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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 80 92.6 148.6 it is the complementary color RGB 175 162.4 106.4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 80 92.6 148.6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 80 92.6 148.6 shade: RGB 85 92.6 143.6, RGB 102 110.6 162.6, RGB 119 128.6 181.6, RGB 136 146.6 200.6 and RGB 153 164.6 219.6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 80 92.6 148.6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 80 92.6 148.6 shade: RGB 80 92.6 148.6, RGB 63 74.6 129.6, RGB 46 56.6 110.6, RGB 29 38.6 91.6 and RGB 12 20.6 72.6

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 80 92.6 148.6 shade: RGB 80 93 149, RGB 86 80 149, RGB 105 80 149, RGB 123 80 149 and RGB 142 80 149

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 80 92.6 148.6 shade: RGB 80 93 149 and RGB 80 80 149

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 80 92.6 148.6 shade matches the following richer shades: RGB 80 93 149, RGB 62 81 168, RGB 43 69 186, RGB 25 58 205 and RGB 6 46 223

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 80 92.6 148.6 shade: RGB 80 93 149, RGB 99 105 131, RGB 117 116 112, RGB 136 128 93 and RGB 155 140 75

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 80 92.6 148.6 shade: RGB 80 131 149, RGB 80 112 149, RGB 80 94 149, RGB 85 80 149 and RGB 103 80 149

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 80 92.6 148.6 shade: RGB 51 60 96, RGB 66 76 122, RGB 80 93 149, RGB 99 113 171 and RGB 126 137 186

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 80 92.6 148.6 shade: RGB 80 92.6 148.6, RGB 149 80 149 and RGB 122 149 80

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 80 92.6 148.6 shade: RGB 80 92.6 148.6, RGB 149 80 94 and RGB 94 149 80

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 80 92.6 148.6 shade: RGB 80 92.6 148.6, RGB 149 80 149, RGB 149 135 80 and RGB 80 149 80

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 80 92.6 148.6 shade: RGB 80 92.6 148.6, RGB 149 80 129, RGB 149 135 80 and RGB 80 149 101

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 46 / 38 / 0 / 42

HEX #505C94

RGB 80 92.6 148.6

HSL 228.98, 0.3%, 0.45%

LAB 40.61, 10.81, -32.32

 

Complementary color

CMYK 0 / 7 / 39 / 31

HEX #AFA26A

RGB 175 162.4 106.4

HSL 48.98, 0.3%, 0.55%

LAB 66.63, -3.71, 30.77

 

CMYK 41 / 36 / 0 / 44

HEX #555C8F

RGB 85 92.6 143.6

HSL 232.22, 0.26%, 0.45%

LAB 40.72, 10.65, -29.11

 

CMYK 37 / 32 / 0 / 36

HEX #666EA2

RGB 102 110.6 162.6

HSL 231.49, 0.25%, 0.52%

LAB 47.93, 9.96, -29.05

 

CMYK 34 / 29 / 0 / 29

HEX #7780B5

RGB 119 128.6 181.6

HSL 230.8, 0.3%, 0.59%

LAB 54.95, 9.38, -29.04

 

CMYK 32 / 27 / 0 / 21

HEX #8892C8

RGB 136 146.6 200.6

HSL 230.15, 0.37%, 0.66%

LAB 61.81, 8.88, -29.09

 

CMYK 30 / 25 / 0 / 14

HEX #99A4DB

RGB 153 164.6 219.6

HSL 229.55, 0.48%, 0.73%

LAB 68.52, 8.45, -29.18

 

CMYK 46 / 38 / 0 / 42

HEX #505C94

RGB 80 92.6 148.6

HSL 228.98, 0.3%, 0.45%

LAB 40.61, 10.81, -32.32

 

CMYK 51 / 42 / 0 / 49

HEX #3F4A81

RGB 63 74.6 129.6

HSL 229.55, 0.35%, 0.38%

LAB 33.21, 11.83, -32.51

 

CMYK 58 / 49 / 0 / 57

HEX #2E386E

RGB 46 56.6 110.6

HSL 230.15, 0.41%, 0.31%

LAB 25.58, 13.18, -32.79

 

CMYK 68 / 58 / 0 / 64

HEX #1D265B

RGB 29 38.6 91.6

HSL 230.8, 0.52%, 0.24%

LAB 17.7, 15.07, -33.15

 

