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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 80 92.2 178.6 it is the complementary color RGB 175 162.8 76.4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 80 92.2 178.6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 80 92.2 178.6 shade: RGB 85 92.2 173.6, RGB 102 110.2 192.6, RGB 119 128.2 211.6, RGB 136 146.2 230.6 and RGB 153 164.2 249.6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 80 92.2 178.6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 80 92.2 178.6 shade: RGB 80 92.2 178.6, RGB 63 74.2 159.6, RGB 46 56.2 140.6, RGB 29 38.2 121.6 and RGB 12 20.2 102.6

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 80 92.2 178.6 shade: RGB 81 93 179, RGB 96 81 179, RGB 122 81 179, RGB 148 81 179 and RGB 174 81 179

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 80 92.2 178.6 shade: RGB 81 93 179 and RGB 81 81 179

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 80 92.2 178.6 shade matches the following richer shades: RGB 81 93 179, RGB 61 78 199, RGB 41 63 219 and RGB 21 48 239

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 80 92.2 178.6 shade: RGB 81 93 179, RGB 102 109 159, RGB 122 124 138, RGB 142 139 118 and RGB 162 154 98

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 80 92.2 178.6 shade: RGB 81 146 179, RGB 81 120 179, RGB 81 94 179, RGB 94 81 179 and RGB 120 81 179

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 80 92.2 178.6 shade: RGB 54 63 123, RGB 67 77 152, RGB 81 93 179, RGB 110 120 191 and RGB 139 147 204

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 80 92.2 178.6 shade: RGB 80 92.2 178.6, RGB 179 81 172 and RGB 133 179 81

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 80 92.2 178.6 shade: RGB 80 92.2 178.6, RGB 179 81 94 and RGB 94 179 81

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 80 92.2 178.6 shade: RGB 80 92.2 178.6, RGB 179 81 172, RGB 179 166 81 and RGB 81 179 88

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 80 92.2 178.6 shade: RGB 80 92.2 178.6, RGB 179 81 143, RGB 179 166 81 and RGB 81 179 117

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 55 / 48 / 0 / 30

HEX #505CB2

RGB 80 92.2 178.6

HSL 232.58, 0.39%, 0.51%

LAB 42.2, 20.81, -47.59

 

Complementary color

CMYK 0 / 7 / 56 / 31

HEX #AFA24C

RGB 175 162.8 76.4

HSL 52.58, 0.39%, 0.49%

LAB 66.34, -6.86, 45.75

 

CMYK 51 / 47 / 0 / 32

HEX #555CAD

RGB 85 92.2 173.6

HSL 235.12, 0.35%, 0.51%

LAB 42.25, 20.28, -44.56

 

CMYK 47 / 43 / 0 / 24

HEX #666EC0

RGB 102 110.2 192.6

HSL 234.57, 0.42%, 0.58%

LAB 49.32, 19.09, -44.29

 

CMYK 44 / 39 / 0 / 17

HEX #7780D3

RGB 119 128.2 211.6

HSL 234.04, 0.52%, 0.65%

LAB 56.23, 18.09, -44.08

 

CMYK 41 / 37 / 0 / 10

HEX #8892E6

RGB 136 146.2 230.6

HSL 233.53, 0.66%, 0.72%

LAB 63.01, 17.24, -43.92

 

CMYK 39 / 34 / 0 / 2

HEX #99A4F9

RGB 153 164.2 249.6

HSL 233.04, 0.9%, 0.79%

LAB 69.66, 16.5, -43.81

 

CMYK 55 / 48 / 0 / 30

HEX #505CB2

RGB 80 92.2 178.6

HSL 232.58, 0.39%, 0.51%

LAB 42.2, 20.81, -47.59

 

CMYK 61 / 54 / 0 / 37

HEX #3F4A9F

RGB 63 74.2 159.6

HSL 233.04, 0.43%, 0.44%

LAB 35.01, 22.46, -47.93

 

CMYK 67 / 60 / 0 / 45

HEX #2E388C

RGB 46 56.2 140.6

HSL 233.53, 0.51%, 0.37%

LAB 27.68, 24.53, -48.27

 

CMYK 76 / 69 / 0 / 52

HEX #1D2679

RGB 29 38.2 121.6

HSL 234.04, 0.61%, 0.3%

LAB 20.26, 27.13, -48.5

 

