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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 81.1 237 224 it is the complementary color RGB 173.9 18 31. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 81.1 237 224. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 81.1 237 224 shade: RGB 86.1 237 219, RGB 103.1 255 238, RGB 120.1 255 255, RGB 137.1 255 255 and RGB 154.1 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 81.1 237 224. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 81.1 237 224 shade: RGB 81.1 237 224, RGB 64.1 219 205, RGB 47.1 201 186, RGB 30.1 183 167 and RGB 13.1 165 148

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 81.1 237 224 shade: RGB 80 237 224, RGB 80 237 181, RGB 80 237 139, RGB 80 237 97 and RGB 105 237 80

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 81.1 237 224 shade: RGB 80 237 224, RGB 80 207 237, RGB 80 165 237, RGB 80 123 237 and RGB 80 80 237

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 81.1 237 224 shade matches the following richer shades: RGB 80 237 224 and RGB 64 252 237

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 81.1 237 224 shade: RGB 80 237 224, RGB 95 221 210, RGB 111 205 197, RGB 127 190 184 and RGB 142 174 171

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 81.1 237 224 shade: RGB 80 237 140, RGB 80 237 182, RGB 80 237 224, RGB 80 208 237 and RGB 80 166 237

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 81.1 237 224 shade: RGB 22 211 196, RGB 42 233 217, RGB 80 237 224, RGB 117 241 230 and RGB 154 244 237

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 81.1 237 224 shade: RGB 81.1 237 224, RGB 98 80 237 and RGB 237 161 80

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 81.1 237 224 shade: RGB 81.1 237 224, RGB 224 80 237 and RGB 237 224 80

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 81.1 237 224 shade: RGB 81.1 237 224, RGB 98 80 237, RGB 237 80 93 and RGB 218 237 80

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 81.1 237 224 shade: RGB 81.1 237 224, RGB 145 80 237, RGB 237 80 93 and RGB 171 237 80

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 66 / 0 / 5 / 7

HEX #51EDE0

RGB 81.1 237 224

HSL 175, 0.81%, 0.62%

LAB 85.86, -43.26, -5.68

 

Complementary color

CMYK 0 / 90 / 82 / 32

HEX #AD121F

RGB 173.9 18 31

HSL 355, 0.81%, 0.38%

LAB 36.96, 58.29, 36.92

 

CMYK 64 / 0 / 8 / 7

HEX #56EDDB

RGB 86.1 237 219

HSL 172.84, 0.81%, 0.63%

LAB 85.84, -43.81, -3.07

 

CMYK 60 / 0 / 7 / 0

HEX #67FFEE

RGB 103.1 255 238

HSL 173.29, 1%, 0.7%

LAB 91.95, -44.14, -3.95

 

CMYK 53 / 0 / 0 / 0

HEX #78FFFF

RGB 120.1 255 255

HSL 180, 1%, 0.74%

LAB 92.9, -36.77, -11.29

 

CMYK 46 / 0 / 0 / 0

HEX #89FFFF

RGB 137.1 255 255

HSL 180, 1%, 0.77%

LAB 93.48, -33.32, -10.36

 

CMYK 40 / 0 / 0 / 0

HEX #9AFFFF

RGB 154.1 255 255

HSL 180, 1%, 0.8%

LAB 94.15, -29.45, -9.29

 

CMYK 66 / 0 / 5 / 7

HEX #51EDE0

RGB 81.1 237 224

HSL 175, 0.81%, 0.62%

LAB 85.86, -43.26, -5.68

 

CMYK 71 / 0 / 6 / 14

HEX #40DBCD

RGB 64.1 219 205

HSL 174.58, 0.68%, 0.56%

LAB 79.71, -42.67, -4.74

 

CMYK 77 / 0 / 7 / 21

HEX #2FC9BA

RGB 47.1 201 186

HSL 174.15, 0.62%, 0.49%

LAB 73.5, -41.86, -3.7

 

CMYK 84 / 0 / 9 / 28

HEX #1EB7A7

RGB 30.1 183 167

HSL 173.72, 0.72%, 0.42%

LAB 67.23, -40.76, -2.55

 

CMYK 92 / 0 / 10 / 35

HEX #0DA594

RGB 13.1 165 148

HSL 173.29, 0.85%, 0.35%

LAB 60.9, -39.28, -1.27

 

