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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 80 60 103 it is the complementary color RGB 175 195 152. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 80 60 103. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 80 60 103 shade: RGB 85 60 98, RGB 102 78 117, RGB 119 96 136, RGB 136 114 155 and RGB 153 132 174

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 80 60 103. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 80 60 103 shade: RGB 80 60 103, RGB 63 42 84, RGB 46 24 65, RGB 29 6 46 and RGB 12 0 27

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 80 60 103 shade: RGB 80 60 102, RGB 91 60 102, RGB 102 60 102, RGB 102 60 91 and RGB 102 60 79

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 80 60 103 shade: RGB 80 60 102, RGB 68 60 102 and RGB 60 60 102

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 80 60 103 shade matches the following richer shades: RGB 80 60 102, RGB 79 47 116, RGB 78 33 129, RGB 77 20 142 and RGB 76 7 155

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 80 60 103 shade: RGB 80 60 102, RGB 81 73 89, RGB 81 86 76, RGB 82 99 63 and RGB 83 113 50

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 80 60 103 shade: RGB 60 63 102, RGB 68 60 102, RGB 79 60 102, RGB 90 60 102 and RGB 102 60 102

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 80 60 103 shade: RGB 39 29 50, RGB 59 45 76, RGB 80 60 102, RGB 100 75 128 and RGB 120 90 154

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 80 60 103 shade: RGB 80 60 103, RGB 102 60 75 and RGB 60 102 62

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 80 60 103 shade: RGB 80 60 103, RGB 102 79 60 and RGB 60 102 79

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 80 60 103 shade: RGB 80 60 103, RGB 102 60 75, RGB 83 102 60 and RGB 60 102 87

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 80 60 103 shade: RGB 80 60 103, RGB 102 60 62, RGB 83 102 60 and RGB 60 102 100

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 22 / 42 / 0 / 60

HEX #503C67

RGB 80 60 103

HSL 267.91, 0.26%, 0.32%

LAB 29.2, 18.4, -22.01

 

Complementary color

CMYK 10 / 0 / 22 / 24

HEX #AFC398

RGB 175 195 152

HSL 87.91, 0.26%, 0.68%

LAB 76.32, -14.51, 19.39

 

CMYK 13 / 39 / 0 / 62

HEX #553C62

RGB 85 60 98

HSL 279.47, 0.24%, 0.31%

LAB 29.53, 18.86, -18.25

 

CMYK 13 / 33 / 0 / 54

HEX #664E75

RGB 102 78 117

HSL 276.92, 0.2%, 0.38%

LAB 37.04, 18.08, -18.47

 

CMYK 13 / 29 / 0 / 47

HEX #776088

RGB 119 96 136

HSL 274.5, 0.17%, 0.45%

LAB 44.33, 17.39, -18.7

 

CMYK 12 / 26 / 0 / 39

HEX #88729B

RGB 136 114 155

HSL 272.2, 0.17%, 0.53%

LAB 51.42, 16.79, -18.96

 

CMYK 12 / 24 / 0 / 32

HEX #9984AE

RGB 153 132 174

HSL 270, 0.21%, 0.6%

LAB 58.35, 16.24, -19.22

 

CMYK 22 / 42 / 0 / 60

HEX #503C67

RGB 80 60 103

HSL 267.91, 0.26%, 0.32%

LAB 29.2, 18.4, -22.01

 

CMYK 25 / 50 / 0 / 67

HEX #3F2A54

RGB 63 42 84

HSL 270, 0.33%, 0.25%

LAB 21.4, 19.36, -21.98

 

CMYK 29 / 63 / 0 / 75

HEX #2E1841

RGB 46 24 65

HSL 272.2, 0.46%, 0.17%

LAB 13.33, 20.44, -21.94

 

CMYK 37 / 87 / 0 / 82

HEX #1D062E

RGB 29 6 46

HSL 274.5, 0.77%, 0.1%

LAB 5.32, 20, -21.15

 

CMYK 56 / 100 / 0 / 89

HEX #0C001B

RGB 12 0 27

HSL 266.67, 1%, 0.05%

LAB 1.42, 8.19, -12.52

 