CMYK 83 / 72 / 0 / 72

HEX #0C1448

RGB 12 20.6 72.6

HSL 231.49, 0.72%, 0.17%

LAB 9.61, 17.82, -33.44

 

CMYK 46 / 38 / 0 / 42

HEX #505D95

RGB 80 93 149

HSL 228.7, 0.3%, 0.45%

LAB 40.74, 10.69, -32.35

 

CMYK 42 / 46 / 0 / 42

HEX #565095

RGB 86 80 149

HSL 245.22, 0.3%, 0.45%

LAB 37.64, 20.55, -37.23

 

CMYK 30 / 46 / 0 / 42

HEX #695095

RGB 105 80 149

HSL 261.74, 0.3%, 0.45%

LAB 39.43, 25.89, -34.28

 

CMYK 17 / 46 / 0 / 42

HEX #7B5095

RGB 123 80 149

HSL 277.39, 0.3%, 0.45%

LAB 41.4, 31.28, -31.03

 

CMYK 5 / 46 / 0 / 42

HEX #8E5095

RGB 142 80 149

HSL 293.91, 0.3%, 0.45%

LAB 43.74, 37.14, -27.21

 

CMYK 46 / 38 / 0 / 42

HEX #505D95

RGB 80 93 149

HSL 228.7, 0.3%, 0.45%

LAB 40.74, 10.69, -32.35

 

CMYK 46 / 46 / 0 / 42

HEX #505095

RGB 80 80 149

HSL 240, 0.3%, 0.45%

LAB 37.14, 18.98, -38.06

 

CMYK 46 / 38 / 0 / 42

HEX #505D95

RGB 80 93 149

HSL 228.7, 0.3%, 0.45%

LAB 40.74, 10.69, -32.35

 

CMYK 63 / 52 / 0 / 34

HEX #3E51A8

RGB 62 81 168

HSL 229.25, 0.46%, 0.45%

LAB 37.36, 20.79, -49.16

 

CMYK 77 / 63 / 0 / 27

HEX #2B45BA

RGB 43 69 186

HSL 229.09, 0.62%, 0.45%

LAB 34.63, 32.51, -64.31

 

CMYK 88 / 72 / 0 / 20

HEX #193ACD

RGB 25 58 205

HSL 229, 0.78%, 0.45%

LAB 33.22, 45.01, -77.77

 

CMYK 97 / 79 / 0 / 13

HEX #062EDF

RGB 6 46 223

HSL 228.94, 0.95%, 0.45%

LAB 32.53, 57.21, -89.33

 

CMYK 46 / 38 / 0 / 42

HEX #505D95

RGB 80 93 149

HSL 228.7, 0.3%, 0.45%

LAB 40.74, 10.69, -32.35

 

CMYK 24 / 20 / 0 / 49

HEX #636983

RGB 99 105 131

HSL 228.75, 0.14%, 0.45%

LAB 44.79, 3.85, -15.15

 

CMYK 0 / 1 / 4 / 54

HEX #757470

RGB 117 116 112

HSL 48, 0.02%, 0.45%

LAB 48.81, -0.41, 2.34

 

CMYK 0 / 6 / 32 / 47

HEX #88805D

RGB 136 128 93

HSL 48.84, 0.19%, 0.45%

LAB 53.45, -2.72, 20.13

 

CMYK 0 / 10 / 52 / 39

HEX #9B8C4B

RGB 155 140 75

HSL 48.75, 0.35%, 0.45%

LAB 58.26, -3.32, 36.47

 

CMYK 46 / 12 / 0 / 42

HEX #508395

RGB 80 131 149

HSL 195.65, 0.3%, 0.45%

LAB 51.96, -12.05, -15

 

CMYK 46 / 25 / 0 / 42

HEX #507095

RGB 80 112 149

HSL 212.17, 0.3%, 0.45%

LAB 46.26, -1.04, -23.73

 

CMYK 46 / 37 / 0 / 42

HEX #505E95

RGB 80 94 149

HSL 227.83, 0.3%, 0.45%

LAB 41.03, 10.06, -31.9

 

