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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 80.7 128.6 23 it is the complementary color RGB 174.3 126.4 232. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 80.7 128.6 23. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 80.7 128.6 23 shade: RGB 85.7 128.6 18, RGB 102.7 146.6 37, RGB 119.7 164.6 56, RGB 136.7 182.6 75 and RGB 153.7 200.6 94

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 80.7 128.6 23. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 80.7 128.6 23 shade: RGB 80.7 128.6 23, RGB 63.7 110.6 4, RGB 46.7 92.6 0, RGB 29.7 74.6 0 and RGB 12.7 56.6 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 80.7 128.6 23 shade: RGB 81 130 23, RGB 110 130 23, RGB 130 121 23, RGB 130 92 23 and RGB 130 63 23

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 80.7 128.6 23 shade: RGB 81 130 23, RGB 53 130 23, RGB 24 130 23, RGB 23 130 51 and RGB 23 130 80

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 80.7 128.6 23 shade matches the following richer shades: RGB 81 130 23 and RGB 83 142 11

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 80.7 128.6 23 shade: RGB 81 130 23, RGB 80 118 35, RGB 79 105 48, RGB 78 93 60 and RGB 77 81 72

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 80.7 128.6 23 shade: RGB 130 121 23, RGB 110 130 23, RGB 82 130 23, RGB 53 130 23 and RGB 25 130 23

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 80.7 128.6 23 shade: RGB 38 60 11, RGB 59 95 17, RGB 81 130 23, RGB 103 165 29 and RGB 125 200 35

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 80.7 128.6 23 shade: RGB 80.7 128.6 23, RGB 23 130 93 and RGB 130 23 125

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 80.7 128.6 23 shade: RGB 80.7 128.6 23, RGB 23 82 130 and RGB 130 23 82

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 80.7 128.6 23 shade: RGB 80.7 128.6 23, RGB 23 130 93, RGB 71 23 130 and RGB 130 23 60

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 80.7 128.6 23 shade: RGB 80.7 128.6 23, RGB 23 130 125, RGB 71 23 130 and RGB 130 23 28

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 37 / 0 / 82 / 50

HEX #508017

RGB 80.7 128.6 23

HSL 87.22, 0.7%, 0.3%

LAB 48.75, -33.1, 47.62

 

Complementary color

CMYK 25 / 46 / 0 / 9

HEX #AE7EE8

RGB 174.3 126.4 232

HSL 267.22, 0.7%, 0.7%

LAB 61.55, 39.16, -46.78

 

CMYK 33 / 0 / 86 / 50

HEX #558012

RGB 85.7 128.6 18

HSL 83.27, 0.75%, 0.29%

LAB 49.01, -31.38, 49.4

 

CMYK 30 / 0 / 75 / 43

HEX #669225

RGB 102.7 146.6 37

HSL 84.03, 0.6%, 0.36%

LAB 55.83, -32.02, 50.02

 

CMYK 27 / 0 / 66 / 35

HEX #77A438

RGB 119.7 164.6 56

HSL 84.81, 0.49%, 0.43%

LAB 62.53, -32.41, 49.65

 

CMYK 25 / 0 / 59 / 28

HEX #88B64B

RGB 136.7 182.6 75

HSL 85.59, 0.43%, 0.51%

LAB 69.11, -32.65, 48.81

 

CMYK 23 / 0 / 53 / 21

HEX #99C85E

RGB 153.7 200.6 94

HSL 86.4, 0.49%, 0.58%

LAB 75.6, -32.78, 47.77

 

CMYK 37 / 0 / 82 / 50

HEX #508017

RGB 80.7 128.6 23

HSL 87.22, 0.7%, 0.3%

LAB 48.75, -33.1, 47.62

 

CMYK 42 / 0 / 96 / 57

HEX #3F6E04

RGB 63.7 110.6 4

HSL 86.4, 0.93%, 0.22%

LAB 41.8, -32.25, 46.07

 

CMYK 50 / 0 / 100 / 64

HEX #2E5C00

RGB 46.7 92.6 0

HSL 89.74, 1%, 0.18%

LAB 34.71, -30.77, 41.18

 

CMYK 60 / 0 / 100 / 71

HEX #1D4A00

RGB 29.7 74.6 0

HSL 96.11, 1%, 0.15%

LAB 27.43, -28.93, 35.08

 

