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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 80 54.8 17.4 it is the complementary color RGB 175 200.2 237.6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 80 54.8 17.4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 80 54.8 17.4 shade: RGB 85 54.8 12.4, RGB 102 72.8 31.4, RGB 119 90.8 50.4, RGB 136 108.8 69.4 and RGB 153 126.8 88.4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 80 54.8 17.4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 80 54.8 17.4 shade: RGB 80 54.8 17.4, RGB 63 36.8 0, RGB 46 18.8 0, RGB 29 0.8 0 and RGB 12 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 80 54.8 17.4 shade: RGB 79 54 17, RGB 79 38 17, RGB 79 21 17 and RGB 79 17 17

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 80 54.8 17.4 shade: RGB 79 54 17, RGB 79 71 17, RGB 71 79 17, RGB 54 79 17 and RGB 38 79 17

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 80 54.8 17.4 shade matches the following richer shades: RGB 79 54 17, RGB 87 56 10 and RGB 95 58 2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 80 54.8 17.4 shade: RGB 79 54 17, RGB 72 53 25, RGB 64 51 33, RGB 56 50 41 and RGB 48 48 49

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 80 54.8 17.4 shade: RGB 79 21 17, RGB 79 37 17, RGB 79 54 17, RGB 79 70 17 and RGB 72 79 17

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 80 54.8 17.4 shade: RGB 12 8 3, RGB 46 31 10, RGB 79 54 17, RGB 113 78 25 and RGB 147 101 32

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 80 54.8 17.4 shade: RGB 80 54.8 17.4, RGB 31 79 17 and RGB 29 17 79

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 80 54.8 17.4 shade: RGB 80 54.8 17.4, RGB 17 79 54 and RGB 54 17 79

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 80 54.8 17.4 shade: RGB 80 54.8 17.4, RGB 31 79 17, RGB 17 43 79 and RGB 66 17 79

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 80 54.8 17.4 shade: RGB 80 54.8 17.4, RGB 17 79 23, RGB 17 43 79 and RGB 79 17 74

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 32 / 78 / 69

HEX #503611

RGB 80 54.8 17.4

HSL 35.85, 0.64%, 0.19%

LAB 25.14, 7.1, 26.97

 

Complementary color

CMYK 26 / 16 / 0 / 7

HEX #AFC8ED

RGB 175 200.2 237.6

HSL 215.85, 0.64%, 0.81%

LAB 79.99, -0.27, -21.28

 

CMYK 0 / 36 / 85 / 67

HEX #55360C

RGB 85 54.8 12.4

HSL 35.04, 0.75%, 0.19%

LAB 25.78, 9.38, 30.29

 

CMYK 0 / 29 / 69 / 60

HEX #66481F

RGB 102 72.8 31.4

HSL 35.18, 0.53%, 0.26%

LAB 33.27, 7.66, 29.06

 

CMYK 0 / 24 / 58 / 53

HEX #775A32

RGB 119 90.8 50.4

HSL 35.34, 0.4%, 0.33%

LAB 40.58, 6.37, 27.52

 

CMYK 0 / 20 / 49 / 47

HEX #886C45

RGB 136 108.8 69.4

HSL 35.5, 0.32%, 0.4%

LAB 47.71, 5.38, 26.02

 

CMYK 0 / 17 / 42 / 40

HEX #997E58

RGB 153 126.8 88.4

HSL 35.67, 0.27%, 0.47%

LAB 54.67, 4.6, 24.64

 

CMYK 0 / 32 / 78 / 69

HEX #503611

RGB 80 54.8 17.4

HSL 35.85, 0.64%, 0.19%

LAB 25.14, 7.1, 26.97

 

CMYK 0 / 42 / 100 / 75

HEX #3F2400

RGB 63 36.8 0

HSL 35.05, 1%, 0.12%

LAB 17.31, 9.09, 25.35

 

CMYK 0 / 59 / 100 / 82

HEX #2E1200

RGB 46 18.8 0

HSL 24.52, 1%, 0.09%

LAB 9.32, 12.14, 14.22

 

CMYK 0 / 97 / 100 / 89

HEX #1D0000

RGB 29 0.8 0

HSL 1.66, 1%, 0.06%

LAB 2.52, 10.27, 3.96

 

