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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 80 92 107 it is the complementary color RGB 175 163 148. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 80 92 107. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 80 92 107 shade: RGB 85 92 102, RGB 102 110 121, RGB 119 128 140, RGB 136 146 159 and RGB 153 164 178

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 80 92 107. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 80 92 107 shade: RGB 80 92 107, RGB 63 74 88, RGB 46 56 69, RGB 29 38 50 and RGB 12 20 31

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 80 92 107 shade: RGB 81 93 108, RGB 81 86 108, RGB 84 81 108, RGB 91 81 108 and RGB 98 81 108

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 80 92 107 shade: RGB 81 93 108, RGB 81 86 108 and RGB 81 81 108

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 80 92 107 shade matches the following richer shades: RGB 81 93 108, RGB 66 91 123, RGB 51 89 138, RGB 35 88 153 and RGB 20 86 169

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 80 92 107 shade: RGB 81 93 108, RGB 96 95 92, RGB 112 96 77, RGB 127 98 62 and RGB 142 100 46

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 80 92 107 shade: RGB 81 107 108, RGB 81 100 108, RGB 81 93 108, RGB 81 86 108 and RGB 83 81 108

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 80 92 107 shade: RGB 46 52 61, RGB 63 73 84, RGB 81 93 108, RGB 99 113 131 and RGB 119 134 152

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 80 92 107 shade: RGB 80 92 107, RGB 101 81 108 and RGB 104 108 81

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 80 92 107 shade: RGB 80 92 107, RGB 108 81 93 and RGB 93 108 81

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 80 92 107 shade: RGB 80 92 107, RGB 101 81 108, RGB 108 96 81 and RGB 88 108 81

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 80 92 107 shade: RGB 80 92 107, RGB 108 81 106, RGB 108 96 81 and RGB 81 108 82

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 25 / 14 / 0 / 58

HEX #505C6B

RGB 80 92 107

HSL 213.33, 0.14%, 0.37%

LAB 38.59, -0.92, -10.1

 

Complementary color

CMYK 0 / 7 / 15 / 31

HEX #AFA394

RGB 175 163 148

HSL 33.33, 0.14%, 0.63%

LAB 67.61, 1.78, 9.35

 

CMYK 17 / 10 / 0 / 60

HEX #555C66

RGB 85 92 102

HSL 215.29, 0.09%, 0.37%

LAB 38.8, -0.4, -6.65

 

CMYK 16 / 9 / 0 / 53

HEX #666E79

RGB 102 110 121

HSL 214.74, 0.09%, 0.44%

LAB 46.12, -0.55, -7.13

 

CMYK 15 / 9 / 0 / 45

HEX #77808C

RGB 119 128 140

HSL 214.29, 0.08%, 0.51%

LAB 53.23, -0.69, -7.61

 

CMYK 14 / 8 / 0 / 38

HEX #88929F

RGB 136 146 159

HSL 213.91, 0.11%, 0.58%

LAB 60.15, -0.83, -8.08

 

CMYK 14 / 8 / 0 / 30

HEX #99A4B2

RGB 153 164 178

HSL 213.6, 0.14%, 0.65%

LAB 66.93, -0.96, -8.55

 

CMYK 25 / 14 / 0 / 58

HEX #505C6B

RGB 80 92 107

HSL 213.33, 0.14%, 0.37%

LAB 38.59, -0.92, -10.1

 

CMYK 28 / 16 / 0 / 65

HEX #3F4A58

RGB 63 74 88

HSL 213.6, 0.17%, 0.3%

LAB 31.02, -0.74, -9.73

 

CMYK 33 / 19 / 0 / 73

HEX #2E3845

RGB 46 56 69

HSL 213.91, 0.2%, 0.23%

LAB 23.13, -0.52, -9.4

 

CMYK 42 / 24 / 0 / 80

HEX #1D2632

RGB 29 38 50

HSL 214.29, 0.27%, 0.15%

LAB 14.83, -0.23, -9.11

 

CMYK 61 / 35 / 0 / 88

HEX #0C141F

RGB 12 20 31

HSL 214.74, 0.44%, 0.08%

LAB 6.12, 0.21, -8.64

 

