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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 81 172 164 it is the complementary color RGB 174 83 91. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 81 172 164. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 81 172 164 shade: RGB 86 172 159, RGB 103 190 178, RGB 120 208 197, RGB 137 226 216 and RGB 154 244 235

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 81 172 164. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 81 172 164 shade: RGB 81 172 164, RGB 64 154 145, RGB 47 136 126, RGB 30 118 107 and RGB 13 100 88

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 81 172 164 shade: RGB 81 173 165, RGB 81 173 140, RGB 81 173 115, RGB 81 173 91 and RGB 96 173 81

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 81 172 164 shade: RGB 81 173 165, RGB 81 156 173, RGB 81 131 173, RGB 81 107 173 and RGB 81 82 173

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 81 172 164 shade matches the following richer shades: RGB 81 173 165, RGB 60 194 182, RGB 40 214 199 and RGB 19 235 216

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 81 172 164 shade: RGB 81 173 165, RGB 102 152 148, RGB 122 132 131, RGB 143 111 114 and RGB 164 90 97

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 81 172 164 shade: RGB 81 173 115, RGB 81 173 139, RGB 81 173 164, RGB 81 158 173 and RGB 81 133 173

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 81 172 164 shade: RGB 55 117 111, RGB 68 145 138, RGB 81 173 165, RGB 109 186 179 and RGB 137 199 194

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 81 172 164 shade: RGB 81 172 164, RGB 90 81 173 and RGB 173 127 81

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 81 172 164 shade: RGB 81 172 164, RGB 164 81 173 and RGB 173 164 81

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 81 172 164 shade: RGB 81 172 164, RGB 90 81 173, RGB 173 81 90 and RGB 164 173 81

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 81 172 164 shade: RGB 81 172 164, RGB 118 81 173, RGB 173 81 90 and RGB 136 173 81

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 53 / 0 / 5 / 33

HEX #51ACA4

RGB 81 172 164

HSL 174.73, 0.36%, 0.5%

LAB 64.91, -29.05, -4.17

 

Complementary color

CMYK 0 / 52 / 48 / 32

HEX #AE535B

RGB 174 83 91

HSL 354.73, 0.36%, 0.5%

LAB 46.9, 37.91, 13.11

 

CMYK 50 / 0 / 8 / 33

HEX #56AC9F

RGB 86 172 159

HSL 170.93, 0.34%, 0.51%

LAB 64.95, -29.22, -1.3

 

CMYK 46 / 0 / 6 / 25

HEX #67BEB2

RGB 103 190 178

HSL 171.72, 0.4%, 0.57%

LAB 71.5, -29.18, -2.1

 

CMYK 42 / 0 / 5 / 18

HEX #78D0C5

RGB 120 208 197

HSL 172.5, 0.48%, 0.64%

LAB 77.96, -29.1, -2.84

 

CMYK 39 / 0 / 4 / 11

HEX #89E2D8

RGB 137 226 216

HSL 173.26, 0.61%, 0.71%

LAB 84.31, -29, -3.53

 

CMYK 37 / 0 / 4 / 4

HEX #9AF4EB

RGB 154 244 235

HSL 174, 0.8%, 0.78%

LAB 90.58, -28.9, -4.19

 

CMYK 53 / 0 / 5 / 33

HEX #51ACA4

RGB 81 172 164

HSL 174.73, 0.36%, 0.5%

LAB 64.91, -29.05, -4.17

 

CMYK 58 / 0 / 6 / 40

HEX #409A91

RGB 64 154 145

HSL 174, 0.41%, 0.43%

LAB 58.27, -28.9, -3.33

 

CMYK 65 / 0 / 7 / 47

HEX #2F887E

RGB 47 136 126

HSL 173.26, 0.49%, 0.36%

LAB 51.52, -28.6, -2.39

 

CMYK 75 / 0 / 9 / 54

HEX #1E766B

RGB 30 118 107

HSL 172.5, 0.59%, 0.29%

LAB 44.65, -28.03, -1.32

 

CMYK 87 / 0 / 12 / 61

HEX #0D6458

RGB 13 100 88

HSL 171.72, 0.77%, 0.22%

LAB 37.67, -27.03, -0.05

 

CMYK 53 / 0 / 5 / 32

HEX #51ADA5

RGB 81 173 165

HSL 174.78, 0.36%, 0.5%

LAB 65.24, -29.27, -4.24

 

