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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 80 103 0 it is the complementary color RGB 175 152 255. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 80 103 0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 80 103 0 shade: RGB 85 103 0, RGB 102 121 14, RGB 119 139 33, RGB 136 157 52 and RGB 153 175 71

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 80 103 0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 80 103 0 shade: RGB 80 103 0, RGB 63 85 0, RGB 46 67 0, RGB 29 49 0 and RGB 12 31 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 80 103 0 shade: RGB 79 102 0, RGB 102 97 0, RGB 102 69 0, RGB 102 42 0 and RGB 102 14 0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 80 103 0 shade: RGB 79 102 0, RGB 51 102 0, RGB 24 102 0, RGB 0 102 3 and RGB 0 102 30

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 80 103 0 shade matches the following richer shades: RGB 79 102 0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 80 103 0 shade: RGB 79 102 0, RGB 74 93 8, RGB 70 85 16, RGB 65 77 24 and RGB 60 68 33

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 80 103 0 shade: RGB 102 69 0, RGB 102 96 0, RGB 79 102 0, RGB 52 102 0 and RGB 25 102 0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 80 103 0 shade: RGB 15 19 0, RGB 47 60 0, RGB 79 102 0, RGB 111 143 0 and RGB 143 184 0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 80 103 0 shade: RGB 80 103 0, RGB 0 102 42 and RGB 83 0 102

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 80 103 0 shade: RGB 80 103 0, RGB 0 79 102 and RGB 102 0 79

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 80 103 0 shade: RGB 80 103 0, RGB 0 102 42, RGB 22 0 102 and RGB 102 0 59

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 80 103 0 shade: RGB 80 103 0, RGB 0 102 73, RGB 22 0 102 and RGB 102 0 28

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 22 / 0 / 100 / 60

HEX #506700

RGB 80 103 0

HSL 73.4, 1%, 0.2%

LAB 40.26, -21.92, 46.31

 

Complementary color

CMYK 31 / 40 / 0 / 0

HEX #AF98FF

RGB 175 152 255

HSL 253.4, 1%, 0.8%

LAB 68.6, 30.62, -48.3

 

CMYK 17 / 0 / 100 / 60

HEX #556700

RGB 85 103 0

HSL 70.49, 1%, 0.2%

LAB 40.62, -19.63, 46.76

 

CMYK 16 / 0 / 88 / 53

HEX #66790E

RGB 102 121 14

HSL 70.65, 0.79%, 0.26%

LAB 47.66, -20.85, 49.68

 

CMYK 14 / 0 / 76 / 45

HEX #778B21

RGB 119 139 33

HSL 71.32, 0.62%, 0.34%

LAB 54.55, -21.75, 50.6

 

CMYK 13 / 0 / 67 / 38

HEX #889D34

RGB 136 157 52

HSL 72, 0.5%, 0.41%

LAB 61.3, -22.4, 50.37

 

CMYK 13 / 0 / 59 / 31

HEX #99AF47

RGB 153 175 71

HSL 72.69, 0.42%, 0.48%

LAB 67.94, -22.87, 49.6

 

CMYK 22 / 0 / 100 / 60

HEX #506700

RGB 80 103 0

HSL 73.4, 1%, 0.2%

LAB 40.26, -21.92, 46.31

 

CMYK 26 / 0 / 100 / 67

HEX #3F5500

RGB 63 85 0

HSL 75.53, 1%, 0.17%

LAB 33.04, -20.36, 40.3

 

CMYK 31 / 0 / 100 / 74

HEX #2E4300

RGB 46 67 0

HSL 78.81, 1%, 0.13%

LAB 25.55, -18.76, 33.73

 

CMYK 41 / 0 / 100 / 81

HEX #1D3100

RGB 29 49 0

HSL 84.49, 1%, 0.1%

LAB 17.73, -17.1, 24.99

 

CMYK 61 / 0 / 100 / 88

HEX #0C1F00

RGB 12 31 0

HSL 96.77, 1%, 0.06%

LAB 9.47, -14.52, 13.88

 