CMYK 25 / 14 / 0 / 58

HEX #515D6C

RGB 81 93 108

HSL 213.33, 0.14%, 0.37%

LAB 39, -0.93, -10.08

 

CMYK 25 / 20 / 0 / 58

HEX #51566C

RGB 81 86 108

HSL 228.89, 0.14%, 0.37%

LAB 36.91, 3.41, -13.26

 

CMYK 22 / 25 / 0 / 58

HEX #54516C

RGB 84 81 108

HSL 246.67, 0.14%, 0.37%

LAB 35.7, 7.61, -15.08

 

CMYK 16 / 25 / 0 / 58

HEX #5B516C

RGB 91 81 108

HSL 262.22, 0.14%, 0.37%

LAB 36.35, 10.11, -14.03

 

CMYK 9 / 25 / 0 / 58

HEX #62516C

RGB 98 81 108

HSL 277.78, 0.14%, 0.37%

LAB 37.05, 12.66, -12.9

 

CMYK 25 / 14 / 0 / 58

HEX #515D6C

RGB 81 93 108

HSL 213.33, 0.14%, 0.37%

LAB 39, -0.93, -10.08

 

CMYK 25 / 20 / 0 / 58

HEX #51566C

RGB 81 86 108

HSL 228.89, 0.14%, 0.37%

LAB 36.91, 3.41, -13.26

 

CMYK 25 / 25 / 0 / 58

HEX #51516C

RGB 81 81 108

HSL 240, 0.14%, 0.37%

LAB 35.43, 6.56, -15.51

 

CMYK 25 / 14 / 0 / 58

HEX #515D6C

RGB 81 93 108

HSL 213.33, 0.14%, 0.37%

LAB 39, -0.93, -10.08

 

CMYK 46 / 26 / 0 / 52

HEX #425B7B

RGB 66 91 123

HSL 213.68, 0.3%, 0.37%

LAB 37.97, -0.07, -20.98

 

CMYK 63 / 36 / 0 / 46

HEX #33598A

RGB 51 89 138

HSL 213.79, 0.46%, 0.37%

LAB 37.27, 2.64, -31.3

 

CMYK 77 / 42 / 0 / 40

HEX #235899

RGB 35 88 153

HSL 213.05, 0.63%, 0.37%

LAB 37.18, 6.28, -40.55

 

CMYK 88 / 49 / 0 / 34

HEX #1456A9

RGB 20 86 169

HSL 213.42, 0.79%, 0.37%

LAB 37.24, 12.52, -50.04

 

CMYK 25 / 14 / 0 / 58

HEX #515D6C

RGB 81 93 108

HSL 213.33, 0.14%, 0.37%

LAB 39, -0.93, -10.08

 

CMYK 0 / 1 / 4 / 62

HEX #605F5C

RGB 96 95 92

HSL 45, 0.02%, 0.37%

LAB 40.32, -0.22, 1.85

 

CMYK 0 / 14 / 31 / 56

HEX #70604D

RGB 112 96 77

HSL 32.57, 0.19%, 0.37%

LAB 41.76, 3.28, 13.25

 

CMYK 0 / 23 / 51 / 50

HEX #7F623E

RGB 127 98 62

HSL 33.23, 0.34%, 0.37%

LAB 43.65, 6.89, 24.9

 

CMYK 0 / 30 / 68 / 44

HEX #8E642E

RGB 142 100 46

HSL 33.75, 0.51%, 0.37%

LAB 45.72, 11.22, 36.57

 

CMYK 25 / 1 / 0 / 58

HEX #516B6C

RGB 81 107 108

HSL 182.22, 0.14%, 0.37%

LAB 43.28, -9.25, -3.69

 

CMYK 25 / 7 / 0 / 58

HEX #51646C

RGB 81 100 108

HSL 197.78, 0.14%, 0.37%

LAB 41.13, -5.15, -6.89

 

CMYK 25 / 14 / 0 / 58

HEX #515D6C

RGB 81 93 108

HSL 213.33, 0.14%, 0.37%

LAB 39, -0.93, -10.08

 

CMYK 25 / 20 / 0 / 58

HEX #51566C

RGB 81 86 108

HSL 228.89, 0.14%, 0.37%

LAB 36.91, 3.41, -13.26

 

