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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 82 53 31 it is the complementary color RGB 173 202 224. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 82 53 31. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 82 53 31 shade: RGB 87 53 26, RGB 104 71 45, RGB 121 89 64, RGB 138 107 83 and RGB 155 125 102

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 82 53 31. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 82 53 31 shade: RGB 82 53 31, RGB 65 35 12, RGB 48 17 0, RGB 31 0 0 and RGB 14 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 82 53 31 shade: RGB 81 53 31, RGB 81 39 31 and RGB 81 31 31

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 82 53 31 shade: RGB 81 53 31, RGB 81 66 31, RGB 81 80 31, RGB 69 81 31 and RGB 56 81 31

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 82 53 31 shade matches the following richer shades: RGB 81 53 31, RGB 90 51 22, RGB 99 50 13 and RGB 109 49 4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 82 53 31 shade: RGB 81 53 31, RGB 72 54 40, RGB 63 55 49, RGB 54 56 58 and RGB 45 58 67

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 82 53 31 shade: RGB 81 31 37, RGB 81 38 31, RGB 81 52 31, RGB 81 65 31 and RGB 81 79 31

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 82 53 31 shade: RGB 22 14 8, RGB 51 33 20, RGB 81 53 31, RGB 111 72 42 and RGB 141 91 54

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 82 53 31 shade: RGB 82 53 31, RGB 50 81 31 and RGB 32 31 81

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 82 53 31 shade: RGB 82 53 31, RGB 31 81 52 and RGB 52 31 81

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 82 53 31 shade: RGB 82 53 31, RGB 50 81 31, RGB 31 60 81 and RGB 62 31 81

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 82 53 31 shade: RGB 82 53 31, RGB 35 81 31, RGB 31 60 81 and RGB 77 31 81

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 35 / 62 / 68

HEX #52351F

RGB 82 53 31

HSL 25.88, 0.45%, 0.22%

LAB 25.07, 10.31, 19.03

 

Complementary color

CMYK 23 / 10 / 0 / 12

HEX #ADCAE0

RGB 173 202 224

HSL 205.88, 0.45%, 0.78%

LAB 79.9, -4.93, -14.14

 

CMYK 0 / 39 / 70 / 66

HEX #57351A

RGB 87 53 26

HSL 26.56, 0.54%, 0.22%

LAB 25.7, 12.34, 23.02

 

CMYK 0 / 32 / 57 / 59

HEX #68472D

RGB 104 71 45

HSL 26.44, 0.4%, 0.29%

LAB 33.22, 10.88, 21.19

 

CMYK 0 / 26 / 47 / 53

HEX #795940

RGB 121 89 64

HSL 26.32, 0.31%, 0.36%

LAB 40.54, 9.76, 19.59

 

CMYK 0 / 22 / 40 / 46

HEX #8A6B53

RGB 138 107 83

HSL 26.18, 0.25%, 0.43%

LAB 47.68, 8.88, 18.18

 

CMYK 0 / 19 / 34 / 39

HEX #9B7D66

RGB 155 125 102

HSL 26.04, 0.21%, 0.5%

LAB 54.65, 8.16, 16.93

 

CMYK 0 / 35 / 62 / 68

HEX #52351F

RGB 82 53 31

HSL 25.88, 0.45%, 0.22%

LAB 25.07, 10.31, 19.03

 

CMYK 0 / 46 / 82 / 75

HEX #41230C

RGB 65 35 12

HSL 26.04, 0.69%, 0.15%

LAB 17.24, 12.02, 20.4

 

CMYK 0 / 65 / 100 / 81

HEX #301100

RGB 48 17 0

HSL 21.25, 1%, 0.09%

LAB 9.23, 14.36, 14.15

 

CMYK 0 / 100 / 100 / 88

HEX #1F0000

RGB 31 0 0

HSL 0, 1%, 0.06%

LAB 2.63, 11.81, 4.16

 

CMYK 0 / 100 / 100 / 95

HEX #0E0000

RGB 14 0 0

HSL 0, 1%, 0.03%

LAB 0.84, 3.78, 1.33

 

CMYK 0 / 35 / 62 / 68

HEX #51351F

RGB 81 53 31

HSL 26.4, 0.45%, 0.22%

LAB 24.93, 9.82, 18.83

 