CMYK 22 / 41 / 0 / 60

HEX #503C66

RGB 80 60 102

HSL 268.57, 0.26%, 0.32%

LAB 29.15, 18.14, -21.45

 

CMYK 11 / 41 / 0 / 60

HEX #5B3C66

RGB 91 60 102

HSL 284.29, 0.26%, 0.32%

LAB 30.44, 21.92, -19.34

 

CMYK 0 / 41 / 0 / 60

HEX #663C66

RGB 102 60 102

HSL 300, 0.26%, 0.32%

LAB 31.84, 25.77, -17.05

 

CMYK 0 / 41 / 11 / 60

HEX #663C5B

RGB 102 60 91

HSL 315.71, 0.26%, 0.32%

LAB 31.37, 23.56, -10.72

 

CMYK 0 / 41 / 23 / 60

HEX #663C4F

RGB 102 60 79

HSL 332.86, 0.26%, 0.32%

LAB 30.93, 21.38, -3.64

 

CMYK 22 / 41 / 0 / 60

HEX #503C66

RGB 80 60 102

HSL 268.57, 0.26%, 0.32%

LAB 29.15, 18.14, -21.45

 

CMYK 33 / 41 / 0 / 60

HEX #443C66

RGB 68 60 102

HSL 251.43, 0.26%, 0.32%

LAB 27.9, 14.17, -23.49

 

CMYK 41 / 41 / 0 / 60

HEX #3C3C66

RGB 60 60 102

HSL 240, 0.26%, 0.32%

LAB 27.16, 11.68, -24.7

 

CMYK 22 / 41 / 0 / 60

HEX #503C66

RGB 80 60 102

HSL 268.57, 0.26%, 0.32%

LAB 29.15, 18.14, -21.45

 

CMYK 32 / 59 / 0 / 55

HEX #4F2F74

RGB 79 47 116

HSL 267.83, 0.42%, 0.32%

LAB 26.61, 29.77, -34.42

 

CMYK 40 / 74 / 0 / 49

HEX #4E2181

RGB 78 33 129

HSL 268.13, 0.59%, 0.32%

LAB 24.62, 40.8, -45.88

 

CMYK 46 / 86 / 0 / 44

HEX #4D148E

RGB 77 20 142

HSL 268.03, 0.75%, 0.32%

LAB 23.77, 49.43, -55.4

 

CMYK 51 / 95 / 0 / 39

HEX #4C079B

RGB 76 7 155

HSL 267.97, 0.91%, 0.32%

LAB 23.85, 55.89, -63.31

 

CMYK 22 / 41 / 0 / 60

HEX #503C66

RGB 80 60 102

HSL 268.57, 0.26%, 0.32%

LAB 29.15, 18.14, -21.45

 

CMYK 9 / 18 / 0 / 65

HEX #514959

RGB 81 73 89

HSL 270, 0.1%, 0.32%

LAB 32.34, 6.86, -8.22

 

CMYK 6 / 0 / 12 / 66

HEX #51564C

RGB 81 86 76

HSL 90, 0.06%, 0.32%

LAB 35.84, -4.1, 5.14

 

CMYK 17 / 0 / 36 / 61

HEX #52633F

RGB 82 99 63

HSL 88.33, 0.22%, 0.32%

LAB 39.71, -13.6, 18.39

 

CMYK 27 / 0 / 56 / 56

HEX #537132

RGB 83 113 50

HSL 88.57, 0.39%, 0.32%

LAB 44.06, -22.46, 31.14

 

CMYK 41 / 38 / 0 / 60

HEX #3C3F66

RGB 60 63 102

HSL 235.71, 0.26%, 0.32%

LAB 28.05, 9.66, -23.31

 

CMYK 33 / 41 / 0 / 60

HEX #443C66

RGB 68 60 102

HSL 251.43, 0.26%, 0.32%

LAB 27.9, 14.17, -23.49

 

CMYK 23 / 41 / 0 / 60

HEX #4F3C66

RGB 79 60 102

HSL 267.14, 0.26%, 0.32%

LAB 29.04, 17.8, -21.63

 

CMYK 12 / 41 / 0 / 60

HEX #5A3C66

RGB 90 60 102

HSL 282.86, 0.26%, 0.32%

LAB 30.31, 21.58, -19.54

 

