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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 80 162 37 it is the complementary color RGB 175 93 218. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 80 162 37. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 80 162 37 shade: RGB 85 162 32, RGB 102 180 51, RGB 119 198 70, RGB 136 216 89 and RGB 153 234 108

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 80 162 37. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 80 162 37 shade: RGB 80 162 37, RGB 63 144 18, RGB 46 126 0, RGB 29 108 0 and RGB 12 90 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 80 162 37 shade: RGB 80 162 37, RGB 114 162 37, RGB 147 162 37, RGB 162 143 37 and RGB 162 109 37

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 80 162 37 shade: RGB 80 162 37, RGB 46 162 37, RGB 37 162 61, RGB 37 162 95 and RGB 37 162 129

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 80 162 37 shade matches the following richer shades: RGB 80 162 37, RGB 75 178 21 and RGB 70 194 5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 80 162 37 shade: RGB 80 162 37, RGB 85 146 53, RGB 90 130 69, RGB 95 114 85 and RGB 100 98 101

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 80 162 37 shade: RGB 147 162 37, RGB 114 162 37, RGB 81 162 37, RGB 47 162 37 and RGB 37 162 60

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 80 162 37 shade: RGB 47 95 22, RGB 63 128 29, RGB 80 162 37, RGB 96 196 44 and RGB 118 213 69

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 80 162 37 shade: RGB 80 162 37, RGB 37 162 143 and RGB 162 37 131

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 80 162 37 shade: RGB 80 162 37, RGB 37 81 162 and RGB 162 37 81

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 80 162 37 shade: RGB 80 162 37, RGB 37 162 143, RGB 118 37 162 and RGB 162 37 56

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 80 162 37 shade: RGB 80 162 37, RGB 37 143 162, RGB 118 37 162 and RGB 162 56 37

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 51 / 0 / 77 / 36

HEX #50A225

RGB 80 162 37

HSL 99.36, 0.63%, 0.39%

LAB 59.6, -46.58, 53.32

 

Complementary color

CMYK 20 / 57 / 0 / 15

HEX #AF5DDA

RGB 175 93 218

HSL 279.36, 0.63%, 0.61%

LAB 54.03, 53.94, -50.85

 

CMYK 48 / 0 / 80 / 36

HEX #55A220

RGB 85 162 32

HSL 95.54, 0.67%, 0.38%

LAB 59.78, -45.31, 55.16

 

CMYK 43 / 0 / 72 / 29

HEX #66B433

RGB 102 180 51

HSL 96.28, 0.56%, 0.45%

LAB 66.29, -45.88, 55.27

 

CMYK 40 / 0 / 65 / 22

HEX #77C646

RGB 119 198 70

HSL 97.03, 0.53%, 0.53%

LAB 72.73, -46.2, 54.73

 

CMYK 37 / 0 / 59 / 15

HEX #88D859

RGB 136 216 89

HSL 97.8, 0.62%, 0.6%

LAB 79.08, -46.36, 53.85

 

CMYK 35 / 0 / 54 / 8

HEX #99EA6C

RGB 153 234 108

HSL 98.57, 0.75%, 0.67%

LAB 85.35, -46.4, 52.81

 

CMYK 51 / 0 / 77 / 36

HEX #50A225

RGB 80 162 37

HSL 99.36, 0.63%, 0.39%

LAB 59.6, -46.58, 53.32

 

CMYK 56 / 0 / 88 / 44

HEX #3F9012

RGB 63 144 18

HSL 98.57, 0.78%, 0.32%

LAB 53, -45.67, 52.51

 

CMYK 63 / 0 / 100 / 51

HEX #2E7E00

RGB 46 126 0

HSL 98.1, 1%, 0.25%

LAB 46.31, -44.24, 50.3

 

CMYK 73 / 0 / 100 / 58

HEX #1D6C00

RGB 29 108 0

HSL 103.89, 1%, 0.21%

LAB 39.56, -41.84, 44.73

 

CMYK 87 / 0 / 100 / 65

HEX #0C5A00

RGB 12 90 0

HSL 112, 1%, 0.18%

LAB 32.68, -38.74, 39.11

 

