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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 81 174 103 it is the complementary color RGB 174 81 152. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 81 174 103. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 81 174 103 shade: RGB 86 174 98, RGB 103 192 117, RGB 120 210 136, RGB 137 228 155 and RGB 154 246 174

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 81 174 103. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 81 174 103 shade: RGB 81 174 103, RGB 64 156 84, RGB 47 138 65, RGB 30 120 46 and RGB 13 102 27

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 81 174 103 shade: RGB 82 173 103, RGB 85 173 82, RGB 109 173 82, RGB 134 173 82 and RGB 159 173 82

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 81 174 103 shade: RGB 82 173 103, RGB 82 173 128, RGB 82 173 153, RGB 82 169 173 and RGB 82 144 173

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 81 174 103 shade matches the following richer shades: RGB 82 173 103, RGB 61 194 92, RGB 40 215 82 and RGB 20 235 71

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 81 174 103 shade: RGB 82 173 103, RGB 102 153 114, RGB 123 132 125, RGB 143 112 136 and RGB 164 91 147

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 81 174 103 shade: RGB 109 173 82, RGB 85 173 82, RGB 82 173 103, RGB 82 173 128 and RGB 82 173 152

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 81 174 103 shade: RGB 55 117 70, RGB 68 145 87, RGB 82 173 103, RGB 110 187 128 and RGB 138 200 152

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 81 174 103 shade: RGB 81 174 103, RGB 82 134 173 and RGB 173 82 97

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 81 174 103 shade: RGB 81 174 103, RGB 103 82 173 and RGB 173 103 82

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 81 174 103 shade: RGB 81 174 103, RGB 82 134 173, RGB 173 82 152 and RGB 173 121 82

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 81 174 103 shade: RGB 81 174 103, RGB 82 106 173, RGB 173 82 152 and RGB 173 149 82

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 53 / 0 / 41 / 32

HEX #51AE67

RGB 81 174 103

HSL 134.19, 0.36%, 0.5%

LAB 64.16, -43.36, 28.25

 

Complementary color

CMYK 0 / 53 / 13 / 32

HEX #AE5198

RGB 174 81 152

HSL 314.19, 0.36%, 0.5%

LAB 48.45, 47.05, -21.36

 

CMYK 51 / 0 / 44 / 32

HEX #56AE62

RGB 86 174 98

HSL 128.18, 0.35%, 0.51%

LAB 64.27, -42.86, 31.05

 

CMYK 46 / 0 / 39 / 25

HEX #67C075

RGB 103 192 117

HSL 129.44, 0.41%, 0.58%

LAB 70.78, -42.73, 29.73

 

CMYK 43 / 0 / 35 / 18

HEX #78D288

RGB 120 210 136

HSL 130.67, 0.5%, 0.65%

LAB 77.2, -42.53, 28.49

 

CMYK 40 / 0 / 32 / 11

HEX #89E49B

RGB 137 228 155

HSL 131.87, 0.63%, 0.72%

LAB 83.53, -42.3, 27.32

 

CMYK 37 / 0 / 29 / 4

HEX #9AF6AE

RGB 154 246 174

HSL 133.04, 0.84%, 0.78%

LAB 89.78, -42.05, 26.22

 

CMYK 53 / 0 / 41 / 32

HEX #51AE67

RGB 81 174 103

HSL 134.19, 0.36%, 0.5%

LAB 64.16, -43.36, 28.25

 

CMYK 59 / 0 / 46 / 39

HEX #409C54

RGB 64 156 84

HSL 133.04, 0.42%, 0.43%

LAB 57.57, -43.32, 29.66

 

CMYK 66 / 0 / 53 / 46

HEX #2F8A41

RGB 47 138 65

HSL 131.87, 0.49%, 0.36%

LAB 50.88, -43.03, 31.16

 

CMYK 75 / 0 / 62 / 53

HEX #1E782E

RGB 30 120 46

HSL 130.67, 0.6%, 0.29%

LAB 44.1, -42.27, 32.67

 

CMYK 87 / 0 / 74 / 60

HEX #0D661B

RGB 13 102 27

HSL 129.44, 0.77%, 0.23%

LAB 37.24, -40.7, 33.95

 