CMYK 88 / 80 / 0 / 60

HEX #0C1466

RGB 12 20.2 102.6

HSL 234.57, 0.79%, 0.22%

LAB 12.96, 30.19, -48.23

 

CMYK 55 / 48 / 0 / 30

HEX #515DB3

RGB 81 93 179

HSL 232.65, 0.39%, 0.51%

LAB 42.51, 20.65, -47.33

 

CMYK 46 / 55 / 0 / 30

HEX #6051B3

RGB 96 81 179

HSL 249.18, 0.39%, 0.51%

LAB 40.62, 31.48, -50.31

 

CMYK 32 / 55 / 0 / 30

HEX #7A51B3

RGB 122 81 179

HSL 265.1, 0.39%, 0.51%

LAB 43.18, 37.81, -46.06

 

CMYK 17 / 55 / 0 / 30

HEX #9451B3

RGB 148 81 179

HSL 281.02, 0.39%, 0.51%

LAB 46.22, 44.68, -41.03

 

CMYK 3 / 55 / 0 / 30

HEX #AE51B3

RGB 174 81 179

HSL 296.94, 0.39%, 0.51%

LAB 49.66, 51.77, -35.37

 

CMYK 55 / 48 / 0 / 30

HEX #515DB3

RGB 81 93 179

HSL 232.65, 0.39%, 0.51%

LAB 42.51, 20.65, -47.33

 

CMYK 55 / 55 / 0 / 30

HEX #5151B3

RGB 81 81 179

HSL 240, 0.39%, 0.51%

LAB 39.39, 28.23, -52.34

 

CMYK 55 / 48 / 0 / 30

HEX #515DB3

RGB 81 93 179

HSL 232.65, 0.39%, 0.51%

LAB 42.51, 20.65, -47.33

 

CMYK 69 / 61 / 0 / 22

HEX #3D4EC7

RGB 61 78 199

HSL 232.61, 0.55%, 0.51%

LAB 38.84, 33.58, -65.01

 

CMYK 81 / 71 / 0 / 14

HEX #293FDB

RGB 41 63 219

HSL 232.58, 0.71%, 0.51%

LAB 36.25, 47.81, -80.83

 

CMYK 91 / 80 / 0 / 6

HEX #1530EF

RGB 21 48 239

HSL 232.57, 0.87%, 0.51%

LAB 35.01, 61.53, -94.31

 

CMYK 55 / 48 / 0 / 30

HEX #515DB3

RGB 81 93 179

HSL 232.65, 0.39%, 0.51%

LAB 42.51, 20.65, -47.33

 

CMYK 36 / 31 / 0 / 38

HEX #666D9F

RGB 102 109 159

HSL 232.63, 0.23%, 0.51%

LAB 47.32, 9.91, -27.87

 

CMYK 12 / 10 / 0 / 46

HEX #7A7C8A

RGB 122 124 138

HSL 232.5, 0.06%, 0.51%

LAB 52.27, 2.23, -7.84

 

CMYK 0 / 2 / 17 / 44

HEX #8E8B76

RGB 142 139 118

HSL 52.5, 0.1%, 0.51%

LAB 57.58, -2.64, 11.65

 

CMYK 0 / 5 / 40 / 36

HEX #A29A62

RGB 162 154 98

HSL 52.5, 0.26%, 0.51%

LAB 63.07, -5.54, 30.45

 

CMYK 55 / 18 / 0 / 30

HEX #5192B3

RGB 81 146 179

HSL 200.2, 0.39%, 0.51%

LAB 57.62, -11.22, -23.61

 

CMYK 55 / 33 / 0 / 30

HEX #5178B3

RGB 81 120 179

HSL 216.12, 0.39%, 0.51%

LAB 50.02, 3.86, -35.41

 

CMYK 55 / 47 / 0 / 30

HEX #515EB3

RGB 81 94 179

HSL 232.04, 0.39%, 0.51%

LAB 42.78, 20.01, -46.9

 

CMYK 47 / 55 / 0 / 30

HEX #5E51B3

RGB 94 81 179

HSL 247.96, 0.39%, 0.51%

LAB 40.44, 31.03, -50.6

 