CMYK 51 / 0 / 77 / 36

HEX #50A225

RGB 80 162 37

HSL 99.36, 0.63%, 0.39%

LAB 59.6, -46.58, 53.32

 

CMYK 30 / 0 / 77 / 36

HEX #72A225

RGB 114 162 37

HSL 83.04, 0.63%, 0.39%

LAB 61.27, -34.69, 55.49

 

CMYK 9 / 0 / 77 / 36

HEX #93A225

RGB 147 162 37

HSL 67.2, 0.63%, 0.39%

LAB 63.49, -21.05, 58.37

 

CMYK 0 / 12 / 77 / 36

HEX #A28F25

RGB 162 143 37

HSL 50.88, 0.63%, 0.39%

LAB 59.4, -4.39, 55.05

 

CMYK 0 / 33 / 77 / 36

HEX #A26D25

RGB 162 109 37

HSL 34.56, 0.63%, 0.39%

LAB 50.4, 14.65, 46.48

 

CMYK 51 / 0 / 77 / 36

HEX #50A225

RGB 80 162 37

HSL 99.36, 0.63%, 0.39%

LAB 59.6, -46.58, 53.32

 

CMYK 72 / 0 / 77 / 36

HEX #2EA225

RGB 46 162 37

HSL 115.68, 0.63%, 0.39%

LAB 58.56, -54.95, 51.95

 

CMYK 77 / 0 / 62 / 36

HEX #25A23D

RGB 37 162 61

HSL 131.52, 0.63%, 0.39%

LAB 58.58, -54.12, 42.18

 

CMYK 77 / 0 / 41 / 36

HEX #25A25F

RGB 37 162 95

HSL 147.84, 0.63%, 0.39%

LAB 59.03, -48.78, 25.57

 

CMYK 77 / 0 / 20 / 36

HEX #25A281

RGB 37 162 129

HSL 164.16, 0.63%, 0.39%

LAB 59.72, -41.16, 7.75

 

CMYK 51 / 0 / 77 / 36

HEX #50A225

RGB 80 162 37

HSL 99.36, 0.63%, 0.39%

LAB 59.6, -46.58, 53.32

 

CMYK 58 / 0 / 88 / 30

HEX #4BB215

RGB 75 178 21

HSL 99.36, 0.79%, 0.39%

LAB 64.48, -54.74, 61.99

 

CMYK 64 / 0 / 97 / 24

HEX #46C205

RGB 70 194 5

HSL 99.37, 0.95%, 0.39%

LAB 69.4, -61.81, 68.3

 

CMYK 51 / 0 / 77 / 36

HEX #50A225

RGB 80 162 37

HSL 99.36, 0.63%, 0.39%

LAB 59.6, -46.58, 53.32

 

CMYK 42 / 0 / 64 / 43

HEX #559235

RGB 85 146 53

HSL 99.35, 0.47%, 0.39%

LAB 54.81, -37.02, 42.02

 

CMYK 31 / 0 / 47 / 49

HEX #5A8245

RGB 90 130 69

HSL 99.34, 0.31%, 0.39%

LAB 50.18, -25.84, 28.57

 

CMYK 17 / 0 / 25 / 55

HEX #5F7255

RGB 95 114 85

HSL 99.31, 0.15%, 0.39%

LAB 45.8, -12.96, 13.8

 

CMYK 1 / 3 / 0 / 60

HEX #646265

RGB 100 98 101

HSL 280, 0.02%, 0.39%

LAB 41.82, 1.41, -1.43

 

CMYK 9 / 0 / 77 / 36

HEX #93A225

RGB 147 162 37

HSL 67.2, 0.63%, 0.39%

LAB 63.49, -21.05, 58.37

 

CMYK 30 / 0 / 77 / 36

HEX #72A225

RGB 114 162 37

HSL 83.04, 0.63%, 0.39%

LAB 61.27, -34.69, 55.49

 

CMYK 50 / 0 / 77 / 36

HEX #51A225

RGB 81 162 37

HSL 98.88, 0.63%, 0.39%

LAB 59.64, -46.27, 53.37

 

CMYK 71 / 0 / 77 / 36

HEX #2FA225

RGB 47 162 37

HSL 115.2, 0.63%, 0.39%

LAB 58.58, -54.76, 51.98

 