CMYK 78 / 0 / 100 / 78

HEX #0C3800

RGB 12.7 56.6 0

HSL 106.54, 1%, 0.11%

LAB 19.92, -26.57, 27.36

 

CMYK 38 / 0 / 82 / 49

HEX #518217

RGB 81 130 23

HSL 87.48, 0.7%, 0.3%

LAB 49.22, -33.62, 48.06

 

CMYK 15 / 0 / 82 / 49

HEX #6E8217

RGB 110 130 23

HSL 71.21, 0.7%, 0.3%

LAB 51.09, -21.58, 50.44

 

CMYK 0 / 7 / 82 / 49

HEX #827917

RGB 130 121 23

HSL 54.95, 0.7%, 0.3%

LAB 50.08, -7.6, 50.19

 

CMYK 0 / 29 / 82 / 49

HEX #825C17

RGB 130 92 23

HSL 38.69, 0.7%, 0.3%

LAB 41.94, 9.1, 42.9

 

CMYK 0 / 52 / 82 / 49

HEX #823F17

RGB 130 63 23

HSL 22.43, 0.7%, 0.3%

LAB 34.73, 26.03, 36.16

 

CMYK 38 / 0 / 82 / 49

HEX #518217

RGB 81 130 23

HSL 87.48, 0.7%, 0.3%

LAB 49.22, -33.62, 48.06

 

CMYK 59 / 0 / 82 / 49

HEX #358217

RGB 53 130 23

HSL 103.18, 0.7%, 0.3%

LAB 47.99, -42.91, 46.47

 

CMYK 82 / 0 / 82 / 49

HEX #188217

RGB 24 130 23

HSL 119.44, 0.7%, 0.3%

LAB 47.26, -48.97, 45.53

 

CMYK 82 / 0 / 61 / 49

HEX #178233

RGB 23 130 51

HSL 135.7, 0.7%, 0.3%

LAB 47.48, -46.28, 34.09

 

CMYK 82 / 0 / 38 / 49

HEX #178250

RGB 23 130 80

HSL 151.96, 0.7%, 0.3%

LAB 47.91, -41.16, 19.06

 

CMYK 38 / 0 / 82 / 49

HEX #518217

RGB 81 130 23

HSL 87.48, 0.7%, 0.3%

LAB 49.22, -33.62, 48.06

 

CMYK 42 / 0 / 92 / 44

HEX #538E0B

RGB 83 142 11

HSL 87.02, 0.86%, 0.3%

LAB 53.18, -38.59, 54.44

 

CMYK 38 / 0 / 82 / 49

HEX #518217

RGB 81 130 23

HSL 87.48, 0.7%, 0.3%

LAB 49.22, -33.62, 48.06

 

CMYK 32 / 0 / 70 / 54

HEX #507623

RGB 80 118 35

HSL 87.47, 0.54%, 0.3%

LAB 45.34, -27.63, 39.76

 

CMYK 25 / 0 / 54 / 59

HEX #4F6930

RGB 79 105 48

HSL 87.37, 0.37%, 0.3%

LAB 41.18, -20.2, 28.71

 

CMYK 16 / 0 / 35 / 64

HEX #4E5D3C

RGB 78 93 60

HSL 87.27, 0.22%, 0.3%

LAB 37.43, -12.38, 17.11

 

CMYK 5 / 0 / 11 / 68

HEX #4D5148

RGB 77 81 72

HSL 86.67, 0.06%, 0.3%

LAB 33.84, -3.53, 4.74

 

CMYK 0 / 7 / 82 / 49

HEX #827917

RGB 130 121 23

HSL 54.95, 0.7%, 0.3%

LAB 50.08, -7.6, 50.19

 

CMYK 15 / 0 / 82 / 49

HEX #6E8217

RGB 110 130 23

HSL 71.21, 0.7%, 0.3%

LAB 51.09, -21.58, 50.44

 

CMYK 37 / 0 / 82 / 49

HEX #528217

RGB 82 130 23

HSL 86.92, 0.7%, 0.3%

LAB 49.28, -33.24, 48.13

 

CMYK 59 / 0 / 82 / 49

HEX #358217

RGB 53 130 23

HSL 103.18, 0.7%, 0.3%

LAB 47.99, -42.91, 46.47

 

