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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 80 72.8 171.4 it is the complementary color RGB 175 182.2 83.6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 80 72.8 171.4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 80 72.8 171.4 shade: RGB 85 72.8 166.4, RGB 102 90.8 185.4, RGB 119 108.8 204.4, RGB 136 126.8 223.4 and RGB 153 144.8 242.4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 80 72.8 171.4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 80 72.8 171.4 shade: RGB 80 72.8 171.4, RGB 63 54.8 152.4, RGB 46 36.8 133.4, RGB 29 18.8 114.4 and RGB 12 0.8 95.4

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 80 72.8 171.4 shade: RGB 81 73 171, RGB 107 73 171, RGB 133 73 171, RGB 160 73 171 and RGB 171 73 157

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 80 72.8 171.4 shade: RGB 81 73 171 and RGB 73 73 171

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 80 72.8 171.4 shade matches the following richer shades: RGB 81 73 171, RGB 64 54 191, RGB 47 34 211 and RGB 30 14 231

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 80 72.8 171.4 shade: RGB 81 73 171, RGB 98 93 152, RGB 114 113 132, RGB 131 133 112 and RGB 148 153 92

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 80 72.8 171.4 shade: RGB 73 119 171, RGB 73 93 171, RGB 80 73 171, RGB 106 73 171 and RGB 132 73 171

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 80 72.8 171.4 shade: RGB 53 49 114, RGB 67 61 142, RGB 81 73 171, RGB 105 98 188 and RGB 132 127 200

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 80 72.8 171.4 shade: RGB 80 72.8 171.4, RGB 171 73 145 and RGB 106 171 73

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 80 72.8 171.4 shade: RGB 80 72.8 171.4, RGB 171 80 73 and RGB 73 171 80

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 80 72.8 171.4 shade: RGB 80 72.8 171.4, RGB 171 73 145, RGB 165 171 73 and RGB 73 171 100

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 80 72.8 171.4 shade: RGB 80 72.8 171.4, RGB 171 73 116, RGB 165 171 73 and RGB 73 171 129

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 53 / 58 / 0 / 33

HEX #5048AB

RGB 80 72.8 171.4

HSL 244.38, 0.4%, 0.48%

LAB 36.74, 30.71, -52.13

 

Complementary color

CMYK 4 / 0 / 54 / 29

HEX #AFB653

RGB 175 182.2 83.6

HSL 64.38, 0.4%, 0.52%

LAB 71.75, -16.35, 48.55

 

CMYK 49 / 56 / 0 / 35

HEX #5548A6

RGB 85 72.8 166.4

HSL 247.82, 0.39%, 0.47%

LAB 36.81, 30.2, -49.01

 

CMYK 45 / 51 / 0 / 27

HEX #665AB9

RGB 102 90.8 185.4

HSL 247.1, 0.4%, 0.54%

LAB 43.93, 28.81, -48.7

 

CMYK 42 / 47 / 0 / 20

HEX #776CCC

RGB 119 108.8 204.4

HSL 246.4, 0.49%, 0.61%

LAB 50.92, 27.61, -48.43

 

CMYK 39 / 43 / 0 / 12

HEX #887EDF

RGB 136 126.8 223.4

HSL 245.71, 0.6%, 0.69%

LAB 57.76, 26.57, -48.21

 

CMYK 37 / 40 / 0 / 5

HEX #9990F2

RGB 153 144.8 242.4

HSL 245.04, 0.79%, 0.76%

LAB 64.48, 25.65, -48.02

 

CMYK 53 / 58 / 0 / 33

HEX #5048AB

RGB 80 72.8 171.4

HSL 244.38, 0.4%, 0.48%

LAB 36.74, 30.71, -52.13

 

CMYK 59 / 64 / 0 / 40

HEX #3F3698

RGB 63 54.8 152.4

HSL 245.04, 0.47%, 0.41%

LAB 29.54, 32.51, -52.44

 

CMYK 66 / 72 / 0 / 48

HEX #2E2485

RGB 46 36.8 133.4

HSL 245.71, 0.57%, 0.33%

LAB 22.29, 34.53, -52.6

 

CMYK 75 / 84 / 0 / 55

HEX #1D1272

RGB 29 18.8 114.4

HSL 246.4, 0.72%, 0.26%

LAB 15.19, 36.47, -52.23

 