CMYK 66 / 0 / 5 / 7

HEX #50EDE0

RGB 80 237 224

HSL 175.03, 0.81%, 0.62%

LAB 85.83, -43.42, -5.72

 

CMYK 66 / 0 / 24 / 7

HEX #50EDB5

RGB 80 237 181

HSL 158.6, 0.81%, 0.62%

LAB 84.8, -53.84, 15.31

 

CMYK 66 / 0 / 41 / 7

HEX #50ED8B

RGB 80 237 139

HSL 142.55, 0.81%, 0.62%

LAB 84.04, -62.04, 35.75

 

CMYK 66 / 0 / 59 / 7

HEX #50ED61

RGB 80 237 97

HSL 126.5, 0.81%, 0.62%

LAB 83.51, -68.02, 54.91

 

CMYK 56 / 0 / 66 / 7

HEX #69ED50

RGB 105 237 80

HSL 110.45, 0.81%, 0.62%

LAB 84.04, -64.32, 62.74

 

CMYK 66 / 0 / 5 / 7

HEX #50EDE0

RGB 80 237 224

HSL 175.03, 0.81%, 0.62%

LAB 85.83, -43.42, -5.72

 

CMYK 66 / 13 / 0 / 7

HEX #50CFED

RGB 80 207 237

HSL 191.46, 0.81%, 0.62%

LAB 77.55, -25.71, -25.07

 

CMYK 66 / 30 / 0 / 7

HEX #50A5ED

RGB 80 165 237

HSL 207.52, 0.81%, 0.62%

LAB 65.54, -3.44, -43.67

 

CMYK 66 / 48 / 0 / 7

HEX #507BED

RGB 80 123 237

HSL 223.57, 0.81%, 0.62%

LAB 54.01, 21.45, -62

 

CMYK 66 / 66 / 0 / 7

HEX #5050ED

RGB 80 80 237

HSL 240, 0.81%, 0.62%

LAB 43.59, 47.62, -78.93

 

CMYK 66 / 0 / 5 / 7

HEX #50EDE0

RGB 80 237 224

HSL 175.03, 0.81%, 0.62%

LAB 85.83, -43.42, -5.72

 

CMYK 75 / 0 / 6 / 1

HEX #40FCED

RGB 64 252 237

HSL 175.21, 0.97%, 0.62%

LAB 90.24, -48.45, -6.04

 

CMYK 66 / 0 / 5 / 7

HEX #50EDE0

RGB 80 237 224

HSL 175.03, 0.81%, 0.62%

LAB 85.83, -43.42, -5.72

 

CMYK 57 / 0 / 5 / 13

HEX #5FDDD2

RGB 95 221 210

HSL 174.76, 0.65%, 0.62%

LAB 81.18, -37.42, -5.14

 

CMYK 46 / 0 / 4 / 20

HEX #6FCDC5

RGB 111 205 197

HSL 174.89, 0.48%, 0.62%

LAB 76.72, -29.83, -4.69

 

CMYK 33 / 0 / 3 / 25

HEX #7FBEB8

RGB 127 190 184

HSL 174.29, 0.33%, 0.62%

LAB 72.76, -21.43, -3.4

 

CMYK 18 / 0 / 2 / 32

HEX #8EAEAB

RGB 142 174 171

HSL 174.38, 0.16%, 0.62%

LAB 68.72, -11.51, -2.09

 

CMYK 66 / 0 / 41 / 7

HEX #50ED8C

RGB 80 237 140

HSL 142.93, 0.81%, 0.62%

LAB 84.05, -61.87, 35.27

 

CMYK 66 / 0 / 23 / 7

HEX #50EDB6

RGB 80 237 182

HSL 158.98, 0.81%, 0.62%

LAB 84.82, -53.61, 14.82

 

CMYK 66 / 0 / 5 / 7

HEX #50EDE0

RGB 80 237 224

HSL 175.03, 0.81%, 0.62%

LAB 85.83, -43.42, -5.72

 

CMYK 66 / 12 / 0 / 7

HEX #50D0ED

RGB 80 208 237

HSL 191.08, 0.81%, 0.62%

LAB 77.83, -26.21, -24.63

 