CMYK 81 / 0 / 82 / 49

HEX #198217

RGB 25 130 23

HSL 118.88, 0.7%, 0.3%

LAB 47.28, -48.83, 45.55

 

CMYK 37 / 0 / 82 / 76

HEX #263C0B

RGB 38 60 11

HSL 86.94, 0.69%, 0.14%

LAB 22.54, -17.92, 26.08

 

CMYK 38 / 0 / 82 / 63

HEX #3B5F11

RGB 59 95 17

HSL 87.69, 0.7%, 0.22%

LAB 36.28, -26.29, 37.53

 

CMYK 38 / 0 / 82 / 49

HEX #518217

RGB 81 130 23

HSL 87.48, 0.7%, 0.3%

LAB 49.22, -33.62, 48.06

 

CMYK 38 / 0 / 82 / 35

HEX #67A51D

RGB 103 165 29

HSL 87.35, 0.7%, 0.38%

LAB 61.55, -40.55, 57.97

 

CMYK 38 / 0 / 83 / 22

HEX #7DC823

RGB 125 200 35

HSL 87.27, 0.7%, 0.46%

LAB 73.41, -47.18, 67.43

 

CMYK 37 / 0 / 82 / 50

HEX #508017

RGB 80.7 128.6 23

HSL 87.22, 0.7%, 0.3%

LAB 48.75, -33.1, 47.62

 

CMYK 82 / 0 / 28 / 49

HEX #17825D

RGB 23 130 93

HSL 159.25, 0.7%, 0.3%

LAB 48.18, -38.17, 11.97

 

CMYK 0 / 82 / 4 / 49

HEX #82177D

RGB 130 23 125

HSL 302.8, 0.7%, 0.3%

LAB 31.44, 54.55, -31.95

 

CMYK 37 / 0 / 82 / 50

HEX #508017

RGB 80.7 128.6 23

HSL 87.22, 0.7%, 0.3%

LAB 48.75, -33.1, 47.62

 

CMYK 82 / 37 / 0 / 49

HEX #175282

RGB 23 82 130

HSL 206.92, 0.7%, 0.3%

LAB 33.62, -0.39, -32.23

 

CMYK 0 / 82 / 37 / 49

HEX #821752

RGB 130 23 82

HSL 326.92, 0.7%, 0.3%

LAB 29.33, 48.53, -7.5

 

CMYK 37 / 0 / 82 / 50

HEX #508017

RGB 80.7 128.6 23

HSL 87.22, 0.7%, 0.3%

LAB 48.75, -33.1, 47.62

 

CMYK 82 / 0 / 28 / 49

HEX #17825D

RGB 23 130 93

HSL 159.25, 0.7%, 0.3%

LAB 48.18, -38.17, 11.97

 

CMYK 45 / 82 / 0 / 49

HEX #471782

RGB 71 23 130

HSL 266.92, 0.7%, 0.3%

LAB 22.17, 44.38, -50.54

 

CMYK 0 / 82 / 54 / 49

HEX #82173C

RGB 130 23 60

HSL 339.25, 0.7%, 0.3%

LAB 28.6, 46.34, 6.11

 

CMYK 37 / 0 / 82 / 50

HEX #508017

RGB 80.7 128.6 23

HSL 87.22, 0.7%, 0.3%

LAB 48.75, -33.1, 47.62

 

CMYK 82 / 0 / 4 / 49

HEX #17827D

RGB 23 130 125

HSL 177.2, 0.7%, 0.3%

LAB 49.04, -29.26, -5.52

 

CMYK 45 / 82 / 0 / 49

HEX #471782

RGB 71 23 130

HSL 266.92, 0.7%, 0.3%

LAB 22.17, 44.38, -50.54

 

CMYK 0 / 82 / 78 / 49

HEX #82171C

RGB 130 23 28

HSL 357.2, 0.7%, 0.3%

LAB 27.96, 44.35, 26.43

 

Description

Color code: RGB 80.7 128.6 23 | qconv.com Color code: RGB 80.7 128.6 23 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 80.7 red, 128.6 green and 23 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
80.7 128.6 23 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 37 cyan, none magenta, 82 yellow and 50 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
37% 0% 82% 50% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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