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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 80 162.8 121.4 it is the complementary color RGB 175 92.2 133.6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 80 162.8 121.4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 80 162.8 121.4 shade: RGB 85 162.8 116.4, RGB 102 180.8 135.4, RGB 119 198.8 154.4, RGB 136 216.8 173.4 and RGB 153 234.8 192.4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 80 162.8 121.4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 80 162.8 121.4 shade: RGB 80 162.8 121.4, RGB 63 144.8 102.4, RGB 46 126.8 83.4, RGB 29 108.8 64.4 and RGB 12 90.8 45.4

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 80 162.8 121.4 shade: RGB 81 164 122, RGB 81 164 100, RGB 84 164 81, RGB 107 164 81 and RGB 129 164 81

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 80 162.8 121.4 shade: RGB 81 164 122, RGB 81 164 145, RGB 81 161 164, RGB 81 138 164 and RGB 81 116 164

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 80 162.8 121.4 shade matches the following richer shades: RGB 81 164 122, RGB 61 184 122, RGB 41 204 122, RGB 21 223 122 and RGB 2 243 122

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 80 162.8 121.4 shade: RGB 81 164 122, RGB 101 144 122, RGB 120 124 122, RGB 140 105 122 and RGB 160 85 122

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 80 162.8 121.4 shade: RGB 84 164 81, RGB 81 164 100, RGB 81 164 122, RGB 81 164 145 and RGB 81 161 164

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 80 162.8 121.4 shade: RGB 54 109 81, RGB 67 136 102, RGB 81 164 122, RGB 105 181 143 and RGB 133 195 164

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 80 162.8 121.4 shade: RGB 80 162.8 121.4, RGB 81 106 164 and RGB 164 89 81

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 80 162.8 121.4 shade: RGB 80 162.8 121.4, RGB 122 81 164 and RGB 164 122 81

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 80 162.8 121.4 shade: RGB 80 162.8 121.4, RGB 81 106 164, RGB 164 81 122 and RGB 164 139 81

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 80 162.8 121.4 shade: RGB 80 162.8 121.4, RGB 81 81 164, RGB 164 81 122 and RGB 164 164 81

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 51 / 0 / 25 / 36

HEX #50A279

RGB 80 162.8 121.4

HSL 150, 0.34%, 0.48%

LAB 60.97, -35.16, 13.93

 

Complementary color

CMYK 0 / 47 / 24 / 31

HEX #AF5C85

RGB 175 92.2 133.6

HSL 330, 0.34%, 0.52%

LAB 50.11, 38.77, -7.86

 

CMYK 48 / 0 / 29 / 36

HEX #55A274

RGB 85 162.8 116.4

HSL 144.22, 0.31%, 0.49%

LAB 61.07, -34.87, 16.86

 

CMYK 44 / 0 / 25 / 29

HEX #66B487

RGB 102 180.8 135.4

HSL 145.43, 0.35%, 0.55%

LAB 67.69, -34.65, 15.72

 

CMYK 40 / 0 / 22 / 22

HEX #77C69A

RGB 119 198.8 154.4

HSL 146.62, 0.42%, 0.62%

LAB 74.2, -34.4, 14.67

 

CMYK 37 / 0 / 20 / 15

HEX #88D8AD

RGB 136 216.8 173.4

HSL 147.77, 0.51%, 0.69%

LAB 80.62, -34.14, 13.69

 

CMYK 35 / 0 / 18 / 8

HEX #99EAC0

RGB 153 234.8 192.4

HSL 148.9, 0.67%, 0.76%

LAB 86.95, -33.89, 12.77

 

CMYK 51 / 0 / 25 / 36

HEX #50A279

RGB 80 162.8 121.4

HSL 150, 0.34%, 0.48%

LAB 60.97, -35.16, 13.93

 

CMYK 56 / 0 / 29 / 43

HEX #3F9066

RGB 63 144.8 102.4

HSL 148.9, 0.39%, 0.41%

LAB 54.25, -35.26, 15.16

 

CMYK 64 / 0 / 34 / 50

HEX #2E7E53

RGB 46 126.8 83.4

HSL 147.77, 0.47%, 0.34%

LAB 47.42, -35.22, 16.54

 

CMYK 73 / 0 / 41 / 57

HEX #1D6C40

RGB 29 108.8 64.4

HSL 146.62, 0.58%, 0.27%

LAB 40.46, -34.87, 18.1

 

