSL 245.51, 0.48%, 0.52%

LAB 38.38, 37.85, -61.03

 

CMYK 0 / 56 / 61 / 25

HEX #BF544A

RGB 191 84 74

HSL 5.13, 0.48%, 0.52%

LAB 49.39, 42.28, 27.02

 

CMYK 61 / 0 / 56 / 25

HEX #4ABF54

RGB 74 191 84

HSL 125.13, 0.48%, 0.52%

LAB 69.01, -54.59, 43.81

 

CMYK 56 / 62 / 0 / 25

HEX #5348BF

RGB 83.3 72.4 191

HSL 245.51, 0.48%, 0.52%

LAB 38.38, 37.85, -61.03

 

CMYK 0 / 61 / 17 / 25

HEX #BF4A9E

RGB 191 74 158

HSL 316.92, 0.48%, 0.52%

LAB 50.03, 56.23, -22.27

 

CMYK 5 / 0 / 61 / 25

HEX #B6BF4A

RGB 182 191 74

HSL 64.62, 0.48%, 0.52%

LAB 74.64, -18.63, 56.24

 

CMYK 61 / 0 / 44 / 25

HEX #4ABF6B

RGB 74 191 107

HSL 136.92, 0.48%, 0.52%

LAB 69.31, -51.22, 32.8

 

CMYK 56 / 62 / 0 / 25

HEX #5348BF

RGB 83.3 72.4 191

HSL 245.51, 0.48%, 0.52%

LAB 38.38, 37.85, -61.03

 

CMYK 0 / 61 / 36 / 25

HEX #BF4A7B

RGB 191 74 123

HSL 334.87, 0.48%, 0.52%

LAB 48.77, 51.58, -3.24

 

CMYK 5 / 0 / 61 / 25

HEX #B6BF4A

RGB 182 191 74

HSL 64.62, 0.48%, 0.52%

LAB 74.64, -18.63, 56.24

 

CMYK 61 / 0 / 26 / 25

HEX #4ABF8E

RGB 74 191 142

HSL 154.87, 0.48%, 0.52%

LAB 69.94, -44.48, 15.13

 

Description

Color code: RGB 83.3 72.4 191 | qconv.com Color code: RGB 83.3 72.4 191 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 83.3 red, 72.4 green and 191 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
83.3 72.4 191 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 56 cyan, 62 magenta, none yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
56% 62% 0% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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