CMYK 23 / 0 / 100 / 60

HEX #4F6600

RGB 79 102 0

HSL 73.53, 1%, 0.2%

LAB 39.86, -21.86, 45.98

 

CMYK 0 / 5 / 100 / 60

HEX #666100

RGB 102 97 0

HSL 57.06, 1%, 0.2%

LAB 40.2, -8.16, 47.1

 

CMYK 0 / 32 / 100 / 60

HEX #664500

RGB 102 69 0

HSL 40.59, 1%, 0.2%

LAB 31.99, 8.62, 41.34

 

CMYK 0 / 59 / 100 / 60

HEX #662A00

RGB 102 42 0

HSL 24.71, 1%, 0.2%

LAB 25.2, 24.84, 35.83

 

CMYK 0 / 86 / 100 / 60

HEX #660E00

RGB 102 14 0

HSL 8.24, 1%, 0.2%

LAB 20.59, 37.26, 31.09

 

CMYK 23 / 0 / 100 / 60

HEX #4F6600

RGB 79 102 0

HSL 73.53, 1%, 0.2%

LAB 39.86, -21.86, 45.98

 

CMYK 50 / 0 / 100 / 60

HEX #336600

RGB 51 102 0

HSL 90, 1%, 0.2%

LAB 38.21, -33.3, 44

 

CMYK 76 / 0 / 100 / 60

HEX #186600

RGB 24 102 0

HSL 105.88, 1%, 0.2%

LAB 37.29, -40.78, 42.88

 

CMYK 100 / 0 / 97 / 60

HEX #006603

RGB 0 102 3

HSL 121.76, 1%, 0.2%

LAB 36.95, -43.82, 41.59

 

CMYK 100 / 0 / 71 / 60

HEX #00661E

RGB 0 102 30

HSL 137.65, 1%, 0.2%

LAB 37.11, -41.75, 32.41

 

CMYK 23 / 0 / 100 / 60

HEX #4F6600

RGB 79 102 0

HSL 73.53, 1%, 0.2%

LAB 39.86, -21.86, 45.98

 

CMYK 23 / 0 / 100 / 60

HEX #4F6600

RGB 79 102 0

HSL 73.53, 1%, 0.2%

LAB 39.86, -21.86, 45.98

 

CMYK 20 / 0 / 91 / 64

HEX #4A5D08

RGB 74 93 8

HSL 73.41, 0.84%, 0.2%

LAB 36.56, -19.16, 40.95

 

CMYK 18 / 0 / 81 / 67

HEX #465510

RGB 70 85 16

HSL 73.04, 0.68%, 0.2%

LAB 33.64, -16.35, 35.66

 

CMYK 16 / 0 / 69 / 70

HEX #414D18

RGB 65 77 24

HSL 73.58, 0.52%, 0.2%

LAB 30.63, -13.68, 28.94

 

CMYK 12 / 0 / 51 / 73

HEX #3C4421

RGB 60 68 33

HSL 73.71, 0.35%, 0.2%

LAB 27.31, -9.84, 20.02

 

CMYK 0 / 32 / 100 / 60

HEX #664500

RGB 102 69 0

HSL 40.59, 1%, 0.2%

LAB 31.99, 8.62, 41.34

 

CMYK 0 / 6 / 100 / 60

HEX #666000

RGB 102 96 0

HSL 56.47, 1%, 0.2%

LAB 39.9, -7.59, 46.88

 

CMYK 23 / 0 / 100 / 60

HEX #4F6600

RGB 79 102 0

HSL 73.53, 1%, 0.2%

LAB 39.86, -21.86, 45.98

 

CMYK 49 / 0 / 100 / 60

HEX #346600

RGB 52 102 0

HSL 89.41, 1%, 0.2%

LAB 38.26, -32.94, 44.05

 

