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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 80 54.8 187.4 it is the complementary color RGB 175 200.2 67.6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 80 54.8 187.4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 80 54.8 187.4 shade: RGB 85 54.8 182.4, RGB 102 72.8 201.4, RGB 119 90.8 220.4, RGB 136 108.8 239.4 and RGB 153 126.8 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 80 54.8 187.4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 80 54.8 187.4 shade: RGB 80 54.8 187.4, RGB 63 36.8 168.4, RGB 46 18.8 149.4, RGB 29 0.8 130.4 and RGB 12 0 111.4

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 80 54.8 187.4 shade: RGB 79 54 186, RGB 115 54 186, RGB 150 54 186, RGB 186 54 186 and RGB 186 54 150

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 80 54.8 187.4 shade: RGB 79 54 186 and RGB 54 54 186

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 80 54.8 187.4 shade matches the following richer shades: RGB 79 54 186, RGB 67 35 205 and RGB 55 15 225

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 80 54.8 187.4 shade: RGB 79 54 186, RGB 91 73 166, RGB 103 93 147, RGB 115 112 128 and RGB 127 131 108

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 80 54.8 187.4 shade: RGB 54 100 186, RGB 54 65 186, RGB 78 54 186, RGB 113 54 186 and RGB 148 54 186

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 80 54.8 187.4 shade: RGB 52 35 122, RGB 65 45 154, RGB 79 54 186, RGB 101 77 203 and RGB 129 109 213

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 80 54.8 187.4 shade: RGB 80 54.8 187.4, RGB 186 54 135 and RGB 82 186 54

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 80 54.8 187.4 shade: RGB 80 54.8 187.4, RGB 186 78 54 and RGB 54 186 78

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 80 54.8 187.4 shade: RGB 80 54.8 187.4, RGB 186 54 135, RGB 162 186 54 and RGB 54 186 104

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 80 54.8 187.4 shade: RGB 80 54.8 187.4, RGB 186 54 96, RGB 162 186 54 and RGB 54 186 144

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 57 / 71 / 0 / 27

HEX #5036BB

RGB 80 54.8 187.4

HSL 251.4, 0.55%, 0.47%

LAB 34.03, 46.36, -66.02

 

Complementary color

CMYK 13 / 0 / 66 / 21

HEX #AFC843

RGB 175 200.2 67.6

HSL 71.4, 0.55%, 0.53%

LAB 76.64, -26.44, 60.84

 

CMYK 53 / 70 / 0 / 28

HEX #5536B6

RGB 85 54.8 182.4

HSL 254.2, 0.54%, 0.47%

LAB 34.06, 45.65, -63

 

CMYK 49 / 64 / 0 / 21

HEX #6648C9

RGB 102 72.8 201.4

HSL 253.62, 0.55%, 0.54%

LAB 40.9, 44.21, -62.91

 

CMYK 46 / 59 / 0 / 14

HEX #775ADC

RGB 119 90.8 220.4

HSL 253.06, 0.65%, 0.61%

LAB 47.7, 42.79, -62.71

 

CMYK 43 / 55 / 0 / 6

HEX #886CEF

RGB 136 108.8 239.4

HSL 252.5, 0.81%, 0.68%

LAB 54.43, 41.47, -62.46

 

CMYK 40 / 50 / 0 / 0

HEX #997EFF

RGB 153 126.8 255

HSL 252.26, 1%, 0.75%

LAB 60.89, 39.34, -60.66

 

CMYK 57 / 71 / 0 / 27

HEX #5036BB

RGB 80 54.8 187.4

HSL 251.4, 0.55%, 0.47%

LAB 34.03, 46.36, -66.02

 

CMYK 63 / 78 / 0 / 34

HEX #3F24A8

RGB 63 36.8 168.4

HSL 251.95, 0.64%, 0.4%

LAB 27.32, 47.8, -65.78

 

CMYK 69 / 87 / 0 / 41

HEX #2E1295

RGB 46 18.8 149.4

HSL 252.5, 0.78%, 0.33%

LAB 20.91, 48.59, -64.83

 

