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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 82 7 145 it is the complementary color RGB 173 248 110. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 82 7 145. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 82 7 145: RGB 87 7 140, RGB 104 25 159, RGB 121 43 178, RGB 138 61 197 and RGB 155 79 216

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 82 7 145. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 82 7 145: RGB 82 7 145, RGB 65 0 126, RGB 48 0 107, RGB 31 0 88 and RGB 14 0 69

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 43 / 95 / 0 / 43

HEX #520791

RGB 82 7 145

HSL 272.61, 0.91%, 0.3%

LAB 23.64, 54.19, -57.47

 

Complementary color

CMYK 30 / 0 / 56 / 3

HEX #ADF86E

RGB 173 248 110

HSL 92.61, 0.91%, 0.7%

LAB 90.39, -45.44, 58.06

 

CMYK 38 / 95 / 0 / 45

HEX #57078C

RGB 87 7 140

HSL 276.09, 0.9%, 0.29%

LAB 23.91, 53.67, -53.89

 

CMYK 35 / 84 / 0 / 38

HEX #68199F

RGB 104 25 159

HSL 275.37, 0.73%, 0.36%

LAB 29.77, 55.74, -55.89

 

CMYK 32 / 76 / 0 / 30

HEX #792BB2

RGB 121 43 178

HSL 274.67, 0.61%, 0.43%

LAB 36, 56.39, -57.05

 

CMYK 30 / 69 / 0 / 23

HEX #8A3DC5

RGB 138 61 197

HSL 273.97, 0.54%, 0.51%

LAB 42.42, 56.25, -57.7

 

CMYK 28 / 63 / 0 / 15

HEX #9B4FD8

RGB 155 79 216

HSL 273.28, 0.64%, 0.58%

LAB 48.91, 55.7, -58.06

 

CMYK 43 / 95 / 0 / 43

HEX #520791

RGB 82 7 145

HSL 272.61, 0.91%, 0.3%

LAB 23.64, 54.19, -57.47

 

CMYK 48 / 100 / 0 / 51

HEX #41007E

RGB 65 0 126

HSL 270.95, 1%, 0.25%

LAB 18.5, 49.79, -54.08

 

CMYK 55 / 100 / 0 / 58

HEX #30006B

RGB 48 0 107

HSL 266.92, 1%, 0.21%

LAB 13.77, 43.74, -49.7

 

CMYK 65 / 100 / 0 / 65

HEX #1F0058

RGB 31 0 88

HSL 261.14, 1%, 0.17%

LAB 8.96, 37.6, -45.06

 

CMYK 80 / 100 / 0 / 73

HEX #0E0045

RGB 14 0 69

HSL 252.17, 1%, 0.14%

LAB 4.72, 28.86, -38.93

 

CMYK 43 / 95 / 0 / 43

HEX #520791

RGB 82 7 145

HSL 272.61, 0.91%, 0.3%

LAB 23.64, 54.19, -57.47

 

CMYK 29 / 96 / 0 / 43

HEX #680692

RGB 104 6 146

HSL 282, 0.92%, 0.3%

LAB 27.15, 57.37, -52.19

 

CMYK 13 / 96 / 0 / 43

HEX #7F0692

RGB 127 6 146

HSL 291.86, 0.92%, 0.3%

LAB 31.16, 60.84, -45.51

 

CMYK 0 / 96 / 3 / 43

HEX #92068D

RGB 146 6 141

HSL 302.14, 0.92%, 0.3%

LAB 34.32, 63.29, -37.15

 

CMYK 0 / 96 / 19 / 43

HEX #920676

RGB 146 6 118

HSL 312, 0.92%, 0.3%

LAB 33.03, 60.01, -24.82

 

CMYK 43 / 95 / 0 / 43

HEX #520791

RGB 82 7 145

HSL 272.61, 0.91%, 0.3%

LAB 23.64, 54.19, -57.47

 

CMYK 43 / 95 / 0 / 23

HEX #6F09C4

RGB 111 9 196

HSL 272.73, 0.91%, 0.4%

LAB 33.05, 68.16, -72.57

 

CMYK 43 / 95 / 0 / 3

HEX #8C0CF7

RGB 140 12 247

HSL 272.68, 0.94%, 0.51%

LAB 42.08, 81.28, -86.83

 

CMYK 44 / 95 / 0 / 83

HEX #18022B

RGB 24 2 43

HSL 272.2, 0.91%, 0.09%

LAB 3.72, 18.14, -21.45

 

CMYK 44 / 95 / 0 / 63

HEX #35055E

RGB 53 5 94

HSL 272.36, 0.9%, 0.19%

LAB 13.67, 39.13, -41.21

 

CMYK 43 / 95 / 0 / 43

HEX #520791

RGB 82 7 145

HSL 272.61, 0.91%, 0.3%

LAB 23.64, 54.19, -57.47

 

CMYK 0 / 96 / 70 / 43

HEX #92062C

RGB 146 6 44

HSL 343.71, 0.92%, 0.3%

LAB 30.46, 53.17, 19.89

 

CMYK 96 / 0 / 83 / 43

HEX #069219

RGB 6 146 25

HSL 128.14, 0.92%, 0.3%

LAB 52.58, -55.48, 49.85

 

CMYK 43 / 95 / 0 / 43

HEX #520791

RGB 82 7 145

HSL 272.61, 0.91%, 0.3%

LAB 23.64, 54.19, -57.47

 

CMYK 0 / 45 / 96 / 43

HEX #925106

RGB 146 81 6

HSL 32.14, 0.92%, 0.3%

LAB 41.23, 22.49, 48.6

 

CMYK 96 / 0 / 45 / 43

HEX #069251

RGB 6 146 81

HSL 152.14, 0.92%, 0.3%

LAB 53.16, -48.39, 25.39

 

CMYK 43 / 95 / 0 / 43

HEX #520791

RGB 82 7 145

HSL 272.61, 0.91%, 0.3%

LAB 23.64, 54.19, -57.47

 

CMYK 0 / 96 / 70 / 43

HEX #92062C

RGB 146 6 44

HSL 343.71, 0.92%, 0.3%

LAB 30.46, 53.17, 19.89

 

CMYK 51 / 0 / 96 / 43

HEX #479206

RGB 71 146 6

HSL 92.14, 0.92%, 0.3%

LAB 53.93, -44.41, 55.67

 

CMYK 96 / 0 / 26 / 43

HEX #06926C

RGB 6 146 108

HSL 163.71, 0.92%, 0.3%

LAB 53.68, -42.35, 11.03

 

CMYK 43 / 95 / 0 / 43

HEX #520791

RGB 82 7 145

HSL 272.61, 0.91%, 0.3%

LAB 23.64, 54.19, -57.47

 

CMYK 0 / 92 / 96 / 43

HEX #920B06

RGB 146 11 6

HSL 2.14, 0.92%, 0.3%

LAB 30.31, 51.26, 41.28

 

CMYK 51 / 0 / 96 / 43

HEX #479206

RGB 71 146 6

HSL 92.14, 0.92%, 0.3%

LAB 53.93, -44.41, 55.67

 

CMYK 96 / 3 / 0 / 43

HEX #068D92

RGB 6 141 146

HSL 182.14, 0.92%, 0.3%

LAB 53.13, -29.04, -11.67

 

Description

Color code: RGB 82 7 145 | qconv.com Color code: RGB 82 7 145 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 82 red, 7 green and 145 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
82 7 145 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 43 cyan, 95 magenta, none yellow and 43 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
43% 95% 0% 43% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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