CMYK 87 / 99 / 0 / 63

HEX #0C005F

RGB 12 0.8 95.4

HSL 247.1, 0.98%, 0.19%

LAB 8.39, 38.33, -51.06

 

CMYK 53 / 57 / 0 / 33

HEX #5149AB

RGB 81 73 171

HSL 244.9, 0.4%, 0.48%

LAB 36.85, 30.67, -51.72

 

CMYK 37 / 57 / 0 / 33

HEX #6B49AB

RGB 107 73 171

HSL 260.82, 0.4%, 0.48%

LAB 39.29, 36.56, -47.65

 

CMYK 22 / 57 / 0 / 33

HEX #8549AB

RGB 133 73 171

HSL 276.73, 0.4%, 0.48%

LAB 42.3, 43.15, -42.68

 

CMYK 6 / 57 / 0 / 33

HEX #A049AB

RGB 160 73 171

HSL 293.27, 0.4%, 0.48%

LAB 45.88, 50.32, -36.77

 

CMYK 0 / 57 / 8 / 33

HEX #AB499D

RGB 171 73 157

HSL 308.57, 0.4%, 0.48%

LAB 46.79, 50.85, -26.94

 

CMYK 53 / 57 / 0 / 33

HEX #5149AB

RGB 81 73 171

HSL 244.9, 0.4%, 0.48%

LAB 36.85, 30.67, -51.72

 

CMYK 57 / 57 / 0 / 33

HEX #4949AB

RGB 73 73 171

HSL 240, 0.4%, 0.48%

LAB 36.22, 29.06, -52.77

 

CMYK 53 / 57 / 0 / 33

HEX #5149AB

RGB 81 73 171

HSL 244.9, 0.4%, 0.48%

LAB 36.85, 30.67, -51.72

 

CMYK 66 / 72 / 0 / 25

HEX #4036BF

RGB 64 54 191

HSL 244.38, 0.56%, 0.48%

LAB 32.9, 45.77, -70.06

 

CMYK 78 / 84 / 0 / 17

HEX #2F22D3

RGB 47 34 211

HSL 244.41, 0.72%, 0.48%

LAB 30.52, 60.36, -85.7

 

CMYK 87 / 94 / 0 / 9

HEX #1E0EE7

RGB 30 14 231

HSL 244.42, 0.89%, 0.48%

LAB 30.3, 71.32, -97.6

 

CMYK 53 / 57 / 0 / 33

HEX #5149AB

RGB 81 73 171

HSL 244.9, 0.4%, 0.48%

LAB 36.85, 30.67, -51.72

 

CMYK 36 / 39 / 0 / 40

HEX #625D98

RGB 98 93 152

HSL 245.08, 0.24%, 0.48%

LAB 42.3, 16.62, -31.6

 

CMYK 14 / 14 / 0 / 48

HEX #727184

RGB 114 113 132

HSL 243.16, 0.08%, 0.48%

LAB 48.33, 4.49, -10.28

 

CMYK 2 / 0 / 16 / 48

HEX #838570

RGB 131 133 112

HSL 65.71, 0.09%, 0.48%

LAB 54.83, -4.63, 11.09

 

CMYK 3 / 0 / 40 / 40

HEX #94995C

RGB 148 153 92

HSL 64.92, 0.25%, 0.48%

LAB 61.53, -11.53, 31.44

 

CMYK 57 / 30 / 0 / 33

HEX #4977AB

RGB 73 119 171

HSL 211.84, 0.4%, 0.48%

LAB 48.95, 0.08, -32.49

 

CMYK 57 / 46 / 0 / 33

HEX #495DAB

RGB 73 93 171

HSL 227.76, 0.4%, 0.48%

LAB 41.51, 16.25, -44.25

 

CMYK 53 / 57 / 0 / 33

HEX #5049AB

RGB 80 73 171

HSL 244.29, 0.4%, 0.48%

LAB 36.76, 30.46, -51.86

 

CMYK 38 / 57 / 0 / 33

HEX #6A49AB

RGB 106 73 171

HSL 260.2, 0.4%, 0.48%

LAB 39.19, 36.32, -47.82

 

