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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 80 128.2 181.6 it is the complementary color RGB 175 126.8 73.4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 80 128.2 181.6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 80 128.2 181.6 shade: RGB 85 128.2 176.6, RGB 102 146.2 195.6, RGB 119 164.2 214.6, RGB 136 182.2 233.6 and RGB 153 200.2 252.6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 80 128.2 181.6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 80 128.2 181.6 shade: RGB 80 128.2 181.6, RGB 63 110.2 162.6, RGB 46 92.2 143.6, RGB 29 74.2 124.6 and RGB 12 56.2 105.6

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 80 128.2 181.6 shade: RGB 79 127 181, RGB 79 100 181, RGB 85 79 181, RGB 113 79 181 and RGB 141 79 181

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 80 128.2 181.6 shade: RGB 79 127 181, RGB 79 100 181 and RGB 79 79 181

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 80 128.2 181.6 shade matches the following richer shades: RGB 79 127 181, RGB 59 126 201, RGB 38 125 222 and RGB 18 124 242

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 80 128.2 181.6 shade: RGB 79 127 181, RGB 99 128 161, RGB 119 129 141, RGB 139 131 121 and RGB 160 132 100

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 80 128.2 181.6 shade: RGB 79 181 180, RGB 79 156 181, RGB 79 128 181, RGB 79 101 181 and RGB 84 79 181

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 80 128.2 181.6 shade: RGB 52 87 125, RGB 65 107 154, RGB 79 127 181, RGB 108 148 193 and RGB 137 170 206

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 80 128.2 181.6 shade: RGB 80 128.2 181.6, RGB 152 79 181 and RGB 169 181 79

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 80 128.2 181.6 shade: RGB 80 128.2 181.6, RGB 181 79 128 and RGB 128 181 79

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 80 128.2 181.6 shade: RGB 80 128.2 181.6, RGB 152 79 181, RGB 181 132 79 and RGB 108 181 79

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 80 128.2 181.6 shade: RGB 80 128.2 181.6, RGB 181 79 180, RGB 181 132 79 and RGB 79 181 81

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 56 / 29 / 0 / 29

HEX #5080B5

RGB 80 128.2 181.6

HSL 211.54, 0.41%, 0.51%

LAB 52.46, -0.42, -33.09

 

Complementary color

CMYK 0 / 28 / 58 / 31

HEX #AF7E49

RGB 175 126.8 73.4

HSL 31.54, 0.41%, 0.49%

LAB 56.81, 12.64, 36.05

 

CMYK 52 / 27 / 0 / 31

HEX #5580B0

RGB 85 128.2 176.6

HSL 211.7, 0.37%, 0.51%

LAB 52.49, -0.87, -30.16

 

CMYK 48 / 25 / 0 / 23

HEX #6692C3

RGB 102 146.2 195.6

HSL 211.67, 0.44%, 0.58%

LAB 59.35, -1.45, -30.25

 

CMYK 45 / 23 / 0 / 16

HEX #77A4D6

RGB 119 164.2 214.6

HSL 211.63, 0.54%, 0.65%

LAB 66.08, -1.91, -30.36

 

CMYK 42 / 22 / 0 / 8

HEX #88B6E9

RGB 136 182.2 233.6

HSL 211.6, 0.7%, 0.72%

LAB 72.69, -2.29, -30.5

 

CMYK 39 / 21 / 0 / 1

HEX #99C8FC

RGB 153 200.2 252.6

HSL 211.57, 0.95%, 0.8%

LAB 79.18, -2.62, -30.65

 

CMYK 56 / 29 / 0 / 29

HEX #5080B5

RGB 80 128.2 181.6

HSL 211.54, 0.41%, 0.51%

LAB 52.46, -0.42, -33.09

 

CMYK 61 / 32 / 0 / 36

HEX #3F6EA2

RGB 63 110.2 162.6

HSL 211.57, 0.44%, 0.44%

LAB 45.47, 0.48, -33.06

 

CMYK 68 / 36 / 0 / 44

HEX #2E5C8F

RGB 46 92.2 143.6

HSL 211.6, 0.51%, 0.37%

LAB 38.32, 1.68, -33.04

 

CMYK 77 / 40 / 0 / 51

HEX #1D4A7C

RGB 29 74.2 124.6

HSL 211.63, 0.62%, 0.3%

LAB 31.01, 3.35, -33.02

 