CMYK 75 / 0 / 100 / 60

HEX #196600

RGB 25 102 0

HSL 105.29, 1%, 0.2%

LAB 37.32, -40.58, 42.91

 

CMYK 21 / 0 / 100 / 93

HEX #0F1300

RGB 15 19 0

HSL 72.63, 1%, 0.04%

LAB 5.12, -4.48, 7.59

 

CMYK 22 / 0 / 100 / 76

HEX #2F3C00

RGB 47 60 0

HSL 73, 1%, 0.12%

LAB 23.12, -14.42, 31.38

 

CMYK 23 / 0 / 100 / 60

HEX #4F6600

RGB 79 102 0

HSL 73.53, 1%, 0.2%

LAB 39.86, -21.86, 45.98

 

CMYK 22 / 0 / 100 / 44

HEX #6F8F00

RGB 111 143 0

HSL 73.43, 1%, 0.28%

LAB 55.1, -28.22, 58.5

 

CMYK 22 / 0 / 100 / 28

HEX #8FB800

RGB 143 184 0

HSL 73.37, 1%, 0.36%

LAB 69.56, -34.24, 70.39

 

CMYK 22 / 0 / 100 / 60

HEX #506700

RGB 80 103 0

HSL 73.4, 1%, 0.2%

LAB 40.26, -21.92, 46.31

 

CMYK 100 / 0 / 59 / 60

HEX #00662A

RGB 0 102 42

HSL 144.71, 1%, 0.2%

LAB 37.24, -40.06, 26.53

 

CMYK 19 / 100 / 0 / 60

HEX #530066

RGB 83 0 102

HSL 288.82, 1%, 0.2%

LAB 19.22, 46.91, -37.24

 

CMYK 22 / 0 / 100 / 60

HEX #506700

RGB 80 103 0

HSL 73.4, 1%, 0.2%

LAB 40.26, -21.92, 46.31

 

CMYK 100 / 23 / 0 / 60

HEX #004F66

RGB 0 79 102

HSL 193.53, 1%, 0.2%

LAB 30.76, -11.82, -19.25

 

CMYK 0 / 100 / 23 / 60

HEX #66004F

RGB 102 0 79

HSL 313.53, 1%, 0.2%

LAB 21.54, 46.68, -17.94

 

CMYK 22 / 0 / 100 / 60

HEX #506700

RGB 80 103 0

HSL 73.4, 1%, 0.2%

LAB 40.26, -21.92, 46.31

 

CMYK 100 / 0 / 59 / 60

HEX #00662A

RGB 0 102 42

HSL 144.71, 1%, 0.2%

LAB 37.24, -40.06, 26.53

 

CMYK 78 / 100 / 0 / 60

HEX #160066

RGB 22 0 102

HSL 252.94, 1%, 0.2%

LAB 10.03, 40.91, -52.7

 

CMYK 0 / 100 / 42 / 60

HEX #66003B

RGB 102 0 59

HSL 325.29, 1%, 0.2%

LAB 20.6, 44.27, -5.6

 

CMYK 22 / 0 / 100 / 60

HEX #506700

RGB 80 103 0

HSL 73.4, 1%, 0.2%

LAB 40.26, -21.92, 46.31

 

CMYK 100 / 0 / 28 / 60

HEX #006649

RGB 0 102 73

HSL 162.94, 1%, 0.2%

LAB 37.81, -33.38, 9.31

 

CMYK 78 / 100 / 0 / 60

HEX #160066

RGB 22 0 102

HSL 252.94, 1%, 0.2%

LAB 10.03, 40.91, -52.7

 

CMYK 0 / 100 / 73 / 60

HEX #66001C

RGB 102 0 28

HSL 343.53, 1%, 0.2%

LAB 19.67, 41.82, 15.1

 

Description

Color code: RGB 80 103 0 | qconv.com Color code: RGB 80 103 0 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 80 red, 103 green and none blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
80 103 0 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 22 cyan, none magenta, 100 yellow and 60 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
22% 0% 100% 60% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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