CMYK 0 / 100 / 100 / 95

HEX #0C0000

RGB 12 0 0

HSL 0, 1%, 0.02%

LAB 0.71, 3.17, 1.12

 

CMYK 0 / 32 / 78 / 69

HEX #4F3611

RGB 79 54 17

HSL 35.81, 0.65%, 0.19%

LAB 24.77, 7.08, 26.75

 

CMYK 0 / 52 / 78 / 69

HEX #4F2611

RGB 79 38 17

HSL 20.32, 0.65%, 0.19%

LAB 20.4, 17.31, 22.08

 

CMYK 0 / 73 / 78 / 69

HEX #4F1511

RGB 79 21 17

HSL 3.87, 0.65%, 0.19%

LAB 16.69, 26.89, 17.73

 

CMYK 0 / 78 / 78 / 69

HEX #4F1111

RGB 79 17 17

HSL 0, 0.65%, 0.19%

LAB 16.02, 28.73, 16.89

 

CMYK 0 / 32 / 78 / 69

HEX #4F3611

RGB 79 54 17

HSL 35.81, 0.65%, 0.19%

LAB 24.77, 7.08, 26.75

 

CMYK 0 / 10 / 78 / 69

HEX #4F4711

RGB 79 71 17

HSL 52.26, 0.65%, 0.19%

LAB 29.93, -3.68, 31.96

 

CMYK 10 / 0 / 78 / 69

HEX #474F11

RGB 71 79 17

HSL 67.74, 0.65%, 0.19%

LAB 31.74, -12.45, 33.47

 

CMYK 32 / 0 / 78 / 69

HEX #364F11

RGB 54 79 17

HSL 84.19, 0.65%, 0.19%

LAB 30.44, -20.39, 31.74

 

CMYK 52 / 0 / 78 / 69

HEX #264F11

RGB 38 79 17

HSL 99.68, 0.65%, 0.19%

LAB 29.52, -26.82, 30.52

 

CMYK 0 / 32 / 78 / 69

HEX #4F3611

RGB 79 54 17

HSL 35.81, 0.65%, 0.19%

LAB 24.77, 7.08, 26.75

 

CMYK 0 / 36 / 89 / 66

HEX #57380A

RGB 87 56 10

HSL 35.84, 0.79%, 0.19%

LAB 26.38, 9.54, 31.98

 

CMYK 0 / 39 / 98 / 63

HEX #5F3A02

RGB 95 58 2

HSL 36.13, 0.96%, 0.19%

LAB 28.02, 12.02, 37.11

 

CMYK 0 / 32 / 78 / 69

HEX #4F3611

RGB 79 54 17

HSL 35.81, 0.65%, 0.19%

LAB 24.77, 7.08, 26.75

 

CMYK 0 / 26 / 65 / 72

HEX #483519

RGB 72 53 25

HSL 35.74, 0.48%, 0.19%

LAB 23.65, 4.74, 20.71

 

CMYK 0 / 20 / 48 / 75

HEX #403321

RGB 64 51 33

HSL 34.84, 0.32%, 0.19%

LAB 22.19, 2.89, 13.61

 

CMYK 0 / 11 / 27 / 78

HEX #383229

RGB 56 50 41

HSL 36, 0.15%, 0.19%

LAB 21.14, 0.89, 6.71

 

CMYK 2 / 2 / 0 / 81

HEX #303031

RGB 48 48 49

HSL 240, 0.01%, 0.19%

LAB 19.9, 0.24, -0.64

 

CMYK 0 / 73 / 78 / 69

HEX #4F1511

RGB 79 21 17

HSL 3.87, 0.65%, 0.19%

LAB 16.69, 26.89, 17.73

 

CMYK 0 / 53 / 78 / 69

HEX #4F2511

RGB 79 37 17

HSL 19.35, 0.65%, 0.19%

LAB 20.15, 17.92, 21.8

 

CMYK 0 / 32 / 78 / 69

HEX #4F3611

RGB 79 54 17

HSL 35.81, 0.65%, 0.19%

LAB 24.77, 7.08, 26.75

 

CMYK 0 / 11 / 78 / 69

HEX #4F4611

RGB 79 70 17

HSL 51.29, 0.65%, 0.19%

LAB 29.62, -3.06, 31.65

 