CMYK 33 / 55 / 0 / 30

HEX #7851B3

RGB 120 81 179

HSL 263.88, 0.39%, 0.51%

LAB 42.96, 37.3, -46.42

 

CMYK 56 / 49 / 0 / 52

HEX #363F7B

RGB 54 63 123

HSL 232.17, 0.39%, 0.35%

LAB 28.82, 15.12, -35.43

 

CMYK 56 / 49 / 0 / 40

HEX #434D98

RGB 67 77 152

HSL 232.94, 0.39%, 0.43%

LAB 35.53, 18.82, -42.49

 

CMYK 55 / 48 / 0 / 30

HEX #515DB3

RGB 81 93 179

HSL 232.65, 0.39%, 0.51%

LAB 42.51, 20.65, -47.33

 

CMYK 42 / 37 / 0 / 25

HEX #6E78BF

RGB 110 120 191

HSL 232.59, 0.39%, 0.59%

LAB 52.41, 14.67, -38.45

 

CMYK 32 / 28 / 0 / 20

HEX #8B93CC

RGB 139 147 204

HSL 232.62, 0.39%, 0.67%

LAB 62.27, 10.41, -30.26

 

CMYK 55 / 48 / 0 / 30

HEX #505CB2

RGB 80 92.2 178.6

HSL 232.58, 0.39%, 0.51%

LAB 42.2, 20.81, -47.59

 

CMYK 0 / 55 / 4 / 30

HEX #B351AC

RGB 179 81 172

HSL 304.29, 0.39%, 0.51%

LAB 50.03, 51.9, -30.65

 

CMYK 26 / 0 / 55 / 30

HEX #85B351

RGB 133 179 81

HSL 88.16, 0.39%, 0.51%

LAB 67.89, -31.78, 44.55

 

CMYK 55 / 48 / 0 / 30

HEX #505CB2

RGB 80 92.2 178.6

HSL 232.58, 0.39%, 0.51%

LAB 42.2, 20.81, -47.59

 

CMYK 0 / 55 / 47 / 30

HEX #B3515E

RGB 179 81 94

HSL 352.04, 0.39%, 0.51%

LAB 47.34, 41.06, 12.02

 

CMYK 47 / 0 / 55 / 30

HEX #5EB351

RGB 94 179 81

HSL 112.04, 0.39%, 0.51%

LAB 65.91, -45.06, 41.72

 

CMYK 55 / 48 / 0 / 30

HEX #505CB2

RGB 80 92.2 178.6

HSL 232.58, 0.39%, 0.51%

LAB 42.2, 20.81, -47.59

 

CMYK 0 / 55 / 4 / 30

HEX #B351AC

RGB 179 81 172

HSL 304.29, 0.39%, 0.51%

LAB 50.03, 51.9, -30.65

 

CMYK 0 / 7 / 55 / 30

HEX #B3A651

RGB 179 166 81

HSL 52.04, 0.39%, 0.51%

LAB 67.61, -6.47, 45.09

 

CMYK 55 / 0 / 51 / 30

HEX #51B358

RGB 81 179 88

HSL 124.29, 0.39%, 0.51%

LAB 65.51, -47.75, 37.68

 

CMYK 55 / 48 / 0 / 30

HEX #505CB2

RGB 80 92.2 178.6

HSL 232.58, 0.39%, 0.51%

LAB 42.2, 20.81, -47.59

 

CMYK 0 / 55 / 20 / 30

HEX #B3518F

RGB 179 81 143

HSL 322.04, 0.39%, 0.51%

LAB 48.82, 47.19, -15.35

 

CMYK 0 / 7 / 55 / 30

HEX #B3A651

RGB 179 166 81

HSL 52.04, 0.39%, 0.51%

LAB 67.61, -6.47, 45.09

 

CMYK 55 / 0 / 35 / 30

HEX #51B375

RGB 81 179 117

HSL 142.04, 0.39%, 0.51%

LAB 65.96, -42.95, 23.18

 

Description

Color code: RGB 80 92.2 178.6 | qconv.com Color code: RGB 80 92.2 178.6 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 80 red, 92.2 green and 178.6 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
80 92.2 178.6 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 55 cyan, 48 magenta, none yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
55% 48% 0% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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