CMYK 89 / 47 / 0 / 59

HEX #0C3869

RGB 12 56.2 105.6

HSL 211.67, 0.8%, 0.23%

LAB 23.53, 5.75, -32.96

 

CMYK 56 / 30 / 0 / 29

HEX #4F7FB5

RGB 79 127 181

HSL 211.76, 0.41%, 0.51%

LAB 52.04, -0.12, -33.42

 

CMYK 56 / 45 / 0 / 29

HEX #4F64B5

RGB 79 100 181

HSL 227.65, 0.41%, 0.51%

LAB 44.39, 16.46, -45.5

 

CMYK 53 / 56 / 0 / 29

HEX #554FB5

RGB 85 79 181

HSL 243.53, 0.41%, 0.51%

LAB 39.34, 30.95, -53.59

 

CMYK 38 / 56 / 0 / 29

HEX #714FB5

RGB 113 79 181

HSL 260, 0.41%, 0.51%

LAB 41.91, 37.26, -49.33

 

CMYK 22 / 56 / 0 / 29

HEX #8D4FB5

RGB 141 79 181

HSL 276.47, 0.41%, 0.51%

LAB 45.07, 44.33, -44.09

 

CMYK 56 / 30 / 0 / 29

HEX #4F7FB5

RGB 79 127 181

HSL 211.76, 0.41%, 0.51%

LAB 52.04, -0.12, -33.42

 

CMYK 56 / 45 / 0 / 29

HEX #4F64B5

RGB 79 100 181

HSL 227.65, 0.41%, 0.51%

LAB 44.39, 16.46, -45.5

 

CMYK 56 / 56 / 0 / 29

HEX #4F4FB5

RGB 79 79 181

HSL 240, 0.41%, 0.51%

LAB 38.88, 29.75, -54.35

 

CMYK 56 / 30 / 0 / 29

HEX #4F7FB5

RGB 79 127 181

HSL 211.76, 0.41%, 0.51%

LAB 52.04, -0.12, -33.42

 

CMYK 71 / 37 / 0 / 21

HEX #3B7EC9

RGB 59 126 201

HSL 211.69, 0.57%, 0.51%

LAB 51.91, 3.7, -45.11

 

CMYK 83 / 44 / 0 / 13

HEX #267DDE

RGB 38 125 222

HSL 211.63, 0.74%, 0.51%

LAB 52.23, 9.68, -56.53

 

CMYK 93 / 49 / 0 / 5

HEX #127CF2

RGB 18 124 242

HSL 211.61, 0.9%, 0.51%

LAB 52.9, 16.77, -66.66

 

CMYK 56 / 30 / 0 / 29

HEX #4F7FB5

RGB 79 127 181

HSL 211.76, 0.41%, 0.51%

LAB 52.04, -0.12, -33.42

 

CMYK 39 / 20 / 0 / 37

HEX #6380A1

RGB 99 128 161

HSL 211.94, 0.25%, 0.51%

LAB 52.58, -1.73, -20.93

 

CMYK 16 / 9 / 0 / 45

HEX #77818D

RGB 119 129 141

HSL 212.73, 0.09%, 0.51%

LAB 53.54, -1.04, -7.72

 

CMYK 0 / 6 / 13 / 45

HEX #8B8379

RGB 139 131 121

HSL 33.33, 0.07%, 0.51%

LAB 55.18, 1.19, 6.48

 

CMYK 0 / 18 / 38 / 37

HEX #A08464

RGB 160 132 100

HSL 32, 0.24%, 0.51%

LAB 56.97, 6.02, 21.29

 

CMYK 56 / 0 / 1 / 29

HEX #4FB5B4

RGB 79 181 180

HSL 179.41, 0.41%, 0.51%

LAB 68.02, -29.54, -8.44

 

CMYK 56 / 14 / 0 / 29

HEX #4F9CB5

RGB 79 156 181

HSL 194.71, 0.41%, 0.51%

LAB 60.58, -16.49, -20.21

 

CMYK 56 / 29 / 0 / 29

HEX #4F80B5

RGB 79 128 181

HSL 211.18, 0.41%, 0.51%

LAB 52.33, -0.71, -32.96

 

CMYK 56 / 44 / 0 / 29

HEX #4F65B5

RGB 79 101 181

HSL 227.06, 0.41%, 0.51%

LAB 44.67, 15.83, -45.06

 

