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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 82.1 54.8 239 it is the complementary color RGB 172.9 200.2 16. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 82.1 54.8 239. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 82.1 54.8 239 shade: RGB 87.1 54.8 234, RGB 104.1 72.8 253, RGB 121.1 90.8 255, RGB 138.1 108.8 255 and RGB 155.1 126.8 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 82.1 54.8 239. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 82.1 54.8 239 shade: RGB 82.1 54.8 239, RGB 65.1 36.8 220, RGB 48.1 18.8 201, RGB 31.1 0.8 182 and RGB 14.1 0 163

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 82.1 54.8 239 shade: RGB 84 57 239, RGB 133 57 239, RGB 182 57 239, RGB 231 57 239 and RGB 239 57 198

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 82.1 54.8 239 shade: RGB 84 57 239 and RGB 57 57 239

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 82.1 54.8 239 shade matches the following richer shades: RGB 84 57 239

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 82.1 54.8 239 shade: RGB 84 57 239, RGB 96 74 222, RGB 108 92 204, RGB 120 109 187 and RGB 133 126 170

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 82.1 54.8 239 shade: RGB 57 130 239, RGB 57 81 239, RGB 81 57 239, RGB 130 57 239 and RGB 178 57 239

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 82.1 54.8 239 shade: RGB 43 16 197, RGB 51 19 235, RGB 84 57 239, RGB 117 95 242 and RGB 150 133 245

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 82.1 54.8 239 shade: RGB 82.1 54.8 239, RGB 239 57 178 and RGB 105 239 57

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 82.1 54.8 239 shade: RGB 82.1 54.8 239, RGB 239 81 57 and RGB 57 239 81

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 82.1 54.8 239 shade: RGB 82.1 54.8 239, RGB 239 57 178, RGB 215 239 57 and RGB 57 239 118

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 82.1 54.8 239 shade: RGB 82.1 54.8 239, RGB 239 57 124, RGB 215 239 57 and RGB 57 239 172

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 66 / 77 / 0 / 6

HEX #5236EF

RGB 82.1 54.8 239

HSL 248.89, 0.85%, 0.58%

LAB 39.15, 61.79, -87.37

 

Complementary color

CMYK 14 / 0 / 92 / 21

HEX #ACC810

RGB 172.9 200.2 16

HSL 68.89, 0.85%, 0.42%

LAB 76.26, -29.31, 74.62

 

CMYK 63 / 77 / 0 / 8

HEX #5736EA

RGB 87.1 54.8 234

HSL 250.81, 0.81%, 0.57%

LAB 39.04, 60.86, -84.69

 

CMYK 59 / 71 / 0 / 1

HEX #6848FD

RGB 104.1 72.8 253

HSL 250.42, 0.98%, 0.64%

LAB 45.33, 59.46, -84.98

 

CMYK 53 / 64 / 0 / 0

HEX #795AFF

RGB 121.1 90.8 255

HSL 251.07, 1%, 0.68%

LAB 50.38, 53.06, -77.77

 

CMYK 46 / 57 / 0 / 0

HEX #8A6CFF

RGB 138.1 108.8 255

HSL 252.02, 1%, 0.71%

LAB 55.61, 46.25, -69.21

 

CMYK 39 / 50 / 0 / 0

HEX #9B7EFF

RGB 155.1 126.8 255

HSL 253.24, 1%, 0.75%

LAB 61.07, 39.83, -60.36

 

CMYK 66 / 77 / 0 / 6

HEX #5236EF

RGB 82.1 54.8 239

HSL 248.89, 0.85%, 0.58%

LAB 39.15, 61.79, -87.37

 

CMYK 70 / 83 / 0 / 14

HEX #4124DC

RGB 65.1 36.8 220

HSL 249.27, 0.72%, 0.5%

LAB 33.15, 62.85, -86.51

 

CMYK 76 / 91 / 0 / 21

HEX #3012C9

RGB 48.1 18.8 201

HSL 249.65, 0.83%, 0.43%

LAB 27.59, 62.91, -84.75

 

