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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 82 126 67 it is the complementary color RGB 173 129 188. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 82 126 67. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 82 126 67 shade: RGB 87 126 62, RGB 104 144 81, RGB 121 162 100, RGB 138 180 119 and RGB 155 198 138

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 82 126 67. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 82 126 67 shade: RGB 82 126 67, RGB 65 108 48, RGB 48 90 29, RGB 31 72 10 and RGB 14 54 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 82 126 67 shade: RGB 82 127 67, RGB 98 127 67, RGB 115 127 67, RGB 127 123 67 and RGB 127 107 67

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 82 126 67 shade: RGB 82 127 67, RGB 67 127 68, RGB 67 127 84, RGB 67 127 100 and RGB 67 127 116

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 82 126 67 shade matches the following richer shades: RGB 82 127 67, RGB 74 143 51, RGB 67 158 36, RGB 59 174 20 and RGB 51 190 4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 82 126 67 shade: RGB 82 127 67, RGB 90 111 83, RGB 98 96 98, RGB 105 80 114 and RGB 113 64 130

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 82 126 67 shade: RGB 115 127 67, RGB 99 127 67, RGB 83 127 67, RGB 67 127 67 and RGB 67 127 83

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 82 126 67 shade: RGB 47 73 38, RGB 65 100 53, RGB 82 127 67, RGB 100 154 81 and RGB 120 174 102

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 82 126 67 shade: RGB 82 126 67, RGB 67 127 123 and RGB 127 67 107

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 82 126 67 shade: RGB 82 126 67, RGB 67 83 127 and RGB 127 67 83

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 82 126 67 shade: RGB 82 126 67, RGB 67 127 123, RGB 111 67 127 and RGB 127 67 71

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 82 126 67 shade: RGB 82 126 67, RGB 67 113 127, RGB 111 67 127 and RGB 127 81 67

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 35 / 0 / 47 / 51

HEX #527E43

RGB 82 126 67

HSL 104.75, 0.31%, 0.38%

LAB 48.41, -27.13, 27.34

 

Complementary color

CMYK 8 / 31 / 0 / 26

HEX #AD81BC

RGB 173 129 188

HSL 284.75, 0.31%, 0.62%

LAB 60.08, 27.55, -24.37

 

CMYK 31 / 0 / 51 / 51

HEX #577E3E

RGB 87 126 62

HSL 96.56, 0.34%, 0.37%

LAB 48.63, -25.94, 30.37

 

CMYK 28 / 0 / 44 / 44

HEX #689051

RGB 104 144 81

HSL 98.1, 0.28%, 0.44%

LAB 55.57, -25.84, 29.09

 

CMYK 25 / 0 / 38 / 36

HEX #79A264

RGB 121 162 100

HSL 99.68, 0.25%, 0.51%

LAB 62.36, -25.71, 27.86

 

CMYK 23 / 0 / 34 / 29

HEX #8AB477

RGB 138 180 119

HSL 101.31, 0.29%, 0.59%

LAB 69.02, -25.55, 26.68

 

CMYK 22 / 0 / 30 / 22

HEX #9BC68A

RGB 155 198 138

HSL 103, 0.34%, 0.66%

LAB 75.57, -25.39, 25.57

 

CMYK 35 / 0 / 47 / 51

HEX #527E43

RGB 82 126 67

HSL 104.75, 0.31%, 0.38%

LAB 48.41, -27.13, 27.34

 

CMYK 40 / 0 / 56 / 58

HEX #416C30

RGB 65 108 48

HSL 103, 0.38%, 0.31%

LAB 41.32, -27.23, 28.67

 

CMYK 47 / 0 / 68 / 65

HEX #305A1D

RGB 48 90 29

HSL 101.31, 0.51%, 0.23%

LAB 34.04, -27.16, 29.87

 

CMYK 57 / 0 / 86 / 72

HEX #1F480A

RGB 31 72 10

HSL 99.68, 0.76%, 0.16%

LAB 26.59, -26.66, 30.35

 

CMYK 74 / 0 / 100 / 79

HEX #0E3600

RGB 14 54 0

HSL 104.44, 1%, 0.11%

LAB 18.94, -25.16, 26.24

 

CMYK 35 / 0 / 47 / 50

HEX #527F43

RGB 82 127 67

HSL 105, 0.31%, 0.38%

LAB 48.73, -27.62, 27.74

 

