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Color name
RGB 80 136 198

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 80 136 198 it is the complementary color RGB 175 119 57. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 80 136 198. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 80 136 198 shade: RGB 85 136 193, RGB 102 154 212, RGB 119 172 231, RGB 136 190 250 and RGB 153 208 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 80 136 198. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 80 136 198 shade: RGB 80 136 198, RGB 63 118 179, RGB 46 100 160, RGB 29 82 141 and RGB 12 64 122

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 80 136 198 shade: RGB 82 137 199, RGB 82 106 199, RGB 89 82 199, RGB 121 82 199 and RGB 152 82 199

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 80 136 198 shade: RGB 82 137 199, RGB 82 106 199 and RGB 82 82 199

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 80 136 198 shade matches the following richer shades: RGB 82 137 199, RGB 63 136 217, RGB 45 135 236 and RGB 26 134 254

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 80 136 198 shade: RGB 82 137 199, RGB 100 138 180, RGB 119 139 162, RGB 137 140 143 and RGB 156 141 125

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 80 136 198 shade: RGB 82 199 197, RGB 82 170 199, RGB 82 138 199, RGB 82 107 199 and RGB 88 82 199

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 80 136 198 shade: RGB 49 96 149, RGB 59 117 181, RGB 82 137 199, RGB 113 158 209 and RGB 144 180 219

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 80 136 198 shade: RGB 80 136 198, RGB 166 82 199 and RGB 185 199 82

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 80 136 198 shade: RGB 80 136 198, RGB 199 82 138 and RGB 138 199 82

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 80 136 198 shade: RGB 80 136 198, RGB 166 82 199, RGB 199 142 82 and RGB 115 199 82

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 80 136 198 shade: RGB 80 136 198, RGB 199 82 197, RGB 199 142 82 and RGB 82 199 84

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 60 / 31 / 0 / 22

HEX #5088C6

RGB 80 136 198

HSL 211.53, 0.51%, 0.55%

LAB 55.47, 0.34, -37.74

 

Complementary color

CMYK 0 / 32 / 67 / 31

HEX #AF7739

RGB 175 119 57

HSL 31.53, 0.51%, 0.45%

LAB 54.66, 15.85, 42.03

 

CMYK 56 / 30 / 0 / 24

HEX #5588C1

RGB 85 136 193

HSL 211.67, 0.47%, 0.55%

LAB 55.47, -0.26, -34.89

 

CMYK 52 / 27 / 0 / 17

HEX #669AD4

RGB 102 154 212

HSL 211.64, 0.56%, 0.62%

LAB 62.24, -0.97, -34.94

 

CMYK 48 / 26 / 0 / 9

HEX #77ACE7

RGB 119 172 231

HSL 211.61, 0.7%, 0.69%

LAB 68.89, -1.55, -35.02

 

CMYK 46 / 24 / 0 / 2

HEX #88BEFA

RGB 136 190 250

HSL 211.58, 0.92%, 0.76%

LAB 75.43, -2.03, -35.12

 

CMYK 40 / 18 / 0 / 0

HEX #99D0FF

RGB 153 208 255

HSL 207.65, 1%, 0.8%

LAB 81.35, -6.15, -28.6

 

CMYK 60 / 31 / 0 / 22

HEX #5088C6

RGB 80 136 198

HSL 211.53, 0.51%, 0.55%

LAB 55.47, 0.34, -37.74

 

CMYK 65 / 34 / 0 / 30

HEX #3F76B3

RGB 63 118 179

HSL 211.55, 0.48%, 0.47%

LAB 48.6, 1.42, -37.72

 

CMYK 71 / 38 / 0 / 37

HEX #2E64A0

RGB 46 100 160

HSL 211.58, 0.55%, 0.4%

LAB 41.58, 2.83, -37.7

 

CMYK 79 / 42 / 0 / 45

HEX #1D528D

RGB 29 82 141

HSL 211.61, 0.66%, 0.33%

LAB 34.43, 4.72, -37.67

 

CMYK 90 / 48 / 0 / 52

HEX #0C407A

RGB 12 64 122

HSL 211.64, 0.82%, 0.26%

LAB 27.16, 7.34, -37.58

 