CMYK 53 / 0 / 40 / 32

HEX #52AD67

RGB 82 173 103

HSL 133.85, 0.36%, 0.5%

LAB 63.88, -42.68, 27.89

 

CMYK 51 / 0 / 53 / 32

HEX #55AD52

RGB 85 173 82

HSL 118.02, 0.36%, 0.5%

LAB 63.69, -45.07, 38.48

 

CMYK 37 / 0 / 53 / 32

HEX #6DAD52

RGB 109 173 82

HSL 102.2, 0.36%, 0.5%

LAB 64.76, -37.56, 40.02

 

CMYK 23 / 0 / 53 / 32

HEX #86AD52

RGB 134 173 82

HSL 85.71, 0.36%, 0.5%

LAB 66.19, -28.44, 42.07

 

CMYK 8 / 0 / 53 / 32

HEX #9FAD52

RGB 159 173 82

HSL 69.23, 0.36%, 0.5%

LAB 67.92, -18.44, 44.55

 

CMYK 53 / 0 / 40 / 32

HEX #52AD67

RGB 82 173 103

HSL 133.85, 0.36%, 0.5%

LAB 63.88, -42.68, 27.89

 

CMYK 53 / 0 / 26 / 32

HEX #52AD80

RGB 82 173 128

HSL 150.33, 0.36%, 0.5%

LAB 64.35, -37.88, 15

 

CMYK 53 / 0 / 12 / 32

HEX #52AD99

RGB 82 173 153

HSL 166.81, 0.36%, 0.5%

LAB 64.95, -32.12, 2.01

 

CMYK 53 / 2 / 0 / 32

HEX #52A9AD

RGB 82 169 173

HSL 182.64, 0.36%, 0.5%

LAB 64.31, -24.92, -10.08

 

CMYK 53 / 17 / 0 / 32

HEX #5290AD

RGB 82 144 173

HSL 199.12, 0.36%, 0.5%

LAB 56.84, -11.71, -21.39

 

CMYK 53 / 0 / 40 / 32

HEX #52AD67

RGB 82 173 103

HSL 133.85, 0.36%, 0.5%

LAB 63.88, -42.68, 27.89

 

CMYK 69 / 0 / 53 / 24

HEX #3DC25C

RGB 61 194 92

HSL 133.98, 0.52%, 0.5%

LAB 69.72, -57.22, 40.75

 

CMYK 81 / 0 / 62 / 16

HEX #28D752

RGB 40 215 82

HSL 134.4, 0.69%, 0.5%

LAB 75.86, -68.5, 52.49

 

CMYK 91 / 0 / 70 / 8

HEX #14EB47

RGB 20 235 71

HSL 134.23, 0.84%, 0.5%

LAB 81.85, -77.09, 63.37

 

CMYK 53 / 0 / 40 / 32

HEX #52AD67

RGB 82 173 103

HSL 133.85, 0.36%, 0.5%

LAB 63.88, -42.68, 27.89

 

CMYK 33 / 0 / 25 / 40

HEX #669972

RGB 102 153 114

HSL 134.12, 0.2%, 0.5%

LAB 58.81, -25.52, 15.2

 

CMYK 7 / 0 / 5 / 48

HEX #7B847D

RGB 123 132 125

HSL 133.33, 0.04%, 0.5%

LAB 54.23, -4.73, 2.63

 

CMYK 0 / 22 / 5 / 44

HEX #8F7088

RGB 143 112 136

HSL 313.55, 0.12%, 0.5%

LAB 50.93, 16.48, -8.47

 

CMYK 0 / 45 / 10 / 36

HEX #A45B93

RGB 164 91 147

HSL 313.97, 0.29%, 0.5%

LAB 48.86, 37.84, -17.87

 

CMYK 37 / 0 / 53 / 32

HEX #6DAD52

RGB 109 173 82

HSL 102.2, 0.36%, 0.5%

LAB 64.76, -37.56, 40.02

 

CMYK 51 / 0 / 53 / 32

HEX #55AD52

RGB 85 173 82

HSL 118.02, 0.36%, 0.5%

LAB 63.69, -45.07, 38.48

 

CMYK 53 / 0 / 40 / 32

HEX #52AD67

RGB 82 173 103

HSL 133.85, 0.36%, 0.5%

LAB 63.88, -42.68, 27.89

 