CMYK 66 / 30 / 0 / 7

HEX #50A6ED

RGB 80 166 237

HSL 207.13, 0.81%, 0.62%

LAB 65.82, -4.01, -43.23

 

CMYK 90 / 0 / 7 / 17

HEX #16D3C4

RGB 22 211 196

HSL 175.24, 0.81%, 0.46%

LAB 76.52, -45.31, -4.67

 

CMYK 82 / 0 / 7 / 9

HEX #2AE9D9

RGB 42 233 217

HSL 174.97, 0.81%, 0.54%

LAB 83.85, -47.69, -5.03

 

CMYK 66 / 0 / 5 / 7

HEX #50EDE0

RGB 80 237 224

HSL 175.03, 0.81%, 0.62%

LAB 85.83, -43.42, -5.72

 

CMYK 51 / 0 / 5 / 5

HEX #75F1E6

RGB 117 241 230

HSL 174.68, 0.82%, 0.7%

LAB 88.16, -37.24, -5.31

 

CMYK 37 / 0 / 3 / 4

HEX #9AF4ED

RGB 154 244 237

HSL 175.33, 0.8%, 0.78%

LAB 90.64, -28.44, -5.15

 

CMYK 66 / 0 / 5 / 7

HEX #51EDE0

RGB 81.1 237 224

HSL 175, 0.81%, 0.62%

LAB 85.86, -43.26, -5.68

 

CMYK 59 / 66 / 0 / 7

HEX #6250ED

RGB 98 80 237

HSL 246.88, 0.81%, 0.62%

LAB 44.87, 50.07, -76.78

 

CMYK 0 / 32 / 66 / 7

HEX #EDA150

RGB 237 161 80

HSL 30.96, 0.81%, 0.62%

LAB 72.28, 20.73, 52.45

 

CMYK 66 / 0 / 5 / 7

HEX #51EDE0

RGB 81.1 237 224

HSL 175, 0.81%, 0.62%

LAB 85.86, -43.26, -5.68

 

CMYK 5 / 66 / 0 / 7

HEX #E050ED

RGB 224 80 237

HSL 295.03, 0.81%, 0.62%

LAB 59.62, 74.7, -52.25

 

CMYK 0 / 5 / 66 / 7

HEX #EDE050

RGB 237 224 80

HSL 55.03, 0.81%, 0.62%

LAB 87.92, -11.91, 69.11

 

CMYK 66 / 0 / 5 / 7

HEX #51EDE0

RGB 81.1 237 224

HSL 175, 0.81%, 0.62%

LAB 85.86, -43.26, -5.68

 

CMYK 59 / 66 / 0 / 7

HEX #6250ED

RGB 98 80 237

HSL 246.88, 0.81%, 0.62%

LAB 44.87, 50.07, -76.78

 

CMYK 0 / 66 / 61 / 7

HEX #ED505D

RGB 237 80 93

HSL 355.03, 0.81%, 0.62%

LAB 56.62, 60.97, 26.73

 

CMYK 8 / 0 / 66 / 7

HEX #DAED50

RGB 218 237 80

HSL 67.26, 0.81%, 0.62%

LAB 89.88, -25.95, 70.65

 

CMYK 66 / 0 / 5 / 7

HEX #51EDE0

RGB 81.1 237 224

HSL 175, 0.81%, 0.62%

LAB 85.86, -43.26, -5.68

 

CMYK 39 / 66 / 0 / 7

HEX #9150ED

RGB 145 80 237

HSL 264.84, 0.81%, 0.62%

LAB 49.34, 58.16, -69.31

 

CMYK 0 / 66 / 61 / 7

HEX #ED505D

RGB 237 80 93

HSL 355.03, 0.81%, 0.62%

LAB 56.62, 60.97, 26.73

 

CMYK 28 / 0 / 66 / 7

HEX #ABED50

RGB 171 237 80

HSL 85.22, 0.81%, 0.62%

LAB 86.9, -43.92, 66.63

 

Description

Color code: RGB 81.1 237 224 | qconv.com Color code: RGB 81.1 237 224 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 81.1 red, 237 green and 224 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
81.1 237 224 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 66 cyan, none magenta, 5 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
66% 0% 5% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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