CMYK 59 / 31 / 0 / 22

HEX #5289C7

RGB 82 137 199

HSL 211.79, 0.51%, 0.55%

LAB 55.9, 0.48, -37.64

 

CMYK 59 / 47 / 0 / 22

HEX #526AC7

RGB 82 106 199

HSL 227.69, 0.51%, 0.55%

LAB 47.27, 19.35, -51.31

 

CMYK 55 / 59 / 0 / 22

HEX #5952C7

RGB 89 82 199

HSL 243.59, 0.51%, 0.55%

LAB 41.66, 35.62, -60.33

 

CMYK 39 / 59 / 0 / 22

HEX #7952C7

RGB 121 82 199

HSL 260, 0.51%, 0.55%

LAB 44.55, 42.29, -55.52

 

CMYK 24 / 59 / 0 / 22

HEX #9852C7

RGB 152 82 199

HSL 275.9, 0.51%, 0.55%

LAB 48.05, 49.64, -49.71

 

CMYK 59 / 31 / 0 / 22

HEX #5289C7

RGB 82 137 199

HSL 211.79, 0.51%, 0.55%

LAB 55.9, 0.48, -37.64

 

CMYK 59 / 47 / 0 / 22

HEX #526AC7

RGB 82 106 199

HSL 227.69, 0.51%, 0.55%

LAB 47.27, 19.35, -51.31

 

CMYK 59 / 59 / 0 / 22

HEX #5252C7

RGB 82 82 199

HSL 240, 0.51%, 0.55%

LAB 41.14, 34.34, -61.2

 

CMYK 59 / 31 / 0 / 22

HEX #5289C7

RGB 82 137 199

HSL 211.79, 0.51%, 0.55%

LAB 55.9, 0.48, -37.64

 

CMYK 71 / 37 / 0 / 15

HEX #3F88D9

RGB 63 136 217

HSL 211.56, 0.67%, 0.55%

LAB 55.76, 3.96, -48.05

 

CMYK 81 / 43 / 0 / 7

HEX #2D87EC

RGB 45 135 236

HSL 211.73, 0.83%, 0.55%

LAB 56.03, 9.4, -58.26

 

CMYK 90 / 47 / 0 / 0

HEX #1A86FE

RGB 26 134 254

HSL 211.58, 0.99%, 0.55%

LAB 56.51, 15.49, -67.47

 

CMYK 59 / 31 / 0 / 22

HEX #5289C7

RGB 82 137 199

HSL 211.79, 0.51%, 0.55%

LAB 55.9, 0.48, -37.64

 

CMYK 44 / 23 / 0 / 29

HEX #648AB4

RGB 100 138 180

HSL 211.5, 0.35%, 0.55%

LAB 56.27, -1.83, -26.18

 

CMYK 27 / 14 / 0 / 36

HEX #778BA2

RGB 119 139 162

HSL 212.09, 0.19%, 0.55%

LAB 57.07, -1.76, -14.55

 

CMYK 4 / 2 / 0 / 44

HEX #898C8F

RGB 137 140 143

HSL 210, 0.03%, 0.55%

LAB 58.09, -0.49, -1.99

 

CMYK 0 / 10 / 20 / 39

HEX #9C8D7D

RGB 156 141 125

HSL 30.97, 0.14%, 0.55%

LAB 59.52, 2.89, 10.57

 

CMYK 59 / 0 / 1 / 22

HEX #52C7C5

RGB 82 199 197

HSL 178.97, 0.51%, 0.55%

LAB 73.98, -32.97, -8.87

 

CMYK 59 / 15 / 0 / 22

HEX #52AAC7

RGB 82 170 199

HSL 194.87, 0.51%, 0.55%

LAB 65.49, -17.91, -22.78

 

CMYK 59 / 31 / 0 / 22

HEX #528AC7

RGB 82 138 199

HSL 211.28, 0.51%, 0.55%

LAB 56.18, -0.11, -37.19

 

CMYK 59 / 46 / 0 / 22

HEX #526BC7

RGB 82 107 199

HSL 227.18, 0.51%, 0.55%

LAB 47.54, 18.72, -50.89

 