CMYK 83 / 100 / 0 / 29

HEX #1F00B6

RGB 31.1 0.8 182

HSL 250.03, 0.99%, 0.36%

LAB 22.61, 61.64, -81.84

 

CMYK 91 / 100 / 0 / 36

HEX #0E00A3

RGB 14.1 0 163

HSL 245.19, 1%, 0.32%

LAB 18.96, 56.79, -76.49

 

CMYK 65 / 76 / 0 / 6

HEX #5439EF

RGB 84 57 239

HSL 248.9, 0.85%, 0.58%

LAB 39.65, 60.94, -86.53

 

CMYK 44 / 76 / 0 / 6

HEX #8539EF

RGB 133 57 239

HSL 265.05, 0.85%, 0.58%

LAB 44.44, 67.01, -78.48

 

CMYK 24 / 76 / 0 / 6

HEX #B639EF

RGB 182 57 239

HSL 281.21, 0.85%, 0.58%

LAB 50.81, 74.92, -67.83

 

CMYK 3 / 76 / 0 / 6

HEX #E739EF

RGB 231 57 239

HSL 297.36, 0.85%, 0.58%

LAB 58.18, 83.9, -55.59

 

CMYK 0 / 76 / 17 / 6

HEX #EF39C6

RGB 239 57 198

HSL 313.52, 0.85%, 0.58%

LAB 57.42, 79.63, -33.49

 

CMYK 65 / 76 / 0 / 6

HEX #5439EF

RGB 84 57 239

HSL 248.9, 0.85%, 0.58%

LAB 39.65, 60.94, -86.53

 

CMYK 76 / 76 / 0 / 6

HEX #3939EF

RGB 57 57 239

HSL 240, 0.85%, 0.58%

LAB 37.89, 58.67, -89.49

 

CMYK 65 / 76 / 0 / 6

HEX #5439EF

RGB 84 57 239

HSL 248.9, 0.85%, 0.58%

LAB 39.65, 60.94, -86.53

 

CMYK 65 / 76 / 0 / 6

HEX #5439EF

RGB 84 57 239

HSL 248.9, 0.85%, 0.58%

LAB 39.65, 60.94, -86.53

 

CMYK 57 / 67 / 0 / 13

HEX #604ADE

RGB 96 74 222

HSL 248.92, 0.69%, 0.58%

LAB 42.24, 48.59, -72.58

 

CMYK 47 / 55 / 0 / 20

HEX #6C5CCC

RGB 108 92 204

HSL 248.57, 0.52%, 0.58%

LAB 45.91, 34.99, -56.27

 

CMYK 36 / 42 / 0 / 27

HEX #786DBB

RGB 120 109 187

HSL 248.46, 0.36%, 0.58%

LAB 50.12, 22.85, -39.7

 

CMYK 22 / 26 / 0 / 33

HEX #857EAA

RGB 133 126 170

HSL 249.55, 0.21%, 0.58%

LAB 54.88, 12.23, -22.4

 

CMYK 76 / 46 / 0 / 6

HEX #3982EF

RGB 57 130 239

HSL 215.93, 0.85%, 0.58%

LAB 55.14, 14.78, -61.34

 

CMYK 76 / 66 / 0 / 6

HEX #3951EF

RGB 57 81 239

HSL 232.09, 0.85%, 0.58%

LAB 42.74, 45.23, -81.49

 

CMYK 66 / 76 / 0 / 6

HEX #5139EF

RGB 81 57 239

HSL 247.91, 0.85%, 0.58%

LAB 39.42, 60.64, -86.91

 

CMYK 46 / 76 / 0 / 6

HEX #8239EF

RGB 130 57 239

HSL 264.07, 0.85%, 0.58%

LAB 44.1, 66.58, -79.06

 

CMYK 26 / 76 / 0 / 6

HEX #B239EF

RGB 178 57 239

HSL 279.89, 0.85%, 0.58%

LAB 50.24, 74.22, -68.77

 