CMYK 23 / 0 / 47 / 50

HEX #627F43

RGB 98 127 67

HSL 89, 0.31%, 0.38%

LAB 49.71, -21.48, 29.18

 

CMYK 9 / 0 / 47 / 50

HEX #737F43

RGB 115 127 67

HSL 72, 0.31%, 0.38%

LAB 50.95, -14.41, 30.99

 

CMYK 0 / 3 / 47 / 50

HEX #7F7B43

RGB 127 123 67

HSL 56, 0.31%, 0.38%

LAB 50.78, -6.99, 31.01

 

CMYK 0 / 16 / 47 / 50

HEX #7F6B43

RGB 127 107 67

HSL 40, 0.31%, 0.38%

LAB 46.22, 2.15, 25.3

 

CMYK 35 / 0 / 47 / 50

HEX #527F43

RGB 82 127 67

HSL 105, 0.31%, 0.38%

LAB 48.73, -27.62, 27.74

 

CMYK 47 / 0 / 46 / 50

HEX #437F44

RGB 67 127 68

HSL 121, 0.31%, 0.38%

LAB 47.99, -32.56, 26.11

 

CMYK 47 / 0 / 34 / 50

HEX #437F54

RGB 67 127 84

HSL 137, 0.31%, 0.38%

LAB 48.28, -29.72, 17.49

 

CMYK 47 / 0 / 21 / 50

HEX #437F64

RGB 67 127 100

HSL 153, 0.31%, 0.38%

LAB 48.63, -26.31, 8.71

 

CMYK 47 / 0 / 9 / 50

HEX #437F74

RGB 67 127 116

HSL 169, 0.31%, 0.38%

LAB 49.05, -22.39, -0.08

 

CMYK 35 / 0 / 47 / 50

HEX #527F43

RGB 82 127 67

HSL 105, 0.31%, 0.38%

LAB 48.73, -27.62, 27.74

 

CMYK 48 / 0 / 64 / 44

HEX #4A8F33

RGB 74 143 51

HSL 105, 0.47%, 0.38%

LAB 53.32, -39.57, 41.14

 

CMYK 58 / 0 / 77 / 38

HEX #439E24

RGB 67 158 36

HSL 104.75, 0.63%, 0.38%

LAB 57.82, -48.84, 51.77

 

CMYK 66 / 0 / 89 / 32

HEX #3BAE14

RGB 59 174 20

HSL 104.81, 0.79%, 0.38%

LAB 62.72, -57.23, 60.5

 

CMYK 73 / 0 / 98 / 25

HEX #33BE04

RGB 51 190 4

HSL 104.84, 0.96%, 0.38%

LAB 67.68, -64.29, 66.85

 

CMYK 35 / 0 / 47 / 50

HEX #527F43

RGB 82 127 67

HSL 105, 0.31%, 0.38%

LAB 48.73, -27.62, 27.74

 

CMYK 19 / 0 / 25 / 56

HEX #5A6F53

RGB 90 111 83

HSL 105, 0.14%, 0.38%

LAB 44.47, -13.63, 13.09

 

CMYK 0 / 2 / 0 / 62

HEX #626062

RGB 98 96 98

HSL 300, 0.01%, 0.38%

LAB 40.97, 1.21, -0.86

 

CMYK 8 / 30 / 0 / 55

HEX #695072

RGB 105 80 114

HSL 284.12, 0.18%, 0.38%

LAB 37.76, 17.21, -15.47

 

CMYK 13 / 51 / 0 / 49

HEX #714082

RGB 113 64 130

HSL 284.55, 0.34%, 0.38%

LAB 35.58, 33.13, -28.7

 

CMYK 9 / 0 / 47 / 50

HEX #737F43

RGB 115 127 67

HSL 72, 0.31%, 0.38%

LAB 50.95, -14.41, 30.99

 

CMYK 22 / 0 / 47 / 50

HEX #637F43

RGB 99 127 67

HSL 88, 0.31%, 0.38%

LAB 49.78, -21.08, 29.28

 

CMYK 35 / 0 / 47 / 50

HEX #537F43

RGB 83 127 67

HSL 104, 0.31%, 0.38%

LAB 48.79, -27.25, 27.83

 