CMYK 87 / 0 / 50 / 64

HEX #0C5A2D

RGB 12 90.8 45.4

HSL 145.43, 0.77%, 0.2%

LAB 33.39, -33.94, 19.89

 

CMYK 51 / 0 / 26 / 36

HEX #51A47A

RGB 81 164 122

HSL 149.64, 0.34%, 0.48%

LAB 61.4, -35.32, 14.19

 

CMYK 51 / 0 / 39 / 36

HEX #51A464

RGB 81 164 100

HSL 133.73, 0.34%, 0.48%

LAB 60.98, -39.6, 25.67

 

CMYK 49 / 0 / 51 / 36

HEX #54A451

RGB 84 164 81

HSL 117.83, 0.34%, 0.48%

LAB 60.81, -41.74, 35.44

 

CMYK 35 / 0 / 51 / 36

HEX #6BA451

RGB 107 164 81

HSL 101.2, 0.34%, 0.48%

LAB 61.89, -34.3, 37.01

 

CMYK 21 / 0 / 51 / 36

HEX #81A451

RGB 129 164 81

HSL 85.3, 0.34%, 0.48%

LAB 63.19, -26.11, 38.89

 

CMYK 51 / 0 / 26 / 36

HEX #51A47A

RGB 81 164 122

HSL 149.64, 0.34%, 0.48%

LAB 61.4, -35.32, 14.19

 

CMYK 51 / 0 / 12 / 36

HEX #51A491

RGB 81 164 145

HSL 166.27, 0.34%, 0.48%

LAB 61.95, -30.03, 2.13

 

CMYK 51 / 2 / 0 / 36

HEX #51A1A4

RGB 81 161 164

HSL 182.17, 0.34%, 0.48%

LAB 61.58, -23.57, -9.11

 

CMYK 51 / 16 / 0 / 36

HEX #518AA4

RGB 81 138 164

HSL 198.8, 0.34%, 0.48%

LAB 54.66, -11.3, -19.56

 

CMYK 51 / 29 / 0 / 36

HEX #5174A4

RGB 81 116 164

HSL 214.7, 0.34%, 0.48%

LAB 48.16, 1.47, -29.6

 

CMYK 51 / 0 / 26 / 36

HEX #51A47A

RGB 81 164 122

HSL 149.64, 0.34%, 0.48%

LAB 61.4, -35.32, 14.19

 

CMYK 67 / 0 / 34 / 28

HEX #3DB87A

RGB 61 184 122

HSL 149.76, 0.5%, 0.48%

LAB 67.03, -48.25, 21.85

 

CMYK 80 / 0 / 40 / 20

HEX #29CC7A

RGB 41 204 122

HSL 149.82, 0.67%, 0.48%

LAB 72.93, -58.67, 29.67

 

CMYK 91 / 0 / 45 / 13

HEX #15DF7A

RGB 21 223 122

HSL 150, 0.83%, 0.48%

LAB 78.66, -66.79, 37.08

 

CMYK 99 / 0 / 50 / 5

HEX #02F37A

RGB 2 243 122

HSL 149.88, 0.98%, 0.48%

LAB 84.75, -73.89, 44.76

 

CMYK 51 / 0 / 26 / 36

HEX #51A47A

RGB 81 164 122

HSL 149.64, 0.34%, 0.48%

LAB 61.4, -35.32, 14.19

 

CMYK 30 / 0 / 15 / 44

HEX #65907A

RGB 101 144 122

HSL 149.3, 0.18%, 0.48%

LAB 56.21, -19.64, 7

 

CMYK 3 / 0 / 2 / 51

HEX #787C7A

RGB 120 124 122

HSL 150, 0.02%, 0.48%

LAB 51.63, -1.9, 0.56

 

CMYK 0 / 25 / 13 / 45

HEX #8C697A

RGB 140 105 122

HSL 330.86, 0.14%, 0.48%

LAB 48.37, 16.85, -4

 

CMYK 0 / 47 / 24 / 37

HEX #A0557A

RGB 160 85 122

HSL 330.4, 0.31%, 0.48%

LAB 46.14, 35.64, -7.03

 

CMYK 49 / 0 / 51 / 36

HEX #54A451

RGB 84 164 81

HSL 117.83, 0.34%, 0.48%

LAB 60.81, -41.74, 35.44

 

CMYK 51 / 0 / 39 / 36

HEX #51A464

RGB 81 164 100

HSL 133.73, 0.34%, 0.48%

LAB 60.98, -39.6, 25.67

 