CMYK 53 / 0 / 19 / 32

HEX #51AD8C

RGB 81 173 140

HSL 158.48, 0.36%, 0.5%

LAB 64.59, -35.46, 8.71

 

CMYK 53 / 0 / 34 / 32

HEX #51AD73

RGB 81 173 115

HSL 142.17, 0.36%, 0.5%

LAB 64.06, -40.75, 21.69

 

CMYK 53 / 0 / 47 / 32

HEX #51AD5B

RGB 81 173 91

HSL 126.52, 0.36%, 0.5%

LAB 63.67, -44.88, 33.87

 

CMYK 45 / 0 / 53 / 32

HEX #60AD51

RGB 96 173 81

HSL 110.22, 0.36%, 0.5%

LAB 64.14, -41.93, 39.61

 

CMYK 53 / 0 / 5 / 32

HEX #51ADA5

RGB 81 173 165

HSL 174.78, 0.36%, 0.5%

LAB 65.24, -29.27, -4.24

 

CMYK 53 / 10 / 0 / 32

HEX #519CAD

RGB 81 156 173

HSL 191.09, 0.36%, 0.5%

LAB 60.38, -18.43, -16

 

CMYK 53 / 24 / 0 / 32

HEX #5183AD

RGB 81 131 173

HSL 207.39, 0.36%, 0.5%

LAB 52.95, -4.57, -27.38

 

CMYK 53 / 38 / 0 / 32

HEX #516BAD

RGB 81 107 173

HSL 223.04, 0.36%, 0.5%

LAB 46.02, 9.87, -38.23

 

CMYK 53 / 53 / 0 / 32

HEX #5152AD

RGB 81 82 173

HSL 239.35, 0.36%, 0.5%

LAB 39.24, 25.65, -49.04

 

CMYK 53 / 0 / 5 / 32

HEX #51ADA5

RGB 81 173 165

HSL 174.78, 0.36%, 0.5%

LAB 65.24, -29.27, -4.24

 

CMYK 69 / 0 / 6 / 24

HEX #3CC2B6

RGB 60 194 182

HSL 174.63, 0.53%, 0.5%

LAB 71.5, -38.25, -4.44

 

CMYK 81 / 0 / 7 / 16

HEX #28D6C7

RGB 40 214 199

HSL 174.83, 0.69%, 0.5%

LAB 77.68, -44.62, -4.56

 

CMYK 92 / 0 / 8 / 8

HEX #13EBD8

RGB 19 235 216

HSL 174.72, 0.85%, 0.5%

LAB 84.23, -50.08, -3.96

 

CMYK 53 / 0 / 5 / 32

HEX #51ADA5

RGB 81 173 165

HSL 174.78, 0.36%, 0.5%

LAB 65.24, -29.27, -4.24

 

CMYK 33 / 0 / 3 / 40

HEX #669894

RGB 102 152 148

HSL 175.2, 0.2%, 0.5%

LAB 59.36, -17.59, -3.24

 

CMYK 8 / 0 / 1 / 48

HEX #7A8483

RGB 122 132 131

HSL 174, 0.04%, 0.5%

LAB 54.32, -3.87, -0.73

 

CMYK 0 / 22 / 20 / 44

HEX #8F6F72

RGB 143 111 114

HSL 354.38, 0.13%, 0.5%

LAB 50.01, 13.13, 3.19

 

CMYK 0 / 45 / 41 / 36

HEX #A45A61

RGB 164 90 97

HSL 354.32, 0.29%, 0.5%

LAB 47.06, 31.04, 9.5

 

CMYK 53 / 0 / 34 / 32

HEX #51AD73

RGB 81 173 115

HSL 142.17, 0.36%, 0.5%

LAB 64.06, -40.75, 21.69

 

CMYK 53 / 0 / 20 / 32

HEX #51AD8B

RGB 81 173 139

HSL 157.83, 0.36%, 0.5%

LAB 64.56, -35.69, 9.23

 

CMYK 53 / 0 / 5 / 32

HEX #51ADA4

RGB 81 173 164

HSL 174.13, 0.36%, 0.5%

LAB 65.21, -29.54, -3.72

 