CMYK 47 / 0 / 47 / 50

HEX #437F43

RGB 67 127 67

HSL 120, 0.31%, 0.38%

LAB 47.98, -32.72, 26.63

 

CMYK 47 / 0 / 35 / 50

HEX #437F53

RGB 67 127 83

HSL 136, 0.31%, 0.38%

LAB 48.26, -29.91, 18.03

 

CMYK 36 / 0 / 48 / 71

HEX #2F4926

RGB 47 73 38

HSL 104.57, 0.32%, 0.22%

LAB 28.14, -17.73, 17.84

 

CMYK 35 / 0 / 47 / 61

HEX #416435

RGB 65 100 53

HSL 104.68, 0.31%, 0.3%

LAB 38.72, -22.54, 22.7

 

CMYK 35 / 0 / 47 / 50

HEX #527F43

RGB 82 127 67

HSL 105, 0.31%, 0.38%

LAB 48.73, -27.62, 27.74

 

CMYK 35 / 0 / 47 / 40

HEX #649A51

RGB 100 154 81

HSL 104.38, 0.31%, 0.46%

LAB 58.43, -32.11, 32.65

 

CMYK 31 / 0 / 41 / 32

HEX #78AE66

RGB 120 174 102

HSL 105, 0.31%, 0.54%

LAB 65.92, -31.57, 31.41

 

CMYK 35 / 0 / 47 / 51

HEX #527E43

RGB 82 126 67

HSL 104.75, 0.31%, 0.38%

LAB 48.41, -27.13, 27.34

 

CMYK 47 / 0 / 3 / 50

HEX #437F7B

RGB 67 127 123

HSL 176, 0.31%, 0.38%

LAB 49.26, -20.53, -3.89

 

CMYK 0 / 47 / 16 / 50

HEX #7F436B

RGB 127 67 107

HSL 320, 0.31%, 0.38%

LAB 37.09, 31.47, -11.88

 

CMYK 35 / 0 / 47 / 51

HEX #527E43

RGB 82 126 67

HSL 104.75, 0.31%, 0.38%

LAB 48.41, -27.13, 27.34

 

CMYK 47 / 35 / 0 / 50

HEX #43537F

RGB 67 83 127

HSL 224, 0.31%, 0.38%

LAB 35.81, 6.56, -26.79

 

CMYK 0 / 47 / 35 / 50

HEX #7F4353

RGB 127 67 83

HSL 344, 0.31%, 0.38%

LAB 36.27, 27.73, 2.05

 

CMYK 35 / 0 / 47 / 51

HEX #527E43

RGB 82 126 67

HSL 104.75, 0.31%, 0.38%

LAB 48.41, -27.13, 27.34

 

CMYK 47 / 0 / 3 / 50

HEX #437F7B

RGB 67 127 123

HSL 176, 0.31%, 0.38%

LAB 49.26, -20.53, -3.89

 

CMYK 13 / 47 / 0 / 50

HEX #6F437F

RGB 111 67 127

HSL 284, 0.31%, 0.38%

LAB 35.84, 30.09, -26.44

 

CMYK 0 / 47 / 44 / 50

HEX #7F4347

RGB 127 67 71

HSL 356, 0.31%, 0.38%

LAB 35.95, 26.2, 9.19

 

CMYK 35 / 0 / 47 / 51

HEX #527E43

RGB 82 126 67

HSL 104.75, 0.31%, 0.38%

LAB 48.41, -27.13, 27.34

 

CMYK 47 / 11 / 0 / 50

HEX #43717F

RGB 67 113 127

HSL 194, 0.31%, 0.38%

LAB 44.99, -11.71, -12.64

 

CMYK 13 / 47 / 0 / 50

HEX #6F437F

RGB 111 67 127

HSL 284, 0.31%, 0.38%

LAB 35.84, 30.09, -26.44

 

CMYK 0 / 36 / 47 / 50

HEX #7F5143

RGB 127 81 67

HSL 14, 0.31%, 0.38%

LAB 39.25, 17.55, 16.19

 

Description

Color code: RGB 82 126 67 | qconv.com Color code: RGB 82 126 67 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 82 red, 126 green and 67 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
82 126 67 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 35 cyan, none magenta, 47 yellow and 51 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
35% 0% 47% 51% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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