CMYK 23 / 25 / 0 / 58

HEX #53516C

RGB 83 81 108

HSL 244.44, 0.14%, 0.37%

LAB 35.61, 7.26, -15.23

 

CMYK 25 / 15 / 0 / 76

HEX #2E343D

RGB 46 52 61

HSL 216, 0.14%, 0.21%

LAB 21.48, -0.16, -6.5

 

CMYK 25 / 13 / 0 / 67

HEX #3F4954

RGB 63 73 84

HSL 211.43, 0.14%, 0.29%

LAB 30.55, -1.2, -7.87

 

CMYK 25 / 14 / 0 / 58

HEX #515D6C

RGB 81 93 108

HSL 213.33, 0.14%, 0.37%

LAB 39, -0.93, -10.08

 

CMYK 24 / 14 / 0 / 49

HEX #637183

RGB 99 113 131

HSL 213.75, 0.14%, 0.45%

LAB 47.11, -0.93, -11.64

 

CMYK 22 / 12 / 0 / 40

HEX #778698

RGB 119 134 152

HSL 212.73, 0.14%, 0.53%

LAB 55.32, -1.34, -11.44

 

CMYK 25 / 14 / 0 / 58

HEX #505C6B

RGB 80 92 107

HSL 213.33, 0.14%, 0.37%

LAB 38.59, -0.92, -10.1

 

CMYK 6 / 25 / 0 / 58

HEX #65516C

RGB 101 81 108

HSL 284.44, 0.14%, 0.37%

LAB 37.36, 13.78, -12.39

 

CMYK 4 / 0 / 25 / 58

HEX #686C51

RGB 104 108 81

HSL 68.89, 0.14%, 0.37%

LAB 44.61, -6.58, 14.63

 

CMYK 25 / 14 / 0 / 58

HEX #505C6B

RGB 80 92 107

HSL 213.33, 0.14%, 0.37%

LAB 38.59, -0.92, -10.1

 

CMYK 0 / 25 / 14 / 58

HEX #6C515D

RGB 108 81 93

HSL 333.33, 0.14%, 0.37%

LAB 37.6, 13.4, -2.61

 

CMYK 14 / 0 / 25 / 58

HEX #5D6C51

RGB 93 108 81

HSL 93.33, 0.14%, 0.37%

LAB 43.72, -11.11, 13.28

 

CMYK 25 / 14 / 0 / 58

HEX #505C6B

RGB 80 92 107

HSL 213.33, 0.14%, 0.37%

LAB 38.59, -0.92, -10.1

 

CMYK 6 / 25 / 0 / 58

HEX #65516C

RGB 101 81 108

HSL 284.44, 0.14%, 0.37%

LAB 37.36, 13.78, -12.39

 

CMYK 0 / 11 / 25 / 58

HEX #6C6051

RGB 108 96 81

HSL 33.33, 0.14%, 0.37%

LAB 41.45, 2.17, 10.33

 

CMYK 19 / 0 / 25 / 58

HEX #586C51

RGB 88 108 81

HSL 104.44, 0.14%, 0.37%

LAB 43.35, -13.11, 12.71

 

CMYK 25 / 14 / 0 / 58

HEX #505C6B

RGB 80 92 107

HSL 213.33, 0.14%, 0.37%

LAB 38.59, -0.92, -10.1

 

CMYK 0 / 25 / 2 / 58

HEX #6C516A

RGB 108 81 106

HSL 304.44, 0.14%, 0.37%

LAB 38.05, 15.97, -10.04

 

CMYK 0 / 11 / 25 / 58

HEX #6C6051

RGB 108 96 81

HSL 33.33, 0.14%, 0.37%

LAB 41.45, 2.17, 10.33

 

CMYK 25 / 0 / 24 / 58

HEX #516C52

RGB 81 108 82

HSL 122.22, 0.14%, 0.37%

LAB 42.89, -15.62, 11.4

 

Description

Color code: RGB 80 92 107 | qconv.com Color code: RGB 80 92 107 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 80 red, 92 green and 107 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
80 92 107 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 25 cyan, 14 magenta, none yellow and 58 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
25% 14% 0% 58% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

13% - Werf met oplsag en h...
Link: http://www.metalschemicalsgroup.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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