CMYK 51 / 0 / 26 / 36

HEX #51A47A

RGB 81 164 122

HSL 149.64, 0.34%, 0.48%

LAB 61.4, -35.32, 14.19

 

CMYK 51 / 0 / 12 / 36

HEX #51A491

RGB 81 164 145

HSL 166.27, 0.34%, 0.48%

LAB 61.95, -30.03, 2.13

 

CMYK 51 / 2 / 0 / 36

HEX #51A1A4

RGB 81 161 164

HSL 182.17, 0.34%, 0.48%

LAB 61.58, -23.57, -9.11

 

CMYK 50 / 0 / 26 / 57

HEX #366D51

RGB 54 109 81

HSL 149.45, 0.34%, 0.32%

LAB 41.71, -25.39, 10.14

 

CMYK 51 / 0 / 25 / 47

HEX #438866

RGB 67 136 102

HSL 150.43, 0.34%, 0.4%

LAB 51.57, -30.24, 11.68

 

CMYK 51 / 0 / 26 / 36

HEX #51A47A

RGB 81 164 122

HSL 149.64, 0.34%, 0.48%

LAB 61.4, -35.32, 14.19

 

CMYK 42 / 0 / 21 / 29

HEX #69B58F

RGB 105 181 143

HSL 150, 0.34%, 0.56%

LAB 68.05, -32.34, 12.09

 

CMYK 32 / 0 / 16 / 24

HEX #85C3A4

RGB 133 195 164

HSL 150, 0.34%, 0.64%

LAB 74, -26.52, 9.3

 

CMYK 51 / 0 / 25 / 36

HEX #50A279

RGB 80 162.8 121.4

HSL 150, 0.34%, 0.48%

LAB 60.97, -35.16, 13.93

 

CMYK 51 / 35 / 0 / 36

HEX #516AA4

RGB 81 106 164

HSL 221.93, 0.34%, 0.48%

LAB 45.27, 7.58, -34.13

 

CMYK 0 / 46 / 51 / 36

HEX #A45951

RGB 164 89 81

HSL 5.78, 0.34%, 0.48%

LAB 46.49, 29.86, 18.33

 

CMYK 51 / 0 / 25 / 36

HEX #50A279

RGB 80 162.8 121.4

HSL 150, 0.34%, 0.48%

LAB 60.97, -35.16, 13.93

 

CMYK 26 / 51 / 0 / 36

HEX #7A51A4

RGB 122 81 164

HSL 269.64, 0.34%, 0.48%

LAB 42.31, 34.02, -38.58

 

CMYK 0 / 26 / 51 / 36

HEX #A47A51

RGB 164 122 81

HSL 29.64, 0.34%, 0.48%

LAB 54.45, 11.26, 28.73

 

CMYK 51 / 0 / 25 / 36

HEX #50A279

RGB 80 162.8 121.4

HSL 150, 0.34%, 0.48%

LAB 60.97, -35.16, 13.93

 

CMYK 51 / 35 / 0 / 36

HEX #516AA4

RGB 81 106 164

HSL 221.93, 0.34%, 0.48%

LAB 45.27, 7.58, -34.13

 

CMYK 0 / 51 / 26 / 36

HEX #A4517A

RGB 164 81 122

HSL 330.36, 0.34%, 0.48%

LAB 45.88, 39.16, -7.36

 

CMYK 0 / 15 / 51 / 36

HEX #A48B51

RGB 164 139 81

HSL 41.93, 0.34%, 0.48%

LAB 58.93, 1.72, 34.34

 

CMYK 51 / 0 / 25 / 36

HEX #50A279

RGB 80 162.8 121.4

HSL 150, 0.34%, 0.48%

LAB 60.97, -35.16, 13.93

 

CMYK 51 / 51 / 0 / 36

HEX #5151A4

RGB 81 81 164

HSL 240, 0.34%, 0.48%

LAB 38.4, 23.37, -45.04

 

CMYK 0 / 51 / 26 / 36

HEX #A4517A

RGB 164 81 122

HSL 330.36, 0.34%, 0.48%

LAB 45.88, 39.16, -7.36

 

CMYK 0 / 0 / 51 / 36

HEX #A4A451

RGB 164 164 81

HSL 60, 0.34%, 0.48%

LAB 65.78, -11.79, 42.61

 

Description

Color code: RGB 80 162.8 121.4 | qconv.com Color code: RGB 80 162.8 121.4 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 80 red, 162.8 green and 121.4 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
80 162.8 121.4 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 51 cyan, none magenta, 25 yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
51% 0% 25% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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