CMYK 78 / 99 / 0 / 49

HEX #1D0082

RGB 29 0.8 130.4

HSL 253.06, 0.99%, 0.26%

LAB 14.96, 48.39, -62.88

 

CMYK 89 / 100 / 0 / 56

HEX #0C006F

RGB 12 0 111.4

HSL 246.46, 1%, 0.22%

LAB 10.81, 43.2, -57.6

 

CMYK 58 / 71 / 0 / 27

HEX #4F36BA

RGB 79 54 186

HSL 251.36, 0.55%, 0.47%

LAB 33.66, 46.22, -65.81

 

CMYK 38 / 71 / 0 / 27

HEX #7336BA

RGB 115 54 186

HSL 267.73, 0.55%, 0.47%

LAB 37.53, 52.36, -59.33

 

CMYK 19 / 71 / 0 / 27

HEX #9636BA

RGB 150 54 186

HSL 283.64, 0.55%, 0.47%

LAB 42.26, 59.38, -51.45

 

CMYK 0 / 71 / 0 / 27

HEX #BA36BA

RGB 186 54 186

HSL 300, 0.55%, 0.47%

LAB 47.78, 67.14, -42.31

 

CMYK 0 / 71 / 19 / 27

HEX #BA3696

RGB 186 54 150

HSL 316.36, 0.55%, 0.47%

LAB 46.01, 61.68, -23.76

 

CMYK 58 / 71 / 0 / 27

HEX #4F36BA

RGB 79 54 186

HSL 251.36, 0.55%, 0.47%

LAB 33.66, 46.22, -65.81

 

CMYK 71 / 71 / 0 / 27

HEX #3636BA

RGB 54 54 186

HSL 240, 0.55%, 0.47%

LAB 31.73, 43, -69.05

 

CMYK 58 / 71 / 0 / 27

HEX #4F36BA

RGB 79 54 186

HSL 251.36, 0.55%, 0.47%

LAB 33.66, 46.22, -65.81

 

CMYK 67 / 83 / 0 / 20

HEX #4323CD

RGB 67 35 205

HSL 251.29, 0.71%, 0.47%

LAB 31.35, 59.54, -80.79

 

CMYK 76 / 93 / 0 / 12

HEX #370FE1

RGB 55 15 225

HSL 251.43, 0.88%, 0.47%

LAB 30.85, 70.25, -93.21

 

CMYK 58 / 71 / 0 / 27

HEX #4F36BA

RGB 79 54 186

HSL 251.36, 0.55%, 0.47%

LAB 33.66, 46.22, -65.81

 

CMYK 45 / 56 / 0 / 35

HEX #5B49A6

RGB 91 73 166

HSL 251.61, 0.39%, 0.47%

LAB 37.38, 31.32, -47.84

 

CMYK 30 / 37 / 0 / 42

HEX #675D93

RGB 103 93 147

HSL 251.11, 0.23%, 0.47%

LAB 42.49, 16.73, -28.28

 

CMYK 10 / 13 / 0 / 50

HEX #737080

RGB 115 112 128

HSL 251.25, 0.07%, 0.47%

LAB 48, 4.54, -8.39

 

CMYK 3 / 0 / 18 / 49

HEX #7F836C

RGB 127 131 108

HSL 70.43, 0.1%, 0.47%

LAB 53.84, -5.77, 11.95

 

CMYK 71 / 46 / 0 / 27

HEX #3664BA

RGB 54 100 186

HSL 219.09, 0.55%, 0.47%

LAB 43.42, 13.71, -50.04

 

CMYK 71 / 65 / 0 / 27

HEX #3641BA

RGB 54 65 186

HSL 235, 0.55%, 0.47%

LAB 34.21, 36.3, -64.98

 

CMYK 58 / 71 / 0 / 27

HEX #4E36BA

RGB 78 54 186

HSL 250.91, 0.55%, 0.47%

LAB 33.57, 46.08, -65.96

 

CMYK 39 / 71 / 0 / 27

HEX #7136BA

RGB 113 54 186

HSL 266.82, 0.55%, 0.47%

LAB 37.29, 51.98, -59.73

 

CMYK 20 / 71 / 0 / 27

HEX #9436BA

RGB 148 54 186

HSL 282.73, 0.55%, 0.47%

LAB 41.97, 58.96, -51.93

 