CMYK 0 / 41 / 0 / 60

HEX #663C66

RGB 102 60 102

HSL 300, 0.26%, 0.32%

LAB 31.84, 25.77, -17.05

 

CMYK 22 / 42 / 0 / 80

HEX #271D32

RGB 39 29 50

HSL 268.57, 0.27%, 0.15%

LAB 12.86, 10.13, -12.07

 

CMYK 22 / 41 / 0 / 70

HEX #3B2D4C

RGB 59 45 76

HSL 267.1, 0.26%, 0.24%

LAB 21.31, 13.75, -16.79

 

CMYK 22 / 41 / 0 / 60

HEX #503C66

RGB 80 60 102

HSL 268.57, 0.26%, 0.32%

LAB 29.15, 18.14, -21.45

 

CMYK 22 / 41 / 0 / 50

HEX #644B80

RGB 100 75 128

HSL 268.3, 0.26%, 0.4%

LAB 36.56, 21.96, -26.03

 

CMYK 22 / 42 / 0 / 40

HEX #785A9A

RGB 120 90 154

HSL 268.13, 0.26%, 0.48%

LAB 43.71, 25.63, -30.43

 

CMYK 22 / 42 / 0 / 60

HEX #503C67

RGB 80 60 103

HSL 267.91, 0.26%, 0.32%

LAB 29.2, 18.4, -22.01

 

CMYK 0 / 41 / 26 / 60

HEX #663C4B

RGB 102 60 75

HSL 338.57, 0.26%, 0.32%

LAB 30.79, 20.71, -1.24

 

CMYK 41 / 0 / 39 / 60

HEX #3C663E

RGB 60 102 62

HSL 122.86, 0.26%, 0.32%

LAB 39.26, -23.88, 18.13

 

CMYK 22 / 42 / 0 / 60

HEX #503C67

RGB 80 60 103

HSL 267.91, 0.26%, 0.32%

LAB 29.2, 18.4, -22.01

 

CMYK 0 / 23 / 41 / 60

HEX #664F3C

RGB 102 79 60

HSL 27.14, 0.26%, 0.32%

LAB 35.48, 6.75, 14.91

 

CMYK 41 / 0 / 23 / 60

HEX #3C664F

RGB 60 102 79

HSL 147.14, 0.26%, 0.32%

LAB 39.63, -20.41, 8.46

 

CMYK 22 / 42 / 0 / 60

HEX #503C67

RGB 80 60 103

HSL 267.91, 0.26%, 0.32%

LAB 29.2, 18.4, -22.01

 

CMYK 0 / 41 / 26 / 60

HEX #663C4B

RGB 102 60 75

HSL 338.57, 0.26%, 0.32%

LAB 30.79, 20.71, -1.24

 

CMYK 19 / 0 / 41 / 60

HEX #53663C

RGB 83 102 60

HSL 87.14, 0.26%, 0.32%

LAB 40.68, -15.3, 21.43

 

CMYK 41 / 0 / 15 / 60

HEX #3C6657

RGB 60 102 87

HSL 158.57, 0.26%, 0.32%

LAB 39.83, -18.53, 3.89

 

CMYK 22 / 42 / 0 / 60

HEX #503C67

RGB 80 60 103

HSL 267.91, 0.26%, 0.32%

LAB 29.2, 18.4, -22.01

 

CMYK 0 / 41 / 39 / 60

HEX #663C3E

RGB 102 60 62

HSL 357.14, 0.26%, 0.32%

LAB 30.41, 18.76, 6.66

 

CMYK 19 / 0 / 41 / 60

HEX #53663C

RGB 83 102 60

HSL 87.14, 0.26%, 0.32%

LAB 40.68, -15.3, 21.43

 

CMYK 41 / 0 / 2 / 60

HEX #3C6664

RGB 60 102 100

HSL 177.14, 0.26%, 0.32%

LAB 40.22, -15.15, -3.49

 

Description

Color code: RGB 80 60 103 | qconv.com Color code: RGB 80 60 103 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 80 red, 60 green and 103 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
80 60 103 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 22 cyan, 42 magenta, none yellow and 60 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
22% 42% 0% 60% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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