CMYK 53 / 0 / 26 / 32

HEX #52AD80

RGB 82 173 128

HSL 150.33, 0.36%, 0.5%

LAB 64.35, -37.88, 15

 

CMYK 53 / 0 / 12 / 32

HEX #52AD98

RGB 82 173 152

HSL 166.15, 0.36%, 0.5%

LAB 64.92, -32.37, 2.53

 

CMYK 53 / 0 / 40 / 54

HEX #377546

RGB 55 117 70

HSL 134.52, 0.36%, 0.34%

LAB 44.2, -31.23, 19.97

 

CMYK 53 / 0 / 40 / 43

HEX #449157

RGB 68 145 87

HSL 134.81, 0.36%, 0.42%

LAB 54.2, -37.11, 23.72

 

CMYK 53 / 0 / 40 / 32

HEX #52AD67

RGB 82 173 103

HSL 133.85, 0.36%, 0.5%

LAB 63.88, -42.68, 27.89

 

CMYK 41 / 0 / 32 / 27

HEX #6EBB80

RGB 110 187 128

HSL 134.03, 0.36%, 0.58%

LAB 69.76, -36.59, 22.62

 

CMYK 31 / 0 / 24 / 22

HEX #8AC898

RGB 138 200 152

HSL 133.55, 0.36%, 0.66%

LAB 75.44, -29.7, 17.81

 

CMYK 53 / 0 / 41 / 32

HEX #51AE67

RGB 81 174 103

HSL 134.19, 0.36%, 0.5%

LAB 64.16, -43.36, 28.25

 

CMYK 53 / 23 / 0 / 32

HEX #5286AD

RGB 82 134 173

HSL 205.71, 0.36%, 0.5%

LAB 53.88, -6.07, -25.94

 

CMYK 0 / 53 / 44 / 32

HEX #AD5261

RGB 173 82 97

HSL 350.11, 0.36%, 0.5%

LAB 46.69, 38.68, 9.16

 

CMYK 53 / 0 / 41 / 32

HEX #51AE67

RGB 81 174 103

HSL 134.19, 0.36%, 0.5%

LAB 64.16, -43.36, 28.25

 

CMYK 40 / 53 / 0 / 32

HEX #6752AD

RGB 103 82 173

HSL 253.85, 0.36%, 0.5%

LAB 41.11, 30.78, -45.94

 

CMYK 0 / 40 / 53 / 32

HEX #AD6752

RGB 173 103 82

HSL 13.85, 0.36%, 0.5%

LAB 50.91, 25.87, 23.82

 

CMYK 53 / 0 / 41 / 32

HEX #51AE67

RGB 81 174 103

HSL 134.19, 0.36%, 0.5%

LAB 64.16, -43.36, 28.25

 

CMYK 53 / 23 / 0 / 32

HEX #5286AD

RGB 82 134 173

HSL 205.71, 0.36%, 0.5%

LAB 53.88, -6.07, -25.94

 

CMYK 0 / 53 / 12 / 32

HEX #AD5298

RGB 173 82 152

HSL 313.85, 0.36%, 0.5%

LAB 48.49, 46.25, -21.3

 

CMYK 0 / 30 / 53 / 32

HEX #AD7952

RGB 173 121 82

HSL 25.71, 0.36%, 0.5%

LAB 55.25, 15.79, 29.39

 

CMYK 53 / 0 / 41 / 32

HEX #51AE67

RGB 81 174 103

HSL 134.19, 0.36%, 0.5%

LAB 64.16, -43.36, 28.25

 

CMYK 53 / 39 / 0 / 32

HEX #526AAD

RGB 82 106 173

HSL 224.18, 0.36%, 0.5%

LAB 45.8, 10.72, -38.58

 

CMYK 0 / 53 / 12 / 32

HEX #AD5298

RGB 173 82 152

HSL 313.85, 0.36%, 0.5%

LAB 48.49, 46.25, -21.3

 

CMYK 0 / 14 / 53 / 32

HEX #AD9552

RGB 173 149 82

HSL 44.18, 0.36%, 0.5%

LAB 62.5, 0.19, 38.37

 

Description

Color code: RGB 81 174 103 | qconv.com Color code: RGB 81 174 103 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 81 red, 174 green and 103 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
81 174 103 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 53 cyan, none magenta, 41 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
53% 0% 41% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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