CMYK 77 / 0 / 63 / 36

HEX #25A23C

RGB 37 162 60

HSL 131.04, 0.63%, 0.39%

LAB 58.57, -54.24, 42.63

 

CMYK 51 / 0 / 77 / 63

HEX #2F5F16

RGB 47 95 22

HSL 99.45, 0.62%, 0.23%

LAB 35.69, -30.46, 34.8

 

CMYK 51 / 0 / 77 / 50

HEX #3F801D

RGB 63 128 29

HSL 99.39, 0.63%, 0.31%

LAB 47.73, -38.73, 44.31

 

CMYK 51 / 0 / 77 / 36

HEX #50A225

RGB 80 162 37

HSL 99.36, 0.63%, 0.39%

LAB 59.6, -46.58, 53.32

 

CMYK 51 / 0 / 78 / 23

HEX #60C42C

RGB 96 196 44

HSL 99.47, 0.63%, 0.47%

LAB 70.97, -54.45, 62.19

 

CMYK 45 / 0 / 68 / 16

HEX #76D545

RGB 118 213 69

HSL 99.58, 0.63%, 0.55%

LAB 77.2, -52.67, 59.9

 

CMYK 51 / 0 / 77 / 36

HEX #50A225

RGB 80 162 37

HSL 99.36, 0.63%, 0.39%

LAB 59.6, -46.58, 53.32

 

CMYK 77 / 0 / 12 / 36

HEX #25A28F

RGB 37 162 143

HSL 170.88, 0.63%, 0.39%

LAB 60.08, -37.45, 0.39

 

CMYK 0 / 77 / 19 / 36

HEX #A22583

RGB 162 37 131

HSL 314.88, 0.63%, 0.39%

LAB 38.97, 58.74, -23.44

 

CMYK 51 / 0 / 77 / 36

HEX #50A225

RGB 80 162 37

HSL 99.36, 0.63%, 0.39%

LAB 59.6, -46.58, 53.32

 

CMYK 77 / 50 / 0 / 36

HEX #2551A2

RGB 37 81 162

HSL 218.88, 0.63%, 0.39%

LAB 35.77, 14.69, -48.22

 

CMYK 0 / 77 / 50 / 36

HEX #A22551

RGB 162 37 81

HSL 338.88, 0.63%, 0.39%

LAB 37.11, 53.04, 5.3

 

CMYK 51 / 0 / 77 / 36

HEX #50A225

RGB 80 162 37

HSL 99.36, 0.63%, 0.39%

LAB 59.6, -46.58, 53.32

 

CMYK 77 / 0 / 12 / 36

HEX #25A28F

RGB 37 162 143

HSL 170.88, 0.63%, 0.39%

LAB 60.08, -37.45, 0.39

 

CMYK 27 / 77 / 0 / 36

HEX #7625A2

RGB 118 37 162

HSL 278.88, 0.63%, 0.39%

LAB 33.53, 54.63, -51.5

 

CMYK 0 / 77 / 65 / 36

HEX #A22538

RGB 162 37 56

HSL 350.88, 0.63%, 0.39%

LAB 36.54, 51.2, 20.54

 

CMYK 51 / 0 / 77 / 36

HEX #50A225

RGB 80 162 37

HSL 99.36, 0.63%, 0.39%

LAB 59.6, -46.58, 53.32

 

CMYK 77 / 12 / 0 / 36

HEX #258FA2

RGB 37 143 162

HSL 189.12, 0.63%, 0.39%

LAB 54.71, -22.47, -18.47

 

CMYK 27 / 77 / 0 / 36

HEX #7625A2

RGB 118 37 162

HSL 278.88, 0.63%, 0.39%

LAB 33.53, 54.63, -51.5

 

CMYK 0 / 65 / 77 / 36

HEX #A23825

RGB 162 56 37

HSL 9.12, 0.63%, 0.39%

LAB 38.97, 42.8, 34.87

 

Description

Color code: RGB 80 162 37 | qconv.com Color code: RGB 80 162 37 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 80 red, 162 green and 37 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
80 162 37 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 51 cyan, none magenta, 77 yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
51% 0% 77% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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