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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 80 39 160 it is the complementary color RGB 175 216 95. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 80 39 160. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 80 39 160: RGB 85 39 155, RGB 102 57 174, RGB 119 75 193, RGB 136 93 212 and RGB 153 111 231

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 80 39 160. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 80 39 160: RGB 80 39 160, RGB 63 21 141, RGB 46 3 122, RGB 29 0 103 and RGB 12 0 84

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 50 / 76 / 0 / 37

HEX #5027A0

RGB 80 39 160

HSL 260.33, 0.61%, 0.39%

LAB 28.63, 46.62, -58.49

 

Complementary color

CMYK 19 / 0 / 56 / 15

HEX #AFD85F

RGB 175 216 95

HSL 80.33, 0.61%, 0.61%

LAB 81.32, -31.81, 54.31

 

CMYK 45 / 75 / 0 / 39

HEX #55279B

RGB 85 39 155

HSL 263.79, 0.6%, 0.38%

LAB 28.77, 46.08, -55.19

 

CMYK 41 / 67 / 0 / 32

HEX #6639AE

RGB 102 57 174

HSL 263.08, 0.51%, 0.45%

LAB 35.61, 45.21, -55.41

 

CMYK 38 / 61 / 0 / 24

HEX #774BC1

RGB 119 75 193

HSL 262.37, 0.49%, 0.53%

LAB 42.47, 44.14, -55.41

 

CMYK 36 / 56 / 0 / 17

HEX #885DD4

RGB 136 93 212

HSL 261.68, 0.58%, 0.6%

LAB 49.27, 43.02, -55.31

 

CMYK 34 / 52 / 0 / 9

HEX #996FE7

RGB 153 111 231

HSL 261, 0.71%, 0.67%

LAB 56, 41.95, -55.17

 

CMYK 50 / 76 / 0 / 37

HEX #5027A0

RGB 80 39 160

HSL 260.33, 0.61%, 0.39%

LAB 28.63, 46.62, -58.49

 

CMYK 55 / 85 / 0 / 45

HEX #3F158D

RGB 63 21 141

HSL 261, 0.74%, 0.32%

LAB 22, 47.03, -57.76

 

CMYK 62 / 98 / 0 / 52

HEX #2E037A

RGB 46 3 122

HSL 261.68, 0.95%, 0.25%

LAB 15.75, 46.29, -56.15

 

CMYK 72 / 100 / 0 / 60

HEX #1D0067

RGB 29 0 103

HSL 256.89, 1%, 0.2%

LAB 10.85, 41.47, -51.97

 

CMYK 86 / 100 / 0 / 67

HEX #0C0054

RGB 12 0 84

HSL 248.57, 1%, 0.16%

LAB 6.49, 35.14, -46.48

 

CMYK 50 / 76 / 0 / 37

HEX #5027A0

RGB 80 39 160

HSL 260.33, 0.61%, 0.39%

LAB 28.63, 46.62, -58.49

 

CMYK 38 / 76 / 0 / 37

HEX #6326A0

RGB 99 38 160

HSL 270, 0.62%, 0.39%

LAB 30.82, 50.28, -54.8

 

CMYK 26 / 76 / 0 / 37

HEX #7726A0

RGB 119 38 160

HSL 279.84, 0.62%, 0.39%

LAB 33.66, 54, -50.07

 

CMYK 13 / 76 / 0 / 37

HEX #8B26A0

RGB 139 38 160

HSL 289.67, 0.62%, 0.39%

LAB 36.77, 58, -44.9

 

CMYK 0 / 76 / 0 / 37

HEX #A026A0

RGB 160 38 160

HSL 300, 0.62%, 0.39%

LAB 40.24, 62.39, -39.14

 

CMYK 50 / 76 / 0 / 37

HEX #5027A0

RGB 80 39 160

HSL 260.33, 0.61%, 0.39%

LAB 28.63, 46.62, -58.49

 

CMYK 50 / 76 / 0 / 17

HEX #6A33D3

RGB 106 51 211

HSL 260.63, 0.65%, 0.51%

LAB 38.08, 58.65, -73.05

 

CMYK 43 / 71 / 0 / 97

HEX #040207

RGB 4 2 7

HSL 264, 0.56%, 0.02%

LAB 0.76, 1.22, -1.71

 

CMYK 50 / 76 / 0 / 77

HEX #1D0E3A

RGB 29 14 58

HSL 260.45, 0.61%, 0.14%

LAB 7.96, 20.1, -25.72

 

CMYK 50 / 75 / 0 / 57

HEX #371B6D

RGB 55 27 109

HSL 260.49, 0.6%, 0.27%

LAB 18.8, 33.88, -42.69

 

CMYK 50 / 76 / 0 / 37

HEX #5027A0

RGB 80 39 160

HSL 260.33, 0.61%, 0.39%

LAB 28.63, 46.62, -58.49

 

CMYK 0 / 76 / 41 / 37

HEX #A0265F

RGB 160 38 95

HSL 331.97, 0.62%, 0.39%

LAB 37.27, 53.49, -3.47

 

CMYK 71 / 0 / 76 / 37

HEX #2EA026

RGB 46 160 38

HSL 116.07, 0.62%, 0.39%

LAB 57.91, -54.21, 50.96

 

CMYK 50 / 76 / 0 / 37

HEX #5027A0

RGB 80 39 160

HSL 260.33, 0.61%, 0.39%

LAB 28.63, 46.62, -58.49

 

CMYK 0 / 51 / 76 / 37

HEX #A04F26

RGB 160 79 38

HSL 20.16, 0.62%, 0.39%

LAB 43.07, 30.6, 38.54

 

CMYK 76 / 0 / 51 / 37

HEX #26A04F

RGB 38 160 79

HSL 140.16, 0.62%, 0.39%

LAB 58.15, -50.73, 32.87

 

CMYK 50 / 76 / 0 / 37

HEX #5027A0

RGB 80 39 160

HSL 260.33, 0.61%, 0.39%

LAB 28.63, 46.62, -58.49

 

CMYK 0 / 76 / 41 / 37

HEX #A0265F

RGB 160 38 95

HSL 331.97, 0.62%, 0.39%

LAB 37.27, 53.49, -3.47

 

CMYK 26 / 0 / 76 / 37

HEX #77A026

RGB 119 160 38

HSL 80.16, 0.62%, 0.39%

LAB 60.96, -31.74, 54.97

 

CMYK 76 / 0 / 36 / 37

HEX #26A067

RGB 38 160 103

HSL 151.97, 0.62%, 0.39%

LAB 58.54, -46.26, 20.57

 

CMYK 50 / 76 / 0 / 37

HEX #5027A0

RGB 80 39 160

HSL 260.33, 0.61%, 0.39%

LAB 28.63, 46.62, -58.49

 

CMYK 0 / 76 / 63 / 37

HEX #A0263B

RGB 160 38 59

HSL 349.67, 0.62%, 0.39%

LAB 36.32, 50.44, 18.27

 

CMYK 26 / 0 / 76 / 37

HEX #77A026

RGB 119 160 38

HSL 80.16, 0.62%, 0.39%

LAB 60.96, -31.74, 54.97

 

CMYK 76 / 0 / 13 / 37

HEX #26A08B

RGB 38 160 139

HSL 169.67, 0.62%, 0.39%

LAB 59.36, -37.53, 1.59

 

Description

Color code: RGB 80 39 160 | qconv.com Color code: RGB 80 39 160 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 80 red, 39 green and 160 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
80 39 160 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 50 cyan, 76 magenta, none yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
50% 76% 0% 37% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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