CMYK 0 / 52 / 62 / 68

HEX #51271F

RGB 81 39 31

HSL 9.6, 0.45%, 0.22%

LAB 21.2, 18.71, 14.13

 

CMYK 0 / 62 / 62 / 68

HEX #511F1F

RGB 81 31 31

HSL 0, 0.45%, 0.22%

LAB 19.34, 23.45, 11.7

 

CMYK 0 / 35 / 62 / 68

HEX #51351F

RGB 81 53 31

HSL 26.4, 0.45%, 0.22%

LAB 24.93, 9.82, 18.83

 

CMYK 0 / 19 / 62 / 68

HEX #51421F

RGB 81 66 31

HSL 42, 0.45%, 0.22%

LAB 28.76, 1.5, 23.45

 

CMYK 0 / 1 / 62 / 68

HEX #51501F

RGB 81 80 31

HSL 58.8, 0.45%, 0.22%

LAB 33.1, -7.09, 28.45

 

CMYK 15 / 0 / 62 / 68

HEX #45511F

RGB 69 81 31

HSL 74.4, 0.45%, 0.22%

LAB 32.37, -13.41, 27.33

 

CMYK 31 / 0 / 62 / 68

HEX #38511F

RGB 56 81 31

HSL 90, 0.45%, 0.22%

LAB 31.4, -19.25, 25.97

 

CMYK 0 / 35 / 62 / 68

HEX #51351F

RGB 81 53 31

HSL 26.4, 0.45%, 0.22%

LAB 24.93, 9.82, 18.83

 

CMYK 0 / 43 / 76 / 65

HEX #5A3316

RGB 90 51 22

HSL 25.59, 0.61%, 0.22%

LAB 25.56, 14.78, 25.32

 

CMYK 0 / 49 / 87 / 61

HEX #63320D

RGB 99 50 13

HSL 25.81, 0.77%, 0.22%

LAB 26.63, 19.23, 31.56

 

CMYK 0 / 55 / 96 / 57

HEX #6D3104

RGB 109 49 4

HSL 25.71, 0.93%, 0.22%

LAB 28, 24.11, 37.16

 

CMYK 0 / 35 / 62 / 68

HEX #51351F

RGB 81 53 31

HSL 26.4, 0.45%, 0.22%

LAB 24.93, 9.82, 18.83

 

CMYK 0 / 25 / 44 / 72

HEX #483628

RGB 72 54 40

HSL 26.25, 0.29%, 0.22%

LAB 24.22, 5.81, 11.89

 

CMYK 0 / 13 / 22 / 75

HEX #3F3731

RGB 63 55 49

HSL 25.71, 0.13%, 0.22%

LAB 23.71, 2.34, 5.05

 

CMYK 7 / 3 / 0 / 77

HEX #36383A

RGB 54 56 58

HSL 210, 0.04%, 0.22%

LAB 23.4, -0.38, -1.55

 

CMYK 33 / 13 / 0 / 74

HEX #2D3A43

RGB 45 58 67

HSL 204.55, 0.2%, 0.22%

LAB 23.64, -2.8, -7.3

 

CMYK 0 / 62 / 54 / 68

HEX #511F25

RGB 81 31 37

HSL 352.8, 0.45%, 0.22%

LAB 19.49, 24.05, 7.71

 

CMYK 0 / 53 / 62 / 68

HEX #51261F

RGB 81 38 31

HSL 8.4, 0.45%, 0.22%

LAB 20.96, 19.32, 13.81

 

CMYK 0 / 36 / 62 / 68

HEX #51341F

RGB 81 52 31

HSL 25.2, 0.45%, 0.22%

LAB 24.65, 10.46, 18.49

 

CMYK 0 / 20 / 62 / 68

HEX #51411F

RGB 81 65 31

HSL 40.8, 0.45%, 0.22%

LAB 28.46, 2.14, 23.09

 

CMYK 0 / 2 / 62 / 68

HEX #514F1F

RGB 81 79 31

HSL 57.6, 0.45%, 0.22%

LAB 32.79, -6.49, 28.1

 