CMYK 54 / 56 / 0 / 29

HEX #544FB5

RGB 84 79 181

HSL 242.94, 0.41%, 0.51%

LAB 39.26, 30.74, -53.72

 

CMYK 58 / 30 / 0 / 51

HEX #34577D

RGB 52 87 125

HSL 211.23, 0.41%, 0.35%

LAB 36.04, -0.47, -25.27

 

CMYK 58 / 31 / 0 / 40

HEX #416B9A

RGB 65 107 154

HSL 211.69, 0.41%, 0.43%

LAB 44.19, -0.06, -29.97

 

CMYK 56 / 30 / 0 / 29

HEX #4F7FB5

RGB 79 127 181

HSL 211.76, 0.41%, 0.51%

LAB 52.04, -0.12, -33.42

 

CMYK 44 / 23 / 0 / 24

HEX #6C94C1

RGB 108 148 193

HSL 211.76, 0.41%, 0.59%

LAB 60.09, -1.72, -27.62

 

CMYK 33 / 17 / 0 / 19

HEX #89AACE

RGB 137 170 206

HSL 211.3, 0.41%, 0.67%

LAB 68.41, -2.62, -21.96

 

CMYK 56 / 29 / 0 / 29

HEX #5080B5

RGB 80 128.2 181.6

HSL 211.54, 0.41%, 0.51%

LAB 52.46, -0.42, -33.09

 

CMYK 16 / 56 / 0 / 29

HEX #984FB5

RGB 152 79 181

HSL 282.94, 0.41%, 0.51%

LAB 46.45, 47.22, -41.81

 

CMYK 7 / 0 / 56 / 29

HEX #A9B54F

RGB 169 181 79

HSL 67.06, 0.41%, 0.51%

LAB 70.9, -18.62, 49.6

 

CMYK 56 / 29 / 0 / 29

HEX #5080B5

RGB 80 128.2 181.6

HSL 211.54, 0.41%, 0.51%

LAB 52.46, -0.42, -33.09

 

CMYK 0 / 56 / 29 / 29

HEX #B54F80

RGB 181 79 128

HSL 331.18, 0.41%, 0.51%

LAB 48.23, 46.68, -7.23

 

CMYK 29 / 0 / 56 / 29

HEX #80B54F

RGB 128 181 79

HSL 91.18, 0.41%, 0.51%

LAB 68.17, -34.77, 45.74

 

CMYK 56 / 29 / 0 / 29

HEX #5080B5

RGB 80 128.2 181.6

HSL 211.54, 0.41%, 0.51%

LAB 52.46, -0.42, -33.09

 

CMYK 16 / 56 / 0 / 29

HEX #984FB5

RGB 152 79 181

HSL 282.94, 0.41%, 0.51%

LAB 46.45, 47.22, -41.81

 

CMYK 0 / 27 / 56 / 29

HEX #B5844F

RGB 181 132 79

HSL 31.18, 0.41%, 0.51%

LAB 58.87, 12.79, 35.74

 

CMYK 40 / 0 / 56 / 29

HEX #6CB54F

RGB 108 181 79

HSL 102.94, 0.41%, 0.51%

LAB 67.13, -41.75, 44.27

 

CMYK 56 / 29 / 0 / 29

HEX #5080B5

RGB 80 128.2 181.6

HSL 211.54, 0.41%, 0.51%

LAB 52.46, -0.42, -33.09

 

CMYK 0 / 56 / 1 / 29

HEX #B54FB4

RGB 181 79 180

HSL 300.59, 0.41%, 0.51%

LAB 50.35, 54.79, -34.81

 

CMYK 0 / 27 / 56 / 29

HEX #B5844F

RGB 181 132 79

HSL 31.18, 0.41%, 0.51%

LAB 58.87, 12.79, 35.74

 

CMYK 56 / 0 / 55 / 29

HEX #4FB551

RGB 79 181 81

HSL 121.18, 0.41%, 0.51%

LAB 65.98, -49.99, 41.67

 

Description

Color code: RGB 80 128.2 181.6 | qconv.com Color code: RGB 80 128.2 181.6 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 80 red, 128.2 green and 181.6 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
80 128.2 181.6 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 56 cyan, 29 magenta, none yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
56% 29% 0% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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