CMYK 43 / 46 / 0 / 42

HEX #555095

RGB 85 80 149

HSL 244.35, 0.3%, 0.45%

LAB 37.55, 20.29, -37.37

 

CMYK 31 / 46 / 0 / 42

HEX #675095

RGB 103 80 149

HSL 260, 0.3%, 0.45%

LAB 39.23, 25.3, -34.61

 

CMYK 47 / 38 / 0 / 62

HEX #333C60

RGB 51 60 96

HSL 228, 0.31%, 0.29%

LAB 26.1, 7.03, -22.56

 

CMYK 46 / 38 / 0 / 52

HEX #424C7A

RGB 66 76 122

HSL 229.29, 0.3%, 0.37%

LAB 33.42, 9.21, -27.46

 

CMYK 46 / 38 / 0 / 42

HEX #505D95

RGB 80 93 149

HSL 228.7, 0.3%, 0.45%

LAB 40.74, 10.69, -32.35

 

CMYK 42 / 34 / 0 / 33

HEX #6371AB

RGB 99 113 171

HSL 228.33, 0.3%, 0.53%

LAB 48.76, 10.1, -32.66

 

CMYK 32 / 26 / 0 / 27

HEX #7E89BA

RGB 126 137 186

HSL 229, 0.3%, 0.61%

LAB 57.92, 7.68, -26.92

 

CMYK 46 / 38 / 0 / 42

HEX #505C94

RGB 80 92.6 148.6

HSL 228.98, 0.3%, 0.45%

LAB 40.61, 10.81, -32.32

 

CMYK 0 / 46 / 0 / 42

HEX #955095

RGB 149 80 149

HSL 300, 0.3%, 0.45%

LAB 44.66, 39.32, -25.71

 

CMYK 18 / 0 / 46 / 42

HEX #7A9550

RGB 122 149 80

HSL 83.48, 0.3%, 0.45%

LAB 58.24, -21.5, 33.23

 

CMYK 46 / 38 / 0 / 42

HEX #505C94

RGB 80 92.6 148.6

HSL 228.98, 0.3%, 0.45%

LAB 40.61, 10.81, -32.32

 

CMYK 0 / 46 / 37 / 42

HEX #95505E

RGB 149 80 94

HSL 347.83, 0.3%, 0.45%

LAB 42.67, 30.4, 4.79

 

CMYK 37 / 0 / 46 / 42

HEX #5E9550

RGB 94 149 80

HSL 107.83, 0.3%, 0.45%

LAB 56.54, -32, 30.74

 

CMYK 46 / 38 / 0 / 42

HEX #505C94

RGB 80 92.6 148.6

HSL 228.98, 0.3%, 0.45%

LAB 40.61, 10.81, -32.32

 

CMYK 0 / 46 / 0 / 42

HEX #955095

RGB 149 80 149

HSL 300, 0.3%, 0.45%

LAB 44.66, 39.32, -25.71

 

CMYK 0 / 9 / 46 / 42

HEX #958750

RGB 149 135 80

HSL 47.83, 0.3%, 0.45%

LAB 56.38, -2.67, 31.39

 

CMYK 46 / 0 / 46 / 42

HEX #509550

RGB 80 149 80

HSL 120, 0.3%, 0.45%

LAB 55.87, -36.58, 29.75

 

CMYK 46 / 38 / 0 / 42

HEX #505C94

RGB 80 92.6 148.6

HSL 228.98, 0.3%, 0.45%

LAB 40.61, 10.81, -32.32

 

CMYK 0 / 46 / 13 / 42

HEX #955081

RGB 149 80 129

HSL 317.39, 0.3%, 0.45%

LAB 43.82, 35.67, -14.94

 

CMYK 0 / 9 / 46 / 42

HEX #958750

RGB 149 135 80

HSL 47.83, 0.3%, 0.45%

LAB 56.38, -2.67, 31.39

 

CMYK 46 / 0 / 32 / 42

HEX #509565

RGB 80 149 101

HSL 138.26, 0.3%, 0.45%

LAB 56.23, -32.94, 18.76

 

Description

Color code: RGB 80 92.6 148.6 | qconv.com Color code: RGB 80 92.6 148.6 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 80 red, 92.6 green and 148.6 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
80 92.6 148.6 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 46 cyan, 38 magenta, none yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
46% 38% 0% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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