CMYK 9 / 0 / 78 / 69

HEX #484F11

RGB 72 79 17

HSL 66.77, 0.65%, 0.19%

LAB 31.83, -11.96, 33.58

 

CMYK 0 / 33 / 75 / 95

HEX #0C0803

RGB 12 8 3

HSL 33.33, 0.6%, 0.03%

LAB 2.33, 0.38, 2.27

 

CMYK 0 / 33 / 78 / 82

HEX #2E1F0A

RGB 46 31 10

HSL 35, 0.64%, 0.11%

LAB 13.12, 4.49, 15.41

 

CMYK 0 / 32 / 78 / 69

HEX #4F3611

RGB 79 54 17

HSL 35.81, 0.65%, 0.19%

LAB 24.77, 7.08, 26.75

 

CMYK 0 / 31 / 78 / 56

HEX #714E19

RGB 113 78 25

HSL 36.14, 0.64%, 0.27%

LAB 36.04, 9.42, 35.66

 

CMYK 0 / 31 / 78 / 42

HEX #936520

RGB 147 101 32

HSL 36, 0.64%, 0.35%

LAB 46.46, 12.17, 44.18

 

CMYK 0 / 32 / 78 / 69

HEX #503611

RGB 80 54.8 17.4

HSL 35.85, 0.64%, 0.19%

LAB 25.14, 7.1, 26.97

 

CMYK 61 / 0 / 78 / 69

HEX #1F4F11

RGB 31 79 17

HSL 106.45, 0.65%, 0.19%

LAB 29.22, -29.16, 30.11

 

CMYK 63 / 78 / 0 / 69

HEX #1D114F

RGB 29 17 79

HSL 251.61, 0.65%, 0.19%

LAB 10.75, 25.4, -35.94

 

CMYK 0 / 32 / 78 / 69

HEX #503611

RGB 80 54.8 17.4

HSL 35.85, 0.64%, 0.19%

LAB 25.14, 7.1, 26.97

 

CMYK 78 / 0 / 32 / 69

HEX #114F36

RGB 17 79 54

HSL 155.81, 0.65%, 0.19%

LAB 29.36, -26.15, 9.31

 

CMYK 32 / 78 / 0 / 69

HEX #36114F

RGB 54 17 79

HSL 275.81, 0.65%, 0.19%

LAB 14.11, 30.51, -30.32

 

CMYK 0 / 32 / 78 / 69

HEX #503611

RGB 80 54.8 17.4

HSL 35.85, 0.64%, 0.19%

LAB 25.14, 7.1, 26.97

 

CMYK 61 / 0 / 78 / 69

HEX #1F4F11

RGB 31 79 17

HSL 106.45, 0.65%, 0.19%

LAB 29.22, -29.16, 30.11

 

CMYK 78 / 46 / 0 / 69

HEX #112B4F

RGB 17 43 79

HSL 214.84, 0.65%, 0.19%

LAB 17.51, 4.37, -25.03

 

CMYK 16 / 78 / 0 / 69

HEX #42114F

RGB 66 17 79

HSL 287.42, 0.65%, 0.19%

LAB 16.12, 33.38, -26.98

 

CMYK 0 / 32 / 78 / 69

HEX #503611

RGB 80 54.8 17.4

HSL 35.85, 0.64%, 0.19%

LAB 25.14, 7.1, 26.97

 

CMYK 78 / 0 / 71 / 69

HEX #114F17

RGB 17 79 23

HSL 125.81, 0.65%, 0.19%

LAB 28.83, -32.1, 26.76

 

CMYK 78 / 46 / 0 / 69

HEX #112B4F

RGB 17 43 79

HSL 214.84, 0.65%, 0.19%

LAB 17.51, 4.37, -25.03

 

CMYK 0 / 78 / 6 / 69

HEX #4F114A

RGB 79 17 74

HSL 304.84, 0.65%, 0.19%

LAB 18.18, 35.7, -20.14

 

Description

Color code: RGB 80 54.8 17.4 | qconv.com Color code: RGB 80 54.8 17.4 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 80 red, 54.8 green and 17.4 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
80 54.8 17.4 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 32 magenta, 78 yellow and 69 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 32% 78% 69% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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