CMYK 23 / 57 / 0 / 33

HEX #8449AB

RGB 132 73 171

HSL 276.12, 0.4%, 0.48%

LAB 42.17, 42.89, -42.88

 

CMYK 54 / 57 / 0 / 55

HEX #353172

RGB 53 49 114

HSL 243.69, 0.4%, 0.32%

LAB 24.22, 21.24, -37.13

 

CMYK 53 / 57 / 0 / 44

HEX #433D8E

RGB 67 61 142

HSL 244.44, 0.4%, 0.4%

LAB 30.6, 25.89, -44.33

 

CMYK 53 / 57 / 0 / 33

HEX #5149AB

RGB 81 73 171

HSL 244.9, 0.4%, 0.48%

LAB 36.85, 30.67, -51.72

 

CMYK 44 / 48 / 0 / 26

HEX #6962BC

RGB 105 98 188

HSL 244.67, 0.4%, 0.56%

LAB 46.14, 25.91, -46.68

 

CMYK 34 / 37 / 0 / 22

HEX #847FC8

RGB 132 127 200

HSL 244.11, 0.4%, 0.64%

LAB 56.34, 19.01, -37.28

 

CMYK 53 / 58 / 0 / 33

HEX #5048AB

RGB 80 72.8 171.4

HSL 244.38, 0.4%, 0.48%

LAB 36.74, 30.71, -52.13

 

CMYK 0 / 57 / 15 / 33

HEX #AB4991

RGB 171 73 145

HSL 315.92, 0.4%, 0.48%

LAB 46.27, 48.89, -20.57

 

CMYK 38 / 0 / 57 / 33

HEX #6AAB49

RGB 106 171 73

HSL 99.8, 0.4%, 0.48%

LAB 63.89, -38.73, 43.3

 

CMYK 53 / 58 / 0 / 33

HEX #5048AB

RGB 80 72.8 171.4

HSL 244.38, 0.4%, 0.48%

LAB 36.74, 30.71, -52.13

 

CMYK 0 / 53 / 57 / 33

HEX #AB5049

RGB 171 80 73

HSL 4.29, 0.4%, 0.48%

LAB 45.46, 36.69, 21.94

 

CMYK 57 / 0 / 53 / 33

HEX #49AB50

RGB 73 171 80

HSL 124.29, 0.4%, 0.48%

LAB 62.61, -47.73, 38.05

 

CMYK 53 / 58 / 0 / 33

HEX #5048AB

RGB 80 72.8 171.4

HSL 244.38, 0.4%, 0.48%

LAB 36.74, 30.71, -52.13

 

CMYK 0 / 57 / 15 / 33

HEX #AB4991

RGB 171 73 145

HSL 315.92, 0.4%, 0.48%

LAB 46.27, 48.89, -20.57

 

CMYK 4 / 0 / 57 / 33

HEX #A5AB49

RGB 165 171 73

HSL 63.67, 0.4%, 0.48%

LAB 67.73, -15.69, 48.7

 

CMYK 57 / 0 / 42 / 33

HEX #49AB64

RGB 73 171 100

HSL 136.53, 0.4%, 0.48%

LAB 62.9, -44.62, 28.13

 

CMYK 53 / 58 / 0 / 33

HEX #5048AB

RGB 80 72.8 171.4

HSL 244.38, 0.4%, 0.48%

LAB 36.74, 30.71, -52.13

 

CMYK 0 / 57 / 32 / 33

HEX #AB4974

RGB 171 73 116

HSL 333.67, 0.4%, 0.48%

LAB 45.2, 44.73, -4.62

 

CMYK 4 / 0 / 57 / 33

HEX #A5AB49

RGB 165 171 73

HSL 63.67, 0.4%, 0.48%

LAB 67.73, -15.69, 48.7

 

CMYK 57 / 0 / 25 / 33

HEX #49AB81

RGB 73 171 129

HSL 154.29, 0.4%, 0.48%

LAB 63.45, -38.87, 13.14

 

Description

Color code: RGB 80 72.8 171.4 | qconv.com Color code: RGB 80 72.8 171.4 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 80 red, 72.8 green and 171.4 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
80 72.8 171.4 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 53 cyan, 58 magenta, none yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
53% 58% 0% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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