CMYK 56 / 59 / 0 / 22

HEX #5852C7

RGB 88 82 199

HSL 243.08, 0.51%, 0.55%

LAB 41.58, 35.43, -60.46

 

CMYK 67 / 36 / 0 / 42

HEX #316095

RGB 49 96 149

HSL 211.8, 0.51%, 0.39%

LAB 39.9, 1.8, -33.8

 

CMYK 67 / 35 / 0 / 29

HEX #3B75B5

RGB 59 117 181

HSL 211.48, 0.51%, 0.47%

LAB 48.25, 2.03, -39.44

 

CMYK 59 / 31 / 0 / 22

HEX #5289C7

RGB 82 137 199

HSL 211.79, 0.51%, 0.55%

LAB 55.9, 0.48, -37.64

 

CMYK 46 / 24 / 0 / 18

HEX #719ED1

RGB 113 158 209

HSL 211.88, 0.51%, 0.63%

LAB 63.81, -1.52, -30.8

 

CMYK 34 / 18 / 0 / 14

HEX #90B4DB

RGB 144 180 219

HSL 211.2, 0.51%, 0.71%

LAB 72.02, -2.8, -23.54

 

CMYK 60 / 31 / 0 / 22

HEX #5088C6

RGB 80 136 198

HSL 211.53, 0.51%, 0.55%

LAB 55.47, 0.34, -37.74

 

CMYK 17 / 59 / 0 / 22

HEX #A652C7

RGB 166 82 199

HSL 283.08, 0.51%, 0.55%

LAB 49.82, 53.12, -46.79

 

CMYK 7 / 0 / 59 / 22

HEX #B9C752

RGB 185 199 82

HSL 67.18, 0.51%, 0.55%

LAB 77.14, -20.78, 55.57

 

CMYK 60 / 31 / 0 / 22

HEX #5088C6

RGB 80 136 198

HSL 211.53, 0.51%, 0.55%

LAB 55.47, 0.34, -37.74

 

CMYK 0 / 59 / 31 / 22

HEX #C7528A

RGB 199 82 138

HSL 331.28, 0.51%, 0.55%

LAB 51.85, 52.3, -7.52

 

CMYK 31 / 0 / 59 / 22

HEX #8AC752

RGB 138 199 82

HSL 91.28, 0.51%, 0.55%

LAB 74.1, -38.98, 51.33

 

CMYK 60 / 31 / 0 / 22

HEX #5088C6

RGB 80 136 198

HSL 211.53, 0.51%, 0.55%

LAB 55.47, 0.34, -37.74

 

CMYK 17 / 59 / 0 / 22

HEX #A652C7

RGB 166 82 199

HSL 283.08, 0.51%, 0.55%

LAB 49.82, 53.12, -46.79

 

CMYK 0 / 29 / 59 / 22

HEX #C78E52

RGB 199 142 82

HSL 30.77, 0.51%, 0.55%

LAB 63.42, 15.18, 40.13

 

CMYK 42 / 0 / 59 / 22

HEX #73C752

RGB 115 199 82

HSL 103.08, 0.51%, 0.55%

LAB 72.96, -46.77, 49.72

 

CMYK 60 / 31 / 0 / 22

HEX #5088C6

RGB 80 136 198

HSL 211.53, 0.51%, 0.55%

LAB 55.47, 0.34, -37.74

 

CMYK 0 / 59 / 1 / 22

HEX #C752C5

RGB 199 82 197

HSL 301.03, 0.51%, 0.55%

LAB 54.25, 61.13, -38.34

 

CMYK 0 / 29 / 59 / 22

HEX #C78E52

RGB 199 142 82

HSL 30.77, 0.51%, 0.55%

LAB 63.42, 15.18, 40.13

 

CMYK 59 / 0 / 58 / 22

HEX #52C754

RGB 82 199 84

HSL 121.03, 0.51%, 0.55%

LAB 71.75, -55.72, 47.09

 

Description

Color code: RGB 80 136 198 | qconv.com Color code: RGB 80 136 198 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 80 red, 136 green and 198 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
80 136 198 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 60 cyan, 31 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
60% 31% 0% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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