CMYK 53 / 9 / 0 / 32

HEX #519EAD

RGB 81 158 173

HSL 189.78, 0.36%, 0.5%

LAB 60.98, -19.48, -15.1

 

CMYK 53 / 23 / 0 / 32

HEX #5185AD

RGB 81 133 173

HSL 206.09, 0.36%, 0.5%

LAB 53.54, -5.72, -26.47

 

CMYK 53 / 0 / 5 / 54

HEX #37756F

RGB 55 117 111

HSL 174.19, 0.36%, 0.34%

LAB 45.2, -21.56, -2.82

 

CMYK 53 / 0 / 5 / 43

HEX #44918A

RGB 68 145 138

HSL 174.55, 0.36%, 0.42%

LAB 55.4, -25.49, -3.55

 

CMYK 53 / 0 / 5 / 32

HEX #51ADA5

RGB 81 173 165

HSL 174.78, 0.36%, 0.5%

LAB 65.24, -29.27, -4.24

 

CMYK 41 / 0 / 4 / 27

HEX #6DBAB3

RGB 109 186 179

HSL 174.55, 0.36%, 0.58%

LAB 70.61, -25.48, -3.93

 

CMYK 31 / 0 / 3 / 22

HEX #89C7C2

RGB 137 199 194

HSL 175.16, 0.36%, 0.66%

LAB 76.11, -20.83, -3.85

 

CMYK 53 / 0 / 5 / 33

HEX #51ACA4

RGB 81 172 164

HSL 174.73, 0.36%, 0.5%

LAB 64.91, -29.05, -4.17

 

CMYK 48 / 53 / 0 / 32

HEX #5A51AD

RGB 90 81 173

HSL 245.87, 0.36%, 0.5%

LAB 39.71, 28.28, -48.26

 

CMYK 0 / 27 / 53 / 32

HEX #AD7F51

RGB 173 127 81

HSL 30, 0.36%, 0.5%

LAB 56.74, 12.32, 31.82

 

CMYK 53 / 0 / 5 / 33

HEX #51ACA4

RGB 81 172 164

HSL 174.73, 0.36%, 0.5%

LAB 64.91, -29.05, -4.17

 

CMYK 5 / 53 / 0 / 32

HEX #A451AD

RGB 164 81 173

HSL 294.13, 0.36%, 0.5%

LAB 48, 47.86, -34.57

 

CMYK 0 / 5 / 53 / 32

HEX #ADA451

RGB 173 164 81

HSL 54.13, 0.36%, 0.5%

LAB 66.54, -7.97, 43.7

 

CMYK 53 / 0 / 5 / 33

HEX #51ACA4

RGB 81 172 164

HSL 174.73, 0.36%, 0.5%

LAB 64.91, -29.05, -4.17

 

CMYK 48 / 53 / 0 / 32

HEX #5A51AD

RGB 90 81 173

HSL 245.87, 0.36%, 0.5%

LAB 39.71, 28.28, -48.26

 

CMYK 0 / 53 / 48 / 32

HEX #AD515A

RGB 173 81 90

HSL 354.13, 0.36%, 0.5%

LAB 46.32, 38.47, 12.9

 

CMYK 5 / 0 / 53 / 32

HEX #A4AD51

RGB 164 173 81

HSL 65.87, 0.36%, 0.5%

LAB 68.3, -16.46, 45.56

 

CMYK 53 / 0 / 5 / 33

HEX #51ACA4

RGB 81 172 164

HSL 174.73, 0.36%, 0.5%

LAB 64.91, -29.05, -4.17

 

CMYK 32 / 53 / 0 / 32

HEX #7651AD

RGB 118 81 173

HSL 264.13, 0.36%, 0.5%

LAB 42.39, 35.22, -43.81

 

CMYK 0 / 53 / 48 / 32

HEX #AD515A

RGB 173 81 90

HSL 354.13, 0.36%, 0.5%

LAB 46.32, 38.47, 12.9

 

CMYK 21 / 0 / 53 / 32

HEX #88AD51

RGB 136 173 81

HSL 84.13, 0.36%, 0.5%

LAB 66.3, -27.77, 42.72

 

Description

Color code: RGB 81 172 164 | qconv.com Color code: RGB 81 172 164 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 81 red, 172 green and 164 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
81 172 164 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 53 cyan, none magenta, 5 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
53% 0% 5% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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