CMYK 57 / 71 / 0 / 52

HEX #34237A

RGB 52 35 122

HSL 251.72, 0.55%, 0.31%

LAB 21.35, 32.77, -46.91

 

CMYK 58 / 71 / 0 / 40

HEX #412D9A

RGB 65 45 154

HSL 251.01, 0.55%, 0.39%

LAB 27.67, 39.27, -56.47

 

CMYK 58 / 71 / 0 / 27

HEX #4F36BA

RGB 79 54 186

HSL 251.36, 0.55%, 0.47%

LAB 33.66, 46.22, -65.81

 

CMYK 50 / 62 / 0 / 20

HEX #654DCB

RGB 101 77 203

HSL 251.43, 0.55%, 0.55%

LAB 41.82, 42.09, -62.34

 

CMYK 39 / 49 / 0 / 16

HEX #816DD5

RGB 129 109 213

HSL 251.54, 0.55%, 0.63%

LAB 52.3, 32.4, -51.07

 

CMYK 57 / 71 / 0 / 27

HEX #5036BB

RGB 80 54.8 187.4

HSL 251.4, 0.55%, 0.47%

LAB 34.03, 46.36, -66.02

 

CMYK 0 / 71 / 27 / 27

HEX #BA3687

RGB 186 54 135

HSL 323.18, 0.55%, 0.47%

LAB 45.4, 59.7, -15.65

 

CMYK 56 / 0 / 71 / 27

HEX #52BA36

RGB 82 186 54

HSL 107.27, 0.55%, 0.47%

LAB 67.41, -53.91, 55.04

 

CMYK 57 / 71 / 0 / 27

HEX #5036BB

RGB 80 54.8 187.4

HSL 251.4, 0.55%, 0.47%

LAB 34.03, 46.36, -66.02

 

CMYK 0 / 58 / 71 / 27

HEX #BA4E36

RGB 186 78 54

HSL 10.91, 0.55%, 0.47%

LAB 47.18, 42.13, 35.62

 

CMYK 71 / 0 / 58 / 27

HEX #36BA4E

RGB 54 186 78

HSL 130.91, 0.55%, 0.47%

LAB 66.86, -57.54, 43.97

 

CMYK 57 / 71 / 0 / 27

HEX #5036BB

RGB 80 54.8 187.4

HSL 251.4, 0.55%, 0.47%

LAB 34.03, 46.36, -66.02

 

CMYK 0 / 71 / 27 / 27

HEX #BA3687

RGB 186 54 135

HSL 323.18, 0.55%, 0.47%

LAB 45.4, 59.7, -15.65

 

CMYK 13 / 0 / 71 / 27

HEX #A2BA36

RGB 162 186 54

HSL 70.91, 0.55%, 0.47%

LAB 71.6, -25.72, 60.63

 

CMYK 71 / 0 / 44 / 27

HEX #36BA68

RGB 54 186 104

HSL 142.73, 0.55%, 0.47%

LAB 67.2, -53.61, 31.53

 

CMYK 57 / 71 / 0 / 27

HEX #5036BB

RGB 80 54.8 187.4

HSL 251.4, 0.55%, 0.47%

LAB 34.03, 46.36, -66.02

 

CMYK 0 / 71 / 48 / 27

HEX #BA3660

RGB 186 54 96

HSL 340.91, 0.55%, 0.47%

LAB 44.12, 55.48, 6.44

 

CMYK 13 / 0 / 71 / 27

HEX #A2BA36

RGB 162 186 54

HSL 70.91, 0.55%, 0.47%

LAB 71.6, -25.72, 60.63

 

CMYK 71 / 0 / 23 / 27

HEX #36BA90

RGB 54 186 144

HSL 160.91, 0.55%, 0.47%

LAB 67.96, -45.36, 11.19

 

Description

Color code: RGB 80 54.8 187.4 | qconv.com Color code: RGB 80 54.8 187.4 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 80 red, 54.8 green and 187.4 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
80 54.8 187.4 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 57 cyan, 71 magenta, none yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
57% 71% 0% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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