CMYK 78 / 92 / 0 / 23

HEX #2B10C5

RGB 43 16 197

HSL 248.95, 0.85%, 0.42%

LAB 26.49, 62.41, -84.24

 

CMYK 78 / 92 / 0 / 8

HEX #3313EB

RGB 51 19 235

HSL 248.89, 0.85%, 0.5%

LAB 32.19, 71.75, -96.72

 

CMYK 65 / 76 / 0 / 6

HEX #5439EF

RGB 84 57 239

HSL 248.9, 0.85%, 0.58%

LAB 39.65, 60.94, -86.53

 

CMYK 52 / 61 / 0 / 5

HEX #755FF2

RGB 117 95 242

HSL 248.98, 0.85%, 0.66%

LAB 49.95, 46.25, -71.24

 

CMYK 39 / 46 / 0 / 4

HEX #9685F5

RGB 150 133 245

HSL 249.11, 0.85%, 0.74%

LAB 61.53, 32.38, -54.15

 

CMYK 66 / 77 / 0 / 6

HEX #5236EF

RGB 82.1 54.8 239

HSL 248.89, 0.85%, 0.58%

LAB 39.15, 61.79, -87.37

 

CMYK 0 / 76 / 26 / 6

HEX #EF39B2

RGB 239 57 178

HSL 320.11, 0.85%, 0.58%

LAB 56.58, 77.14, -23.26

 

CMYK 56 / 0 / 76 / 6

HEX #69EF39

RGB 105 239 57

HSL 104.18, 0.85%, 0.58%

LAB 84.5, -66.7, 71.26

 

CMYK 66 / 77 / 0 / 6

HEX #5236EF

RGB 82.1 54.8 239

HSL 248.89, 0.85%, 0.58%

LAB 39.15, 61.79, -87.37

 

CMYK 0 / 66 / 76 / 6

HEX #EF5139

RGB 239 81 57

HSL 7.91, 0.85%, 0.58%

LAB 56.62, 59.43, 46.89

 

CMYK 76 / 0 / 66 / 6

HEX #39EF51

RGB 57 239 81

HSL 127.91, 0.85%, 0.58%

LAB 83.55, -74.01, 61.48

 

CMYK 66 / 77 / 0 / 6

HEX #5236EF

RGB 82.1 54.8 239

HSL 248.89, 0.85%, 0.58%

LAB 39.15, 61.79, -87.37

 

CMYK 0 / 76 / 26 / 6

HEX #EF39B2

RGB 239 57 178

HSL 320.11, 0.85%, 0.58%

LAB 56.58, 77.14, -23.26

 

CMYK 10 / 0 / 76 / 6

HEX #D7EF39

RGB 215 239 57

HSL 67.91, 0.85%, 0.58%

LAB 90.08, -29.21, 78.49

 

CMYK 76 / 0 / 51 / 6

HEX #39EF76

RGB 57 239 118

HSL 140.11, 0.85%, 0.58%

LAB 83.92, -69.51, 45.72

 

CMYK 66 / 77 / 0 / 6

HEX #5236EF

RGB 82.1 54.8 239

HSL 248.89, 0.85%, 0.58%

LAB 39.15, 61.79, -87.37

 

CMYK 0 / 76 / 48 / 6

HEX #EF397C

RGB 239 57 124

HSL 337.91, 0.85%, 0.58%

LAB 54.8, 71.71, 5.94

 

CMYK 10 / 0 / 76 / 6

HEX #D7EF39

RGB 215 239 57

HSL 67.91, 0.85%, 0.58%

LAB 90.08, -29.21, 78.49

 

CMYK 76 / 0 / 28 / 6

HEX #39EFAC

RGB 57 239 172

HSL 157.91, 0.85%, 0.58%

LAB 84.78, -59.71, 19.9

 

Description

Color code: RGB 82.1 54.8 239 | qconv.com Color code: RGB 82.1 54.8 239 | qconv.com - big

Blue clearly dominates: the blue value surpasses the others. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 82.1 red, 54.8 green and 239 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
82.1 54.8 239 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 66 cyan, 77 magenta, none yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
66% 77% 0% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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