CMYK 0 / 36 / 64 / 91

HEX #160E08

RGB 22 14 8

HSL 25.71, 0.47%, 0.06%

LAB 4.54, 2.23, 3.55

 

CMYK 0 / 35 / 61 / 80

HEX #332114

RGB 51 33 20

HSL 25.16, 0.44%, 0.14%

LAB 14.64, 6.8, 12.22

 

CMYK 0 / 35 / 62 / 68

HEX #51351F

RGB 81 53 31

HSL 26.4, 0.45%, 0.22%

LAB 24.93, 9.82, 18.83

 

CMYK 0 / 35 / 62 / 56

HEX #6F482A

RGB 111 72 42

HSL 26.09, 0.45%, 0.3%

LAB 34.36, 13.27, 24.59

 

CMYK 0 / 35 / 62 / 45

HEX #8D5B36

RGB 141 91 54

HSL 25.52, 0.45%, 0.38%

LAB 43.38, 16.6, 29.5

 

CMYK 0 / 35 / 62 / 68

HEX #52351F

RGB 82 53 31

HSL 25.88, 0.45%, 0.22%

LAB 25.07, 10.31, 19.03

 

CMYK 38 / 0 / 62 / 68

HEX #32511F

RGB 50 81 31

HSL 97.2, 0.45%, 0.22%

LAB 31.02, -21.74, 25.43

 

CMYK 60 / 62 / 0 / 68

HEX #201F51

RGB 32 31 81

HSL 241.2, 0.45%, 0.22%

LAB 14.85, 17.11, -30.62

 

CMYK 0 / 35 / 62 / 68

HEX #52351F

RGB 82 53 31

HSL 25.88, 0.45%, 0.22%

LAB 25.07, 10.31, 19.03

 

CMYK 62 / 0 / 36 / 68

HEX #1F5134

RGB 31 81 52

HSL 145.2, 0.45%, 0.22%

LAB 30.46, -24.51, 12.14

 

CMYK 36 / 62 / 0 / 68

HEX #341F51

RGB 52 31 81

HSL 265.2, 0.45%, 0.22%

LAB 17.01, 22.33, -27.03

 

CMYK 0 / 35 / 62 / 68

HEX #52351F

RGB 82 53 31

HSL 25.88, 0.45%, 0.22%

LAB 25.07, 10.31, 19.03

 

CMYK 38 / 0 / 62 / 68

HEX #32511F

RGB 50 81 31

HSL 97.2, 0.45%, 0.22%

LAB 31.02, -21.74, 25.43

 

CMYK 62 / 26 / 0 / 68

HEX #1F3C51

RGB 31 60 81

HSL 205.2, 0.45%, 0.22%

LAB 24.05, -3.71, -16.03

 

CMYK 23 / 62 / 0 / 68

HEX #3E1F51

RGB 62 31 81

HSL 277.2, 0.45%, 0.22%

LAB 18.36, 25.27, -24.8

 

CMYK 0 / 35 / 62 / 68

HEX #52351F

RGB 82 53 31

HSL 25.88, 0.45%, 0.22%

LAB 25.07, 10.31, 19.03

 

CMYK 57 / 0 / 62 / 68

HEX #23511F

RGB 35 81 31

HSL 115.2, 0.45%, 0.22%

LAB 30.26, -27.18, 24.34

 

CMYK 62 / 26 / 0 / 68

HEX #1F3C51

RGB 31 60 81

HSL 205.2, 0.45%, 0.22%

LAB 24.05, -3.71, -16.03

 

CMYK 5 / 62 / 0 / 68

HEX #4D1F51

RGB 77 31 81

HSL 295.2, 0.45%, 0.22%

LAB 20.64, 29.85, -21.03

 

Description

Color code: RGB 82 53 31 | qconv.com Color code: RGB 82 53 31 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 82 red, 53 green and 31 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
82 53 31 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 35 magenta, 62 yellow and 68 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 35% 62% 68% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

18% - Sandra Stammova Raci...
Link: http://sandrastammova.com

15% - 套房-Hotel In House
Link: http://www.hih.com.tw

26% - SG.hu - Informatikai...
Link: http://sg.hu

22% - Profranquicias | Cám...
Link: http://fulvus.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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